Index

12 Bar Club (London) ref1

Acid Angels ref1

acid house ref1, ref2

Acland, Chris ref1

Agent Orange (fanzine) ref1, ref2

Alaska Studios (London) ref1, ref2

Aline ref1, ref2

‘All Fall Down’ ref1

‘All Things Must Pass’ ref1

‘Almost Gold’ ref1

Altered Images ref1

‘Ambition’ ref1, ref2, ref3

Ambulance Station (London) ref1, ref2

‘Anarchy In The UK’ ref1

Anderson, Emma ref1

Anderson, Lindsay ref1

April Skies (fan site) ref1

‘April Skies’

chart position ref1

cover art ref1

and Jerry Jaffe ref1

recording of ref1, ref2

and Top of the Pops ref1

video ref1

Are You A Car Or Are You In Love? (unpublished compilation) ref1

Art Phag ref1

‘Art School’ ref1

Automatic

and acid house ref1

chart position ref1

recording of ref1, ref2

release of ref1

reviews ref1

sound of ref1, ref2, ref3

‘Baby Honey’ ref1

Baby’s Got A Gun ref1

Bananarama ref1

Barbed Wire Kisses ref1, ref2

Bardin, Bradley ref1

‘Barracuda’ ref1

Barrett, Jeff ref1

Barrett, Syd ref1, ref2, ref3, ref4, ref5

Barron, Jack ref1

Barrowland (Glasgow) ref1, ref2

Beach Boys, The ref1, ref2

Beatles, The ref1, ref2n, ref3

Beattie, Jim ref1, ref2, ref3

Bell, Max ref1, ref2, ref3

Benavides, Carlos ref1

Benicassim (Spain) ref1

Berry, Chuck ref1

Biff Bang Pow! ref1, ref2, ref3

Billy Liar (film) ref1

Birthday Party, The ref1, ref2

‘Birthday’ ref1

Björk ref1

Black Box Recorder ref1

Blacker, Barry ref1

Blanco Y Negro

and Ambulance Station gig ref1

drop Mary Chain ref1

and increased exposure of Mary Chain ref1

and Munki recording session ref1

and ‘Never Understand’ recording session ref1

sign Mary Chain ref1

‘Blues From A Gun’ ref1

Blur ref1, ref2

‘Bo Diddley Is Jesus’ ref1

Bon Jovi ref1

Bowie, David ref1, ref2

Brighton Pavilion ref1

British Sea Power ref1

Britpop ref1, ref2, ref3

Brixton Academy (London) ref1

Broad, Tim ref1, ref2

Brongers, Bennie ref1, ref2

Bruce, Lenny ref1, ref2

Bryson, Jill ref1

‘Bullet Lovers’ ref1

Burns, Pete ref1

Burroughs, William ref1, ref2

Buzzcocks, The ref1

California Theater (San Diego) ref1

Candy Club (Glasgow) ref1, ref2

Cavanagh, David ref1

Chance, James ref1

Charlton, Charlie ref1

‘Cherry Came Too’ ref1

‘Chirpy Chirpy Cheep Cheep’ ref1

Christgau, Robert ref1

Clapton, Eric ref1, ref2

Clash, The ref1

Clouds (Preston) ref1

Club Sucker (Los Angeles) ref1

Coachella Festival ref1, ref2

Coats, Dimitri ref1, ref2

Cocker, Jarvis ref1

Cocteau Twins ref1

Cohen, Leonard ref1

Colbert, Loz ref1, ref2, ref3, ref4

Collier, Pat ref1, ref2, ref3

Collins, Edwyn ref1

‘Come On’ ref1

Communication Blur (fanzine) ref1

Connelly, Edward ref1

Coyle, Tom ref1

‘Cracked’ ref1

‘Cracking Up’ ref1, ref2

Cramps, The ref1

Crass ref1

Cray, Robert ref1

Creation Records

and Blanco Y Negro deal ref1, ref2

and Germany tour ref1, ref2, ref3, ref4, ref5

hire Verfaillie ref1

McGee’s management of ref1

merger with Sony ref1, ref2

and NME ref1

and Portastudio demos ref1

and press copies of ‘Upside Down’ ref1

and revival as management company (May 2014) ref1

and sacking of McGee ref1

sign Mary Chain ref1, ref2

and ‘Some Candy Talking’ single ref1

Creation Stories (book) ref1, ref2

Crozer, Mark ref1, ref2, ref3, ref4

Curtis, Ian ref1

Curve ref1, ref2, ref3, ref4

‘Cut Dead’ ref1

Daisy Chain, The ref1, ref2, ref3

Dalglish, Murray

auditions for Mary Chain ref1

differences with the band ref1

and drummer advert ref1

and Gossip gig ref1

leaves Mary Chain ref1, ref2

and Living Room gig ref1

and Night Moves gig ref1

Damned, The ref1

Danceteria (New York) ref1

Darklands

artwork of ref1

comparisons with Psychocandy ref1

popularity of ref1

recording of ref1, ref2

release of ref1, ref2

reviews of ref1

sound of ref1, ref2

writing of ref1, ref2

‘Darklands’ ref1, ref2, ref3

Davis, Dr Vaginal ref1

de Niro, Robert ref1

Dead Can Dance ref1

Dead or Alive ref1

Def American ref1

‘Degenerate’ ref1

Dessel Graspop Festival (Belgium) ref1

Dickins, Rob

and Blanco Y Negro deal ref1, ref2

and Darklands recording session ref1

and ICA Rock Week gig ref1

and Munki ref1, ref2

and ‘On The Wall’ ref1

and reputation of Mary Chain ref1

and ‘Some Candy Talking’ controversy ref1

and sound of Psychocandy ref1

Diddley, Bo ref1, ref2

Dinosaur Jr ref1

distortion ref1, ref2, ref3

Dixie-Narco EP ref1

DIY culture ref1, ref2, ref3

Doctor and the Medics ref1, ref2

Doherty, Pete ref1, ref2

‘Don’t Worry Be Happy’ (EP) ref1

Doors, The ref1

Drains, The ref1

The Drugstore (London)

