April 2001
Joy Division: Les Bains Douches 18 December 1979
(FACD 2.61 / NMC)
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Track list: |
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‘Disorder’ |
3.21 |
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‘Love Will Tear Us Apart’ |
3.17 |
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‘Insight’ |
3.25 |
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‘Shadowplay’ |
3.46 |
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‘Transmission’ |
3.19 |
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‘Day of the Lords’ |
4.39 |
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‘Twenty Four Hours’ |
4.12 |
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3.42 |
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‘A Means to an End’ |
4.17 |
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‘Passover’ |
2.18 |
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‘New Dawn Fades’ |
4.40 |
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‘Atrocity Exhibition’ |
6.56 |
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‘Digital’ |
3.39 |
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‘Dead Souls’ |
4.46 |
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‘Autosuggestion’ |
4.13 |
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‘Atmosphere’ |
4.47 |
1–9 recorded live at Les Bains Douches, Paris, 18 December 1979, 10–12 recorded live at Amsterdam, 11 January 1980, 13–16 recorded live at Eindhoven, 18 January 1980.
Designed by Howard Wakefield and Paul Hetherington.
Art direction by Peter Saville.
April 2001
New Order: 3:16 video
(London Records)
Featuring performances from New York on 18 November 1981, Reading Festival on 30 August 1998.
New York 18 November 1981 track list:
‘I.C.B.’
‘Dreams Never End’
‘Everything’s Gone Green’
‘Truth’
‘Senses’
‘Procession’
‘Ceremony’
‘Denial’
‘Temptation’
Reading Festival 30 August 1998 track list:
‘Regret’
‘Touched by the Hand of God’
‘Atmosphere’
‘Heart and Soul’
‘Paradise’
‘Bizarre Love Triangle’
‘True Faith’
‘Temptation’
‘Blue Monday’
‘World in Motion’
‘Temptation’ (filmed for the 2002 Commonwealth Games / Manchester bid) ‘and in conversation’ documentary filmed on 5 September 2000 with footage from the Ampersand Club, Manchester, 27 March 2000. Interview filmed at Ampersand Club by Michael Shamberg and Jamie Matson.
Produced by New Order.
Designed by Peter Saville Associates.
So called, 3:16, because of the three Joy Division tracks and the sixteen New Order.
2 July 2001
New Order: ‘Crystal’
(East West Japan)
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Track list: |
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‘Crystal’ |
4:21 |
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‘True Faith’ (recorded live at Reading Festival 30 August 1998) |
5:40 |
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‘Temptation’ (recorded live at Reading Festival 30 August 1998) |
7:27 |
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‘Atmosphere’ (recorded live at Reading Festival 30 August 1998) |
4:17 |
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‘Isolation’ (recorded live at Reading Festival 30 August 1998) |
3:01 |
Art Direction: Peter Saville
Design: Peter Saville Studio
Unique Japan release CDS to promote Fuji Rock festival.
New Order play the Olympia, Liverpool, supported by Hanky Panky and Elbow.
‘It was lovely to see Mike Johnson here. He’d moved and opened a studio in Liverpool. We ended up completely trashed afterwards in the Marriott hotel in a room with Bobby Gillespie and an American designer of Xboxes who I’d picked up in the bar. The most hilarious thing I’ve ever seen was Bobby trying to talk to this geezer in a very drunken broad Scottish accent. The guy didn’t understand a word and Bobby ended up chasing him out of the room and down the corridor. Shame. I’d been hoping for a free Xbox.’
28 July 2001
New Order play Fuji Rock Festival, Japan.
‘When we arrived we were mobbed and it was great to be back. On the bus from the airport to Tokyo everyone was buzzing with tiredness and excitement, an almost hysterical atmosphere. Then after a while someone went, “Where’s Barney?” We then noticed he wasn’t aboard. Shit. We drove back to the airport and there he was sat on a bench outside, face like thunder. The door opened and he got on and sat down without a word. For the whole of the two-hour trip to Tokyo no one spoke. Turned out he’d wandered off for a piss, not told anyone, and we’d left without him.
‘Neil Young was on the same bill on the bigger stage. He started playing before us in front of a huge audience, but as soon as we went on they all deserted him and came running down to us. It was a wonderful moment to see, all these people fucking bombing down the hill to see us. It was, “Wow, we’re back. Sorry, Neil.” We had actually seen him on the bullet train on the way and Barney tried to get me to say hello, but I was too starstruck. He is one of my all-time musical heroes, and it’s a bubble I do not want to burst.’
New Order play Shoreline Amphitheatre, Mountain View, San Francisco, with Moby and Outkast.
‘Billy Corgan had got me through my virus, and on “Your Silent Face” where I don’t come in for about two minutes I started wobbling, so I thought, I’ll just have a walk off stage and have a sit down for a minute. That was when I came into my “walking about in the audience” phase. Barney didn’t notice. He never noticed anything. You could have died onstage and he wouldn’t have noticed – I just walked back onstage for when the bass came in. I was getting to be a bit of a nomad.’
