DECLARATIONS

John Berryman

Go, ill-sped book, and whisper to her or

storm out the message for her only ear

that she is beautiful.

Mention sunsets, be not silent of her eyes

and mouth and other prospects, praise her size,

say her figure is full.

Say her small figure is heavenly & full,

so as stunned Henry yatters like a fool

& maketh little sense.

Say she is soft in speech, stately in walking,

modest at gatherings, and in every thing

declare her excellence.

Forget not, when the rest is wholly done

and all her splendours opened one by one

to add that she likes Henry,

for reasons unknown, and fate has bound them fast

one to another in linkages that last

and that are fair to see.

John Clare

FIRST LOVE

I ne'er was struck before that hour

With love so sudden and so sweet,

Her face it bloomed like a sweet flower

And stole my heart away complete.

My face turned pale as deadly pale,

My legs refused to walk away,

And when she looked what could I ail?

My life and all seemed turned to clay.

And then my blood rushed to my face

And took my eyesight quite away,

The trees and bushes round the place

Seemed midnight at noonday.

I could not see a single thing,

Words from my eyes did start –

They spoke as chords do from the string,

And blood burnt round my heart.

Are flowers the winter's choice?

Is love's bed always snow?

She seemed to hear my silent voice,

Not love's appeals to know.

I never saw so sweet a face

As that I stood before.

My heart has left its dwelling-place

And can return no more.

Christina Rossetti

THE FIRST DAY

I wish I could remember the first day,

First hour, first moment of your meeting me;

If bright or dim the season, it might be

Summer or winter for aught I can say.

So unrecorded did it slip away,

So blind was I to see and to foresee,

So dull to mark the budding of my tree

That would not blossom yet for many a May.

If only I could recollect it! Such

A day of days! I let it come and go

As traceless as a thaw of bygone snow.

It seemed to mean so little, meant so much!

If only now I could recall that touch,

First touch of hand in hand! – Did one but know!

Elizabeth Barrett Browning

SONNET XLIII, FROM THE PORTUGUESE

How do I love thee? Let me count the ways.

I love thee to the depth and breadth and height

My soul can reach, when feeling out of sight

For the ends of Being and ideal Grace.

I love thee to the level of every day's

Most quiet need, by sun and candlelight.

I love thee freely, as men strive for Right;

I love thee purely, as they turn from Praise.

I love thee with the passion put to use

In my old griefs, and with my childhood's faith.

I love thee with a love I seemed to lose

With my lost saints, – I love thee with the breath,

Smiles, tears, of all my life! – and, if God choose,

I shall but love thee better after death.

John Keats

Bright Star! would I were steadfast as thou art –

Not in lone splendour hung aloft the night,

And watching, with eternal lids apart,

Like Nature's patient sleepless Eremite,

The moving waters at their priestlike task

Of pure ablution round earth's human shores,

Or gazing on the new soft-fallen mask

Of snow upon the mountains and the moors –

No – yet still steadfast, still unchangeable,

Pillowed upon my fair love's ripening breast

To feel for ever its soft fall and swell,

Awake for ever in a sweet unrest;

Still, still to hear her tender-taken breath,

And so live ever – or else swoon to death.

William Shakespeare

Let me not to the marriage of true minds

Admit impediments, love is not love

Which alters when it alteration finds,

Or bends with the remover to remove.

O no! it is an ever-fixèd mark,

That looks on tempests and is never shaken;

It is the star to every wand'ring bark,

Whose worth's unknown, although his height be taken.

Love's not Time's fool, though rosy lips and cheeks

Within his bending sickle's compass come,

Love alters not with his brief hours and weeks,

But bears it out even to the edge of doom:

If this be error and upon me proved,

I never writ, nor no man ever loved.

William Barnes

A ZONG

O Jenny, don't sobby! vor I shall be true;

Noo might under heaven shall peärt me vrom you.

My heart will be cwold, Jenny, when I do slight

The zwell o' thy bosom, thy eyes' sparklen light.

