DISCOGRAFIA SELECCIONADA

 

 

1. Oigo un mundo nuevo: los pioneros de la música electrónica (1 910-1968)

 

Francois Bayle, Érosphère (Ina-GRM, 1996).

Pierre Henry, Messe Pour Le Temps Present (Philips, 1964).

Oskar Sala, My Fascinating Instrument (Fax, 1995).

Pierre SchaefFer, Solfege de L’Objet Sonore (Ina-GRM, 1998).

Pierre SchaefFer & Pierre Henry, L’Oeuvre Musicale (Ina-GRM,

1998). Raymond Scott, Manhattan Research Inc. (Basta, 2001). Karlheinz Stockhausen, Étude. Studie I & II. Gesang Derjünglin-

ge. Kontakte (Stockhausen-Verlag, 2000). Edgard Varèse, Ameriques. Arcana. Density 21’5. Integrales (Sony

Classical). Varios, Early Modulations (Caipirinha, 1999). Varios, Futurism & Dada Revisited (Sub Rosa, 1995). Varios, OHM: The Early Gurús of Electronic Music (Ellipsis Arts,

2000).

 

 

2. «Rock around the click»: la electrónica de los setenta, de «Hallo-gallo» al ambient en la era del Moog (1968-1982)

 

Walter Carlos, A Clockwork Orange (CBS, 1971; Warner, 1987).

Silver Apples, Silver Apples (TRC, 1994).

Neu!, Neul (Brain, 1971; Grónknd-Emi Electrok, 2001).

Neu!, Neu! 2 (Brain, 1973; Grónknd-Emi Electrok, 2001).

Holger Czukay & RolF Dammers, Canaxis (Music Factory, 1969; Spoon, 1981).

Can, TagoMago (Liberty, 1971; Spoon, 1989).

Faust, Faust (Polydor, 1971; Collectors’ Choice Music, 2000).

Cluster, Cluster II (Brain, 1972).

Gong, Radio Gnome Invisible Part 1: Flying Teapot (Virgin, 1973).

Robert Fripp & Brian Eno, No Pussyfooting (Island, 1973).

Brian Eno, Discreet Music (EG, 1975).

Brian Eno, Ambient 1. Musicfor Airports (EG, 1978).

Suicide, Suicide (Red Star, 1977; Blast First, 1998).

Laurie Anderson, Big Science (Warner, 1982).

 

 

3. Una historia jamaicana de fantasmas: el dub, de Kingston a Bristol (1964-1996)

 

African Headcharge, My Life in a Hole in the Ground (On U Sound, 1981).

King Tubby & The Aggrovators, Reco: Fundations of Dub (Trojan, 2001).

Mad Professor, Escape to the Assylum of Dub. Dub Me Crazy 4 (Ariwa, 1983).

The Mighty Upsetters, Kung Fu Meets the Dragón (Lagoon, 1975).

Missing Brazilians, Warzone (On U Sound, 1984).

Lee «Scratch» Perry, Arkology (Isknd, 1996).

Prince Far I, Psalms-For-I (Carib Genis, 1975).

Sdentist, Sdentist Rids the World of the Evil Curse of the Vampires (Greensleeves, 1981).

The Slits, Cut (Island, 1979).

U Roy, Versión Galore (Trojan, 1970).

Varios, Keep on Corning Through the Door (Trojan, 1988).

Varios, Reco:Jamaican Deejay Music 1969-1973 (Trojan).

 

 

4. Música para las masas: Kraftwerk, el sonido del concepto (1970-2002)

 

Kraftwerk, Autobahn (Philips, 1974).

Kraftwerk, Computer World (EMI, 1981).

Kraftwerk, Radioactivity (EMI, 1975).

Kraftwerk, The Man-Machine (EMI, 1978).

Kraftwerk, Tour de France, 12” (EMI, 1983).

Kraftwerk, Trans-Europe Express (EMI, 1977).

