In the academy, on the first floor, there was a meeting room that was never used. An oval table with chairs around it stood in the middle. Both the chairs and the table were heavy, impossible to move, as if the wood had petrified. We called it the Green Room, because there were branches and vines painted on the ceiling by an artist who had begun his work with patience and diligence and had obviously tired of botany by the end. The exacting calligraphy of stems and veins became a confused mass of branches whipped by a storm. The walls were covered in dark wood, hung with swords, harquebusiers, and coats of arms; it all had a somewhat pretentious air, like the houses of antique dealers. The room looked like the remains of some abandoned project: the headquarters of a Masonic enclave, or a dining room that Señora Craig had envisaged for illustrious visitors who had never arrived. Called one day to convene there, we sat around the table, which was completely empty except for the dust, and Craig spoke.
“Gentlemen, in the last few years you have learned everything there is to know about crime. At least everything that can be taught in a classroom. Life is a perennial teacher, especially when the subject is death. Theoretical knowledge has its limits. Beyond those limits lies intuition, which is not something supernatural, as our friend Trivak, future member of the spiritualist brotherhood, insists. Rather it is the sudden relationship that we establish with other hidden, less dominant realms of knowledge. To intuit is to retrieve subconscious memories, which is why experience is the mother of intuition. It is nothing more than a specialized type of memory. Its goal is to find a pattern, connect the dots of this chaotic life.”
Distracted, I let my finger trace my name in the thick layer of dust that covered the table.
“For a while now I’ve been waiting for a suitable practice case to present itself, and now I have it.”
Craig spread out a newspaper page out on the table. We were looking for some big headline about an honest tailor shot to death, or a woman found floating in the river, but there was only an ad for the performances of the magician Kalidán, the same magician who had been touring in the city when Craig announced the launch of his academy. At that time great magicians often came through our city, though now it’s not so common. Various types of phantasmagoria were popular in Europe and the public filled the theaters to see skeleton battles, luminous ghosts, decapitated bodies that spoke, and other marvels created with smoke and mirrors.
“For some time now I have noticed that this magician’s tours seem to coincide with murders and disappearances. The victims are always women: in New York a chorus girl disappeared, in Budapest a flower vendor, in Montevideo a cigarette girl was found exsanguinated. The Berlin police questioned him in the death of a nurse, but they couldn’t prove anything. The few corpses that have been found (because our killer always tries to either hide or destroy the bodies) revealed that he drained the victims’ blood and then washed them with bleach. He always performs this purification ritual.”
Craig explained the case detachedly; six of us cracked our knuckles, angered by the crime. Only Alarcón responded to the tale with equal indifference. They both approached the challenge without emotion.
“Kalidán will be in the city for fifteen more days. Then he continues on to Brazil and we won’t have anything to investigate. I’ll continue explaining the case, and I’ll stress the importance of distinguishing coincidence from inevitability, but those of you who are any good will leave me here talking to myself, you’ll leave Detective Craig raving alone in this dusty room.”
All six of us rushed to the door, but by that time Alarcón had already disappeared.