bought by Mary Chain ref1

and Honey’s Dead recording sessions ref1

interior of ref1

and Munki recording session ref1

and Stoned & Dethroned recording sessions ref1

Drummond, Bill ref1

Dylan, Bob ref1, ref2

Earl Brutus ref1, ref2

East Kilbride ref1, ref2, ref3, ref4

drug scene in ref1

life expectancy of residents ref1

paint factory in ref1, ref2

punk scene in ref1, ref2

Echo and the Bunnymen ref1, ref2

ecstasy ref1

Edwards, Terry ref1, ref2, ref3

Einstürzende Neubauten ref1

Electric Ballroom (London) ref1

Entertaining Mr Sloane (film) ref1

Esplen, Simon ref1

Evans, Dave ref1, ref2, ref3, ref4

Expressway, The ref1

fanzines ref1, ref2, ref3

‘Far Gone And Out’ ref1, ref2, ref3

feedback ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11

‘Feeling Lucky’ ref1

Finbegin ref1

Fire Engines ref1, ref2, ref3

Five Go Down ref1

Fletcher, Simon ref1

Flood (Mark Ellis) ref1

Fong, Lincoln ref1, ref2, ref3, ref4

Forster, Robert ref1

Foster, Joe (‘Slaughter Joe’)

and ‘All Fall Down’ ref1

and feedback ref1

and Germany tour ref1

and Living Room gig ref1, ref2

and management of Creation Records ref1

and North London Polytechnic gig ref1

and ‘Upside Down’ recording session ref1, ref2, ref3, ref4

Fowler, Peter (‘Pinko’) ref1

Frame, Pete ref1

Frankie Goes To Hollywood ref1

Freeheat ref1

Gallagher, Liam ref1

Gallagher, Noel ref1, ref2

Generation X ref1

Ghostigital ref1

Gillespie Bobby

Agent Orange interview ref1

and Ambulance Station gig ref1

and Blanco Y Negro deal ref1

and Brighton Pavilion gig ref1

and connection with Mary Chain ref1, ref2, ref3, ref4

and Creation artwork ref1

and Daisy Chain ref1, ref2, ref3

and development of Primal Scream ref1

drug-taking of ref1, ref2, ref3

as drummer for Mary Chain ref1

and Electric Ballroom gig ref1

enthusiasm for Mary Chain ref1, ref2, ref3

and Germany tour ref1, ref2

and Hacienda gig ref1

and increased exposure of Mary Chain ref1

interview style of ref1

leaves Mary Chain ref1, ref2

and Lux Interior ref1

and McGee ref1, ref2

and Meltdown festival ref1

and Munki ref1

and ‘Never Understand’ recording session ref1

and Night Moves gig ref1

and NME review ref1

and North London Polytechnic gig ref1

and Old Grey Whistle Test ref1

and Peel Sessions ref1

phone conversation with Hart ref1

and poster pasting ref1

and punk ref1

and Rollercoaster Tour ref1

and Three Johns gig ref1

ultimatum for ref1

and ‘Upside Down’ cover art ref1

and ‘Upside Down’ recording session ref1

and USA tour ref1, ref2

and Venue gig ref1, ref2

and videos ref1

Gillespie, Cherry ref1

Gilmour, Dave ref1

‘Girlfriend’ ref1

Glasgow music scene ref1, ref2

Glasvegas ref1

Go-Betweens, The ref1

‘God Help Me’ ref1, ref2

Godard, Vic ref1

Goddard, Simon ref1

Goldmine (magazine) ref1

Gossip (London) ref1

Green On Red ref1, ref2

Green, Dick ref1, ref2

Griffin, Dale (‘Buffin’) ref1

Grogan, Clare ref1

grunge ref1, ref2, ref3, ref4

Gun Club, The ref1, ref2, ref3

Guns ’n’ Roses ref1

Guthrie, Robin ref1

Hacienda (Manchester) ref1, ref2

Hague, Stephen ref1

‘Halfway To Crazy’ ref1, ref2

Halliday, Toni ref1

Hammersmith Palais (London) ref1

‘Happy Birthday’ ref1

‘Happy When It Rains’ ref1, ref2

Hart, Douglas

and acid house ref1

and ambition of Mary Chain ref1

appearance of ref1, ref2, ref3, ref4

and bass strings ref1, ref2, ref3

and Blanco Y Negro deal ref1, ref2, ref3

and closeness of Reid brothers ref1

confidence in Mary Chain ref1

and Daisy Chain ref1, ref2, ref3

and Dalglish quitting ref1

and Darklands recording session ref1

drug-taking of ref1, ref2, ref3, ref4, ref5

and early recordings ref1

education of ref1

and Electric Ballroom gig ref1, ref2, ref3

and feedback ref1

film-making/videos of ref1, ref2, ref3

first gig with Jim Reid ref1

and Fulham flats ref1

and Germany tour ref1

and Gillespie as drummer ref1

and Gillespie leaving Mary Chain ref1

and Hunters Hotel ref1

and impact of Mary Chain ref1

and innocence of Mary Chain ref1

and insularity of Mary Chain ref1

interview style of ref1

and Jim’s closeness with Lurie ref1, ref2

and KGB ref1

letter writing to local radio station ref1

and Living Room gig ref1, ref2

and Mary Chain split ref1

meets Reid brothers ref1

and ‘Never Understand’ poster ref1

and ‘Never Understand’ recording session ref1

and New York shows ref1, ref2

and Night Moves gig ref1

and North London Polytechnic gig ref1, ref2

and Old Grey Whistle Test ref1

and paint factory ref1, ref2

and Peel Sessions ref1, ref2

phone conversation with Gillespie ref1

and photo shoots ref1

and poster pasting ref1

and Psychocandy recording session ref1

and punk ref1

and Reid brothers as sole recording members ref1

and Reid brothers’ choice of line-up ref1

and Reid brothers’ song-writing ref1

and reputation of Mary Chain ref1

and ‘riots’ ref1, ref2, ref3

and Rollercoaster Tour ref1

and RPM Club gig ref1

and Ruth Polsky ref1

sacked by Mary Chain ref1

and Scandinavian tour ref1

and ‘Some Candy Talking’ recording session ref1

and sound of Psychocandy ref1

and Speed (club) ref1

and Tallinn Summer Rock Festival ref1

and tension within Mary Chain ref1

and Three Johns gig ref1

‘Todd’ nickname ref1, ref2

and Top of the Pops appearance ref1

and touring ref1

and ‘Upside Down’ recording session ref1, ref2

and USA tours ref1, ref2

and William’s onstage rants ref1

ZigZag interview ref1

Hasted, Nick ref1, ref2, ref3, ref4

Hate Rock’n’Roll ref1

‘Head On’ ref1

Heavenly Recordings ref1

‘Helter Skelter’ ref1

Henderson, Davy ref1

Heroes (TV show) ref1

‘Heroin’ ref1

hip-hop ref1

‘Hit’ ref1

Honey’s Dead

nominated for Mercury Music Prize ref1

recording of ref1

release of ref1

reviews ref1

writing of ref1

Horton, Ralph ref1

Hotel Viru (Tallinn) ref1

Houghton, Mick

and Automatic ref1

and broadcasters ref1

and increased exposure of Mary Chain ref1

and reviews of Darklands ref1

and ‘riots’ ref1

and sacking of Hart ref1

and Sonic Youth ref1

and Stoned & Dethroned ref1, ref2

and success of Mary Chain ref1

and The Smiths ref1

and Top of the Pops appearance ref1

House of Blues (Los Angeles) ref1

House of Love, The ref1

Hughes, Chris ref1

Hunter High School (East Kilbride) ref1

Hunters Hotel (London) ref1

‘I Feel Love’ ref1

‘I Hate Rock’n’Roll’ ref1, ref2, ref3

‘I Love Rock’n’Roll’ ref1

‘I Wanna Be Your Dog’ ref1, ref2, ref3, ref4

‘I’ll Be Your Mirror’ ref1

‘I’m In With The Out Crowd’ ref1

‘I’m Sticking With You’ ref1

ICA Rock Week ref1

Ice Cube ref1, ref2

If (film) ref1, ref2

Impulse (record shop) ref1

‘In A Hole’

