Index of Terms

Aestheticism, 1, 2

Aesthetics

– concept and scope of , 1, 2–3, 4, 5–6, 7–8, 9, 10–11, 12, 13, 14, 15, 16, 17, 18, 19, 20–21, 22, 23, 24, 25–26, 27, 28, 29, 30, 31–32, 33, 34, 35, 36, 37

– history of, 1, 2, 3, 4–5, 6–7, 8, 9–10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20–21, 22, 23, 24, 25, 26, 27

Amateur

– in music, 1, 2, 3, 4–5

– in painting, 1

Amateurism, 1

Antinomies (in aesthetics) , 1, 2, 3, 4, 5–6, 7–8, 9, 10, 11–12, 13, 14

Aporia, 1, 2, 3, 4–5, 6, 7, 8, 9–10

Art Nouveau (style), 1

Art, function and value of , 1, 2, 3, 4, 5, 6–7, 8, 9, 10, 11, 12, 13, 14; see also Meaning, art as a giver of

Background and Foreground (of a work)

– concept of , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21–22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38

– applications of, (in the various arts) 1-2, 3, 4–5, 6–7, 8, 9, 10–11, 12–13, 14, 15, 16–17, 18–19, 20, 21, 22–23, 24–25, 26–27, 28–29, 30, 31–32, 33–34, 35, 36, 37, 38–39, 40, 41, 42, 43, 44, 45 46, 47, 48, 49, 50

Banal, banality (in art), 1, 2, 3–4, 5, 6

Beauty, the beautiful

– concept of , 1, 2–3, 4–5, 6–7, 8–9, 10–11, 12–13, 14, 15–16, 17, 18, 19, 20

– in architecture , 1, 2, 3, 4, 5, 6–7, 8–9, 10, 11, 12, 13, 14, 15

– in the human being , 1, 2–3, 4, 5, 6, 7, 8, 9, 10–11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21–22, 23, 24, 25, 26, 27–28, 29, 30, 31, 32, 33–34, 35

– in landscape , 1, 2, 3–4, 5, 6–7, 8, 9, 10, 11–12, 13, 14, 15, 16–17

– in literature, 1, 2, 3, 4, 5, 6–7, 8–9, 10, 11, 12, 13, 14, 15, 16, 17

– in music , 1, 2, 3–4, 5, 6, 7–8, 9, 10–11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25

– in nature , 1, 2, 3, 4, 5, 6, 7, 8–9, 10, 11, 12, 13–14, 15, 16, 17, 18, 19, 20, 21, 22–23, 24, 25–26, 27–28, 29–30, 31, 32, 33, 34, 35, 36–37, 38–39, 40, 41, 42–43, 44, 45, 46

– in ornament, 1, 2, 3–4, 5, 6, 7, 8, 9, 10

– in painting , 1, 2–3, 4, 5, 6, 7, 8–9, 10–11, 12, 13, 14, 15, 16, 17

– in sculpture, (plastic arts) 1, 2, 3, 4, 5–6, 7, 8

Beholding, aesthetical 1

– concept of , 1, 2–3, 4, 5, 6, 7, 8, 9–10, 11, 12, 13, 14, 15–16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31–32, 33–34, 35–36, 37, 38, 39, 40, 41, 42–43, 44, 45–46, 47, 48, 49, 50, 51, 52, 53, 54–55, 56, 57, 58, 59, 60–61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78–79, 80, 81, 82–83, 84, 85, 86, 87–88, 89, 90, 91, 92, 93

– applications of, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10–11, 12, 13–14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25

Being for us, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

Being in itself, 1, 2, 3, 4, 5, 6, 7, 8

Caricature, 1, 2, 3, 4, 5, 6–7

Charm/Grace (Anmut)

– in the animal, 1, 2, 3, 4, 5

– in the human being, 1, 2, 3, 4, 5, 6, 7, 8

– in landscape, 1, 2, 3–4

The charming (in art) , 1, 2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12–13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24

Comedy (genre), see drama

Comedy, the comical

– concept and phenomenon of , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10–11, 12, 13, 14, 15, 16–17, 18

– in drawing and painting, 1, 2–3; see also Caricature

– in life, 1–2, 3–4, 5, 6, 7, 8, 9–10, 11, 12, 13–14, 15, 16, 17, 18, 19–20, 21–22, 23, 24

