ON THE END OF THE ILIAD

They brandished their births like spears.

Being there wasn’t enough. Their names

Needed their fathers and their cities

And their spears and the red air of Ilium.

There’s Apisaon lying on his liver

As it curdles and leaks out rib-mangled

From his wound like a clicking tongue

In froth, mind-deep in its porn.

A gray scholar near the end of his talk

Pauses, turns hazel in the maze of his thoughts,

And as he gazes out the window asks,

Why would the father at the end of the Iliad

Peer into Achilles’ tent and, through the bloodgold fire

And smoke-slow seafog, pismire and simply stare

At his son’s stupendous butcher?

He waits for an answer from the weather.

He kneels before the canceling hands of Achilles

That did what they do to the dead of his son

Because they could; and he kisses them.

The father is our first noble disaster.

He knows his role. He knows he’ll beg.

(Though not for the life: the life’s already gristle.)

He’ll beg for the body.

He’ll beg like a pagan for the body.

Even those who survive Achilles don’t.

Priam returned, finally, to Troy’s dented doors

And with every step he took

towards the parting gold ruin,

Hollowed-out

Hector

bucked up and

down on his back.

Even iridescent Helen, a trail

Of billowing silks, poured herself

From her paramour’s arms

And descended with the rest to see

The sieged city surging to see its broken

Breaker of horses. Half shout: “Hope!”

Half bray: “Brave patriot’s sacrifice!”

But Priam can’t bear to look at them.

He only looks back dimly at the door.