and growing set list ref1

and Old Grey Whistle Test ref1

and Peel Sessions ref1, ref2

recording of ref1

repeated at gigs ref1

indie music ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8

Innes, Andrew ref1, ref2, ref3

‘Inside Me’ ref1

Interior, Lux ref1, ref2n

Interview (magazine) ref1, ref2, ref3

Island Studios (London) ref1

Israel ref1

Jackson, Alan ref1

Jackson, Clive ref1, ref2

Jaffe, Jerry

and ‘anti–showbiz’ nature of Mary Chain ref1

and ‘April Skies’ ref1

becomes Mary Chain’s manager ref1

and David Letterman Show ref1, ref2

and drum-machines ref1

and Jim’s court case ref1

and Lollapalooza ref1, ref2, ref3

mother meets Mary Chain ref1

and Ritz (New York) gig ref1

and Rollercoaster Tour ref1

and St Francis Xavier Hall gig ref1

and support bands ref1

Jah Wobble ref1, ref2

Jasmine Minks ref1, ref2, ref3, ref4

Jesus and Mary Chain, The

advertise for drummer ref1

ambition of ref1

‘anti-showbiz’ nature of ref1

artwork on record sleeves ref1

audition Dalglish ref1

audition Moore ref1

banned from venues ref1

and blasphemy ref1, ref2

and bodyguards ref1, ref2

bottled by audience ref1, ref2

‘business-oriented’ nature of ref1

buy Drugstore Studio ref1

and Coachella Festival ref1, ref2

current state of ref1

dropped by Blanco Y Negro ref1

drug references in lyrics ref1

and drum-machines ref1, ref2, ref3, ref4, ref5

drunken visit to Warner Music ref1

early recordings ref1

and festivals ref1, ref2, ref3, ref4, ref5, ref6

gigs

Ambulance Station ref1, ref2

Barrowland ref1, ref2

Benicassim ref1

Brighton Pavilion ref1

Brixton Academy ref1

California Theater ref1

Clouds ref1

Club Sucker ref1

Danceteria ref1

Dessel Graspop Festival ref1

Electric Ballroom ref1

‘final’ ref1

Gossip ref1

Hacienda ref1, ref2

Hammersmith Palais ref1

House of Blues ref1

ICA Rock Week ref1

Les Baines Douches ref1

Living Room ref1, ref2

Loft ref1

National Ballroom ref1

Night Moves ref1

North London Polytechnic ref1

Ritz (New York) ref1, ref2

Rock City ref1

Roxy ref1

RPM Club ref1

San Juan Capistrano ref1

Santa Monica Civic Center ref1

St Francis Xavier Hall ref1

The Fez ref1

Three Johns ref1, ref2

Troxy ref1

Venue ref1, ref2

infighting amongst members ref1

interviews

and accents of Reid brothers ref1

and band put-downs ref1

and drug references in lyrics ref1

and Joy Division comparisons ref1

post-gig (North London

Polytechnic) ref1

Smash Hits ref1

ZigZag ref1

see also under specific band members

Jaffe becomes manager of ref1

and KGB ref1

meet Jaffe’s mother ref1

and Meltdown festival ref1

Mercury Music Prize nomination ref1

move to London ref1

naming of ref1

negative reactions to ref1, ref2, ref3

new album rumours ref1

as ‘outsiders’ of pop world ref1

paranoia of ref1, ref2, ref3

and Peel Sessions ref1, ref2, ref3, ref4

photo shoots ref1

and pop ref1, ref2

and Pot Noodles ref1, ref2

recording sessions

Automatic ref1, ref2

Darklands ref1, ref2

demos ref1, ref2

Honey’s Dead ref1

Munki ref1, ref2

‘Never Understand’ ref1

Psychocandy ref1, ref2

‘Sidewalking’ ref1

‘Some Candy Talking’ ref1

Stoned & Dethroned ref1

‘Upside Down’ ref1

‘Vegetable Man’ ref1, ref2, ref3

and Reid brothers as sole recording members ref1, ref2, ref3

reputation of ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8

reunion of ref1, ref2, ref3

and ‘riots’ ref1, ref2, ref3, ref4

and ‘rock’n’roll’ lifestyle ref1

sack Hart ref1

sack McGee ref1

sack Morrison ref1

and Sanderson tribute show ref1

sign to Blanco Y Negro ref1

sign to Creation Records ref1, ref2

split up ref1

and Sugarcubes remix ref1

and support bands ref1

and Tallinn Summer Rock Festival ref1

tension within ref1, ref2, ref3, ref4, ref5, ref6, ref7

tours

Australia ref1

China ref1

Germany ref1, ref2, ref3, ref4, ref5

Israel ref1

Japan ref1

Lollapalooza ref1

New Zealand ref1, ref2

reunion shows ref1

Rollercoaster Tour ref1, ref2

Scandinavia ref1

USA ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13

TV appearances

Later . . . With Jools Holland ref1

The David Letterman Show ref1

The Old Grey Whistle Test ref1

The Roxy ref1

The Tube ref1

The Word ref1

Top of the Pops ref1

videos

‘April Skies’ ref1

‘Just Like Honey’ ref1

‘Never Understand’ ref1, ref2

‘Reverence’ ref1

‘You Trip Me Up’ ref1

‘Jesus Fuck’ ref1, ref2

Johansson, Scarlett ref1

Joy Division ref1, ref2

Julius Caesar (play) ref1

June Brides, The ref1

‘Just Like Honey’