– in music, 1–2

Convergence theory in art, 1, 2, 3–4, 5

Creativity in art , 1, 2, 3, 4, 5, 6, 7, 8, 9–10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20–21, 22, 23, 24, 25, 26, 27, 28, 29–30, 31–32

De-actualization (Entwirklichung), 1., 2, 3, 4–5, 6, 7, 8, 9–10, 11

Delight see Pleasure/delight/enjoyment, concept of

Destiny (in art) , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12–13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26–27, 28, 29, 30–31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41–42, 43, 44, 45, 46, 47, 48

Deus ex machina, 1–2, 3

Disinterestedness, disinterested (Kant) , 1, 2, 3, 4–5, 6, 7, 8, 9–10, 11, 12

Drama , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50

– actors, function of, 1, 2–3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16

– comedy (genre), 1, 2, 3, 4, 5–6, 7, 8, 9, 10, 11, 12–13, 14, 15, 16, 17, 18, 19, 20, 21, 22

– drama of life, 1, 2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12, 13–14

– theory of, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17

– theater, 1, 2, 3–4, 5, 6

– tragedy , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20–21, 22, 23, 24, 25–26

Dramatic arts, 1, 2, 3, 4

Dramaturgy, 1, 2, 3, 4

Drawing, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16–17

Dutch Art, 1, 2, 3, 4, 5, 6, 7, 8

Ekstasis, 1

Emotion, the emotional , 1–2, 3, 4, 5, 6, 7, 8–9, 10, 11, 12, 13–14, 15, 16, 17, 18–19, 20, 21, 22–23, 24–25, 26, 27, 28, 29–30, 31, 32–33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43–44, 45, 46, 47–48, 49, 50, 51, 52, 53

Enchainment, 1–2

Enjoyment see Pleasure/delight/enjoyment, concept of

Ephebe (), 1

Epos, epic, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24

Eroticism in art, 1, 2, 3–4, 5–6, 7

Essential truth, 1–2, 3–4, 5, 6–7, 8–9, 10, 11

Expression in art, 1–2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13–14, 15, 16, 17–18, 19–20, 21, 22, 23, 24, 25, 26, 27, 28, 29

Fairy-tale, 1, 2, 3–4, 5, 6, 7, 8

Fashion, 1–2, 3, 4, 5, 6, 7

Fear and pity, (Aristotle) 1

Feeling, aesthetical (as a mode of givenness of values), 1, 2, 3, 4, 5–6, 7–8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19–20, 21, 22, 23, 24–25, 26, 27, 28, 29–30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41

Foreground and background (of a work) , 1–2, 3, 4, 5, 6–7, 8–9, 10, 11, 12, 13–14, 15, 16–17, 18, 19, 20, 21, 22, 23, 24–25, 26, 27, 28, 29, 30, 31–32, 33, 34, 35, 36

– in representational arts, 1, 2–3, 4–5, 6, 7

– in non-representational arts, 1, 2–3, 4–5, 6, 7, 8–9, 10

Form

– nature of , 1, 2, 3–4, 5–6, 7, 8–9, 10, 11, 12, 13, 14, 15–16, 17, 18, 19–20, 21, 22–23, 24–25, 26–27, 28, 29–30, 31f, 32, 33–34, 35, 36–37, 38, 39–40, 41, 42, 43, 44, 45–46, 47, 48

– bestowing form, of, nature of , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10–11, 12, 13, 14, 15, 16, 17–18, 19–20, 21–22, 23, 24, 25, 26, 27–28, 29–30, 31, 32, 33, 34–35, 36–37, 38, 39–40, 41, 42, 43, 44 45, 46, 47, 48

– bestowing of, applications in the arts , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17–18, 19, 20, 21–22, 23, 24, 25, 26, 27, 28, 29, 30, 31–32, 33–34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49

– free (pure) play with , 1, 2–3, 4, 5, 6, 7, 8, 9, 10, 11, 12–13, 14, 15, 16, 17, 18, 19, 20–21, 22, 23, 24, 25, 26, 27, 28, 29, 30–31, 32–33, 34, 35, 36, 37, 38, 39, 40, 41

– metaphysics of , 1, 2, 3, 4, 5–6, 7, 8–9, 10, 11–12, 13, 14, 15–16, 17, 18–19

Form and content, distinction between, 1–2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13–14, 15, 16, 17–18, 19, 20, 21, 22, 23