My kinsvo'k would fain zee me teäke for my meäte

A maïd that ha' wealth, but a maid I should heäte;

But I'd sooner leäbour wi' thee vor my bride,

Than live lik' a squier wi' any bezide.

Vor all busy kinsvo'k, my love will be still

A-zet upon thee lik' the vir in the hill;

An' though they mid worry, an' dreaten, an' mock,

My head's in the storm, but my root's in the rock.

Zoo, Jenny, don't sobby! vor I shall be true;

Noo might under heaven shall peärt me vrom you.

My heart will be cwold, Jenny, when I do slight

The zwell o' thy bosom, thy eyes' sparklen light.

Robert Burns

SONG

O whistle, and I'll come to ye, my lad,

O whistle, and I'll come to ye, my lad;

Tho' father, and mother, and a' should gae mad,

Thy Jeanie will venture wi'ye, my lad.

But warily tent, when ye come to court me,

And come nae unless the back-yett be a-jee;

Syne up the back-style and let naebody see,

And come as ye were na comin to me –

And come as ye were na comin to me. –

O whistle &c.

At kirk, or at market whene'er ye meet me,

Gang by me as tho' that ye car'd nae a flie;

But steal me a blink o' your bonie black e'e,

Yet look as ye were na lookin at me –

Yet look as ye were na lookin at me. –

O whistle &c.

Ay vow and protest that ye care na for me,

And whyles ye may lightly my beauty a wee;

But court nae anither, tho' jokin ye be,

For fear that she wyle your fancy frae me –

For fear that she wyle your fancy frae me. –

tent take care

back-yett back gate

syne then

back-style stile

wyle charm

Henry Carey

SALLY IN OUR ALLEY

Of all the girls that are so smart

There's none like pretty Sally;

She is the darling of my heart,

And she lives in our alley.

There is no lady in the land

Is half so sweet as Sally;

She is the darling of my heart,

And she lives in our alley.

Her father he makes cabbage-nets,

And through the streets does cry 'em;

Her mother she sells laces long

To such as please to buy 'em:

But sure such folks could ne'er beget

So sweet a girl as Sally!

She is the darling of my heart,

And she lives in our alley.

When she is by, I leave my work,

I love her so sincerely;

My master comes like any Turk,

And bangs me most severely:

But let him bang his bellyful,

I'll bear it all for Sally;

She is the darling of my heart,

And she lives in our alley.

Of all the days that's in the week

I dearly love but one day –

And that's the day that comes betwixt

A Saturday and Monday;

For then I'm dressed all in my best

To walk abroad with Sally;

She is the darling of my heart,

And she lives in our alley.

My master carries me to church,

And often am I blaméd

Because I leave him in the lurch

As soon as text is naméd;

I leave the church in sermon-time

And slink away to Sally;

She is the darling of my heart,

And she lives in our alley.

When Christmas comes about again,

O, then I shall have money;

I'll hoard it up, and box it all,

I'll give it to my honey:

I would it were ten thousand pound,

I'd give it all to Sally;

She is the darling of my heart,

And she lives in our alley.

My master and the neighbours all,

Make game of me and Sally,

And, but for her, I'd better be

A slave and row a galley;

But when my seven long years are out,

O, then I'll marry Sally;

O, then we'll wed, and then we'll bed –

But not in our alley!

Anthony Hecht

GOING THE ROUNDS: A SORT OF LOVE POEM

Some people cannot endure

Looking down from the parapet atop the Empire State

Or the Statue of Libert – they go limp, insecure,

The vertiginous height hums to their numbered bones

Some homily on Fate;

Neither virtue past nor vow to be good atones

To the queasy stomach, the quick,

Involuntary softening of the bowels.

‘What goes up must come down,’ it hums: the ultimate, sick

Joke of Fortuna. The spine, the world vibrates

With terse, ruthless avowals

From ‘The Life of More’, ‘A Mirror For Magistrates’.