cover art ref1

and Electric Ballroom gig ref1

and Hacienda gig ref1

and Israel tour ref1

and Liela Moss ref1

and Peel Sessions ref1

recording of ref1, ref2

release of ref1

and Scarlett Johansson ref1, ref2

video ref1

‘Just Out Of Reach’ ref1

Kennedy, John F ref1, ref2, ref3

KGB ref1

Kid Congo ref1

‘Kill Surf City’ ref1

Kimura, Mihoko ref1

King, Phil

auditions for Mary Chain ref1

and House of Blues gig ref1

and Jim’s solo shows ref1

joins Mary Chain ref1

and Lush ref1

and Mary Chain reunion ref1, ref2

and Meltdown festival ref1

and Moore rejoining Mary Chain ref1

and USA tours ref1, ref2, ref3

Later . . . With Jools Holland (TV show) ref1

Laughing Apple, The ref1

Lazycame ref1, ref2

‘Leader Of The Pack’ ref1

‘Leave Them All Behind’ ref1

Lee, Jeannette ref1, ref2, ref3

Lennon, John ref1

Les Baines Douches (Paris) ref1

Letterman, David ref1, ref2

Letts, Don ref1

Levene, Keith ref1, ref2

Libertines, The ref1

Limelight Club (London) ref1

Little Pop Rock ref1

Living Room (London) ref1, ref2, ref3, ref4

Lloyd Cole and the Commotions ref1

Loder, John ref1, ref2, ref3

Loft (Berlin) ref1

Lollapalooza (festival) ref1, ref2

Lost in Translation (film) ref1

Loveless ref1

Lowe, Nick ref1, ref2

Lowe, Richard ref1

Lunch, Lydia ref1

Lurie, Ben

auditions for Mary Chain ref1

closeness with Jim ref1, ref2

and David Letterman Show ref1

and Dessel Graspop Festival ref1

and fake gun ref1

fight with William ref1

and Freeheat ref1, ref2

and House of Blues gig ref1

joins Mary Chain ref1

and Later . . . With Jools Holland ref1

as Jim’s lodger ref1

and Lollapalooza ref1

and Munki recording session ref1

and New Zealand tour ref1

and Sanderson’s drumming ref1

and Stoned & Dethroned recording session ref1

and tension within Mary Chain ref1

and USA tours ref1

Lush ref1, ref2, ref3, ref4

Lydon, John ref1, ref2

McCartney, Paul ref1

McDowall, Rose ref1, ref2

McGee, Alan appearance of ref1

and Bananarama ref1

and Blanco Y Negro deal ref1, ref2, ref3, ref4

and bodyguards ref1, ref2

and Daisy Chain ref1, ref2

and Dalglish quitting ref1

and Electric Ballroom gig ref1, ref2

emulation of Malcolm McLaren ref1, ref2

friendship with Jim ref1

and Germany tour ref1, ref2, ref3

‘Godlike Genius’ award ref1

and Gossip gig ref1

and ICA Rock Week gig ref1

interview with French journalist ref1

and ‘Jesus Fuck’ ref1

and Les Baines Douches gig ref1

and Living Room ref1, ref2, ref3

and management of Creation Records ref1

meets Verfaillie ref1

‘miserable time’ managing Mary Chain ref1

and Moore’s ambition to join Mary Chain ref1, ref2

and music industry ref1

and ‘Never Understand’ recording session ref1

and New York shows ref1, ref2

and NME ref1, ref2, ref3

and North London Polytechnic gig ref1, ref2

and Oasis ref1, ref2

organises London gigs ref1

and Peel Sessions ref1, ref2

and photo shoot ref1

and press copies of ‘Upside Down’ ref1

and Psychocandy recording session ref1

and reputation of Mary Chain ref1, ref2, ref3

re-signs Mary Chain ref1

and ‘riots’ ref1, ref2, ref3

and Rock City gig ref1

sacked by Mary Chain ref1

sells Vox Phantom guitar to Jim ref1

signs Mary Chain ref1

and sound of Psychocandy ref1

and success of signed bands ref1

and tension within Mary Chain ref1

and The Drains ref1

and The Laughing Apple ref1

and Three Johns gig ref1

and UK tour ref1

and ‘Upside Down’ recording session ref1, ref2, ref3

and William’s dole ref1

and ZigZag interview ref1

McGowan, Shane ref1, ref2

McIntosh, Rona ref1, ref2, ref3

McLaren, Malcolm ref1

Maconie, Stuart ref1

Madame Jojo (London) ref1

Maida Vale Studios (London) ref1, ref2

Malkin, Nina ref1

‘Man On The Moon’ ref1, ref2

marijuana ref1, ref2

Marr, Johnny ref1, ref2

Mazzy Star ref1, ref2, ref3

Meaney, Dick ref1, ref2, ref3

Meat Whiplash ref1, ref2, ref3

Melody Maker (magazine) ref1, ref2, ref3, ref4

Meltdown festival (London) ref1, ref2

Membranes, The ref1, ref2

Mercer, Mick ref1

Mercury Music Prize ref1

Microdisney ref1, ref2

Modern Life Is Rubbish ref1

‘Moe Tucker’ ref1, ref2

Monkees, The ref1

Monti, Steve ref1, ref2, ref3, ref4

Moore, John

and accents of Reid brothers ref1

and ‘All Things Must Pass’ ref1

ambition to join Mary Chain ref1

appearance of ref1, ref2, ref3, ref4

and ‘April Skies’ ref1, ref2

auditions for Mary Chain ref1

and closeness of Reid family ref1

closeness with Jim ref1

father’s courier business ref1, ref2

leaves Mary Chain ref1, ref2

and Mary Chain reunion ref1, ref2

moves to guitar ref1

and Old Grey Whistle Test ref1

practises drumming ref1, ref2

and preparation for gigs ref1

and Reid brothers as sole recording members ref1, ref2

rejoins Mary Chain ref1

and Rock City gig ref1

and ‘rock’n’roll’ lifestyle ref1

and Sanderson tribute show ref1

solo projects ref1

and tension within Mary Chain ref1

and Top of the Pops appearance ref1

as ‘translator’ ref1

and USA tour ref1

and William’s move to LA ref1

Moose ref1

Mori, Romi ref1

Morrison, Chris

and Estonia trip ref1

and Jaffe ref1

and KGB ref1

and Rollercoaster Tour ref1

sacked by Mary Chain ref1

and St Francis Xavier Hall gig ref1

and USA tour ref1

and William’s worldview ref1

Morrison, Lindy ref1

Morrissey ref1, ref2

Moss, Liela ref1

Mott The Hoople ref1

Moulder, Alan ref1, ref2, ref3, ref4, ref5

MTV! ref1

‘Mull Of Kintyre’ ref1

Muller, Sophie ref1

Munki

and Creation Records ref1

naming of ref1

promotional tour ref1, ref2

recording of ref1, ref2

release of ref1

Murray, Bill ref1

My Bloody Valentine ref1, ref2, ref3, ref4, ref5, ref6

National Ballroom (London) ref1

‘Never Understand’

and Blanco Y Negro deal ref1

chart position ref1

demo version ref1, ref2

and Hammersmith Palais gig ref1

lyrics of ref1, ref2

and Peel Sessions ref1

poster for ref1

recording of ref1, ref2

release of ref1

video ref1, ref2

‘Never Understood’ ref1

Nevermind ref1

‘New Rose’ ref1

Night Moves (Glasgow) ref1

Nine Inch Nails ref1, ref2

‘Nine Million Rainy Days’ ref1, ref2

‘Nineteen666’ ref1

Nirvana ref1

NME (magazine)

