Abensour, Miguel, 155
Abrams, M.H., 181, 331
Academy School, 105
Adams, James Eli, 51, 277, 331; Dandies and Desert Saints: Styles of Victorian Masculinity, 277, 331
Adorno, Theodor, 27, 33, 35, 99, 160, 191, 192, 193, 235, 237, 243, 279, 281, 309, 321–22, 329, 331, 346; Adorno Reader, 192; Aesthetic Theory, 160, 192, 235, 243, 279, 309, 329, 331; “The Essay as Form,” 235; “Lyric Poetry and Society,” 192, 331; Minima Moralia, 322
Agamben, Giorgio, 266–67, 279, 289, 328, 331; “The End of a Poem,” 266, 331; The Time That Remains, 279, 328, 331
Afghanistan, 254, 255
Alexander, Will, 256
Alison, Mark, 283
Allingham, William, 298
Althusser, Louis, 33
America, vii, 25, 40, 42, 98, 201, 202, 236, 237, 246, 265, 297, 315, 322, 323
Anderson, Amanda, 284, 292–94, 332; The Powers of Distance, 284, 332
Andrews, Bruce, 236, 323; “The Poetics of L=A=N=G=U=A=G=E,” 323; “Praxis: A Political Economy of Noise and Informalism,” 323
Aristotle, 181
Armstrong, Isobel, 31, 32, 33, 135, 136, 190, 269, 270, 271, 273, 295–96, 313, 315, 332; “D.G. Rossetti and Christina Rossetti as Sonnet Writers,” 135, 136, 315, 332; Victorian Poetry: Poetry, Poetics, and Politics, 31, 32, 190, 271, 273, 295–96, 332
Arnold, Matthew, 4, 5, 10, 11, 16, 17–20, 27–53, 55–83, 85–89, 95, 96, 97, 100, 103, 115, 118, 121, 134, 138, 178, 188, 203, 204, 210–11, 224–25, 232, 250, 267, 270, 273, 274, 279, 280, 281, 282, 283, 284, 285, 286, 287, 288, 289, 291, 294, 297, 302, 315, 332–33, 337, 338, 341, 343, 351, 355, 360, 361; “The Buried Life,” 60; Complete Prose, 204, 332; Culture and Anarchy, 31, 35, 36–39, 42, 43, 63, 64, 70, 283, 288, 289, 302, 332; “Democracy,” 31, 35, 36–37, 38, 39, 40–42; “Dover Beach,” 283; Empedocles on Etna, 20, 32, 76–86, 253, 291; “The Function of Criticism at the Present Time (1864),” 17, 20, 29, 44, 52, 62, 63, 64–65, 67, 68, 70, 74, 279, 288, 302; “Heinrich Heine,” 289; “Isolation. To Marguerite,” 44, 45–54, 58, 64, 65, 66, 70, 79, 95, 118, 178, 285 ; “On the Modern Element in Literature,” 17, 30, 76, 100; “On Translating Homer: Last Words (1861),” 33–34; Poems, 16, 33, 281, 282, 332; Popular Education in France, 40; “Preface,” 16, 33, 44, 59, 60, 61, 62, 78, 83, 134, 274, 280, 282, 286; “Revolutions,” 283; Selected Letters, 17, 333; “The Study of Poetry (1880),” 17, 28, 31, 44, 62, 282; “To Marguerite—Continued,” 44, 45, 49, 50, 53, 54–59, 79, 95, 118, 178, 285; “To a Friend,” 283; “To a Republican Friend, 1848,” 38; Works, 17, 28, 29, 30, 31, 34, 36–37, 40, 60, 62, 63, 73, 74, 76, 83, 100, 282, 286, 289. See also Callicles, Empedocles, Marie-Claude, and Wragg
Ashbery, John, [iii], 309; “The Skaters,” 309
Auschwitz, 237
Bacigalupo, Masimo, 197, 198, 333
Baden, Gordon, 285, 333
Bailey, P.J., 32
Ball, Patricia M., 271, 313, 317, 333
Barrett, Dorothea, 270
Basch, Michael Franz, 46, 51
Baudelaire, Charles, 77, 86, 101–03, 110, 114, 115, 118, 119, 175, 193, 201, 245, 250, 264, 281–82, 298, 300–01, 325, 333; Les Fleurs du Mal, 175, 333; “In Passing,” 175; “Of the Essence of Laughter,” 110; “The Painter of Modern Life (1863),” 101, 102; “The Salon of 1846,” 298; Selected, 101, 110, 333
Bax, Ernest, 181, 307, 336
Beaumont, Matthew, 178, 333
Beckett, Samuel, 241
Belfast (Ireland), 106, 136
Belgium, 97
Bellamy, Edward, 153, 305, 307, 349; Looking Backwards, 153
Benham, Jane, 123
Benjamin, Walter, 9, 114, 189, 190, 191, 192–93, 194, 235, 237, 238, 242, 243, 244, 245, 262, 281, 313–14, 322, 323, 333–34, 352, 355, 363; Illuminations, 190; Selected Writings, 312, 334; “Theses on the Philosophy of History,” 192, 238; “The Work of Art in the Age of Mechanical Reproduction,” 192; The Writer, 114, 242
Bernstein, Charles, 236
Bersani, Leo, 86, 102, 118, 334
Blake, William, 82, 345
Blanchot, Maurice, 257, 258, 334
Bloch, Ernst, 235, 308, 321, 322, 355; Literary Essays, 322
Bloom, Harold, 285, 334, 361
