9 See Beckwith, ‘Stephen Greenblatt’s Hamlet’.
10 Charles Taylor, Modern Social Imaginaries (Durham: Duke Univ. Press, 2004), 49–76.
11 See Maus, Inwardness and Theater in the English Renaissance (Chicago: Univ. of Chicago Press, 1995).
12 Cynthia Marshall, The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts (Baltimore: Johns Hopkins Univ. Press, 2002). See also David Hillman, Shakespeare’s Entrails: Belief, Scepticism, and the Interior of the Body (Houndmills, Basingstoke: Palgrave Macmillan, 2007).