Index
Abbas, A., 215
Abercrombie, N., 8, 23, 110, 111, 119, 120, 130, 138n2, 148n1, 148n3, 171, 188, 275
Aden, R., 13, 149, 150, 151, 152, 153, 154, 156, 157, 158, 160, 163
aesthetic evaluation, 19–32, 33–47, 99–100, 105, 172–173, 287–291
and political evaluation, 38–40, 42, 44–45, 121
affinity spaces, 360
Alters, D., 16
Althorp, W., 246–247
American Idol, 337
Anderson, C., 359
Anderson, D. F., 254
Andrejevic, M., 268
anti-fans, 15–16, 293, 305–306, 316–327, 330–331, 344, 354–355
emergence of, 317–318
and morality, 317
study of, 317
antipalon deos, 316, 318–319, 321
Armstrong, G., 255
Arnold, A., 200
audiences: study of, 125–126, 130, 134, 136–137, 180–181, 271
typology of, 136
Auge, M., 146
aural stardom, 200–201
authorship, 60–71
author’s rights, moral rights, 61–62, 67, 70
auto-ethnography, 101–109
Bach, Johann Sebastian, fans of, 12, 105–109
Bachchan, A., 198
Back, L., 256
Backstein, K., 109n1
Bacon-Smith, C., 3, 188, 260, 285
Bakhtin, M. M., 344, 349, 355n1
Baliga, S., 209
Band, J., 66
Barthes, R., 11, 25, 26, 27, 29, 35, 45–46
Baudrillard, J., 328, 330, 331, 340, 342
Beatles: fans of, 48–50, 52–56, 58
Benjamin, W., 146
Bertrand, B., 174
Bielby, D. D., 3, 14, 148n1, 188
Bird, E. S., 13, 36, 38, 41, 181
Blade Runner, 159
Blau, A., 360
blogosphere, 85
Bollywood, 198–199, 201, 207–209
Bookmatcher, 264
Borland, J., 277
Bourdieu, P., 6, 11, 27, 44, 107, 148n5
Breidenbach, P. 273, 277, 281n1
Brimson, D., 256
Brimson, E., 256
Brooker, W., 13, 188, 290, 295
Brooks, K., 130
Brunell, T. L., 49
Bryce, J., 276
Buber, M., 159
Buffy the Vampire Slayer, 15, 42–43, 64, 286–300
Burr, V., 43
Byron, C., 303
Café Flesh, 341–342
Campbell v. Acuff-Rose Music, Inc., 67–68
CantaMetrix, 265
Castoriadis, C., 9
Cavell, S., 96
Cavicchi, D., 9, 14, 26, 58, 163
Celestial Home Jukebox, 264
Chekhov, Anton, fans of, 12, 111–118
Chin, B., 14
Chopra, A., 198
chronotype, 344, 345, 346, 349, 353, 354, 355
Ciecko, A., 14
citizenship, 76
and democracy, 76–77, 79, 83, 86
and fandom/fan cultures, 14, 79–80, 84, 204–205, 206
Click, M., 15
Coontz, D., 356n5
Coppa, F., 71n4
copyright, 12, 60–71, 105, 202, 294–295, 300n15
disclaimer statements, 63–66, 71n3
false advertising law, 66
trademark law, 65–67
transformative fair use, 61–62, 67–70, 71n2
Corner, J., 148n2
Crabbe, T., 256
Crane, D., 120
Crawford, G., 15, 138n2, 250, 251, 254, 256, 258–259, 260, 273, 275, 279, 280
Csikszentmihalyi, M., 150, 152–153, 157, 159
cult cinema, 210–212
Customer Relations Management (CRM), 262–270
cyberfandom, 49, 52, 59, 60, 62–63, 170–171, 201–202, 206, 211, 216–219, 261–270
Dahlgren, P., 87n1
Dastar Corp. v. Twentieth-Century Fox Film Corp., 65
Debord, G., 120
Decker, B., 343n3
DeGeneres, Ellen, 348, 349, 355n2
Dehnart, A., 343n2
De Peuter, G., 273
de Saussure, F., 323
Desser, D., 211
Dickey, S., 203
digital gaming, 271–281
study of, 271, 272–275, 277, 281
Dizikes, J., 239
Dworkin, S. L., 253
Dyver-Witherford, N., 273
Eagleton, T., 19–20, 25–26, 27, 28, 29, 31
Ehrenreich, B., 53
ekphrasis, 44–45
Electronic Frontier Foundation, 60
Ellen, 345, 348, 349, 350, 354, 355, 355n2
emotionality: and citizenship, 79, 86