And there are heights of spirit,

And one of these is love. From way up here,

I observe the puny view, without much merit,

Of all my days. High on the house are nailed

Banners of pride and fear.

And that small wood to the west, the girls I have failed.

It is, on the whole, rather glum:

The cyclone fence, the tar-stained railroad ties,

With, now and again, surprising the viewer, some

Garden of selflessness or effort. And, as I must,

I acknowledge on this high rise

The ancient metaphysical distrust.

But candor is not enough,

Nor is it enough to say that I don't deserve

Your gentle, dazzling love, or to be in love.

That goddess is remorseless, watching us rise

In all our ignorant nerve,

And when we have reached the top, putting us wise.

My dear, in spite of this,

And the moralized landscape down there below,

Neither of which might seem the ground for bliss,

Know that I love you, know that you are most dear

To one who seeks to know

How, for your sake, to confront his pride and fear.

William Shakespeare

Shall I compare thee to a summer's day?

Thou art more lovely and more temperate:

Rough winds do shake the darling buds of May,

And summer's lease hath all too short a date:

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed;

And every fair from fair sometime declines,

By chance, or nature's changing course untrimmed;

But thy eternal summer shall not fade,

Nor lose possession of that fair thou owest,

Nor shall death brag thou wanderest in his shade,

When in eternal lines to time thou growest;

So long as men can breathe, or eyes can see,

So long lives this, and this gives life to thee.

Edmund Spenser

One day I wrote her name upon the strand,

But came the waves and washéd it away:

Again I wrote it with a second hand,

But came the tide and made my pains his prey.

‘Vain man,’ said she, ‘thou do'st in vain assay,

A mortal thing so to immortalize,

For I myself shall like to this decay,

And eek my name be wipéd out likewise.’

‘Not so,’ quoth I, ‘let baser things devise

To die in dust, but you shall live by fame:

My verse your virtues rare shall eternize,

And in the heavens write your glorious name,

Where, whenas death shall all the world subdue,

Our love shall live, and later life renew.’

Archibald MacLeish

‘NOT MARBLE NOR THE GILDED MONUMENTS’

The praisers of women in their proud and beautiful poems,

Naming the grave and the hair and the eyes,

Boasted those they loved should be forever remembered:

These were lies.

The words sound but the face in the Istrian sun is forgotten.

The poet speaks but to her dead ears no more.

The sleek throat is gone – and the breast that was troubled to listen:

Shadow from door.

Therefore I will not praise your knees nor your fine walking

Telling you men shall remember your name as long

As lips move or breath is spent or the iron of English

Rings from a tongue.

I shall say you were young, and your arms straight, and your mouth scarlet:

I shall say you will die and none will remember you:

Your arms change, and none remember the swish of your garments,

Nor the click of your shoe.

Not with my hand's strength, not with difficult labor

Springing the obstinate words to the bones of your breast

And the stubborn line to your young stride and the breath to your breathing

And the beat to your haste

Shall I prevail on the hearts of unborn men to remember.

(What is a dead girl but a shadowy ghost

Or a dead man's voice but a distant and vain affirmation

Like dream words most)

Therefore I will not speak of the undying glory of women.

I will say you were young and straight and your skin fair

And you stood in the door and the sun was a shadow of leaves on your shoulders

And a leaf on your hair –

I will not speak of the famous beauty of dead women:

I will say the shape of a leaf lay once on your hair.

Till the world ends and the eyes are out and the mouths broken,

Look! It is there!

W. B. Yeats

A DRINKING SONG

Wine comes in at the mouth

And love comes in at the eye;

That's all we know for truth

Before we grow old and die.

I lift the glass to my mouth,

I look at you, and I sigh.

Ben Jonson

TO CELIA

Drink to me only with thine eyes,

And I will pledge with mine;

Or leave a kiss but in the cup

And I'll not look for wine.