and Automatic ref1

and Brixton Academy gig ref1

and Creation Records ref1

and Gillespie leaving Mary Chain ref1

and ‘Godlike Genius’ award for McGee ref1

and Honey’s Dead ref1

influence of ref1, ref2

and ‘Jesus Fuck’ ref1

and Living Room gig ref1

and North London Polytechnic gig ref1

and Peel Sessions ref1

and reputation of Mary Chain ref1

and ‘Reverence’ ref1

and Three Johns gig ref1, ref2

and William’s arrest in New York ref1

and ‘You Trip Me Up’ ref1

‘Nobody’s Scared’ ref1

North London Polytechnic ref1

Oasis ref1, ref2, ref3, ref4, ref5

Oberlin, Kevin ref1

Ochre ref1, ref2

Old Grey Whistle Test (TV show) ref1

‘On The Wall’ ref1

Option (magazine) ref1

Orange Juice ref1, ref2

Orange Order ref1

Örn, Einar ref1

paint factory (East Kilbride) ref1, ref2

Pan’s People ref1

Paris, Christian ref1, ref2

Parker, Karen ref1, ref2, ref3, ref4

Parkin, Matthew ref1

Pastel, Stephen (McRobbie) ref1, ref2

Pastels, The ref1, ref2, ref3, ref4

Pearce, Kevin ref1

Pearl Jam ref1, ref2

Peel, John ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9

‘Penny Lane’ ref1

‘Perfume’ ref1

Pierce, Jeffrey Lee ref1

Pinker, James ref1

Pixies, The ref1

Police, The ref1

Polsky, Ruth ref1, ref2

pop ref1, ref2

Pop, Iggy ref1, ref2

Powell, Peter ref1

‘Pretty Vacant’ ref1

Price, Bill ref1

Primal Scream

development of ref1

and Dixie-Narco EP ref1

formation of ref1

and Mary Chain photo shoot ref1

and ‘rock’n’roll’ lifestyle ref1

and Screamadelica ref1, ref2

and Venue gig ref1, ref2

‘Primitive’ ref1

Psychocandy

chart position of ref1

comparisons with Darklands ref1

cost of production ref1

cover art ref1, ref2

drumming on ref1

and ‘Jesus Fuck’ ref1

mixing of ref1

recording of ref1, ref2

release of ref1

reviews of ref1, ref2

and ‘Some Candy Talking’ EP ref1

sound of ref1, ref2

success of ref1, ref2

Public Image Limited ref1, ref2, ref3, ref4

punk

and clothes ref1

and DIY culture ref1, ref2

as inspiration for disaffected ref1, ref2, ref3

and interview techniques ref1

London scene ref1

and ‘outsider’ status ref1

as platform for expression ref1

spirit of ref1, ref2, ref3

Q (magazine) ref1, ref2

Quantick, David ref1, ref2, ref3

Radio 1 (radio station) ref1, ref2

Raffles (Singapore) ref1

Ramones, The ref1

Raygun (magazine) ref1

Razzle ref1

Red Hot Chili Peppers ref1, ref2, ref3

Reid, Jim

accent of ref1

age of ref1, ref2, ref3

and alcohol ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15

ambition of ref1

and Ambulance Station gig ref1

and appearance of Mcgee ref1

and ‘April Skies’ cover art ref1

arguments with William ref1, ref2, ref3

arrested in Canada ref1

and artwork for Munki ref1

and Automatic recording session ref1, ref2

and B-sides ref1

beaten up ref1

birth of ref1

and Blanco Y Negro deal ref1, ref2

breakdown of ref1

and Brighton Pavilion gig ref1

and Brixton Academy gig ref1

buys Vox Phantom guitar from McGee ref1

closeness with Lurie ref1, ref2

closeness with Moore ref1

closeness with William ref1, ref2

clothes customisation ref1

confidence in Mary Chain ref1, ref2

court case ref1

and current state of Mary Chain ref1

and Daisy Chain ref1, ref2, ref3

and Dalglish quitting ref1

and Darklands recording session ref1

and David Letterman Show ref1

dead-end jobs of ref1

and death of Sanderson ref1

drug-taking of ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9

and drum-machines ref1, ref2, ref3

and drummer auditions ref1

and early recordings ref1

education of ref1

and Electric Ballroom gig ref1

and Estonia trip ref1

and fame ref1

first gig with Hart ref1

and Freeheat ref1

friendship with McGee ref1

and Fulham flats ref1, ref2

and Germany tour ref1

and Gillespie as drummer ref1

and Gillespie leaving Mary Chain ref1

and Gossip gig ref1

and guitarist auditions ref1

and Hacienda gig ref1

and Hope Sandoval ref1, ref2, ref3

and House of Blues gig ref1

and Hunters Hotel ref1

and ‘I Love Rock’n’Roll’ ref1

and ICA Rock Week gig ref1

and Iggy Pop ref1

insularity of ref1, ref2, ref3, ref4, ref5

interviews

Interview ref1

Melody Maker ref1

Option ref1

Q ref1

Select ref1

style of ref1, ref2

Uncut ref1

ZigZag ref1

and Israel tour ref1

and Jaffe ref1

and Japan tour ref1

and ‘Jesus Fuck’ ref1

and Joy Division comparisons ref1

and ‘Just Like Honey’ ref1

and KGB ref1

and Later . . . With Jools Holland ref1

leaves home for London ref1

letter writing to local radio station ref1

and line-up choices ref1

and Little Pop Rock ref1

and Living Room gig ref1, ref2

and Lollapalooza ref1

and love of books ref1

loyalty to William ref1

as ‘manager’ of Mary Chain ref1

and Mary Chain reunion ref1, ref2

and Mary Chain split ref1, ref2

and McGee’s emulation of Malcolm McLaren ref1

meets Hart ref1

and Moore rejoining Mary Chain ref1

and Moore’s ambition to join Mary Chain ref1

and Moore’s audition ref1

and Moore’s leaving of Mary Chain ref1

and Munki recording session ref1

and music industry ref1

musical influences ref1, ref2

and naming of Mary Chain ref1

and ‘Never Understand’ poster ref1

and ‘Never Understand’ recording session ref1

and New York shows ref1, ref2, ref3

and New Zealand tour ref1

and Night Moves gig ref1

and NME review ref1

and North London Polytechnic gig ref1

and Old Grey Whistle Test ref1

and ‘On The Wall’ ref1