 

 

5. Poderosamente real: la música disco, de The Loft al Paradise Garage (1970-1985)

 

Patrick Cowley, Mindwarp (Megatone, 1981).

Giorgio Moroder, From Here to Eternity (Repertoire, 1977).

Donna Summer, Love to Love You Baby (Casablanca, 1975).

Donna Summer, I Remember Yesterday (Casablanca, 1977).

Varios, Bobby O Greatest Hits (Dig It International, 1990).

Varios, Danny Krivit Presents GrassRoots (Strut, 2001).

Varios, David Mancuso Presents The Loft (Nuphonic, 1999).

Varios, Disco Not Disco (Strut, 2000).

Varios, I Love Disco Diamonds 1 (Blanco Y Negro, 2001).

Varios, Larry Levan Live at the Paradise Garage (Strut, 2000).

Varios, The Disco Box (Rhino, 1999).

 

 

6. Hemorragias de placer: la segunda revolución industrial (1975-1985)

 

Cabaret Voltaire, Mix-Up (Rough Trade, 1979).

Chris & Cosey, Trance (CTI-Rough Trade, 1982).

Coil, Horse Rotorvator (Forcé & Form, 1986).

Nurse With Wound, Merzbild Schwet (United Diaries, 1980).

SPK, Information Overload Unit (Side Effects, 1981).

Throbbing Gristle, 2nd Annual Report (Industrial, 1977).

Throbbing Gristle, 20 Jazz Funk Great Hits (Industrial, 1979).

Vagina Dentata Organ, Musicfor The Hashishins, in Memoriam of Hassan-I-Sabbah (WSNS, 1983).

Whitehouse, Great White Death (Come Organisation, 1985).

 

 

7. Miedo a un planeta negro: la vieja escuela del hip hop (1973-1989)

 

Singles Hip Hop

Cold Crush Brothers, Fresh, Wild, Fly & Bold (TuffCity, 1984).

K-Rob vs. Rammellzee, Beat Bop (Tartown, 1983).

Kurtis Blow, The Breaks (Mercury, 1980).

Jimmy Spicer, Adventures of Super Rhymes (Dazz, 1980).

Sugarhill Gang, Rapper’s Delight (Sugarhill, 1979).

 

LPs Hip Hop

Beastie Boys, Paul’s Boutique (Capítol, 1989).

Boogie Down Productions, Criminal Minded (B-Boy, 1987).

Eric B & Rakim, Follow the Leader (Uni, 1988).

Grandmaster Flash & The Furious Five, The Message (Sugarhill, 1982).

Marley Mari, In Control, Volume 1 (Cold Chillin’, 1988).

N.WA., Straight Outta Compton (Ruthless, 1988).

Public Enemy, It Takes a Nation of Millions to Hold Us Back (Def Jam, 1988).

Run-DM.C, RaisingHell (Profile, 1986).

SchooUy D, Schoolly D (SchooUy D, 1986).

Ultramagnetic MC’s, Critical Beatdown (Next Plateau, 1988).

 

Singles Electro

Afrika Bambaataa & The Soul Sonic Forcé, Planet Rock (Tommy Boy, 1982).

Egyptian Lover, Egypt, Egypt (Egyptian Empire, 1983).

Hashim, Al Naafiysh (The Soul) (Cutting, 1983).

Maggotron, Bass Invaders Qamarc, 1984).

Man Parrish, Hip Hop Be Bop (Don’t Stop) (Sugarscoop, 1982).

Mantronix, Needle to the Groove (Sleeping Bag, 1985).

Newcleus, Jam on Revenge (The Wikki Wikki Song) (Sunnyview, 1983).

Newtrament, hondón Bridge b Falling Down (Zomba, 1983).

Planet Patrol, Play At Your Own Risk (Tommy Boy, 1982).

Rodney O & Joey Cooley, Everlasting Bass (Egyptian Empire, 1986).