and rationality, 10, 6–79, 82–84, 86, 96, 106–109
Eurovision Song Contest, 180
fame, meaning(s) of, 329–343
fandom: and belonging, 13, 159–164
commodification of, 250–251, 253–255, 258–260, 261–270, 362
and cultural competencies, 113–118, 217, 218, 279–281
definition(s) of, 22, 99, 102, 106, 186–188, 207, 244, 247, 301, 305–306
dimensions of, 186–187
and genre, 221, 222, 225, 226, 229–230
history of, 247–249
and identity, 5–6, 8, 30, 34, 38, 102, 211, 212, 238, 239, 250, 251, 260, 261, 275–276, 280, 286, 321–326, 344, 346
and intimacy, 213–214
and live interaction, 112–113, 122
and mediation, 10–13, 181, 255, 260
overlapping fandoms, 102
and physicality, 174–176, 213, 240–241
and place, 13
as play, 77, 81–82, 84, 110, 261
and pleasure, 8, 51, 77, 107–108, 110–111, 243
and politics, 2, 80, 84, 204–209, 245–247
and power relations, 1–4, 6, 90–97, 99–100, 102–103, 250–260, 285–300, 324–325
and social activity, 272–274, 278–281
and technologies, 4, 7–8, 12, 14–15, 23, 26, 48–49, 166, 170, 176, 199, 202, 205, 207, 217, 236, 243–244, 247–249, 261–262, 266, 273, 274, 276, 299n3, 357–364
as homecoming, 160–164
as symbolic pilgrimages, 149–150, 153–164. See also media, tourism
fan practices, 60–71, 91, 93–97, 104–105, 119–120, 140–141, 148, 167, 170–171, 176, 198–199, 202–209, 212–213, 215, 236, 248–249, 279, 286, 291–292, 297, 360
fan stereotypes, 2–5, 60, 98–99, 104–105, 106, 174–175, 187–188, 198–199, 202, 205–206, 244–247, 249, 254–255, 272, 278, 295–298, 322, 359
fan studies, 1–16, 19–20, 25–27, 31–32, 94–97, 110–111, 119–120, 139–141, 147–148, 179–197, 211–219, 247, 250, 254–255, 259–260, 285–287, 291, 357–364
canon of, 188
and self-reflexivity, 182–183, 188–191, 195
fan-tagonism, 285–300, 325–326
fan typologies, 119–120, 171, 199, 206–207
Farscape, 51
Featherstone, M., 120
Federline, Kevin, 334–335, 341, 342
film: consumers of, 128–129, 130, 131–136
fans of, 2–5, 14, 135–136, 198–209, 210–219
production of, 214–215
stars, 220–231
studies, 36–37, 39, 44, 198–209, 220–231
Fink, J. S., 254
Fish, S., 140
Fiske, J., 2, 4, 6, 30, 91, 94, 188, 212
Foley, M., 172–173
football fandom, 316–327
Frankfurt School, 39, 140, 147
Free, M., 255
Fromme, J., 272
Frontani, M., 54
Frow, J., 99
Funk, T., 173
gaming fans, 15
Gee, J., 360
and affect, 224–227
femininity/feminism, 301–303, 308–309, 311, 312, 315n5
and genre, 50–51
masculinity, 222, 223–224, 227–231, 251, 253, 258–259
and sport fans, 250–260
Giulianotti, R., 251, 253, 255
global fandom/global fan studies, 179–197, 198–209, 210–219
globalization, 9, 14, 91–95, 125, 126, 136, 179–182, 230–231, 258
Glynn, K., 87n2
Goffman, E., 256
Gone With the Wind, 61, 68, 71n5
Gosling, V. K., 15, 250, 252, 258–259, 260
Gray, J., 12, 20–21, 23, 41, 293, 305–306, 309, 317, 355n1
Gripsrud, J., 92, 93, 94, 102, 103
Grossberg, L., 54, 174, 176, 188
GroupLens, 263
Gwenllian-Jones, S., 285, 295, 299n2, 300n18
Haefner, M. 54
Han, Suk-Kyu, 220–231
Harrington, C. L., 3, 14, 148n1, 188
Harry Potter, fans of, 2–5, 357
Hayward, J., 298
Haywood, T., 251
Heidegger, M., 142
Hermes, J., 271
Hess, E., 53
Hesychios, 319
Higgins, C., 109n4
high culture, fans of, 12–13, 88–97, 98–109, 110–122