2 August 2001
New Order play Thunderbird Stadium, Vancouver, with Moby and Outkast.
3 August 2001
New Order play Gorge Amphitheatre, Gorge, Seattle, with Moby and Outkast.
‘This was quite a trip and only possible by small private plane. Barney was so late we went without him and he came much later, saying, “It’s too early to go to a gig.”
‘We arrived at this tiny airport in the middle of nowhere but it still had a customs post and we were taken in to meet this grizzled old customs guy in his office. On the wall he had a noticeboard full of pictures of Mexicans in some amazing hiding places in cars and vans, next to piles of drugs, obviously some of his many captures, but at the bottom in the corner was a picture of him with Mother Teresa. Seeing this, Coatesy pipes up with, “Blooming hell, how much drugs was she carrying?” resulting in a resounding silence in the room, broken only by the sound of this customs guy unclipping his gun and putting his hand on the handle. “Sorry,” gulped Coatesy, to this obviously very religious man. “Get the hell out of my office,” he growled in response.
‘A beautiful location for this gig, but we were again blown off stage by Outkast. Barney managed to upset Roger Lyons before saying to Andy Robinson, “Why didn’t we get here earlier? This place is beautiful.” ’
5 August 2001
New Order play Glen Helen Blockbuster Pavilion, Devore, Los Angeles, with Moby and Outkast.
‘Before this gig we were invited to the Adidas store in LA. I was getting grief off Becky, who wanted me to come back to the hotel, but the Adidas PR woman kept grabbing me and asking me to choose something from their wonderful new range. In a hurry, and very exasperated, I said, “Listen, love, why don’t you just get me the most expensive thing in the shop?” thinking, That will get rid of her! But thirty seconds later she appeared again saying, “Here, Mr Hook, it’s a limited-edition Adidas watch, one of only fifty made, $2000!” I just grabbed it off her like the spoilt, obnoxious rock star I was and legged it.’
11 August 2001
New Order play Müngersdorfer Stadium, Cologne, supporting Robbie Williams.
13 August 2001
New Order: ‘Crystal’
(London Records)
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Twelve-inch track list (I): |
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‘Crystal’ (bedrock remix) |
12.52 |
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‘Crystal’ (bedrock dub) |
10.33 |
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Additional production and remix: John Digweed and Nick Muir. |
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‘Crystal’ (Lee Coombs remix) |
8.44 |
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‘Crystal’ (Lee Coombs dub) |
7.05 |
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Remixed by Lee Combs. |
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Twelve-inch track list (III): |
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‘Crystal’ (Creamer K intro remix) |
3.21 |
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‘Crystal’ (Creamer K main remix) |
11.24 |
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Remixed by John Creamer and Stephane K. |
Run-out groove one: Don’t shut the stable door . . .
Run-out groove two: . . . after the horse has bolted!
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CDS track list: |
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‘Crystal’ (Mark Stent Remix) |
4.19 |
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‘Behind Closed Doors’ |
5.24 |
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‘Crystal’ (Digweed & Muir bedrock mix edit) |
10.06 |
Recorded at Real World Studios, Box, Bath, and Monnow Valley Studios, Monmouth, Wales.
Written by New Order.
Produced by Steve Osborne for 140DB.
Engineered by Bruno Ellingham and Andrew Robinson.
Programmed by Pete Davis.
Mixed by Mark ‘Spike’ Stent.
Mix engineer and protools: Jan ‘Stan’ Kybert, assisted by Matt Fields.
Backing vocals by Dawn Zee.
Cover art direction by Peter Saville.
Designed by Howard Wakefield and Sam Roberts.
Entered UK chart on 25 August 2001, remaining in the charts for 4 weeks, its peak position was number 8.
‘In the video the fake band were called the Killers, which a young Brandon Flowers from Las Vegas thought very appropriate for his new group. I must admit I didn’t know that Barney had already released a version of the song with Corvin Dalek via Mark Reeder on a German label called Mastermind for Success. I was very surprised. I had no idea. We went to the video shoot and I suggested to Alan Parkes from London Records, “What if we go on and pull their instruments off them? Wouldn’t that be a better ending?”
‘ “No,” he said.’
27 August 2001
New Order: Get Ready
(London Records)
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Track list: |
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‘Crystal’ |
6.52 |
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‘60 Miles an Hour’ |
4.34 |
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‘Turn My Way’ |
5.04 |
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‘Vicious Streak’ |
5.39 |
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‘Primitive Notion’ |
5.42 |
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‘Slow Jam’ |
4.51 |
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‘Rock the Shack’ |
4.11 |
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‘Someone Like You’ |
5.41 |
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‘Close Range’ |
4.12 |
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‘Run Wild’ |
3.55 |
Run-out groove one: I have a feeling of . . .