The thirst that from the soul doth rise

Doth ask a drink divine;

But might I of Jove's nectar sup,

I would not change for thine.

I sent thee late a rosy wreath,

Not so much honouring thee

As giving it a hope that there

It could not withered be;

But thou thereon didst only breathe,

And sent'st it back to me;

Since when it grows, and smells, I swear,

Not of itself but thee!

Adrian Mitchell

CELIA CELIA

When I am sad and weary

When I think all hope has gone

When I walk along High Holborn

I think of you with nothing on

Edgar Allan Poe

TO HELEN

Helen, thy beauty is to me

Like those Nicèan barks of yore

That gently, o'er a perfumed sea,

The weary way-worn wanderer bore

To his own native shore.

On desperate seas long wont to roam,

Thy hyacinth hair, thy classic face,

Thy Naiad airs have brought me home

To the glory that was Greece,

And the grandeur that was Rome.

Lo, in yon brilliant window-niche

How statue-like I see thee stand,

The agate lamp within thy hand,

Ah! Psyche, from the regions which

Are holy land!

Lord Byron

SHE WALKS IN BEAUTY

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that's best of dark and bright

Meet in her aspect and her eyes:

Thus mellowed to that tender light

Which heaven to gaudy day denies.

One shade the more, one ray the less,

Had half impaired the nameless grace

Which waves in every raven tress,

Or softly lightens o'er her face;

Where thouhts serenely sweet express

How pure, how dear their dwelling place.

And on that cheek, and o'er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

Sir Henry Wotton

ELIZABETH OF BOHEMIA

You meaner beauties of the night,

That poorly satisfy our eyes

More by your number than your light,

You common people of the skies;

What are you when the moon shall rise?

You curious chanters of the wood,

That warble forth Dame Nature's lays,

Thinking your passions understood

By your weak accents; what's your praise

When Philomel her voice shall raise?

You violets that first appear,

By your pure purple mantles known

Like the proud virgins of the year,

As if the spring were all your own;

What are you when the rose is blown?

So, when my mistress shall be seen

In form and beauty of her mind,

By virtue first, then choice, a Queen,

Tell me, if she were not designed

Th' eclipse and glory of her kind?

Thomas Carew

SONG

Ask me no more where Jove bestows,

When June is past, the fading rose;

For in your beauty's orient deep

These flowers, as in their causes, sleep.

Ask me no more whither doth stray

The golden atoms of the day;

For in pure love heaven did prepare

Those powders to enrich your hair.

Ask me no more whither doth haste

The nightingale when May is past;

For in your sweet dividing throat

She winters and keeps warm her note.

Ask me no more where those stars light

That downwards fall in dead of night;

For in your eyes they sit, and there

Fixed become as in their sphere.

Ask me no more if east or west

The Phoenix builds her spicy nest;

For unto you at last she flies,

And in your fragrant bosom dies.

Thomas Campion

CHERRY–RIPE

There is a garden in her face

Where roses and white lilies blow;

A heavenly paradise is that place,

Wherein all pleasant fruits do flow:

There cherries grow which none may buy

Till ‘Cherry-ripe’ themselves do cry.

Those cherries fairly do enclose

Of orient pearls a double row,

Which when her lovely laughter shows,

They look like rose-buds filled with snow;

Yet them nor peer nor prince can buy

Till ‘Cherry-ripe’ themselves do cry.

Her eyes like angels watch them still;

Her brows like bended bows do stand,

Threatening with piercing frowns to kill

All that attempt with eye or hand

Those sacred cherries to come nigh,

Till ‘Cherry-ripe’ themselves do cry.

Anon

There is a lady sweet and kind,

Was never face so pleased my mind;

I did but see her passing by,

And yet I love her till I die.

Her gesture, motion, and her smiles,

Her wit, her voice, my heart beguiles,

Beguiles my heart, I know not why,

And yet I love her till I die.

Her free behaviour, winning looks,

Will make a lawyer burn his books.