Bodichon. See Smith, Barbara Leigh
Boos, Florence S., 305, 307, 334, 349, 350; Socialism and the Literary Artistry of William Morris, 305, 307, 334
Bourdieu, Pierre, 293
Brewer, D.S., 274, 357, 361
Bridges, Robert, 10, 196, 215, 219, 220, 226, 227, 273, 275, 343; “Preface to Notes,” 196
Bromwich, David, 275, 334
Brontë, Charlotte, 287
Brooks, Cleanth, 202, 207, 208, 210, 211, 255, 315, 316, 327, 335; Modern Poetry and the Tradition, 315; Understanding Poetry, 315; The Well Wrought Urn, 207, 335
Brown, Daniel, 317, 335
Brown, Ford Madox, 105
Browning, Elizabeth Barrett, 4, 18, 32, 278; Aurora Leigh, 32; Sonnets from the Portuguese, 18
Browning, Robert, 32, 278; Men and Women, 32
Buchanan, Robert, 19, 93, 138, 296; “The Fleshly School,” 19, 138, 140, 296
Buckley, Jerome Hamilton, 4, 216, 270, 271, 317, 335; The Triumph of Time (1966), 4, 216; “The Idea of Decadence,” 216
Bump, Jerome, 239, 314, 323, 328, 335
Burne-Jones, Edward, 149, 157
Burne-Jones, Georgie, 149, 184, 304
Butler, Judith, 304, 335–36; “What is Critique? An Essay on Foucault’s Virtue,” 304, 336
Butler, Samuel, 305
Byron, Alfred Lord, 276
Cage, John, 322, 323, 324
Callicles (Empedocles on Etna), 20, 33, 77, 83–86, 88, 100, 253, 291. See also Arnold, Matthew, and Empedocles
Carlyle, Thomas, 6, 76, 103, 191, 305, 336; “Characteristics,” 6; “Philosophy of Clothes,” 6; Professor Teufelsdrockh, 6
Chadwick, Owen, 271, 336
Chartism, 283, 291
Church of England, 216
Civil War (American), 98
Claude, Mary. See Marie-Claude
Clough, Arthur Hugh, 17, 278, 341
Clover, Joshua, 244, 245, 250, 324, 325, 336, 353
Cole, Norma, 236, 322
Coleridge, Samuel Taylor, 181, 183, 271, 284, 313, 333
Colossians, 316
“the condition of music,” 4
Coolidge, Clark, 256
Corinthians, 328
Cotter, James Finn, 312, 336
Cousin, Victor, 284
Covent Garden, 186
Cowley, John, 307, 336; The Victorian Encounter with Marx: A Study of Ernest Belfort Bax, 307, 336
Creeley, Robert, 310, 336
Crimean War, 97
Cuthbertson, Joel, 303
Danahay, Martin, 278; Gender at Work in Victorian Culture: Literature, Art, and Masculinity, 278
Darwin, Charles, 278, 312, 313, 353
David Copperfield, 285, 289, 295. See also Dickens, Charles
Davies, Kevin, 244, 247; The Golden Age of Paraphernalia, 247
Dawson, Carl, 281, 288, 337
de Young Museum, 310
Dellamora, Richard, 277, 337; Masculine Desire: The Sexual Politics of Victorian Aestheticism, 277, 337
De Man, Paul, ; Aesthetic Ideology; The Concept of Irony;” Blindness and Insight; “The Resistance to Theory (1986);” “The Rhetoric of Temporality,”
Derrida, Jacques, 326, 337, 359; Specters of Marx, 326, 359
Dewey, John, 322
Dickens, Charles, 289. See also David Copperfield
Dickinson, Emily, 315, 323, 324
Dixon, Arthur, 311
Dobell, Sydney, 32
Donne, John, 202, 315; “The Canonization,” 315
Doughty, Oswald, 107, 134, 296, 297, 298, 337
Dowling, Linda, 273, 278, 304, 311, 338; Hellenism and Homosexuality in Victorian Oxford, 278, 338; The Vulgarization of Art: The Victorians and Aesthetic Democracy, 273, 304, 338
Drew, Philip, 271, 280, 338; “Matthew Arnold and the Passage of Time: A Study of The Scholar-Gypsy, and Thyrsis,” 280, 338
Dublin (Ireland), 221, 222
Duffy, Nicolai, 321, 338
Duncan, Robert, 256
Dunlap, Joseph, 158, 183–84, 338
Eagleton, Terry, 21–22, 338
Eliot, George, 289; Daniel Deronda, 289; Silas Mariner, 289
Eliot, T.S., 196, 197, 198, 199, 202, 210, 338; After Strange Gods: A Primer on Modern Heresy, 199, 338; The Wasteland, 279
Empedocles (Empedocles on Etna), 53, 76–82, 84, 85, 86, 95, 96, 103, 114, 250, 267, 289, 291. See also Arnold, Matthew, Callicles, and Wragg
Empson, William, 185, 199, 206, 208, 315, 338
Endymion, 50, 51, 58
Engels, Friedrich, 181, 182, 350
England, 40, 43, 63, 65, 68, 75, 170, 215, 216, 284, 289, 317
English Revolution, 63
Eros, 16, 21, 95, 97, 100, 121, 130, 135, 137, 300
