RISING

for Kevin Flood

1.

Having danced until nearly

time to get up, I went on

in the harvest, half lame

with weariness. And he

took no notice, and made

no mention of my distress.

He went ahead, assuming

that I would follow. I followed,

dizzy, half blind, bitter

with sweat in the hot light.

He never turned his head,

a man well known by his back

in those fields in those days.

He led me through long rows

of misery, moving like a dancer

ahead of me, so elated

he was, and able, filled

with desire for the ground’s growth.

We came finally to the high

still heat of four o’clock,

a long time before sleep.

And then he stood by me

and looked at me as I worked,

just looked, so that my own head

uttered his judgment, even

his laughter. He only said:

“That social life don’t get

down the row, does it, boy?”

2.

I worked by will then, he

by desire. What was ordeal

for me, for him was order

and grace, ideal and real.

That was my awkward boyhood,

the time of his mastery.

He troubled me to become

what I had not thought to be.

3.

The boy must learn the man

whose life does not travel

along any road, toward

any other place,

but is a journey back and forth

in rows, and in the rounds

of years. His journey’s end

is no place of ease, but the farm

itself, the place day labor

starts from journeys in,

returns to: the fields

whose past and potency are one.

4.

And that is our story,

not of time, but the forever

returning events of light,

ancient knowledge seeking

its new minds. The man at dawn

in spring of the year,

going to the fields,

visionary of seed and desire,

is timeless as a star.

5.

Any man’s death could end the story:

his mourners, having accompanied him

to the grave through all he knew,

turn back, leaving him complete.

But this is not the story of a life.

It is the story of lives, knit together,

overlapping in succession, rising

again from grave after grave.

For those who depart from it, bearing it

in their minds, the grave is a beginning.

It has weighted the earth with sudden

new gravity, the enrichment of pain.

There is a grave, too, in each

survivor. By it, the dead one lives.

He enters us, a broken blade,

sharp, clear as a lens or a mirror.

And he comes into us helpless, tender

as the newborn enter the world. Great

is the burden of our care. We must be true

to ourselves. How else will he know us?

Like a wound, grief receives him.

Like graves, we heal over, and yet keep

as part of ourselves the severe gift.

By grief, more inward than darkness,

the dead become the intelligence of life.

Where the tree falls the forest rises.

There is nowhere to stand but in absence,

no life but in the fateful night.

6.

Ended, a story is history;

it is in time, with time

lost. But if a man’s life

continue in another man,

then the flesh will rhyme

its part in immortal song.

By absence, he comes again.

There is a kinship of the fields

that gives to the living the breath

of the dead. The earth

opened in the spring, opens

in all springs. Nameless,

ancient, many-lived, we reach

through ages with the seed.