I touched her not, alas not I,

And yet I love her till I die.

Had I her fast betwixt mine arms,

Judge you that think such sports were harms,

Wer't any harm: no, no, fie, fie,

For I will love her till I die.

Should I remain confinèd there,

So long as Phoebus in his sphere,

I to request, she to deny,

Yet would I love her till I die.

Cupid is wingéd and doth range

Her country so my love doth change,

But change she earth, or change she sky,

Yet will I love her till I die.

Sir Charles Sedley

TO CLORIS

Cloris, I cannot say your eyes

Did my unwary heart surprise;

Nor will I swear it was your face,

Your shape, or any nameless grace:

For you are so entirely fair,

To love a part, injustice were;

No drowning man can know which drop

Of water his last breath did stop;

So when the stars in heaven appear,

And join to make the night look clear;

The light we no one's bounty call,

But the obliging gift of all.

He that does lips or hands adore,

Deserves them only, and no more;

But I love all, and every part,

And nothing less can ease my heart.

Cupid, that lover, weakly strikes,

Who can express what 'tis he likes.

William Shakespeare

My mistress' eyes are nothing like the sun;

Coral is far more red than her lips' red:

If snow be white, why then her breasts are dun;

If hairs be wires, black wires grow on her head.

I have seen roses damasked, red and white,

But no such roses see I in her cheeks;

And in some perfumes is there more delight

Than in the breath that from my mistress reeks.

I love to hear her speak; yet well I know

That music hath a far more pleasing sound:

I grant I never saw a goddess go,

My mistress, when she walks, treads on the ground:

And yet, by heaven, I think my love as rare

As any she belied with false compare.

Geoffrey Chaucer from

MERCILESS BEAUTY

Your eyen two will slay me suddenly;

I may the beauty of them not sustain,

So woundeth it throughout my hearte keen.

And but your word will healen hastily

My heartės woundė, while that it is green,

Your eyen two will slay me suddenly;

I may the beauty of them not sustain.

Upon my truth I say you faithfully

That ye bin of my life and death the queen;

For with my death the truthė shall be seen.

Your eyen two will slay me suddenly;

I may the beauty of them not sustain,

So woundeth it throughout my hearte keen.

John Keats

I cry your mercy – pity – love! – aye, love!

Merciful love that tantalizes not,

One-thoughted, never-wandering, guileless love,

Unmasked, and being seen – without a blot!

O! let me have thee whole, – all – all – be mine!

That shape, that fairness, that sweet minor zest

Of love, your kiss, – those hands, those eyes divine,

That warm, white, lucent, million-pleasured breast, –

Yourself – your soul – in pity give me all,

Withhold no atom's atom or I die,

Or living on perhaps, your wretched thrall,

Forget, in the mist of idle misery.

Life's purposes, – the palate of my mind

Losing its gust, and my ambition blind!

Edmund Spenser

IAMBICUM TRIMETRUM

Unhappy Verse, the witness of my unhappy state,

Make thyself fluttering wings of thy fast flying

Thought, and fly forth unto my Love, wheresoever she be:

Whether lying restless in heavy bed, or else

Sitting so cheerless at the cheerful board, or else

Playing alone careless on her heavenly virginals.

If in bed, tell her that my eyes can take no rest;

If at board, tell her that my mouth can eat no meat;

If at her virginals, tell her I can hear no mirth.

Asked why? say, Waking love suffereth no sleep;

Say that raging love doth appal the weak stomach;

Say that lamenting love marreth the musical.

Tell her that her pleasures were wont to lull me asleep;

Tell her that her beauty was wont to feed mine eyes;

Tell her that her sweet tongue was wont to make me mirth.

Now do I nightly waste, wanting my kindly rest;

Now do I daily starve, wanting my lively food;

Now do I always die, wanting thy timely mirth.

And if I waste, who will bewail my heavy chance?

And if I starve, who will record my cursed end?

And if I die, who will say, this was Immerito?

