IV

IT WAS LATE IN London. Belinda had pre-booked a room for the night at the Renaissance Hotel, a five-minute shuttle-ride from the airport. It had been years since she’d stayed in a hotel. She followed behind the bellboy, who wasn’t actually a boy but an older, white-haired man, as he lugged her two suitcases and duffel bag down the hall to the elevator.

Visiting England for an extended period, Ma’am? he asked, wheezing.

Yes, well — sort of, she said. I haven’t decided yet. Are you sure I can’t take one of those bags from you?

Quite sure, he said, setting the bags in front of the elevator doors with a thump. Belinda pressed the ‘up’ button. They waited.

Are you meeting a group in the morning? he asked.

I’m catching a train, Belinda said. To Salisbury.

Salisbury? he said. I’m from there. My mum lives there still.

Belinda smiled. What a coincidence, she said. I mean — that I’m going there. I’ll be meeting some people. Not family.

The elevator doors opened and Belinda stepped inside. The interior was covered in mirrored panels, walls and ceiling. Belinda looked around her, examining the various angles of her reflection. The bellboy dragged her bags inside, watching her.

A tad unnerving, isn’t it? he asked. It’s as if you can’t escape yourself.

No, no, Belinda said. It’s interesting. I like it. It’s like being inside a telescope.

He chuckled. A rather large telescope, that is, he said.

Well, she said, the bigger the better. The bigger they are, the further you can see.

Hm, he said, scratching his neck. I suppose that’s true. But you’d see very little from here. Bloody cloudy this time of year, he said, giving her a wink.

That evening, she couldn’t sleep. It was the jetlag, she told herself. She could always tell she was tired when memories began to invade her thoughts. Old memories, some of them even false, fabricated by her wandering mind. Almost all of them were staged in her mother’s garden at the home in Wiltshire where Belinda grew up. There were several about Prim, although Belinda knew she couldn’t possibly have accurately remembered her. But that night, she saw a scene in her head that she had seen before; it returned to her from time to time, like a recurring dream. As a child, she had a curious fear of the sour cherry bush that grew in a shaded spot along the side of her mother’s house. The bush was spindly from lack of sun, and the scant peppering of cherries that would appear on its branches each year looked to Belinda like beads of blood. For the longest time, a sheet of newspaper had been lodged at the base of the bush, and whenever Belinda saw it there, she thought of a person — Prim — squatting there, using the newspaper as a mat, like a homeless person. Prim was skeletal, her skin gray with dirt. Her mouth gaped, a dark, empty hole. Of course, Prim had never been homeless and starving, at least to Belinda’s knowledge. She decided that the spot under the cherry tree was where Prim would go to hide from their mother. Belinda couldn’t remember if she’d made this decision when she was a child, or as an adult looking back. But each time the image returned, Belinda reminded herself that it wasn’t real. It came from some recess of her mind that had been shut away long ago.

Belinda called Calgary again, hoping to get Jessica. It was three in the morning her time, but only eight pm their time. Sebastian picked up.

Mummy? he said. Guess what, I remembered all the words. I sang today and I remembered all the words!

You sang? Belinda asked, smiling to herself. That’s right, she said, it was your concert today. That’s great, honey. Just great. She felt her eyes burning, but she quickly wiped them. It wasn’t the end of the world, she told herself. She couldn’t possibly be there all the time.

Is Jessica there? she asked, sniffing.

Yeah, he said. But Daddy’s right here. He wants to talk to you. She could hear Sebastian passing the phone over before she had a chance to protest.

Bell? Wiley said. He sounded like he’d just woken up.

Have you been sleeping on the couch again? Belinda asked him.

Yeah, he said mid-stretch. Can’t sleep in the bed without you.

Oh for Chrissakes, she said, you’re going to ruin your back.

Doesn’t matter, he said like a sulking child.

You’re acting ridiculous, she said. It’s a bad example for the kids.

I can’t help it, he said. I’m. . . depressed, okay? I’ve been having these terrible thoughts. . . Wiley had been brandishing that word — depressed — for months. His depression was like mould on bread: you could cut off the visible patches, but the infection was still there, infused into each atom of every cell.

Please come home, he whined.

I just got here, she said. I can’t. This is something I have to do.

A long silence followed.

I have to go, Belinda said. I’ve got to go to sleep. She hung up, and reminded herself that it was not constructive to call home so often. They would be fine without her.

For hours after, Belinda couldn’t stop her mind from whirring. She’d pushed her thoughts away from the phone call and back to her conversation with the bellboy. It had lasted only five minutes, but in that time it had struck a chord. Telescopes. She believed that the telescope was the truest scientific instrument ever invented. An arrangement of mirrors, angled to face one another, with the power to collect, reflect, and magnify light. The telescope brought near what was far, revealed new worlds. But its lenses could not capture anything that didn’t actually exist in the visible universe. For Belinda, it disproved the existence of God.

The photographs of the Eagle Nebula were Belinda’s proof. The Hubble took them just the previous year, although scientists had known of the nebula since the eighteenth century. It was named after its shape: the cosmic gases and stardust spread to form wings and a hooked beak. Belinda could remember seeing the photos for the first time and feeling the sudden urge to cry, then thinking herself a nitwit for getting emotional over a cluster of stars. One of the photos showed three arms of billowing auburn clouds reaching up into a starry expanse of blue-green mist. If it weren’t for the stars, Belinda might have mistaken it for an aerial photo of a sandy delta pouring furiously into the sea. It was a scene that undoubtedly occurred all the time in outer space, and yet to Belinda it appeared to be a monumental event: either the miraculous beginning or the glorious end of something beyond human understanding. Scientists hypothesized that the dark areas in the clouds were the birthplaces of protostars, which sounded to Belinda like an easy guess. The photo had been appropriately named “Pillars of Creation,” as if it were taken directly out of an ancient Greek myth.

Looking back, Belinda realized that what she’d really been emotional about was her own naïveté. The Eagle Nebula was 6,500 light years away from earth, and its wings spanned twenty million light years. It had become clear by looking at those photos that the human race knew nothing beyond the petty workings of the earth, and that God was just a way to fill the void left by ignorance. The telescope could only offer evidence that the universe was so vast it might as well be endless.

That was when she began her research. She went to the public library and found an article that explained how the Hubble worked on the same basic principles as all reflective telescopes. She discovered that in their simplest form, telescopes were made up of concentric shafts that slid in and out of one another. If you looked straight-on at the lens of a collapsed telescope, you would see a series of circles radiating from the same centre, like the ripples made by a raindrop in a puddle.

Concentricity. She’d been as moved by the images of the Hubble as she’d been by the first images she’d seen of crop circles. Then there was the UFO sighting. And the coincidences kept multiplying and circling back to each other the more Belinda thought about them. They were all signs, radiating from the same centre. She wore her coincidences like rings, all on one finger. They travelled with her wherever she went, and each was just as important as the rest.