and ‘outsider’ status of Mary Chain ref1

and paint factory ref1, ref2

and Peel Sessions ref1, ref2

photographs of ref1

and photo shoots ref1

and Portastudio ref1

and pressure of recording ref1, ref2

and Primal Scream ref1

and Psychocandy cover ref1

and Psychocandy recording session ref1, ref2

relationship with Verfaillie ref1, ref2

religion ref1, ref2

and reputation of Mary Chain ref1

and ‘Reverence’ ref1

and reviews of Darklands ref1

and ‘riots’ ref1

and Rollercoaster Tour ref1

and RPM Club gig ref1

and sacking of Hart ref1

and sacking of McGee ref1

and Sanderson joining Mary Chain ref1

and Sanderson tribute show ref1

and Scarlett Johansson ref1

and Shane McGowan ref1

shyness of ref1, ref2, ref3, ref4

and ‘Sidewalking’ ref1

solo shows ref1

and ‘Some Candy Talking’ controversy ref1

and ‘Some Candy Talking’ recording session ref1

song-writing of ref1, ref2, ref3, ref4, ref5

and sound of Psychocandy ref1

and Stoned & Dethroned recording session ref1

and success of Psychocandy ref1

and symbolism of Stoned & Dethroned ref1

and Tallinn Summer Rock Festival ref1, ref2

tension with William ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9

and The Roxy appearance ref1

and The Tube appearance ref1

and Three Johns gig ref1

and Top of the Pops appearance ref1

and ‘Upside Down’ recording session ref1

and USA tours ref1, ref2, ref3, ref4, ref5, ref6, ref7

and Venue gig ref1

vocals of ref1, ref2

Vox Phantom guitar stolen ref1

and William’s arrest in New York ref1

and William’s guitar playing ref1, ref2

and William’s move to LA ref1

and ‘You Trip Me Up’ video ref1

Reid, Julie ref1

Reid, Linda (‘Sister Vanilla’) ref1, ref2, ref3, ref4

Reid, William

accent of ref1

age of ref1, ref2, ref3

and alcohol ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9

ambition of ref1

arguments with Jim ref1, ref2, ref3

arrest of ref1

and artwork for Munki ref1

and Automatic recording session ref1

and B-sides ref1

birth of ref1

and Blanco Y Negro deal ref1

breakdowns of ref1, ref2

broken fuzz pedal ref1

buys first guitar ref1

closeness with Jim ref1, ref2

clothes customisation ref1

confidence in Mary Chain ref1, ref2

and Daisy Chain ref1

and Dalglish quitting ref1

and Darklands recording session ref1

and David Letterman Show ref1

dead-end jobs of ref1

and death of Sanderson ref1

dole ‘anniversary’ ref1

domesticity of ref1

drug-taking of ref1, ref2, ref3, ref4, ref5, ref6

and Drugstore Studio ref1

and drummer audition ref1

education of ref1

and Electric Ballroom gig ref1, ref2

and Estonia trip ref1

fight with Lurie ref1

and flight to Philadelphia ref1

and Fulham flats ref1

and grunge ref1

guitar playing of ref1, ref2, ref3

and guitarist auditions ref1

and House of Blues gig ref1

humour of ref1

and ICA Rock Week gig ref1

and Ice Cube ref1

and Iggy Pop ref1

insularity of ref1, ref2, ref3, ref4, ref5

interviews

Goldmine ref1

Interview ref1

Melody Maker ref1, ref2, ref3

NME ref1

Raygun ref1

Rolling Stone ref1

Select ref1

style of ref1, ref2

Uncut ref1, ref2

VOX ref1

ZigZag ref1

and Jaffe ref1

and Japan tour ref1

and Jim’s closeness with Lurie ref1

and ‘Just Like Honey’ ref1

and ‘Kill Surf City’ ref1

and Later . . . With Jools Holland ref1

letter writing to local radio station ref1

and line-up choices ref1

and Little Pop Rock ref1

and Living Room gig ref1

and Lollapalooza ref1

loyalty to Jim ref1

lyrics of ref1, ref2, ref3, ref4

and Mary Chain reunion ref1, ref2

and Mary Chain split ref1

meets Hart ref1

and Meltdown festival ref1

and mixing of Psychocandy ref1

moves to Los Angeles ref1

and Munki recording session ref1

and music industry ref1, ref2, ref3, ref4, ref5

musical influences ref1, ref2

and naming of Mary Chain ref1

and ‘Never Understand’ recording session ref1

and New Zealand tour ref1

and Night Moves gig ref1

and ‘Nine Million Rainy Days’ ref1

and NME review ref1

and North London Polytechnic gig ref1

and Old Grey Whistle Test ref1

onstage rants ref1

and paint factory ref1

paints Gretsch guitar black ref1

and Peel Sessions ref1

and photo shoots ref1

and Portastudio ref1

and pressure of recording ref1, ref2

and Psychocandy cover ref1

and Psychocandy recording session ref1, ref2

pulls out of USA tour ref1, ref2

relationship with Hope Sandoval ref1, ref2, ref3, ref4

religion ref1, ref2

and reputation of Mary Chain ref1

and ‘Reverence’ ref1, ref2

and reviews of Darklands ref1

and ‘riots’ ref1

and sacking of McGee ref1

and Sanderson tribute show ref1

and Scandinavian tour ref1

shyness of ref1, ref2, ref3

Slingbox of ref1

solo material of ref1, ref2

and ‘Some Candy Talking’ recording session ref1

song-writing of ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10

and sound of Darklands ref1

and sound of Psychocandy ref1

splits with Rona ref1

and Stoned & Dethroned recording session ref1

and symbolism of Stoned & Dethroned ref1

tension with Jim ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9

and Three Johns gig ref1

and Top of the Pops appearance ref1

and touring ref1, ref2, ref3, ref4, ref5, ref6, ref7

and ‘Upside Down’ recording session ref1, ref2

and USA tours ref1, ref2, ref3, ref4, ref5

vocals of ref1

and ‘Who Do You Love?’ ref1

and ‘You Trip Me Up’ video ref1

‘Relax’ ref1

REM ref1

Renegade Soundwave ref1

‘Reverence’