Eurydice, 256–58
Exodus, 118, 143, 144, 298
Farrer, Austin, 228
Faulkner, Peter, 150, 160, 306, 339
Faust, 78, 301
Felluga, Dino, 276, 278; The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius, 276, 278, 339
Field, Michael, 18–19, 277
FLQ, 326
Ford, George, 11, 273, 274, 275; Keats and the Victorians, 11
Foucault, Michel, 101–02, 103, 119–20, 162, 166, 193, 284, 304, 336, 339; “What Is Critique?” 304, 339; “What Is Enlightenment?” 101–02, 166, 193, 339
France, 39, 40, 97, 284
Francis, Mark, 153, 271, 307, 339; History of English Political Thought in the Nineteenth Century, 307, 339
Franke, William, 263, 316, 328, 339; Poetry and Apocalypse: Theological Disclosures of Poetic Language, 263 339
Frankfurt School, 25, 191, 194, 235, 236, 237, 281, 322
French Revolution, 63
Friesen, Janet Wright, 305
Frye, Northrop, 301, 318
Fuller, Margaret, 287
Gagnier, Regenia, 68, 71, 340
Gallagher, Catherine, 206, 262, 273, 315, 340; The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian Novel, 273, 340; “Formalism in Time,” 206, 315, 340
Gallwey, Peter, 314; “Exhortation to Novices,” 314
Gardner, W.H., 315, 316–17, 340
Gelpi, Barbara Charlesworth, 299, 340; “The Image of the Anima in the Work of Dante Gabriel Rossetti,” 299, 340
The Germ, 98
Ghose, S.N., 105, 297, 340
Giles, Richard F., 196, 340
Gitenstein, Barbara, 265, 340
Goldsmith, Steven, 227, 341
Goodlad, Lauren, 273, 341; Victorian Literature and the Victorian State: Character and Government in Victorian Society, 273, 341
Goss, Erin M., 320; “Almost Unmade: Hopkins and the Body Apocalyptic,” 320
Governor Eyre Affair, 97
Green, T. H., 272
Greene and Greene, 311
Gregor, Ian, 36, 332
Guest, Barbara, 236, 309, 322
Guys, Constantin, 101, 102
Hallam, Arthur, 4, 33, 84, 85, 286, 287, 341
Hamlet, 78, 248, 326
Handelman, Susan, 321
Hardy, Thomas, 191, 289; Tess of the d’Urbervilles, 289
Harrison, Antony, 32, 38, 40, 43, 60, 83, 86, 144, 270, 273, 274, 280–81, 283, 285, 287, 289, 292, 297, 341; The Cultural Production of Matthew Arnold, 32, 38, 60, 83, 274, 280, 281, 285, 287, 289, 297, 341; “Dante Rossetti: Parody and Ideology,” 292; Victorian Poets and the Politics of Culture, 273, 274, 341
Hassett, Constance W., 277; Christina Rossetti: The Patience of Style, 277
Hastings, 123
Heathcliff, 178
Heine, Heinrich, 289
Hejinian, Lyn, 236, 239; The Language of Inquiry, 239; My Life, 236
Helsinger, Elizabeth, 20, 113, 119, 150, 236, 269, 297, 298, 299, 303, 305, 306, 322, 342; Poetry and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William Morris, 269, 342
Hemans, Felicia, 285
Henderson, Andrea K., 72, 73, 342
Heuffer, Ford Madox, 105, 297; Ancient Lights and Certain New Reflections, 297
High Modernism, 181
Hirsch, Pam, 296, 342
Holcombe, Lee, 122, 299, 300, 343
Hölderlin, Friedrich, 236
Holmes, John, 271, 278, 295, 296, 301, 343
Homer, 33, 34
Honan, Park, 68, 282, 285, 287, 288, 343
Hopkins, Gerard Manley, 4, 5, 6–7, 8, 10, 11, 18, 24–25, 89, 151, 158, 189–233, 237, 239, 244, 245, 251, 255, 264, 270, 271, 272, 273, 275, 279, 306, 312, 313, 314, 315, 316, 317, 318, 319, 320–21, 323, 328, 331, 333, 334, 335, 336, 337, 340, 342, 343, 345, 347, 349, 350, 352, 353, 354, 355, 357, 359, 360, 362, 363; Further Letters, 216; Journals, 7, 217, 229, 233, 318; Letters, 215, 219–20, 226, 227; “Meditation on Hell,” 321; “No Worst,” 216; “On the Signs of Health and Decay in the Arts,” 217; “Poetry and Verse,” 317; Sermons and Devotional Writing, 321; “Spelt from Sybil’s Leaves,” 212, 214, 216, 221–33, 255, 318, 350, 359; “Tom’s Garland,” 216; “The Wreck of the Deutschland,” 189, 212, 216, 219, 220, 221, 229, 244, 318
Howitt, Anna Mary, 123, 296, 301; The Art Student in Munich, 301; Margaret, 301
Hueffer, Ford Madox, 105, 106
Humphries, Simon, 277, 344; “Christina Rossetti’s ‘My Dream’ and Apocalypse,” 277, 344