Freedom and Necessity, aesthetical , 1–2, 3, 4–5, 6–7, 8, 9, 10, 11.12

French impressionism, 1, 2

God, gods , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17–18, 19, 20, 21, 22, 23, 24, 25, 26

Gothic art, 1, 2, 3, 4, 5, 6, 7

Grace see Charm/grace (Anmut)

Greek art, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

Historicity of art, 1, 2–3, 4

Humor, the humorous, 1–2, 3, 4, 5, 6, 7–8, 9–10, 11, 12, 13, 14, 15–16, 17, 18, 19, 20, 21, 22, 23

– ethos of, 1–2, 3–4, 5

Humorist, 1, 2, 3–4, 5–6, 7, 8, 9, 10, 11

The joke, 1, 2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15–16, 17, 18, 19

Kitsch, 1, 2, 3, 4, 5

Laocoön, 1, 2

Leapfrogging, 1–2

Lied, 1, 2, 3, 4, 5, 6, 7, 8, 9

Love , 1–2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34

Material substance/matter , 1, 2, 3, 4–5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16–17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28–29, 30, 31–32, 33, 34, 35, 36, 37, 38, 39

Meaning, art as a giver of , 1, 2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14–15, 16–17, 18; see also Art, function and value of

Mimesis, 1, 2–3, 4, 5, 6, 7, 8, 9; see also Poiesis

Mockery, 1, 2, 3–4, 5, 6

Moral life, 1, 2, 3, 4, 5, 6, 7

Morality, role in art, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

Objectivation, 1, 2, 3–4, 5, 6–7, 8, 9, 10, 11, 12, 13–14, 15, 16, 17, 18, 19–20, 21, 22, 23, 24, 25, 26, 27, 28

Ontology, ontological , 1, 2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12–13, 14, 15, 16–17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32–33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49–50, 51

Opera, 1, 2, 3, 4, 5, 6–7, 8, 9, 10, 11, 12

The Ought, (moral necessity) 1, 2, 3, 4, 5, 6

Perception, concept of , 1–2, 3, 4, 5, 6, 7–8, 9, 10–11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25

Person (personality, personhood) , 1, 2, 3–4, 5, 6, 7, 8–9, 10, 11, 12–13, 14, 15–16, 17, 18, 19–20, 21, 22, 23, 24, 25, 26

Phenomenology, phenomenological , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10–11, 12, 13, 14, 15, 16, 17, 18

Pleasure/delight/enjoyment, concept of, 1–2, 3, 4, 5, 6, 7, 8–9, 10–11, 12, 13 14–15, 16–17; see also Disinterestedness, disinterested (Kant)

Poiesis (), 1, 2, 3; see also Mimesis

Portrait, portraiture , 1, 2, 3, 4, 5, 6, 7, 8–9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26–27, 28, 29, 30, 31, 32, 33, 34

– self-portrait, 1, 2, 3, 4, 5, 6–7, 8, 9, 10

Program music 1–2, 3, 4, 5, 6–7, 8, 9–10, 11, 12–13, 14, 15

Psychology, psychological 1, 2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14–15, 16, 17–18, 19, 20–21, 22, 23, 24, 25, 26, 27, 28

Psychologism, psychologistic, 1, 2, 3–4, 5

Relation of appearance (Erscheinungsverhältnis) ,1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23–24, 25, 26, 27, 28–29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41–42, 43–44, 45, 46–47, 48, 49, 50, 51, 52, 53–54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70–71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83–84, 85, 86, 87, 88, 89, 90, 91

The ridiculous, 1, 2, 3–4, 5, 6, 7, 8, 9, 10–11, 12, 13, 14, 15–16, 17, 18, 19, 20, 21

Sagas, Nordic, 1, 2

Shining forth/looking through, 1, 2, 3, 4, 5–6, 7, 8, 9, 10, 11, 12

Strata, stratification, theory of , 1, 2–3, 4, 5, 6–7, 8–9, 10–11, 12–13, 14–15, 16, 17–18, 19, 20–21, 22–23, 24–25

Strata in architecture, 1, 2, 3–4, 5–6, 7, 8, 9, 10–11, 12, 13, 14, 15, 16, 17

– in comedy, 1–2, 3–4

– in drama, 1–2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15

– in literature, 1–2, 3, 4, 5, 6–7, 8, 9, 10, 11, 12, 13–14, 15, 16, 17, 18, 19, 20, 21, 22, 23–24, 25, 26–27, 28–29, 30, 31, 32, 33, 34, 35–36, 37, 38

