THE NEW AMERICAN CANON

Half a Million Strong: Crowds and Power from Woodstock to Coachella

by Gina Arnold

Violet America: Regional Cosmopolitanism in U.S. Fiction since the Great Depression

by Jason Arthur

The Meanings of J. Robert Oppenheimer

by Lindsey Michael Banco

Neocolonial Fictions of the Global Cold War

edited by Steven Belletto and Joseph Keith

Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War

by Eric Bennett

Places in the Making: A Cultural Geography of American Poetry

by Jim Cocola

The Legacy of David Foster Wallace

edited by Samuel Cohen and Lee Konstantinou

Race Sounds: The Art of Listening in African American Literature

by Nicole Brittingham Furlonge

Postmodern/Postwar—and After: Rethinking American Literature

edited by Jason Gladstone, Andrew Hoberek, and Daniel Worden

After the Program Era: The Past, Present, and Future of Creative Writing in the University

edited by Loren Glass

Hope Isn’t Stupid: Utopian Affects in Contemporary American Literature

by Sean Austin Grattan

It’s Just the Normal Noises: Marcus, Guralnick , No Depression, and the Mystery of Americana Music

by Timothy Gray

Wrong: A Critical Biography of Dennis Cooper

by Diarmuid Hester

Contemporary Novelists and the Aesthetics of Twenty-First Century American Life

by Alexandra Kingston-Reese

American Unexceptionalism: The Everyman and the Suburban Novel after 9/11

by Kathy Knapp

Visible Dissent: Latin American Writers, Small U.S. Presses, and Progressive Social Change

by Teresa V. Longo

Pynchon’s California

edited by Scott McClintock and John Miller

Richard Ford and the Ends of Realism

by Ian McGuire

William Gibson and the Futures of Contemporary Culture

edited by Mitch R. Murray and Mathias Nilges

Poems of the American Empire: The Lyric Form in the Long Twentieth Century

by Jen Hedler Phillis

Reading Capitalist Realism

edited by Alison Shonkwiler and Leigh Claire La Berge

Technomodern Poetics: The American Literary Avant-Garde at the Start of the Information Age

by Todd F. Tietchen

How to Revise a True War Story: Tim O’Brien’s Process of Textual Production

by John K. Young