SAN MAURO BRIGADE FIELD HOSPITAL
VALDOTTAVO, PIEMONTE
The dream usually begins the same way. Duno is alert, but never scared. The planes will make a wide turn, he expects, then double back for a second run at the Roman bridge in Roccabarbena.
He hears the rattle and ping of gunfire hitting stone, sees Nello Toselli, still tubby despite a winter of hunger, racing bullets to the cave. Two planes flash overhead, German crosses, black on white, under the wings. Nello’s screams are lost in a series of deafening explosions.
Duno kneels at Nello’s side. The air reeks like a barnyard. The ground is brown and rust and red. Nello is facedown, his pants sticky with blood. Holes in his back and buttocks gape through the torn fabric like lipsticked mouths. Duno rolls him over. Loops of glistening bowel tumble out. The colors are astonishing. Maroon. Crimson. A bright spring green. Yellow, like chicken schmaltz.
This is where the dream can change. Most nights, the others gather to stare at the crater in Nello’s belly and groin. Someone vomits. “Go get la nonna’s doctor!” Duno yells.
Nello whimpers, “Mamma, it hurts.” Something in his gut breaks. Bright red arcs out of the body in pulses. Duno flinches when his face is splashed with hot blood, and wakes up.
Sometimes, though, the dream is different. He shouts for boiled salt water, washes dirt from the intestines, stuffs them back inside. Nello sighs. His face loses its clenched look and relaxes into a blank repose. On those nights, Duno sleeps better.
No one could have saved Nello. Duno knows that now. A swill of blood and bile and shit obscuring the field means ruptured viscera and ripped vessels. “Reassurance is your last gift,” the German doctor told him. “Speak calmly and quietly to the wounded man, and go on to someone else.”
Nearsighted, without spectacles, Duno Brössler is no good with a gun, but he isn’t squeamish, and he’s not afraid of blood. He can look at great ragged cavities left in pulpy flesh and simply… go to work. He has, quite likely, saved six lives under terrible conditions, and made it possible for them to return to battle. To do that, Jakub Landau told him, is as though Duno himself were six soldiers.
Since Nello’s death, Duno has spent countless hours studying the anatomical drawings Doktor Schramm improvised on the plaster walls of la nonna’s house. The chalk sketches were almost beautiful. “In combat, you won’t see this,” Schramm warned. “Bullets make a mess.” Welling blood is venous; pulsing blood, arterial. “Get the bleeding under control first,” Schramm told him. “Find what leaks.” Put direct pressure on the wound— pad your hand with clean cloth if you have it. “Don’t cut a tubular structure,” Schramm said. “Never close the jaws of your scissors if you can’t see their tips.” A rapid pulse and pale blue gums? Shock: raise the feet, keep the trunk warm. Use iodine for disinfectant, liquor for anesthetic. When neck wounds bubble and chest wounds suck, stitching the blue-rimmed hole won’t help. Convulsions signal cardiac arrest. Fixed, dilated pupils confirm death.
I ragazzi: the boys. That’s what the Valdottavese still call the San Mauro Brigade, but there are no boys left, not since Nello Toselli died. They’re men now, even those too young to shave. Since the air raid on the cave, they’ve moved every few nights, on the run, but not afraid. They coalesce for planning, split up to carry out raids. There were awful casualties at first, but they’ve developed a strategy that’s been consistently successful. They choose a road, blow up the next small bridge over a stream, and take the high ground nearby. Then they simply wait for a German column sent to investigate. It’s always preceded by two soldiers on motorcycles. Just as they realize the bridge is out, you shoot them to pieces, collect their weapons, and take the bikes. A couple of hours later, two German trucks carrying twenty men and small cannons will appear. Hold the high ground, shoot them to pieces, collect their weapons, their ammunition, and the trucks. Four hours later, two Tiger tanks arrive. By that time, you’re long gone: better armed, and scattered into a dozen ravines. The Übermenschen never change their tactics, and it’s costing them the war.
“We’ve got the Nazis on the run,” Duno tells the man he’s working on. “Rome is free, and yesterday the Allies invaded France. Radio London said it’s the largest invasion in history.”