chart position of ref1

impact of ref1, ref2

and Lollapalooza ref1

lyrics of ref1, ref2, ref3

recording of ref1

release of ref1

and San Juan Capistrano gig ref1

success of ref1

and The Word ref1

video ref1

and William’s solo shows ref1

Reznor, Trent ref1

Ride ref1, ref2

Ritz (New York) ref1, ref2

Robb, John ref1, ref2, ref3

Rock City (Nottingham) ref1

Rockin’ On (magazine) ref1

Rodger, Scott ref1

Rollercoaster Tour ref1, ref2

‘Rollercoaster’ (EP) ref1

Rolling Stone (magazine) ref1

Rolling Stones, The ref1, ref2

Rough Trade Records ref1, ref2, ref3

‘Roxanne’s Revenge’ ref1

Roxy (Los Angeles) ref1

RPM Club (Toronto) ref1

Rubin, Rick ref1

Sager, Gareth ref1

Sam Therapy Studio (London) ref1, ref2

Sanderson, Adam ref1

Sanderson, Nick

auditions for Mary Chain ref1

death of ref1

drumming style ref1

and Freeheat ref1

and House of Blues gig ref1

joins Mary Chain ref1

and Sound Of Speed EP ref1

tribute show ref1

Sandoval, Hope

Jim’s opinion of ref1, ref2, ref3

and ‘Perfume’ ref1

relationship with William ref1, ref2, ref3, ref4

and ‘Sometimes Always’ ref1, ref2

and USA tour ref1, ref2

Santa Monica Civic Center ref1

Saturday The Fourteenth ref1

‘Save Me’ ref1

Sawyer, Miranda ref1

Scabies, Rat ref1

Scanners (film) ref1

Scorfield, Ken ref1

Screamadelica ref1, ref2

Seeds, The ref1

See See Rider ref1

Select (magazine) ref1, ref2

Sex Pistols ref1, ref2, ref3, ref4, ref5

Shangri-Las ref1, ref2

Shante, Roxanne ref1

Shelleyan Orphan ref1

Shields, Kevin ref1, ref2

Shop Assistants ref1

‘Sidewalking’ ref1

Slade ref1

Slash ref1

Slits, The ref1

Slow Dazzle (fanzine) ref1

Small, Laurie ref1, ref2

Smash Hits (magazine) ref1, ref2, ref3, ref4, ref5,

Smith, Mike ref1

Smiths, The ref1, ref2, ref3, ref4

‘Snakedriver’ ref1, ref2, ref3

Snow, Mat ref1, ref2, ref3

Snub TV (TV series) ref1

‘Solid (As A Rock)’ ref1

‘Some Candy Talking’ ref1, ref2, ref3

‘Some Candy Talking’ (EP) ref1

‘Somebody To Love’ ref1

‘Something I Can’t Have’ ref1

‘Sometimes Always’ ref1, ref2, ref3, ref4

‘Song For A Secret’ ref1

Sonic Youth ref1, ref2

Sony Music ref1, ref2

Sound Of Speed ref1

Soundgarden ref1, ref2

Sounds (magazine) ref1, ref2, ref3, ref4, ref5

South By South West Festival ref1

Southern Studios (London) ref1, ref2

Spandau Ballet ref1

speed ref1, ref2

Speed (London) ref1

‘Speed Speed Ecstasy’ ref1

Spice of Life (London) ref1

Spiritualised ref1

Spizz Energi ref1

Squire, John ref1

St Etienne ref1

St Francis Xavier Hall (Dublin) ref1

Stanley, Ian ref1

Starlings, The ref1

Stewart, Rod ref1

Stone Roses, The ref1

Stone Temple Pilots ref1

Stoned & Dethroned

artwork ref1

launch party ref1

recording of ref1

reviews ref1

sound of ref1

symbolism of ref1

Stooges, The ref1, ref2, ref3

‘Stranded’ ref1

Strawberry Switchblade ref1, ref2, ref3

Street, Stephen ref1

Style Council, The ref1

Subway Sect ref1, ref2, ref3, ref4, ref5, ref6

‘Suck’ ref1

Sugarcubes, The ref1, ref2

Suicide ref1

Summer, Donna ref1

‘Surfin’ USA’ ref1, ref2

Sutherland, Steve ref1, ref2

‘Sweet Little Sixteen’ ref1

Swift, David ref1

‘Sympathy For The Devil’ ref1

Tallinn Summer Rock Festival (Estonia) ref1, ref2

‘Taste Of Cindy’ ref1, ref2

‘Taste The Floor’ ref1, ref2, ref3, ref4

‘Taster’ (EP) ref1

Taxi Driver (film) ref1

Taylor, Neil

and Ambulance Station gig ref1, ref2

and Britpop ref1

and influence of NME ref1