 

 

8. Fundido en gris: el pop vampirizado por la electrónica en los ochenta (1977-1989)

 

Cocteau Twins, Garlands (4AD, 1982).

DAF, Alies Is Gut (Virgin, 1981).

Depeche Mode, Musicfor the Masses (Mute, 1987).

John Foxx, Metamatic (Virgin, 1980).

The Human League, Reproduction (Virgin, 1979).

New Order, Technique (Factory, 1988).

NitzerEbb, That Total Age (Mute, 1987).

OMD, The Best of OMD (A&M, 1988).

Pet Shop Boys, Actually (EMI, 1987).

Soft Cell, Non-Stop Erotic Cabaret (Mute, 1982).

Talking Heads, More Songs About Buildings and Food (Sire, 1978).

Tubeway Army, Replicas (Beggars Banquet, 1979).

Visage, The Damned Don’t Cry (Spectrum, 2000).

Yellow Magic Orchestra, Technodelic (Alfa, 1981).

Varios / Andrew Weatherall, Nine O’Clock Drop (Nuphonic, 2000).

 

 

9. La casa de Jack: ritmo y deseo. El primer imperio del house (1985-1995)

 

Bam Bam, King of the Underground (Desire, 1990).

Bang The Party, Back to Prison (Warriors Dance, 1990).

Blaze, 25 Years Later (Motown, 1990).

Boby Konders Project, Cool, Calm & Collective (Desire, 1990).

Fingers Inc., Another Side (Jack Tax, 1988).

Lil’ Louis & The World, From the Mind of Lil’ Louis (Diamondffrr, 1989).

Masters at Work, The Álbum (Cutting, 1993).

Robert Owens, Rhythms in Me (4th & Broadway-Isknd, 1990).

Joe Smooth, Promised Land (DJ International-Westside, 1988).

Technotronic, Pump Up Thejam (ARS-Max Music, 1989).

Varios, Acieed Inferno (BCM, 1988).

Varios, Future Sound of Chicago (Cajual-Relief-Ministry of Sound, 1995).

Varios, The House Sound of Chicago (DJ International-London, 1986).

Varios, This Is Strictly Rhythm (Strictly Rhythm, 1991).

Varios, Ultímate House One (Champion, 1988).

 

 

10. El shock del futuro: techno, Detroit y más allá (1982-1993)

 

JoeyBeltram, Vol. 1, 12” (R&S, 1990).

Cybotron, Enter (Fantasy, 1983).

DBX, Losing Control, 12” (Accelerate-Peacefrog, 1994).

Drexciya, The Quest (Submerge, 1997).

FUSE, Dimensión Intrusión (+8-Warp, 1993).

Robert Hood, Minimal Nation, 2x12” (Axis, 1994).

Derrick May, Innovator (Transmat-R&S, 1998).

Model 500, Classics (R&S, 1993).

Octave One, The Collective (430 West).

Plastikman, Sheet One (NovaMute-+8, 1993).

Psyche / BFC, Elements 1989-1990 (Planet E, 1996).

Kevin Saunderson, Faces & Phases (KMS-SSR, 1998).

Underground Resistance, Revolution For Change (Network, 1992).

X-102, Discovers the Rings of Saturn (Tresor, 1992).

Varios, In Order To Dance III (R&S, 1992).

Varios, Jeff Mills. Live At The Liquid Room-Tokyo (Sony Japan-React, 1995).

Varios, Mission Underground (Djax Up-Beats, 1994).

Varios, Techno! The New Dance Sound of Detroit (Ten, 1988).

Varios, Techno 2 (Ten, 1990).

 

 

11. Déjame ser tu fantasía: el Verano del Amor y la expansión de las raves (1986-1992)

 

808 State, Newbuild (Creed-Rephlex, 1998).

A Guy Called Gerald, Voodoo Ray, 12” (Rham, 1989).

Baby Ford, Ford Tracks (Rhythm King, 1988).

Bomb the Bass, Exit The Dragón (Rhythm King, 1988).

