This bibliography lists all books, essays and articles (other than newspaper articles) which are quoted, referred to or drawn on directly in the text. It is not a comprehensive further reading list on the subjects covered.
ALTHUSSER, Louis, ‘Ideology and Ideological State Apparatuses’ in Lenin and Philosophy and Other Essays. London: New Left Books, 1971. New York: Monthly Review Press, 1972.
BACHELARD, Gaston, The Poetics of Space. Boston: Beacon Press, 1969.
BARENTS, Els, (Introduction) Cindy Sherman Catalogue. Munich: Schirmer/Mosel, 1982.
BARTHES, Roland, Mythologies. New York: Hill and Wang, 1972. London: Paladin, 1973
Image-Music-Text. London: Fontana, 1977. New York: Hill & Wang, 1978.
BAUDRY, Jean-Louis, ‘Writing, Fiction, Ideology’, Afterimage (UK) No. 5, Spring 1974.
BEER, Olivier, Pas de Deux. London: Pavanne, 1982.
BENJAMIN, Walter, ‘A Short History of Photography’ (first published 1931) Screen Vol. 13 No. 1, Spring 1972.
‘The Work of Art in the Age of Mechanical Reproduction’ in Illuminations. New York: Schocken Books, 1969. London: Fontana, 1970.
‘The Author as Producer’ in Understanding Brecht. London: New Left Books, 1973.
BOURDIEU, Pierre, ‘The Aristocracy of Culture’ and ‘The Production of Belief: Contribution to an Economy of Symbolic Goods’ in Media, Culture and Society 1980, No. 2.
BRECHT, Bertolt, The Messingkauf Dialogues. London: Eyre Methuen, 1965.
Poems Parts 1, 2 & 3. London: Eyre Methuen, 1976.
BROWN, Helen Gurley, Sex and the Single Girl. New York: Avon Books, 1983. London: Four Square Books, 1963.
Having It All. New York: Simon & Schuster, 1982. London: Sidgwick & Jackson, 1983.
CLARK, Jane, and SIMMONDS, Diana, Move Over Misconceptions, British Film Institute Dossier No. 4 (Doris Day). London 1980.
COOK, Alice and KIRK, Gwyn, Greenham Women Everywhere. London: Pluto Press, 1983.
EISENSTEIN, Serge, The Film Sense. London: Faber, 1943. New York: Harvest Books, 1969.
ENGELS, Frederick, The Origin of the Family, Private Property and the State in Selected Works. London: Lawrence and Wishart, 1958. New York: International Pubs., 1972.
ENZENSBERGER, Hans Magnus, ‘Constituents of a Theory of the Media’ in Raids and Reconstructions. London: Pluto Press, 1976.
FOUCAULT, Michel, The Order of Things. London: Tavistock, 1970. New York: Random House, 1973.
The History of Sexuality: Volume 1: An Introduction. London: Allen Lane, 1979. New York: Vintage Books, 1980.
FREEMAN, Gillian, An Easter Egg Hunt. London: Pavanne, 1982.
FREUD, Sigmund, Three Essays on Sexuality. London: Hogarth Press, 1953. New York: Basic Books, 1982.
The Interpretation of Dreams. London: Hogarth Press, 1953. New York: Avon Books, 1971.
The Psychopathology of Everyday Life. London: Hogarth Press, 1960. New York: Norton, 1971.
GRAMSCI, Antonio, Selections from the Prison Notebooks. London: London: Lawrence & Wishart, 1971. New York: International Pubs, 1971.
HALE, Chris, ‘Punishment and the Visible’ in The Prison Film. Radical Alternatives to Prison, London 1982.
HALL, Stuart, ‘The Great Moving Right Show’, Marxism Today, January 1979.
HARVEY, Jane, The Hoover Book of Home Management. London: Hutchinson, 1963.
HARVEY, Sylvia, ‘Woman’s Place: The Absent Family of Film Noir’ in Women in Film Noir (ed. E. Ann Kaplan), British Film Institute, London 1980. US: University of Illinois Press, 1980.
HASKELL, Molly, From Reverence to Rape: The Treatment of Women in the Movies. New York: Holt, Rinehart & Winston, 1974. London: New English Library, 1975.
HEBDIGE, Dick, Subculture: The Meaning of Style. London/New York: Methuen, 1979.
HIRSCH, Julia, Family Photographs. New York/London: Oxford University Press, 1981.
HOGGART, Richard, The Uses of Literacy. London: Chatto & Windus 1957.
KENNEDY, Raymond, Columbine. London: Pavanne, 1982.
KUPFERMANN, Jeannette, The MsTaken Body. London: Granada (Paladin), 1981.
LADAS, Alice, WHIPPLE, Beverley and PERRY, Rev. John, The G Spot and Other Recent Discoveries about Human Sexuality. New York: Holt, Rinehart & Winston, 1982. London: Corgi Books, 1983.
LE DOEUFF, Michele, ‘Women and Philosophy’, Radical Philosophy No. 17, summer 1977.
MARX, Karl, Capital Volume 1, London: Lawrence & Wishart, 1970. New York: International Pubs., 1967.
Economic and Philosophical Manuscripts in Early Writings. London: Pelican, 1975. New York: McGraw-Hill, 1963.
MARX, Karl and ENGELS, Frederick, The German Ideology. London: Lawrence & Wishart, 1970. New York: International Pubs., 1970.
MISS PIGGY, Miss Piggy’s Guide to Life. New York: Knopf, 1981, London: Muppet Press/Michael Joseph, 1981.
MITCHELL, Juliet, Psychoanalysis and Feminism. London: Pelican, 1975. New York: Vintage Books, 1975.
MULVEY, Laura, ‘Visual Pleasure and Narrative Cinema’, Screen, Vol. 16 No. 3, Autumn 1975.
MULVEY, Laura and WOLLEN, Peter, Script of ‘Riddles of the Sphinx’, Screen Vol. 18 No. 2, Summer 1977.
NIETZSCHE, Friedrich, Beyond Good and Evil. London/New York: Penguin, 1973.
ORBACH, Susie, Fat is a Feminist Issue. London: Hamlyn, 1979. New York: Berkley Publishing Co., 1982.
PIERCE, C. S., Collected Papers. US: Harvard University Press, Cambridge, 1931–58.
ROWBOTHAM, Sheila, Woman’s Consciousness, Man’s World. London/New York: Penguin, 1973.
SAUSSURE, Ferdinand de, Course in General Linguistics. New York: McGraw-Hill, 1966.
SEABROOK, Jeremy, What Went Wrong? London: Gollancz, 1978.
STARENKO, Michael, ‘What’s an Artist To Do? A Short History of Postmodernism and Photography’, Afterimage (US) January 1983.
STONE, Lawrence, The Family, Sex and Marriage in England 1500–1800. London: Pelican, 1979. New York: Harper Row, 1980.
STREET, Pamela, Light of Evening. London: Pavanne, 1982.
TROTSKY, Leon, Literature and Revolution. Ann Arbor: University of Michigan Press, 1960.
WOLLEN, Peter, Signs and Meaning in the Cinema. London: Secker & Warburg, 1969. US: Indiana University Press, 1973.
ZARETSKY, Eli, Capitalism, the Family and Personal Life. New York: Harper Row, 1976. London: Pluto Press, 1976.