Run-out groove two: . . . Deja Deja Deja vu!
Recorded in Real World Studios, Box, Bath.
Produced by Steve Osborne except ‘Rock the Shack’ produced by New Order.
Mixed by Steve Osborne, Mark ‘Spike’ Stent and Flood.
Special guest vocals Billy Corgan ‘Turn my Way’.
Special guest vocals Bobby Gillespie and guitar Andrew Innes ‘Rock the Shack’.
Cover art direction by Peter Saville.
Photography by Juergen Teller.
Designed by Howard Wakefield and Sam Roberts.
Entered UK chart on 8 September 2001, remaining in the charts for 4 weeks, its peak position was number 6.
‘We dedicated the album to Rob, it seemed only fitting. It had been his idea to get back together, and it was strange doing an album without him. Peter Saville was fascinated that the model he’d picked for the cover was actually a film-maker herself, and a very talented one at that, Nicolette (Coco) Krebitz. We were very careful with the review copies for the album, and each one was watermarked with an audio serial number by Warners. They had a computer program that analysed the audio sample and could tell you who had been sent that particular piece of music. The power of the internet and illegal downloading was becoming a huge problem and this was thought to be an ideal deterrent. It wasn’t. Our record was uploaded on the internet a long time before the release date, losing us unknown amounts of sales. Warners tracked it and found it was a Rolling Stone journalist’s listening copy. They even had his name. Barney was livid, wanting to prosecute the guy immediately, but on reflection Warners thought better of it. I guess they needed Rolling Stone. Our sales on Get Ready would be about 300,000 worldwide. Republic sold three million. Warners reckoned that drop was entirely due to illegal file-sharing.’
4–5 October 2001
New Order play Apollo Theatre, Manchester.
7–8 October 2001
New Order play Barrowlands, Glasgow.
10–12 October 2001
New Order play Brixton Academy, London.
11 October 2001
The Muzik magazine Dance Award for outstanding contribution this year was New Order, presented to Peter Hook and Bernard Sumner at the Arches in London.
New Order appear on The Jools Holland Show.
Track list: ‘Crystal’
‘60 Miles an Hour’
‘Love Will Tear Us Apart’
‘A very spirited performance, this one, very confident, and one of our best TV appearances in my estimation. Bizarrely, Ryan Adams was on the show and just as we were about to start a number shouted, “I lost my virginity listening to Peter Hook’s Revenge album.” Well, Ryan, I’m glad it helped.
‘This was one of our best TV sessions. We sounded absolutely mega that night.’
11 November 2001
New Order play Olympia, Paris, supported by Experience and the Music.
12 November 2001
New Order play Olympia, Paris, supported by Bosco and Benjamin Biolay.
15 November 2001
New Order play Columbiahalle, Berlin.
16 November 2001
New Order play Palladium, Cologne.
‘I had “Salford Rules” sprayed on my cab at this one. Bernard offered roadie Phil Murphy fifty pounds to spray “Alderley Edge Rules” on my cab but he declined.’
New Order play Cirkus, Stockholm, Sweden.
19 November 2001
New Order: ‘60 Miles an Hour’
(London Records)
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CD track list: |
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‘60 Miles an Hour’ (radio edit) |
3.47 |
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‘Sabotage’ |
4.48 |
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‘Someone Like You’ (Funk D’Void remix) |
9.55 |
Recorded in Real World Studios, Box, Bath.
Produced by Steve Osborne.
Designed by Peter Saville Associates.
Entered UK chart on 1 December 2001, remaining in the charts for 2 weeks, its peak position was number 29.
24 December 2001
New Order: ‘Someone Like You’
(London Records)
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12" (I) track list: |
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‘Someone Like You’ (Futureshock vocal remix) |
8.04 |
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‘Someone Like You’ (Gabriel & Dresden 911 vox mix) |
11.13 |
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‘Someone Like You’ (Futureshock stripdown mix) |
9.55 |
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‘Someone Like You’ (Gabriel & Dresden voco-tech dub) |
11.10 |
Run-out groove one: Recorded 9/11/01 and dedicated . . .
Run-out groove two: . . . to the men, women and children . . .
Twelve-inch (II) track list:
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‘Someone Like You’ (James Holden heavy dub) |
9.55 |
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‘Someone Like You’ (Gabriel & Dresden voco-tech dub) |
11.10 |
Run-out groove one: . . . who senselessly . . .
Run-out groove two: . . . lost their lives that day
Written by New Order.
Produced and mixed by Steve Osborne for 140DB.
Engineered by Bruno Ellingham and Andrew Robinson.
Programmed by Pete Davis.
Mix engineer and protools: Adrian Bushby.
Cover art direction by Peter Saville.
Designed by Howard Wakefield and Sam Roberts.