– in music , 1, 2, 3–4, 5, 6–7, 8, 9–10, 11–12, 13–14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30–31, 32–33, 34

– in painting , 1, 2, 3, 4–5, 6–7, 8, 9, 10, 11, 12–13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28–29, 30, 31, 32

– in poetry, 1–2, 3, 4, 5–6, 7–8, 9–10, 11, 12–13, 14, 15, 16, 17, 18, 19, 20–21

– in sculpture (plastic arts) , 1, 2, 3–4, 5, 6–7, 8, 9, 10, 11, 12, 13, 14

Style , 1, 2, 3–4, 5, 6, 7, 8, 9–10, 11, 12, 13, 14–15, 16–17, 18, 19–20, 21–22, 23, 24, 25, 26–27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37

– high style, 1–2, 3, 4, 5, 6

– style of life1, 2, 3, 4, 5, 6, 7, 8, 9

The sublime, sublimity

– concept of , 1, 2, 3, 4–5, 6–7, 8–9, 10, 11–12, 13, 14, 15, 16, 17; see also —Kantian theory of, 18, 19, 20, 21, 22–23, 24, 25–26, 27, 28, 29

– distinction from the charming , 1, 2, 3–4, 5–6, 7, 8–9, 10, 11, 571, 12

– in art, 1, 2, 3, 4–5, 6, 7, 8–9, 10, 11–12, 13, 14, 15

– in the comical, 1, 2, 3, 4, 5, 6, 7, 8–9, 10, 11, 12, 13, 14, 15, 16, 17–18

– in life, 1–2, 3, 4, 5, 6, 7

– in the tragic, 1, 2, 3–4, 5, 6, 7, 8

– Kantian theory of, 1, 2, 3, 4, 5–6, 7, 8, 9, 10, 11, 12

Sujet , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19

Tediousness, tedium, 1, 2, 3–4, 5, 6

Telos, teleology, 1, 2, 3–4, 5, 6, 7, 8

Tragedy, see drama

Transparency (of strata) , 1, 2, 3, 4, 5, 6, 7, 8–9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37

True to life , 1–2, 3, 4, 5, 6, 7–8, 9, 10–11, 12–13, 14–15, 16–17, 18, 19, 20, 21–22, 23–24, 25, 26, 27

Truth in art , 1, 2, 3–4, 5, 6–7, 8–9, 10–11, 12, 13, 14, 15–16, 17–18, 19, 20–21

Ugly, ugliness

– as a phenomenon in art 1, 2–3, 4, 5–6, 7–8, 9

– as a problem for aesthetics 1, 2–3, 4, 5, 6, 7–8, 9

Uniqueness of the artwork, 1-2, 3, 4, 5, 6, 7, 8

Unity and multiplicity in art, problem of , 1, 2, 3, 4, 5, 6, 7, 8, 9, 10–11, 12, 13, 14, 15–16, 17, 18–19, 20–21, 22

Value, values (and disvalues), concept of, 1, 2, 3, 4–5, 6, 7–8, 9–10, 11, 12–13, 14, 15, 16, 17, 18, 19–20, 21

– aesthetic values , 1–2, 3–4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17–18, 19, 20–21, 22, 23, 24–25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38–39, 40, 41–42, 43–44, 45–46, 47–48, 49, 50–51, 52–53, 54, 55, 56, 57, 58, 59, 60–61, 62, 63, 64–65, 66

– disvalues, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

– goods-values, 1, 2, 3, 4, 5–6, 7, 8–9, 10–11, 12, 13, 14, 15, 16, 17–18, 19

– moral values , 1, 2, 3, 4, 5, 6–7, 8, 9–10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20–21, 22, 23–24, 25, 26, 27–28, 29, 30, 31–32, 33, 34, 35, 36, 37–38, 39, 40, 41–42

– relativity of values, 1, 2, 3–4, 5, 6–7, 8

– situational values, 1, 2, 3–4, 5

– vital values , 1, 2, 3–4, 5, 6, 7, 8–9, 10, 11, 12, 13–14, 15, 16, 17, 18–19, 20, 21, 22, 23

Wit, 1–2, 3, 4