THE JEREMY BROWN who steps into the batter’s box in early October is, and is not, the fat catcher from Hueytown, Alabama, that the Oakland A’s had made the least likely first-round draft choice in recent memory. He was still about five foot eight and 215 pounds. He still wasn’t much use to anyone hoping to sell jeans. But in other ways, the important ways, experience had reshaped him.
Three months earlier, just after the June draft, he’d arrived in Vancouver, Canada, to play for the A’s rookie ball team. Waiting for him there was a seemingly endless number of jokes to be had at his expense. The most widely read magazine in the locker room, Baseball America, kept writing all these rude things about his appearance. They quoted unnamed scouts from other teams saying things like, “He never met a pizza he didn’t like.” They pressed the A’s own scouting director, Erik Kubota, to acknowledge the perversity of selecting a young man who looked like Jeremy Brown with a first-round draft choice. “He’s not the most physically fit,” Kubota had said, sounding distinctly apologetic. “It’s not a pretty body…. This guy’s a great baseball player trapped in a bad body.” The magazine ran Jeremy’s college year-book picture over the caption: “Bad Body Rap.” His mother back in Hueytown read all of it, and every time someone made fun of the shape of her son, she got upset all over again. His dad just laughed.
The other guys on the rookie ball team thought it was a riot. They couldn’t wait for the next issue of Baseball America to see what they’d write about Jeremy this time. Jeremy’s new friend, Nick Swisher, was always the first to find whatever they’d written, but Swish approached the thing with defiance. Nick Swisher, son of former major league player Steve Swisher, and consensus first-round draft pick, took shit from no one. Swish didn’t wait for other people to tell him what he was worth; he told them. He was trying to instill the same attitude, without much luck, in Jeremy Brown. One night over dinner with a few of the guys, Swish had said to him, “All that stuff they write in Baseball America—that’s bullshit. You can play. That’s all that matters. You can play. You think Babe Ruth was a stud? Hell no, he was a fat piece of shit.” Jeremy was slow to take offense and it took him a second or two to register the double-edged nature of Swish’s pep talk. “Babe Ruth was a fat piece of shit,” he said. “Just like Brown.” And everyone at the table laughed.
A few weeks after he’d arrived in Vancouver, Jeremy Brown and Nick Swisher were told by the team’s trainer that the coaches wanted to see them in their office. Jeremy’s first thought was “Oh man, I know I musta done something dumb.” That was Jeremy’s instinctive reaction when the authorities paid special attention to him: he’d done something wrong. What he’d done, in this case, was get on base an astonishing half the time he came to the plate. Jeremy Brown was making rookie ball look too easy. Billy Beane wanted to test him against stiffer competition; Billy wanted to see what he had. The coach handed Jeremy and Nick Swisher plane tickets and told them that they were the first guys from Oakland’s 2002 draft to get promoted to Single-A ball.
It took them forever to get from Vancouver, Canada, to Visalia, California. They arrived just before a game, having not slept in thirty-one hours. No one said anything to them; no one wanted to have anything to do with them. That’s the way it was as you climbed in the minors: your new teammates were never happy to see you. “Everybody just kind of looks at you and doesn’t say anything,” said Jeremy. “You just try to be nice. You don’t want to get off on the wrong foot.”
That first night in Visalia, he and Swish dressed and sat on the end of the bench. They might as well have been on the visiting team. No one even came down to say hello; if Swish hadn’t been on hand to confirm the fact Jeremy might have wondered if he still existed. In the third inning the team’s regular catcher, a hulk named Jorge Soto, came to the plate. Jeremy had never heard of Soto but he assumed, rightly, that he was competing with Soto for the catching job. On the first pitch Soto hit a shot the likes of which neither Jeremy nor Swish had ever seen. It was still rising as it flew over the light tower in left center field. It cleared the parking lot and also the skate park on the other side of the parking lot. It was the farthest ball Jeremy had ever seen hit live. Five hundred and fifty feet, maybe more. As Soto trotted around the bases, Jeremy turned to Swish and said, “I don’t think I’m ever going to catch here.”