Hunt, Holman, 10, 97, 107; “The Eve of St. Agnes,” 10
Huxley, T. H., 271
Hyndman, Henry, 181
Indochina, 323
Ingle, Stephen, 307, 344; Narratives of British Socialism, 307, 344
Ingram, David, 304, 336, 339
Iraq, 255
Jakobson, Roman, 20, 126, 344
Jameson, Fredric, 271, 306, 329, 344, 346; Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions, 271, 306, 329; The Political Unconscious, 329, 344
Jay, Martin, 312, 345; Marxism and Totality, 312
Johnson, Margaret, 313
Joron, Andrew, 138, 235, 253–60, 262, 302, 303, 321, 322, 327–28, 345; “As Ending, Send,” 259; The Cry at Zero, 256, 302, 327, 345; “Divination of the Vortex(t),” 327; “The Emergency,” 235, 253, 255, 256, 321; Fathom, 327; “Nightsun, Sign,” 256–57; The Sound Mirror, 256, 327, 345; “The Theremin in My Life,” 303; Trance Archive: New and Selected Poems, 327
Jowett, Benjamin, 272
Jude, 178
Kant, 27, 65, 70, 79, 96, 119, 140, 284, 288, 289–91, 312, 345, 346, 363; The Critique of Judgment, 291, 312, 345; Religion Within the Boundaries of Mere Reason, 70, 288, 345
Kaufman, Robert, 33, 34, 35, 275, 281–82, 293, 314, 345–46; “Lyric Commodity Critique: Benjamin Adorno Marx Baudelaire Baudelaire Baudelaire,” 281–82, 314, 346; “Negatively Capable Dialectics,” 275, 281, 346; “Sociopolitical (i.e. Romantic) Difficulty in Modern Poetry and Aesthetics,” 34, 346
Keats, John, 3, 10–17, 19, 25–26, 29–30, 32, 61, 73, 77, 86, 140, 207, 208, 221, 255, 259, 267, 269, 273, 274, 275–76, 280, 281, 289, 304, 315, 334, 346, 348; The Complete Poems, 269; The Eve of St. Agnes, 10; The Fall of Hyperion, 3, 10, 11, 12, 13, 25, 26, 29, 77, 140, 221, 267, 273, 275–76; “Isabella,” 10; Letters, 14; “Ode on a Grecian Urn,” 207, 208, 255; “Ode to a Nightingale,” 10
Keatsian School, 16, 17, 19
Kelmscott Press, 148, 161, 163, 164, 184, 308, 311, 338, 354
Kierkegaard, 60
Kinna, Ruth, 310, 346
Kingsley, Charles, 51
Kirchhoff, Frederick, 149, 346
Krieger, Murray, 181, 184–85, 209, 210, 301, 311, 316, 347; A Reopening of Closure, 185, 209, 347
Kumar, Krishan, 149, 155–56, 352; News from Nowhere, 149, 155, 352
L=A=N=G=U=A=G=E, 236, 323, 326
Lacan, 290, 294, 363
Lady of Shallot, 142
Lamantia, Philip, 256
Lancelot, 142
Landon, Letitia, 285
Lane, Christopher, 278, 347; The Burdens of Intimacy: Psychoanalysis and Victorian Masculinity, 278, 347
Language Poet(s)/Poetry, 236, 239, 240, 322, 323, 324, 326
Latham, David, 154, 163–64, 305, 306, 307, 308, 347; “‘To Frame a Desire’: Morris’s Ideology of Work and Play,” 306, 347; Writing on the Image: Reading William Morris, 305, 347
Lauter, Paul, 121, 299, 347; “The Narrator of ‘The Blessed Damozel’,” 299, 347
Laybourn, Keith, 307, 347; The Rise of Socialism in Britain 1881–1951, 307, 347
Leavis, F.R., 199, 202, 204, 206, 208, 210–14, 241, 315, 316, 327, 347–48; Mass Civilization and Minority Culture, 316, 347; New Bearings on English Poetry, 202, 210–14, 348
Leighton, Angela, 277, 348; Victorian Women Poets: A Critical Reader, 277, 348
Leng, Andrew, 299, 348
Lenhardt, 192, 243, 313, 322
Levinson, Marjorie, 275, 348; Keats’s Life of Allegory: The Origins of a Style, 275, 348
Liddon, Henry Parry, 216, 313, 353
Lilith, 140–45
Lloyd, David, 283, 291, 308, 349; Culture and the State, 292, 349
Logos, 100, 190, 228, 249
London (England), 219, 250, 287
Lowy, Michael, 322, 349
Ludlow, John Malcolm, 288
Lukács, György, 308
Luna, 50, 51, 58, 65
Lutchmansingh, Lawrence, 153, 305, 307, 349; “Archeological Socialism: Utopia and Art in William Morris,” 305, 349
Lynch, Deidre, 285, 349
Lyotard, Jean-Francois, 200, 349
MacCarthy, Fiona, 171, 307, 349; William Morris: A Life for Our Time, 307, 349
MacCracken, Francis, 106–07, 135
Macdonald, Alexander, 307, 349–50; “Bellamy, Morris, and the Great Victorian Debate,” 307, 349–50
Macdonald, Bradley, 155, 183, 307, 350; William Morris and the Aesthetic Constitution of Politics, 307, 350