M/A/R/R/S, Pump Up the Volume, 12” (4AD, 1987).

Orbital, Chime, 12” (London, 1989).

S’Express, Themefrom S’Express, 12” (Rhythm King, 1988).

The KLF, The White Room (KLF Communications, 1991).

The Prodigy, Experience (XL, 1992).

Varios, Back to the Oíd Skool vols. 1 & 2 (Ministry of Sound, 2001).

Varios, Warp 10+1. Influences (Warp, 1999).

 

 

12. Aventuras en el ultramundo. Ambient, IDM y electrónica post-rave (1989-2002)
 

AphexTwin, Classics (R&S, 1996).

Autechre, Incunabula (Warp, 1993).

Biosphere, Patashnik (Apollo-R&S, 1994).

Boards of Canadá, MusicHas the Right to Children (Skam-Warp, 1998).

Global Communications, 76:14 (Universal Language, 1994).

LFO, Frequencies (Warp, 1991).

μ-Ziq, Tango’n’Vectiff (Repblex, 1993).

Mouse on Mars, hora Tahiti (Too Puré, 1994).

Orbital, Orbital 2 (Internal-FFRR, 1993).

Plaid, Not For Threes (Warp, 1997).

The KLF, Chill Out (KLF Communications, 1990).

The Orb, U.F.Orb (Wau! Mr. Modo, 1992).

The Sabres of Paradise, Sabresonic (Warp, 1993).

Varios, Artificial Intelligence vol. I & II (Warp, 1992-1994).

Varios, Incursions In Illbient (Asphodel, 1996).

Varios, Warp 10+2: Classics (Warp, 1999).

 

 

13. Medianoche en un mundo perfecto: abstracción hip hop y ciencia del beat a cámara lenta (1987-2002)

 

Broadway Project, Compassion (Memphis Industries, 2001).

DJ Food, A Recipe fior Disaster (Ninja Tune, 1995).

DJ Krush, Strictly Turntablized (Mo’Wax, 1994).

DJ Shadow, Endtroducing... (Mo’Wax, 1996).

Kruder & Dorfmeister, The K&D Sessions (Studio !K7, 1998).

Massive Attack, Blue Lines (Circa, 1991).

Neneh Cherry, Raw Like Sushi (Circa, 1989).

Nightmares On Wax, Smokers Delight (Warp, 1995).

Portishead, Dummy (Go! Beat, 1994).

Red Snapper, Prince Blimey (Warp, 1996).

Smith & Mighty, Anyone, 12” (Three Stripe, 1987).

Tricky, Maxinquaye (Fourth & Broadway, 1995).

Wagón Christ, Throbbing Pouch (Rising High, 1995).

Varios, Give’em Enough Dope Volume One (Wall of Sound, 1994).

Varios, Headz 2 (Mo’Wax, 1996).

 

 

14. Equipo en expansión: la nueva escuela del hip hop (1989-2002)

 

A Tribe Called Quest, A Low End Theory Qive, 1991).

Company Flow, Funcrusher Plus (Rawkus, 1997).

De La Soul, 3 Feet High and Rising (Tommy Boy, 1989).

Dilated Peoples, Expansión Team (Capítol, 2001).

Dr. Dre, The Chronic (Death Row, 1992).

Dr. Octagon, Ecologyst (Bulk-Mo’Wax, 1996).

Eminem, The Marshall Mathers LP (Aftermath-Interscope, 2000).

Gang Starr, Hard to Earn (Chrysalis, 1994).

Jay-Z, The Blueprint (Roc-A-Felk, 2001).

Jungle Brothers, Done by the Forces of Nature (Warner, 1989).

Mos Def, Black on Both Sides (Rawkus, 1999).

Nas, nimatic (Columbia, 1994).

Pete Rock & CL Smooth, Mecca and the Soul Brother (Elektra, 1992).

The Notorious B.I.G., Ready to Die (Arista, 1994).