Hills, M., 11, 76, 78, 87n3, 101, 138n2, 143, 163, 182, 188, 197, 210, 286, 287, 306, 361
Hinerman, S., 259
Hobson, D., 271
Hofacre, S., 258
Holmes, Sherlock, fans of, 12, 105–109
Hughes, S., 208
Hughson, J., 255
Hunt, L., 214
Hunter, IQ, 33
Husserl, E., 20
Ingarden, R., 28
Interactive Digital Software Association, 272
Interactive Software Federation of Europe, 273
intertextuality, 23–26, 32n1, 223, 275, 279
iTunes, 265
Jackson, Shar, 334
Jacobs, G., 53
Jameson, F., 345
Jauss, H. R., 29
Jenkins, H., 2, 3, 7, 8, 16, 26, 38, 84, 102, 166, 176, 182, 188, 212, 260, 279, 285, 286, 287, 290, 291–292, 298, 300n14, 305, 346
Jewkes, Y., 138n2
Johnson, D., 15
Johnson, M., 78
Johnson, S., 359
Jones, I., 254
Kasson, J., 246
Kaye, H., 33
Kellner, D., 51
Kelly, W., 212
Kern, R. M., 103
Kim, H. M. 213
Kim, Kyung Hyun, 228–229
Kim, Y., 167
King, A., 255
King, B., 277
King, C., 162
King, Stephen, 65
King v. Innovation Books, 65
Kline, S., 273
Lakoff, G., 78
Lanza, J., 265
Larbaleisier, J., 300n16
Lash, S., 121
Laughey, D., 138n2
Lavery, D., 43
Lawrence, L., 254
Lee, F. L. F., 192
Lee, H., 14
Lenk, Tom, 297
Lewis, L.A., 188
Lewis Carroll Society, 162
Liang, L., 205
Lind, Jenny, 239, 240, 242, 244–245, 247
Lippman, W., 76
Longhurst, B., 8, 13, 23, 110, 111, 119, 120, 130, 131, 138n2, 148n1, 148n3, 171, 188, 275
long tail, 359
Lord of the Rings, 105
Lord of the Rings Audience Research Project, 180, 194, 197
MacCabe, C., 45
MacDonald, A., 285
Maher, Bill, 340–341
Major League Baseball, 254
manga, 212–213
Mann, Thomas, 24–25
Marcus, G. E., 78–80
Marshall, P. D., 279
Mattel, Inc. v. MCA Records, 68
Mattel, Inc. v. Pitt, 68
Mattel, Inc. v. Walking Mountain Productions, 68
McBride, L. B., 13, 166, 167, 169, 170
McCracken, G., 359
McKinley, E. G., 260
McKinnon, M., 5–6
media: and identity processes, 125–126
and power relations, 137, 140, 141, 147
tourism, 13, 104, 139, 140, 141–147
mediascape, 275–276
Media Unbound, 265
Meehan, E., 183, 187, 190, 191, 196
Messner, M. A., 253
Middlemas, Frank, 119
Miller, D., 42
Monroe, Marilyn, 337
Mood-Logic.com, 265
Moon, S., 231n4
Moran, J., 95
Morley, D., 78, 80, 271, 344, 346
Murray, J., 279
music: commodification of, 236–237, 247–249
communities, 261–270
consumption of, 131
fans of, 14, 15, 48–59, 105–109, 247–249
lovers, 235–247
Music Buddha, 264–265
Music Genome Project, 264, 267
MusicMatch, 265
musicomania, 245
Muzak, 265
Napier, S. J., 218
Napster, 268–269
National Basketball Association, 254
National Football League, 254
neutrosemy, 30, 52–53, 55, 58–59
news: and belonging, 78
and democracy, 76–77, 79, 83, 86
and place, 142
television news, 78
Nightingale, V., 299n2
Noxon, Marti, 292–293, 294, 295, 296, 298
object-relations theory, 78
Olympiakos, 316–317, 319–326, 327n7
One Night in Paris, 333
Oppenheimer, J., 309
O’Reilly, T., 357
Paglia, C., 330
Pakman, D., 261
Panathinaikos 316–317, 319–324, 326, 327n7
Paquet, D., 224
parody, 67–69
Patterson, T., 76
Peterson, R. A., 103
Philo, G., 42
place/space, 126, 131–134, 141, 142–147, 149–164
and elective belonging, 126, 131–132, 134–137
non-place, 146
politics: and emotionality, 80, 83–84, 86
and fan cultures, 80