Machann, Clinton, 278, 333; Masculinity in Four Victorian Epics, 278
Mackey, Louis, 314, 350
Mackenzie, Norman, 222, 318, 319, 320, 343, 350; “On Editing Gerard Manley Hopkins,” 318, 350; The Poetical Works of Gerard Manley Hopkins, 320, 343; A Reader’s Guide To Gerard Manley Hopkins, 222, 319, 350
Mallarmé, Stéphane, 4
Marie-Claude, 58, 285. See also Arnold, Matthew
Married Women’s Property Acts, 122
Marsh, Jan, 301, 350
Marx, Karl, 5, 154, 155, 156, 176, 181, 182, 194, 235, 239, 264, 281, 305, 307–08, 312, 321, 326, 334, 336, 344, 345, 346, 350, 351, 359; Economic and Philosophic Manuscripts of 1844, 156
Mcdonagh, Josephine, 67, 74, 75, 288, 351
McGann, Jerome, 20, 21, 84–85, 94, 100, 113, 121, 134, 149, 161–62, 164, 269, 270, 277, 278, 291, 292, 293, 295, 296, 297, 299–300, 309, 351, 357, 360; Black Riders: The Visible Language of Modernism, 149, 161, 162, 309, 351; “Christina Rossetti’s Poems,” 277, 351; “Dante Gabriel Rossetti and the Betrayal of Truth,” 297; Dante Gabriel Rossetti and the Game that Must be Lost, 100, 134, 269, 292, 295, 351; The Poetics of Sensibility: A Revolution in Literary Style, 278; Rossetti Archive, 296; Swinburne: An Experiment in Criticism, 270, 351; Victorian Connections, 291, 351
McLaughlin, Kevin, 284, 288–89, 351
Meier, Paul, 153, 274, 305, 307, 351; William Morris: The Marxist Dreamer, 305, 307, 351
Mendosa, Victor, 277, 351; “‘Come Buy’: The Crossing of Sexual and Consumer Desire in Christina Rossetti’s ‘Goblin Market,’” 277, 351
Mill, John Stuart, 4, 47, 285; “What Is Poetry?” 285 Millais, John, 10
Miller, Elizabeth Carolyn, 148, 163, 272, 306, 308, 311, 321, 352; “William Morris, Print Culture, and the Politics of Aestheticism,” 272, 352
Mnemosyne, 13
More, Thomas, 305
Morgan, Monique, 301–02; Narrative Means, Lyric Ends: Temporality in the 19th Century British Long Poem, 301
Morris, Jane, 134, 299
Morris, William, 4, 5, 6, 7, 10, 18, 22–23, 24, 71, 89, 97, 147–88, 193, 222, 233, 236, 245, 250, 251, 252, 263, 264, 269, 270, 272, 273, 274, 275, 294, 299, 304, 305, 306–08, 309–10, 311, 312, 321, 323, 329, 334, 338, 339, 342, 346–47, 349, 350, 351, 352, 354, 358, 359, 360, 361, 362; Apple (1877), 184; A Book of Verse, 22, 148, 157, 158, 160, 162, 166, 180, 183, 352; The Collected Letters, 312, 352; The Defense of Guenevere, 150, 306; The Dream of John Ball, 155; The Earthly Paradise, 149, 150, 157, 161, 236, 273, 305, 306, 308; “How I Became a Socialist,” 154–55, 166, 169, 182, 308; “How We Live and How We Might Live,” 311; Jasmine (1872), 184; “The Lesser Arts,” 164–65, 167; The Life and Death of Jason, 306; Love is Enough, 158; News from Nowhere, 10, 22, 23, 149, 151–53, 155, 156–57, 170–80, 187–88, 250, 251, 333, 352; “Praise of Venus,” 162–64, 166–69, 187, 188; Rubaiyat of Omar Khayyam (1872), 184; “Useful Work and Useless Toil,” 163; “The Worker’s Share of Art,” 157; Works, 159, 162, 185–86, 187, 352. See also Old Man Hammond, Utopia, and William Guest
Morris and Co., 171
Morrow, John, 153, 271, 307, 339; A History of English Political Thought in the 19th Century, 307, 339
Morton, A.L., 155, 165, 166, 167, 182, 310, 311, 312, 352
Moses, 118
Moses, Stephané, 9, 238–39, 323, 352
Motto, Marylou, 319, 352
Moxley, Jennifer, 272–73, 353; “Fragments of a Broken Poetics,” 272–73, 353
Müller, Friedrich Max, 314, 335; Natural Religion: The Gifford Lectures, 1888, 314
Muller, Jill, 221–22, 225, 313, 318, 353
Murray, Charles Fairfax, 149, 164
Nagel, Thomas, 293
Najarian, James, 16, 353
Napoleon (Bonaparte), 105
Nealon, Christopher, 235, 244–47, 254, 255, 324, 326, 353; “Camp Messianism, or, the Hopes of Poetry in Late-Late Capitalism,” 235, 244, 246, 353; The Matter of Capital: Poetry and Crisis in the American Century, 246, 353; Plummet, 247, 353; “Poetry and Politics Roundtable,” 326, 353