Wu-Tang Clan, Enter the Wu-Tang (36 Chambers) (Loud, 1993).

 

 

15. Progresión lógica:jungle, drum’n’bass y 2step (1990-2002)

 

4 Hero, Parallel Universe (Reinforced, 1994).

A Guy Called Gerald, Black Secret Technology Quice Box, 1995).

Bad Company, Inside the Machine (BC Recordings, 2000).

Ganja Kru, Super Sharp Shooter EP, 2x12” (Ganja Kru, 1996).

Goldie, Timeless (Londres, 1995).

Omni Trio, The Deepest Cut (Moving Shadow, 1995).

Plug, Drum’n’bass for Papa (Blue Ángel, 1996).

Photek, Modus Operandi (Science, 1997).

Roni Size / Reprazent, New Forms (Talkin’ Loud, 1997).

So Solid Crew, They Don’t Know (Independiente, 2001).

Spring Heeljack, 68 Million Shades (Trade 2-Island, 1996).

Squarepusher, Feed Me Weird Things (Rephlex, 1996).

Varios, Blueprint. The Definitive Moving Shadow Álbum (Moving Shadow, 1997).

Varios, Logical Progression (Good Looking, 1996).

Varios, Classic Subbase (Suburban Base, 1996).

Varios, Torque (No U Turn, 1997).

Varios, V Classic (V Recordings, 1997).

 

 

16. Post-rave /post-digital: Música experimental en la década de los noventa (1990-2002)

 

Alva Noto, Transform (Mille Plateaux, 2001).

Farmers Manual, Explorers_We (Or, 1998).

Fennesz, Endless Summer (Mego, 2001).

Merzbow, Venereólogo (Relese, 1994).

Oval, Systemisch (Mille Plateaux, 1994).

Panasonic, Kulma (Blast First, 1997).

Pita, Get Out (Mego, 1999).

Ryiji Ikeda, Matrix (Touch, 2001).

Steve Roden, Forms of Paper (Line, 2001).

Yasunao Tone, Solofor Wounded CDs (Tzadik, 1997).

Varios, Between Two Points (12k/Line, 2001).

Varios, Clicks & Cuts 2 (Mille Plateaux, 2001).

 

 

17. Como una autopista: encuentros de electrónica y música popular (1989-2002)

 

Bjórk, Debut (One Little Indian, 1993).

The Chemical Brothers, Exit Planet Dust 0unior Boy’s Own, 1995).

Disco Inferno, D.I. Go Pop (Rough Trade, 1994).

Happy Mondays, Pilis ‘N’ Thrills and Bellyaches (Factory, 1990).

Hood, Cold House (Domino, 2001).

múm, Yesterday Was Dramatic... Today b OK (Thule-Tugboat, 2000).

My Bloody Valentine, Loveless (Creation, 1991).

One Dove, Morning Dove White (Ffrr, 1993).

Pizzicato Five, The Sound of Music (Matador, 1995).

Primal Scream, Screamadelica (Creation, 1991).

The Prodigy, Smack My Bitch Up, 12” (XL, 1997).

Saint Etienne, Smash the System (Heavenly, 2001).

Seefeel, Quique (Too Puré, 1993).

Stereolab, Emperor Tomato Ketchup (Duophonic, 1996).

Varios, Putting the Morr Back in Morrissey (Morr Music, 2000).

 

 

18. Reacción en cadena: techno y house en la segunda mitad de los noventa (1992-2002)

 

Cristian Vogel, Busca Invisibles (Tresor, 1998).

Dave Clarke, Archive One (DeConstruction, 1995).

Daft Punk, Homework (Virgin, 1997).

Herbert, Around the House (Phono, 1997).

Isolée, Rest (Playhouse, 2001).

Luomo, Vocal City (Forcé Tracks, 2000).

Maurizio, Maurizio (M, 1997).

Motorbass, Pansoul (DifFerent, 1996).

Porter Ricks, Biokinetics (Chain Reaction, 1996).