polysemy, 29–30
psychology, and sociology, 139–140, 147
Punathambekar, A., 14
public sphere, 76–77
Publics and Practices in the History of the Present, 199
Pupkin, Rupert, 336
Rahman, A. R., 198, 199, 200–201, 205, 207
Ralph, E., 164
Ramachandran, M. G., 199
Rama Rao, N. T., 199
rationality, and emotionality, 76–79, 82–84, 86, 96, 106–109
Real World, 338
Redhead, S., 274
Reed, Lou, 339
Rehak, B., 276
reluctant fans, 303
Richie, Nicole, 336
Ricoeur, P., 21
Ringo, 263
risk theory/risk society, 110–111, 120–122
Roberts, T. J., 37
Rowlings, C., 256
Salomon, Rick, 333
Sandvoss, C., 11, 12, 86, 52, 138n2, 140, 141, 147, 148n3, 160, 162, 163, 164, 180, 197, 274, 275, 277, 319
satire, 67–69
Saxey, E., 64
Sayadian, Stephen, 341
Scales, Prunella, 118–119
Schiller, D., 355n3
scholars: media scholars, 33–37
scholar-fans, 34, 37, 38, 40–44, 46–47, 88–97, 182, 189
scholarly identities, 34, 35–36, 38, 42, 44–47. See also fan studies
Schruers, M., 66
Sconce, J., 15
Sesame Street, 348, 349, 350, 355
Shirky, C., 358
Simple Life, 331, 333, 334, 335, 340, 342
Simpson, Ashlee, 337
Sir Norman Chester Centre for Football Research, 255
Sivathamby, K., 203
slash fiction, 5, 54, 59, 68–69, 213, 219n1
sociology, and psychology, 139–140, 147
Solomos, J., 256
Solowiej, L. 49
The Sopranos, 141–147
spectacle/performance paradigm (SPP), 125–126, 129–137
spectacular nationalism, 26, 231n3
Spigel, L., 356n7
sport fans, 4–5, 9, 15, 250–260, 274–275, 316–327
and cultural capital, 256, 259
and socialization, 256
Springsteen, Bruce, 58
Srinivas, S. V., 203, 204, 205, 206
Stacey, J., 188
Stahl, Jerry, 341
Stallybrass, P., 3
star fans, 112–114, 118–119, 120, 121, 213–216, 218, 220–231, 238–239, 241, 248
Stargate SG–1, 51
Stark, S. D., 50
Stars, commodification of, 237–238, 248
Star Trek, 3, 5, 69, 119, 292, 298
Sterne, J., 249
Stewart, Martha: and ImClone, 303–304, 311–314
and the meaning of fandom, 301–315
Stierle, K., 32n1
structures of feeling, 345
SunTrust Bank v. Houghton Mifflin Co., 61
Super Bowl, 254
Taylor, R., 274
television: consumption, 131, 134
fan-dom, 285–300
and ritualistic viewing, 155–158
as transitional object, 78
temporality, 222
text(s): and authorship, 22, 25, 26–27, 30
and readership, 28–32, 37–38, 39, 51, 140
and textuality, 20–27, 91, 92, 140, 286–287, 295
theater: consumers of, 128–129, 130, 131–136
Theodoropoulou, V., 15
Thomas, L., 26
Thompson, J. B., 325
Thompson, R., 2
Thorn, M., 219n1
Thornton, S., 255
Trail, G. T., 254
Tulloch, J., 3, 12, 26, 104, 109n1, 285, 287, 290, 305
Turner, B., 20
Turner, V., 150, 151, 152, 159, 162
Tushnet, R., 12
Twitchell, J.B., 166
Uricchio, W., 101
Van Dyke, H., 240
Vanilla Ice, 335
Von Hippel, E., 359
Wann, D., 188
Whelehan, I., 253
White, A., 3
Whitman, W., 241
Wiener, J., 55
Wilcox, R., 43
Wilson, P., 292
Wolf, N., 330
Wolfe, A. S., 54
Women’s Football Association, 251
Woo, H. J., 167
Woodhouse, D., 257
Woodhouse, J., 254
Woodward, K., 322–323
wrestling: fans of, 13, 165–176
as ritual, 166–167
Wright Wexman, V., 38
X-files, fans of, 50–51, 57, 67, 142, 143, 149, 150, 152, 153, 154, 155, 156, 158, 160, 161, 163
Yahoo Music, 265–266
yaoi, 219n1
Yano, C., 213