Nelson, Maggie, 278, 309; Women, The New York School, and Other True Abstractions, 278
New Critics / New Criticism, 181, 184, 194, 195, 199, 201, 202, 204, 205, 206, 207, 208, 214, 217, 232, 237, 255, 315, 316
Newman, John, 216, 313, 353
Niedecker, Lorine, 309, 362–63
Nile (river), 186
Nixon, Jude, 312, 335, 353
Nunn, Pamela Garish, 301, 350
“Occupy” Movement, 330
O’Hara, Frank, 309
Old Man Hammond (News from Nowhere), 152, 170, 173, 179
Olson, Charles, 310; “Projective Verse,” 310
Oppen, George, 309, 330
Organicism, 181–82, 183, 184, 185, 209, 311, 312
Orpheus, 256–59, 334
Oxford (University), 76, 216, 323, 328
Palmer, Michael, 236, 322
Pantheia, 77–8
Paraguay, 316
Parkes, Bessie Rayner, 123; The English Women’s Journal, 123
Pater, Walter, 4, 47, 77, 85, 110, 150–51, 160, 193, 201, 205–06, 246, 264, 272, 285, 313, 315, 325–26, 353, 354; The Renaissance, 150, 205, 206, 246, 285, 325, 354
Paul, Saint, 289
Peterson, William, 308, 311, 354
Pevsner, Nicholas, 309, 354; Pioneers of Modern Design from William Morris to Walter Gropius, 309, 354
Pfordresher, John, 288, 377
Phillips, Catherine, 272, 314–15, 354; Gerard Manley Hopkins and the Victorian Visual World, 272, 354
Picardy (France), 186
Pindar, 279
Pip, 178
Plotkin, Cary, 313, 318, 319, 355; The Tenth Muse, 318, 319, 355
Poe, Edgar Allen, 299
Poovey, Mary, 46, 72, 73, 97, 122, 285, 295, 299, 300, 355; Uneven Developments: The Ideological Work of Gender in Mid-Victorian England, 285, 355
Pound, Ezra, 4, 196, 197, 198, 199, 210, 236
Pratt, Linda Ray, 282
Pre-Raphaelite(s), 7, 10, 107, 138, 164, 180, 217, 218, 236, 239, 269, 274, 295, 296, 299, 306, 322, 342, 350, 359
Pre-Raphaelite Brotherhood (PRB), 10, 31, 98, 273, 295, 297, 360
Pritchett, Patrick, 237, 330, 355; “The Breaking of the Vessels: Toward a Lyric of Messianic Form,” 330, 355; Writing the Disaster: The Messianic Turn in a Post-War American Poetry, 330, 355
Pusey, Edward Bouverie, 216, 323, 328, 335
Ransom, John Crow, 185
Rafael, 274
Rasula, Jed, 306
Red Sea, 261
Redfield, Marc, 39, 67, 279–80, 284, 288, 302–03, 356; The Politics of Aesthetics: Nationalism, Gender, Romanticism, 288, 356
Reisman, David, 307, 356; Democratic Socialism in Britain: Classic Texts in Economic and Political Thought, 1825–1952, 307, 356
Retallack, Joan, 33, 235, 240–43, 244, 245, 254, 255, 322, 323, 324, 356; The Poethical Wager, 235, 243, 356; “Re:Thinking:Literary:Feminism: (three essays onto shaky ground),” 243, 356; “Wager as Essay,” 235
Revelation, 221, 227, 228, 318
Richards, I.A., 185, 191, 199, 202, 203–05, 206, 208, 211, 232, 241, 315, 356; Science and Poetry, 203, 204, 206, 356; Shorter Writings, 202, 205, 356
Riede, David G. 113, 121, 139, 270, 292, 294, 296, 297, 300, 356; Critical Essays on Dante Gabriel Rossetti, 113, 292, 294, 296, 297, 300, 356
Rimbaud, Arthur, 236
Robbins, Bruce, 293–94, 356–57; Cosmopolitics: Thinking and Feeling Beyond the Nation, 293, 356; Feeling Global: Internationalism in Distress, 293, 357
Robertson, Lisa, [iii], 244, 248–50, 251–52, 253, 254, 260, 261, 326–27, 339, 355, 357; Debbie: an Epic, 248, 357; “A Hotel,” 251; “Lifted: An Interview with Lisa Robertson,” 326, 339; Lisa Robertson’s Magenta Soul Whip, 249, 252, 357; “Lucite,” 249; Occasional Works and Seven Walks from the Office of Soft Architecture, [iii], 249, 357; Prismatic Publics, 327, 338; R’s Boat, 249, 252, 357; “Utopia,” 252, 253, 261; The Weather, 248, 357. See also Utopia
Robinson, Jeffrey C., 278; Unfettering Poetry: The Fancy in British Romanticism, 278
Roebuck (Member of Parliament), 68
Rossetti, Christina, 4, 97, 277, 298, 299, 332, 344, 351, 361
