<link href="StyleSheet.css" rel="stylesheet" type="text/css"/> <meta content="text/html; charset=utf-8" http-equiv="Content-Type"/> <meta content="urn:uuid:7dba91f6-8821-4510-8083-7acb0ba96b02" name="Adept.expected.resource"/> </head> <body> <p> <br/></p> <p class="centre_text"><big><big>Woodcut Illustrations</big></big></p> <p> <br/></p> <p> <br/></p> <p class="section">All cover and internal illustrations in this volume are based on woodcut illustrations from the fifteenth through seventeenth centuries. The source images (and the names of the artists, where known) are listed below.</p> <p> <br/></p> <p class="quote_section"><b>Front Cover:</b> <i>On Nocturnal Dance of Fairies, in Other Words Ghosts</i>, Olaus Magnus, 1555.</p> <p class="quote_section"><b>Prologue:</b> Unattributed English woodcut, 17th century.</p> <p class="quote_section"><b>Coral Bones:</b> From <i>The Good Womans Champion</i>, 1650; and from <i>Fortunatus</i>, 1554.</p> <p class="quote_section"><b>The Course of True Love:</b> <i>The Scholar in her Study</i>, Iacopo Filippo Foresti, 1497; and from <i>On Witches and Female Soothsayers</i>, 1489.</p> <p class="quote_section"><b>The Unkindest Cut:</b> From <i>Dance of Death</i>, Hans Holbein, c.1522.</p> <p class="quote_section"><b>Even in the Cannon’s Mouth:</b> From<i>Dance of Death</i>, Hans Holbein, c.1522; and unattributed English woodcut, c.1650.</p> <p class="quote_section"><b>On the Twelfth Night:</b> From <i>Greene in Conceit</i>, 1598.</p> </body> </html>