and North London Polytechnic gig ref1, ref2, ref3, ref4

and Three Johns gig ref1, ref2

Tears For Fears ref1

Teenage Jesus and the Jerks ref1

‘Teenage Lust’ ref1, ref2

Teenage Vice ref1

Television Personalities ref1

Temple, Julien ref1

Terry Edwards Plays The Music Of Jim And William Reid ref1

Thatcher, Margaret ref1

The David Letterman Show (TV show) ref1

The Fez (New York) ref1

The Great Rock’n’Roll Swindle (film) ref1

The Jesus Trip (film) ref1

‘The Living End’ ref1, ref2, ref3, ref4

The Old Grey Whistle Test (radio show) ref1

The Producers (film) ref1

The Roxy (TV show) ref1

The Tube (TV show) ref1

The Velvet Underground And Nico ref1, ref2

The Word (TV show) ref1

These Tender Virtues ref1

Thin Lizzy ref1

Thomas, Richard ref1, ref2, ref3

Three Johns (London) ref1, ref2

‘Tired Of Fucking’ (EP) ref1, ref2

Top of the Pops (TV show) ref1, ref2, ref3, ref4, ref5, ref6

‘Tower Of Song’ ref1

Townshend, Pete ref1

‘Train Driver In Eyeliner’ ref1

Traitor, Ralph ref1

Travis, Geoff

and Ambulance Station gig ref1

and Automatic recording session ref1

and ICA Rock Week gig ref1

and Jaffe ref1

and Jeannette Lee ref1

and ‘Jesus Fuck’ ref1

and Munki ref1

and ‘Never Understand’ poster ref1

and ‘Never Understand’ recording session ref1

and Psychocandy recording session ref1

and ‘Sidewalking’ ref1

signs Mary Chain ref1, ref2

and sound of Psychocandy ref1

Trident Studios (London) ref1

Triffids, The ref1

Tucker, Maureen (Moe) ref1, ref2, ref3, ref4, ref5

Uncut (magazine) ref1, ref2, ref3

‘Upside Down’

chart position ref1, ref2

cover art ref1

demo versions ref1, ref2, ref3

press copies distributed ref1

recording of ref1

release of ref1, ref2

success of ref1, ref2

Vedder, Eddie ref1

‘Vegetable Man’ ref1, ref2, ref3, ref4, ref5, ref6

Velvet Underground, The ref1, ref2, ref3

Venue (Glasgow) ref1, ref2

Verfaillie, Laurence and accents of Reid brothers ref1

and ‘April Skies’ cover art ref1

and arrest of Jim ref1

and ‘Cut Dead’ ref1

and Darklands recording session ref1

and drum-machines ref1

and Electric Ballroom gig ref1, ref2

hired by Creation Records ref1

and ICA Rock Week gig ref1

and insularity of Reid brothers ref1

and Japan tour ref1

and Les Baines Douches gig ref1

as ‘manager’ of Mary Chain ref1

and McGee’s interview with French journalist ref1

and ‘Nine Million Rainy Days’ ref1

and paranoia of Mary Chain ref1

and Peel Sessions ref1

and Psychocandy recording session ref1

relationship with Jim ref1, ref2

and reviews of Darklands ref1

and Rollercoaster Tour ref1

and Scandinavian tour ref1

and ‘Sidewalking’ ref1

and Sugarcubes ref1

and Terry Edwards Plays ref1

and Top of the Pops appearance ref1

and USA tours ref1

and William’s humour ref1

Vicious, Sid ref1

VOX (magazine) ref1

Warner Music

and Blanco Y Negro deal ref1, ref2, ref3

and Darklands recording session ref1

dislike of Mary Chain ref1

drop Mary Chain ref1

and increased exposure of Mary Chain ref1

and Jaffe ref1

and ‘Jesus Fuck’ ref1

and New York shows ref1

and sound of Psychocandy ref1

Weatherall, Andy ref1

Weller, Paul ref1, ref2, ref3

Westerberg, Kevin ref1, ref2

‘Who Do You Love?’ ref1

William, Simon ref1

Wilson, Brian ref1

Wilson, Carl ref1

Wilson, Ivor ref1

Wilson, Norman ref1, ref2

Winehouse, Amy ref1

‘Write Record Release Blues’ ref1

Yawn! ref1

‘You Trip Me Up’ ref1, ref2, ref3

Young, Brian ref1, ref2

ZigZag (magazine) 41–2