Thomas Campion

VOBISCUM EST IOPE

When thou must home to shades of underground,

And there arrived, a new admirèd guest,

The beauteous spirits do engirt thee round,

White Iope, blithe Helen, and the rest,

To hear the stories of thy finished love

From that smooth tongue whose music hell can move;

Then wilt thou speak of banqueting delights,

Of masques and revels which sweet youth did make,

Of tourneys and great challenges of knights,

And all these triumphs for thy beauty's sake:

When thou hast told these honours done to thee,

Then tell, O tell, how thou didst murder me!

Rupert Brooke

SONNET

Oh! Death will find me, long before I tire

Of watching you; and swing me suddenly

Into the shade and loneliness and mire

Of the last land! There, waiting patiently,

One day, I think, I'll feel a cool wind blowing,

See a slow light across the Stygian tide,

And hear the Dead about me stir, unknowing,

And tremble. And I shall know that you have died,

And watch you, a broad-browed and smiling dream,

Pass, light as ever, through the lightless host,

Quiety ponder, start, and sway, and gleam –

Most individual and bewildering ghost! –

And turn, and toss your brown delightful head

Amusedly, among the ancient Dead.

Robert Graves

LOVE WITHOUT HOPE

Love without hope, as when the young bird-catcher

Swept off his tall hat to the Squire's own daughter,

So let the imprisoned larks escape and fly

Singing about her head, as she rode by.

Percy Bysshe Shelley

TO —

One word is too often profaned

For me to profane it,

One feeling too falsely disdained

For thee to disdain it;

One hope is too like despair

For prudence to smother,

And pity from thee more dear

Than that from another.

I can give not what men call love,

But wilt thou accept not

The worship the heart lifts above

And the Heavens reject not, –

The desire of the moth for the star,

Of the night for the morrow,

The devotion to something afar

From the sphere of our sorrow?

William Shakespeare

That time of year thou may'st in me behold

When yellow leaves, or none, or few, do hang

Upon those boughs which shake against the cold,

Bare ruined choirs, where late the sweet birds sang.

In me thou see'st the twilight of such day

As after sunset fadeth in the west;

Which by and by black night doth take away,

Death's second self, that seals up all in rest.

In me thou see'st the glowing of such fire,

That on the ashes of his youth doth lie,

As the death-bed whereon it must expire,

Consumed with that which it was nourished by.

This thou perceiv'st, which makes thy love more strong,

To love that well which thou must leave ere long.

James Graham, Marquis of Montrose

I'LL NEVER LOVE THEE MORE

My dear and only love, I pray

That little world of thee

Be governed by no other sway

Than purest monarchy;

For if confusion have a part

(Which virtuous souls abhor),

And hold a synod in thine heart,

I'll never love thee more.

Like Alexander I will reign,

And I will reign alone;

My thoughts did evermore disdain

A rival on my throne.

He either fears his fate too much,

Or his deserts are small,

That dares not put it to the touch,

To gain or lose it all.

And in the empire of thine heart,

Where I should solely be,

If others do pretend a part

Or dare to vie with me,

Or if Committees thou erect,

And go on such a score,

I'll laugh and sing at thy neglect,

And never love thee more.

But if thou wilt prove faithful then,

And constant of thy word,

I'll make thee glorious by my pen

And famous by my sword;

I'll serve thee in such noble ways

Was never heard before;

I'll crown and deck thee all with bays,

And love thee more and more.

T S. Eliot

A DEDICATION TO MY WIFE

To whom I owe the leaping delight

That quickens my senses in our wakingtime

And the rhythm that governs the repose of our sleepingtime,

The breathing in unison

Of lovers whose bodies smell of each other

Who think the same thoughts without need of speech

And babble the same speech without need of meaning.

No peevish winter wind shall chill

No sullen tropic sun shall wither

The roses in the rose-garden which is ours and ours only

But this dedication is for others to read:

These are private words addressed to you in public.