Skm, Headstates (Soma, 1996).

Spooky, Gargantuan (Guerilla, 1993).

Surgeon, Forcé + Form (Tresor, 1998).

Underworld, Dubnobasswithmyheadman Qunior Boy’s Own, 1994).

Varios, AtlanticJaxx. A Compilation (Atlantic Jaxx, 1997).

Varios, High in a Basement (Heavenly, 1996).

 

 

Apéndice 1
Sonidos de resistencia: los orígenes de la música electrónica en España (1950-1990)

 

Eduardo Polonio, Obra antológica 1969-2014 (Ars Harmónica-Luscinia, 2014).

El Aviador Dro y sus Obreros Especializados, Alas sobre el mundo Pro, 1982).

Esplendor Geométrico, Mekano Turbo (Geometrik, 1988).

It, Viaje (Movieplay, 1976).

Macromassa, «Darlia microtónica» (Umyu, 1978).

Mecano, Mecano (CBS, 1982).

Mike Platinas & Javier Ussía, Max Mix (El primer megamix español) (Max Music, 1985).

Neuronium, Quasar 2C361 (Harvest, 1977).

Orfeón Gagarin, Orfeón Gagarin (Ediciones Toracic, 2016).

Orquesta de las Nubes, Owner’s Manual (Grabaciones Accidentales, 1987).

Rafael Flores, Comando Bruno 1981-1987 (STI, 1987).

Varios, Alter músiques natives (G3G, 1995).

Varios, Conspiración (Discos Proceso Uvegraf, 2015).

Varios, Golpea tu cerebro. Spanish underground cassette culture, 1980-1988 (Insane Muzak, 2018).

Varios, La contra ola. Synth wave and post punkfrom Spain 1980-86 (Les Disques Bongo Joe, 2018).

 

 

La juventud baila. Música electrónica y modernidad en España, del bakalao al trap (1980-2017)

 

7 Notas 7 Colores, Hecho, es simple (La Madre, 1997).

Alex Under, Dispositivos de mi granja (Trapez, 2005).

An Der Beat, Recicla-ho (Minifunk, 1997).

Alek Stark, High ay to Disko (Disko B, 2002).

Ángel Molina, Wax Sessions #1 (So Dens, 2000).

bRUNA, Thence (spa.RK, 2013).

Chimo Bayo, «Así me gusta a mí» (Área International, 1991).

Coeval, 95-00 (autoeditado, 2001).

David Cordero, El rumor del oleaje (Home Normal, 2016).

Exium, A Sensible Alternative to Emotion (Pole Recordings, 2013).

Fibla, Unt (spa.RK, 2003).

Henry Saiz, Reality is for Those Who are not Strong Enough to Confront their Dreams (Natura Sonoris, 2013).

Invisible & Megabeat, Recopilación 1990 (Megabeat Recors, 1990).

Iñaqui Marín, Klinischtod (Regular, 2005).

John Talabot, fin (Permanent Vacation, 2012).

Komatssu, El poso que da el tiempo (Scheme, 2013).

LCC, Bastet (Editions Mego, 2017).

Madelman, Palais (Cosmos, 1996)

Mala Rodríguez, Lujo ibérico (Superego-Yo Gano, 2000).

Oscar Mulero, About Discipline and Education (So Dens, 1998).

Pina, Hum (Lapsus, 2013).

Sólo Los Solo, Quimera (Del Palo Records, 2001).

.tape., Paintings (spa.RK, 2010).

The Frogmen, A New Home (Boozoo, 1997).

Undo, Motas de polvo (Factor City, 2012).

Varios, Café del Mar (React, 1994).

Varios, Electronic Generators (Geometrik, 1995).

Varios, Disco 2000. Una recopilación dance de aquí (Cosmos, 1995).

Varios, Elektro domésticos 2 (Fundamental Records, 2010).

Violadores Del Verso, Vicios y virtudes (BOA, 2001).