Rossetti, Dante Gabriel, 4, 5, 6, 7, 10, 11, 18, 20–22, 24, 85, 89, 91–146, 151, 180, 193, 236, 245, 250, 253, 260, 261, 262, 263, 264, 269, 270, 274, 278–79, 292, 294, 295, 296, 297, 298, 299, 300, 301, 302, 303, 304, 305, 323, 325, 329, 332, 337, 339, 340, 342, 343, 351, 356, 357, 358, 359, 361; “Autumn Song,” 292; Beatrice, 297; The Blessed Damozel, 96, 105, 121–30, 133, 134, 135, 142, 277, 299, 300, 302, 303, 347, 348, 361; “Body’s Beauty,” 138, 140–41, 142, 143, 144; “The Bridal Birth,” 121, 130–33; “Broken Music,” 292; Collected, 92, 104, 124, 292, 357; Correspondence, 98, 106–07, 123, 274, 292, 296, 298, 301, 357; “Eden Bower,” 141, 142; “Found,” 107; “The Girlhood of Mary Virgin,” 107; “Hand and Soul,” 92–94; “Heart’s Hope,” 260–61, 263; House of Life, 20, 97, 100, 111, 131, 134, 135, 137, 138, 139, 278, 279, 296, 302, 303; “Jenny,” 142, 295; “The Magdalene,” 107; “Mary in the House of St. John,” 107; “The Monochord,” 138, 142–43, 144, 145, 261, 302; “Nuptial Sleep,” 136; “On the Refusal of Aid Between Nations (1849),” 98; Poems, 302; “The Portrait,” 297; “Saint Agnes of Intercession,” 20, 96, 100–04, 107–15, 116–19, 120, 135, 136, 144, 145, 325; “Silent Noon,” 128; “Sonnet on the Sonnet,” 111; “Soul’s Beauty,” 138, 139–40, 141, 142, 303; “The Sun-rise in 1848,” 98; “Transfigured Life,” 303; “Wellington’s Funeral (1852),” 98; “Willowwood,” 135, 297
Rossetti, William Michael, 106, 150, 274
Rothenberg, Jerome, 91
Ruskin, John, 4, 7, 23, 71, 106, 107, 154, 193, 195, 218–19, 220, 229, 248, 264, 271, 272, 297, 304, 305, 310, 313, 315, 317, 320, 325, 333, 357; The Complete Works of John Ruskin, 193, 218–19, 229, 357; The Elements of Drawing, 193, 317, 320; Modern Painters, 317; “The Nature of Gothic,” 218, 317; The Stones of Venice, 317
Sainte-Beuve, Charles Augustin, 284
The Saturday Review, 67
Saturn (god), 16
Scholem, Gershom, 238, 265–66, 322, 324, 349, 352, 358; The Messianic Idea in Judaism, 238, 358
Schor, Naomi, 18, 276, 280, 358; Reading in Detail: Aesthetics and the Feminine, 276, 358
Scolar Press, 184
Scotus, John Duns, 195, 314
Scott, Walter, Sir, 276
Scott, William Bell, 298
Sedgwick, Eve Kosofsky, 46, 47, 48, 50, 51, 53, 54–55, 65, 69, 137, 285, 358; “Shame and Performativity,” 46
Shairp, J.C., 139, 358
Shakespeare, William, 32, 202, 279
Shankland, Graeme, 159
Shanley, Mary Lyndon, 299, 358
Sheets, Robin, 295; “Pornography and Art: The Case of ‘Jenny’,” 295
Shelley, Percy Bysshe, 10, 17, 33
Siddal, Elizabeth, 123, 133, 296, 299
Sidgwick, Henry, 271
Silliman, Ron, 236, 239, 323, 358; The Age of Huts, 236; The New Sentence, 239, 323, 358
Silver, Carole, 121, 150, 305, 307, 310, 334, 349, 350, 358; The Romance of William Morris, 121, 150, 310; Socialism and the Literary Artistry of William Morris, 305, 307
Sinai, Mount, 118
Skoblow, Jeffrey, 99, 150, 236, 305, 359; Paradise Dislocated: Morris, Politics, Art, 305, 359
Slinn, E. Warwick, 273, 359; Victorian Poetry as Cultural Critique: The Politics of Performative Language, 273, 359
Smith, Alexander, 16, 32, 280; A Life-Drama, 280
Smith, Barbara Leigh, 123, 296, 342; A Brief Summary, in Plain Language, of the Most Important Laws Concerning Women, Together with a Few Observations Thereon (1854), 123
Smith, Rod, 244
Smith, W. Tyler, 72
Socialism / Socialist, 5, 24, 151, 153, 154, 155, 156, 157, 166, 169, 171, 180, 181, 182, 183, 233, 271, 305, 307, 308, 311, 312, 334, 344, 346, 347, 349, 356
Sophocles, 279
Spasmodic School, 32, 280
Spector, Stephen, 121, 294, 295, 359; “Love, Utility, and Desire in the Poetry of Dante Gabriel Rossetti,” 294, 359
Sprinker, Michael, 319, 321, 359
Stasny, John F., 139, 358
“Stealthy School,” 140
Stein, Gertrude, 4, 322, 324
Stephen, Fitzjames, 67, 288
Stetson, Dorothy M., 299, 359
Stevens, John, 320; “Gerard Manley Hopkins as Musician,” 320
Stevens, Wallace, 198
Stevenson, Lionel, 299, 359; Pre-Raphaelite Poets, 299, 359
Stewart, Susan, 272, 359
St. Mary’s Church (Oxford), 310
Stonum, Gary L., 319, 359
Sulloway, Alison, 216, 271, 317, 318, 360; Gerard Manley Hopkins and the Victorian Temper, 270, 360
