REARVIEW MIRROR

In an effort to be this so-called family,

we all go see The Glass Menagerie.

Mom and Dad think a play about people

more confused than us will make us forget.

In the taxi home, Mom says

they’ve hired an art therapist

to help us process everything,

some woman named Ann

Mom knows

from the studio.

As Mom speaks, the taxi driver catches

my eye in the rearview mirror.

Pretends he didn’t.

I think about the play,

how Laura forgives Jim for breaking the horn

off her tiny glass unicorn,

then gives the hornless unicorn to him,

a symbol of how he

broke her.

I rub my forehead with my cut hand,

catching again the stranger’s eyes in the mirror.

Silence strangles all of us, as we fly past

Shakespeare & Company,        H&H Bagels,

veer down West End,

spin the corner,

land right smack on Riverside.

We get out of the cab, Dad never saying a word

about Tom, Laura, the unicorn.

Usually he would’ve lectured us

on themes, metaphors, symbols.

Now, we’re all silent—

evidence left behind

at the scene of a crime,

lying motionless              on an empty stage.