Peter Watts (www.rifters.com) is a former marine biologist who clings to some shred of scientific rigor by appending technical bibliographies onto his novels. His debut novel, Starfish, was a New York Times Notable Book, while his fourth, Blindsight—a rumination on the utility of consciousness that has become a required text in undergraduate courses ranging from philosophy to neuroscience—was a finalist for numerous North American genre awards, winning exactly none of them. (It did, however, win a shitload of awards overseas, which suggests that his translators may be better writers than he is.) His latest novella, The Freeze-Frame Revolution, won the Nowa Fantastyka Prize for Best Foreign Book in Poland; the book was also a Locus Award finalist and a British Science Fiction Award nominee.
Watts’s shorter work has also picked up trophies in a variety of jurisdictions, notably a Shirley Jackson Award (possibly due to fan sympathy over his nearly dying of flesh-eating disease in 2011) and a Hugo Award (possibly due to fan outrage over an altercation with US border guards in 2009). The latter incident resulted in Watts being barred from entering the US—not getting on the ground fast enough after being punched in the face by border guards is a “felony” under Michigan statutes—but he can’t honestly say he misses the place all that much.
Watts’s work is available in twenty languages—he seems to be especially popular in countries with a history of Soviet occupation—and has been cited as inspirational to several popular video games. He and his cat, Banana (since deceased), have both appeared in the prestigious scientific journal Nature. A few years ago he briefly returned to science with a postdoc in molecular genetics, but he really sucked at it.