Swann, Charles, 288, 360; “No Wragg by the Illisus?: A Note on Matthew Arnold’s ‘Wragg is in Custody,’” 288, 360
Swedenborg, Emanuel, 199
Swinburne, Algernon, 3, 97, 110, 269, 270, 273–74, 299, 323, 341, 349, 351, 356, 360, 361–62; Songs Before Sunrise, 270, 361–62
Switzerland, 44
Tabernacle, 117, 118, 144
Tennyson, Lord Alfred, 3, 10, 32, 51, 106, 107, 269, 270, 276, 278, 286, 298, 345, 354, 361; In Memoriam, 32; “The Kraken,” 106, 298; “Maud,” 270; Poems Chiefly Lyrical, 286
Teukolsky, Rachel, 157, 312, 360
Thain, Marion, 277; Michael Field: Poetry, Aestheticism, and the Fin de Siecle, 277
Thames (river), 152, 170, 177, 219
Thomas, David Wayne, 273; Cultivating Victorians: Liberal Cultural and the Aesthetic, 273
Thomas, Jane, 294–95; “Morris and the Muse: Gender and Aestheticism in William Morris’s ‘Pygmalion and the Image,’” 294
Thomas, Paul, 283, 291, 308, 349; Culture and the State, 292, 349
Titans, 15
Tompkins, J.M.S., 149–50
Thompson, E.P., 10, 273, 275, 307, 360; William Morris, Romantic to Revolutionary, 307, 360
Thompson, Paul, 307, 360; The Work of William Morris, 307, 360
Tomkins, Silvan, 46
Tower of Babel, 228
Trilling, Lionel, 282, 285, 361; Matthew Arnold, 282, 361
Tucker, Herbert F., 8, 269, 270, 361; Tennyson and the Doom of Romanticism, 269, 361
Utopia, 22, 23, 147, 152, 153, 169, 170, 171, 172, 176, 178, 179, 180, 188, 238, 242, 251, 253, 261, 271, 306, 307, 311, 324, 325. See also under Morris, William; Robertson, Lisa
Valéry, Paul, 266, 342
Vanity Fair, 179
Venus (goddess), 162, 163, 164, 166, 167, 168, 180, 187, 188
Voltaire, 317
Waithe, Marcus, 307, 361; William Morris’s Utopia of Strangers: Victorian Medievalism and the Ideal of Hospitality, 307, 361
Waldman, Suzanne, 277, 292, 361; The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti, 277, 361
Walsh, Susan, 67, 288, 361; “That Arnoldian Wragg,” 288, 361
Wardle, George, 149, 184
Warner, Michael, 98, 293, 361
Warren, Austin, 199, 202, 225, 315; Gerard Manley Hopkins by The Kenyon Critics, 202
Warren, Robert Penn, 315; Understanding Poetry, 315
Watten, Barrett, 141
Webb, Sidney, 307
Weil, Simone, 318, 361
Weiner, Stephanie Kuduk, 270, 271, 273, 361; Republican Politics and English Poetry, 271, 273, 361
Whalley, Joyce Irene, 184
Whitman, Walt, 38, 362; Leaves of Grass, 38, 362
Whore of Babylon, 227, 228, 232
Wilde, Oscar, 167, 298, 325, 325–26
William Guest (News from Nowhere), 170–79, 311
Williams, Contra, 291
Williams, Raymond, 87, 362; The Long Revolution, 87, 362; Politics and Letters: Interviews with New Left Review, 87, 362
Williams, William Carlos, 195, 362; Spring and All, 195
Willis, Elizabeth, 309, 362–63; “The Poetry of Affinity: Niedecker, Morris, and the Art of Work,” 309, 362–63
Wimsatt, James, 221, 272, 314, 318, 363; Hopkins’s Poetics of Speech Sound: Sprung, Rhythm, Lettering, Inscape, 318, 363
Winnicott, D.W., 322
Wolfson, Susan, 8, 16, 273–74, 315, 363; Borderlines: The Shiftings of Gender in British Romanticism, 16, 273–74, 363; Formal Charges: The Shaping of Poetry in British Romanticism, 315, 363
Wolin, Richard, 313–14, 363; Walter Benjamin: An Aesthetic of Redemption, 313, 363
“women’s committee,” 123
Woodhouse, Richard, 14
Woolf, Virginia, 200
Woolner, Thomas, 297–98, 301
Wordsworth, William, 32, 73, 80, 289, 342, 363; The Prelude, 32, 80; “The Thorn,” 289
Working Men’s College, 159
Wragg (“The Function of Criticism”), 20, 59, 61, 64–69, 74, 75–76, 88, 232, 280, 287, 288, 289, 360, 361. See also Arnold, Matthew
Wurgaft, Ben, 298
Wuthering Heights, 118
Yeats, William Butler, 196–97, 198–99, 200–01, 202, 362, 363; Collected Works, 199, 363; “Modern Poetry,” 198; The Oxford Book of Modern Verse, 197, 200, 363
Žižek, Slavoj, 294, 363
Zukofsky, Louis, 4, 309 ; “A.” 309
Zupančič, Alenka, 88, 289–90, 292, 294, 363