The author and publishers wish to express their thanks to the below sources of illustrative material and/or permission to reproduce it:
Academy of Fine Arts, Kolkata: p. 186 (foot); photo Ananda Bazar Patrika Ltd: p. 100; Bharat Kala Bhavan museum and gallery, Benaras Hindu University: pp. 20, 23, 24, 104, 121; photos Jyoti Bhatt: pp. 89, 90; collection of Sandip Bose: p. 143; collection of Sanjit Bose: pp. 22, 127 (top); courtesy of Bowrings Fine Art Auctioneers: p. 137; collection of Nihar Chakravarty: p. 136; collection of Kishore Chatterjee: pp. 39, 41, 43, 45; collection of Monishi Chatterjee: p. 42; Chhatrapati Shivaji Maharaj Museum (formerly the Prince of Wales Museum), Mumbai pp. 150, 206 (photos Bharath Ramamrutham); reproduced from Damerla Rama Rao Masterpieces (Rajahmundry, Damerla Rama Rao Memorial Art Gallery and School, 1969): pp. 160, 161, 162; collection of K. C. Das and family: p. 107; Delhi Art Gallery: pp. 37, 92, 95, 99, 128, 141, 148, 151, 153, 154, 172; reproduced by permission of the Department of Foreign Affairs, Government of India: pp. 203 (lower middle and foot), 205, 207, 209; collection of Ambika Dhurandhar: p. 203 (top and upper middle); courtesy of the Gaekwards of Baroda: pp. 89, 90; Government Museum and Art Gallery, Chandigarh: p. 146; Government Museum, Chennai (Madras): pp. 135, 175; photo Erich Hartmann/Magnum Photos: p. 111; Indian High Commission, Government of India (photos Bob Sego): pp. 213, 214, 215; Institute of Tagore Studies and Research (Rabindra Bhavan), Visva Bharati University, Santiniketan, West Bengal: pp. 67 top (acc. no. 2021), 67 foot (acc. no. 1898), 70 left (acc. no.1858-16), 71 (MS 102), 72 (acc. no. 2571), 73 left (acc. no. 151), 73 right (acc. no. 2771), 74, 76 left, 76 right (acc. no. 12.11.1934 RB); International Labour Organisation, Geneva: p. 174 (foot); Jamsethji Jijibhai School of Art, Mumbai: pp. 184, 186 (top), 224, 225, 227; reproduced from Sunil Janah, The Second Creature (Signet Press, Calcutta, 1949), courtesy of Mr Janah: p. 30 (foot); Kala Bhavana, Visva Bharati University, Santiniketan, West Bengal: p. 91; collection of the artist (V. P. Karmarkar), photo courtesy of the artist’s family: p. 158; Karnataka Government Museum and Venkatappa Art Gallery, Bangalore – reproduced by permission of the Government of Karnataka: pp. 166, 167, 168; collection I. K. Kejriwal: p. 66; collection of Dr Aziz Khan: pp. 30 (top), 169, 193; collection of Karl Khandalavala: p. 47; collection of Jane Mcgowan, New South Wales: p. 108; collection of Ashok Mitra: p. 101; collection of Claudio Moscatelli: p. 144; photos Samiran Nandy: pp. 87, 88 (Sriniketan, Santiniketan, West Bengal), 98 (Kala Bhavan, Santiniketan); National Gallery of Modern Art, Delhi: pp. 14, 48, 50, 52, 56, 57, 59, 60, 62, 64, 81, 174 (top); images copyright Osian’s Conoisseurs of Art – artistic copyright rests with the respected artist/photographer: pp. 84, 93, 117, 145, 188; Rabindra Bharati Society, Kolkata: pp. 18, 21, 32; collection of the artist (Jamini Roy): pp. 103, 106, 115; from Rupadarsini (Taraporevala, Bombay, 1958): p. 155; Shri Bhavani Museum, Aundh – reproduced courtesy of the Dept. of Archeaology and Museums, Maharastra State: pp. 147, 152 (left); Sri Jayachamarajendra Art Gallery, Mysore, Karnataka: pp. 126, 152 (right); reproduced from The Studio (XXV, 1902): p. 185; collection of Vivan and Navina Sundaram: p. 61; photo courtesy of Vivan Sundaram: p. 46; Tate Britain (photo Tate Picture Library/© Tate, London): p. 208; Victoria & Albert Museum, London – with special thanks to the artist’s grandson, Simon Rendell: p. 70 right (photo V&A Images/Victoria & Albert Museum, London); private collections: pp. 6, 31, 109; whereabouts unknown: pp. 28, 97 (top), 102, 129, 131, 134, 137, 156 [left and right], 157, 159, 160, 161, 162, 164, 171, 173, 182, 183, 185, 187, 188.