If it was up to his new teammates, he wouldn’t have. They locked the door; if Jeremy Brown and Nick Swisher wanted in, they’d have to break it down. One day he was walking through the Visalia clubhouse when someone shouted in a mocking tone, “Hey, Badger.” Jeremy had no clue what the guy was talking about. He soon learned. His teammates, who still weren’t saying much to him, had nicknamed him “The Badger.” “It was ’cause when I get into the shower I kind of got a lot of hair on my body,” Jeremy explained. Behind his back, they were all still having fun at his expense. Jeremy just did what he always did, smiled and got along.
Along with most of the other players drafted by the Oakland A’s in 2002, Jeremy Brown had been invited to the Instructional League in Arizona at the end of the season. By then, three months after he’d been promoted to Visalia, no one was laughing at him. In Visalia, he’d quickly seized the starting catching job from Jorge Soto, and led the team in batting average (.310), on-base percentage (.444) and slugging percentage (.545). In fifty-five games, he’d knocked in forty runs. So artfully had he ripped through the pitching in high Single-A ball that Billy Beane had invited him to the 2003 big league spring training camp—the only player from the 2002 draft so honored. Every other player in the Oakland A’s 2002 draft—even Nick Swisher—had experienced what the A’s minor league director Keith Lieppman called “reality.” Reality, Lieppman said, “is when you learn that you are going to have to change the way you play baseball if you are going to survive.” Jeremy alone didn’t need to change a thing about himself; it was the world around him that needed to change. And it did. The running commentary about him in Baseball America hung a U-turn. When the magazine named him one of the top three hitters from the entire 2002 draft, and one of the four top prospects in the Oakland A’s minor league system, his mom called to tell him: someone had finally written something nice about him. His teammates in Visalia no longer called him “The Badger.” Everyone now just called him “Badge.”
When Jeremy Brown comes to the plate on this mid-October afternoon in Scottsdale, Arizona, it’s the bottom of the second inning. There’s no score, and there’s no one on base. The big left-hander on the other team has made short work of the A’s first three hitters. He throws Jeremy a fastball off the plate. Jeremy just looks at it. Ball one. Pitch number two is a change-up on the outside corner, where Jeremy can’t do much with it anyway, so he just lets it be. Strike one. Jeremy Brown knows something about pitchers: “They almost always make a mistake,” he says. “All you have to do is wait for it.” Give the game a chance to come to you and often enough it will. When he takes the change-up for a called strike, he notices the possibility of a future mistake. The pitcher’s arm motion, when he throws his change-up, is noticeably slower than it is when he throws his fastball.
The pitcher’s next pitch is a fastball off the plate. Ball two. It’s 2–1: a hitter’s count.
The fourth pitch is the mistake: the pitcher goes back to his change-up. Jeremy sees his arm coming through slowly again, and this time he knows to wait on it. The change-up arrives waist-high over the middle of the plate. The line drive Jeremy hits screams over the pitcher’s right ear and into the gap in left center field.
As he leaves the batter’s box, Jeremy sees the left and center fielders converging fast. The left fielder, thinking he might make the catch, is already running himself out of position to play the ball off the wall. Jeremy knows he hit it hard, and so he knows what’s going to happen next—or imagines he does. The ball is going to hit the wall and ricochet back into the field. The left fielder, having overrun it, will have to turn around and chase after it. Halfway down the first-base line, Jeremy Brown has one thought in his mind: I’m gonna get a triple.
It’s a new thought for him. He isn’t built for triples. He hasn’t hit a triple in years. He thrills to the new idea: Jeremy Brown, hitter of triples. A funny thing has happened since he became, by some miracle, the most upwardly mobile hitter in the Oakland A’s minor league system. Surrounded by people who keep telling him he’s capable of almost anything, he’s coming to believe it himself.
He races around first (“I’m haulin’ ass now”) and picks up the left fielder, running with his back to him, but not the ball. He’s running as hard as he’s ever run—and then he’s not. Between first and second base his feet go out from under him and he backflops into the dirt, like Charlie Brown. He notices, first, a shooting pain in his hand: he’s jammed his finger. He picks himself up, to scramble back to the safety of first base, when he sees his teammates in the dugout. The guys are falling all over each other, laughing. Swish. Stanley. Teahen. Kiger. Everybody’s laughing at him again. But their laughter has a different tone; it’s not the sniggering laughter of the people who made fun of his body. It’s something else. He looks out into the gap in left center field. The outfielders are just standing there: they’ve stopped chasing the ball. The ball’s gone. The triple of Jeremy Brown’s imagination, in reality, is a home run.