The wounded man is conscious, but hasn’t said a word. The right side of his face is swollen to twice its normal size. Duno rinses the cloth in hot water, presses it against the half-formed scabs. When they’re softened and looser, he can pry them off and get at the bits of stone embedded in the skin.
Blood starts to flow again. The rabbi looks ready to pass out. “Head lacerations bleed a lot,” Duno tells him. “Don’t worry. These are superficial.”
“He’ll be all right?” the rabbi asks.
“Sì, certo!” Duno says, audibly confident for the patient’s sake.
In fact, the leg looks angry. Streaky, reddened. Sepsis could be setting in. “You can’t be sure,” Schramm told him. “Sometimes the body defeats an infection.”
Today Duno has the luxury of shelter for the operation, even if it’s only a barn. There’s a fire, boiling water to sterilize the knife, brandy for anesthesia, the rabbi to assist. Duno motions, and the rabbi hands him the grappa. “Drink up,” Duno says, putting the bottle into the wounded man’s hand. “I’m going after that bullet.”
The fingers refuse to grip. The man works to speak clearly through fattened lips. “Do wha’ y’have to.”
Duno looks at the rabbi. “Help me roll him onto his side, then hold him steady.” They cut the blood-crusted trouser leg neatly, so it’ll be easier for la nonna or Nello’s aunt to repair. The entry wound is small, above and behind the knee. There’s no exit, just a huge bruised lump halfway up the thigh, in front. “The bullet is lodged here,” Duno says, palpating the front of the thigh. “I’m going to cut across the skin and take it out from the front,” he warns the patient. “I’ll be quick.”
Concentrating, Duno hardly hears the shout of pain when he slices through the bruise. Two more passes through granulated blood, and the blade strikes lead. “Hold as still as you can,” Duno says, using the knifepoint to midwife a slug through his incision. The man gasps, shudders convulsively, goes limp.
“Just as well,” Duno remarks, popping the bullet out. “Easier to sew when they’re unconscious.” He cleans the entry and exit wounds again, painting them with iodine, suturing. “This isn’t so bad, really. I’ve seen bullets pulverize the bone, rip the arteries, blow big chunks out of the meat.” Duno glances up. “Sorry, Rabbino. Put your head between your knees.”
With the leg bandaged, Duno starts digging grit out of the face, hoping to be done before the man comes to. It’s tedious work. “Somebody told me this is la nonna’s son,” he says to pass the time and distract the rabbi.
“He is,” the rabbi says. “Was. She’s dead.”
Duno’s hands freeze. He looks down, and realizes that the wounded man is awake beneath his fingers. “How?”
“Cross fire,” Renzo Leoni says. “Finish wha’ you’re doing.”
They move him twice, maybe three times. Always at night. The moon is quartered once, gibbous the next time. For a while, he’s hidden in a wine cellar, where cool, moist air does battle with a fever that threatens to burn him to the ground. Iacopo seems never to leave his side.
“Where’s Mirella?” Renzo asks.
“Suora Corniglia found a place for her and the children. She sends her love. Drink this. Then rest.”
“Go home. Go… wherever they are. Leave me alone.”
An outdoor bivouac, next. Shards of sunlight shattered by twisting leaves, falling like glass into eyes emerging from bruised lids. The Austrian boy comes and goes. Once Jakub Landau visits with a delegation from the CNL, hoping to recruit la nonna’s son; it is a mistake il polacco will not repeat.
Days become weeks. She sends her love. Mirella? Or Sister Dimples…
He hears conversations. Actions taken, casualties sustained and inflicted. Now and then, an adolescent comes near, pats his shoulder, and says, “I got one for her, comrade.”
By August, he can walk with a crutch. They move to Castello Ritanna, a long-abandoned hilltop fortress. “Some of the smaller rooms are intact,” the Austrian kid tells him. “We’re using them as a more permanent hospital.”
One day Schramm appears in a stone doorway, comes close, kneels at Renzo’s side. The German is professional at first. “Straighten the leg. Good. Flex it, so… Yes. Excellent.” Fingers probe the wounds. Renzo’s face is turned from side to side, its pitted, livid surface inspected. “The boy did a good job.” Schramm rocks onto bony haunches. “I am sorry about your mother, my friend. She was a remarkable woman.”
What is there to say?