THE MIST PERSONS are busy, crouching on wave-splashed rocks out in the gulf, blowing chilly whiteness over the sea. Their breath rolls over the beach, over the boggy meadowlands near the river mouth, and far up the valley into the dark woods.
A birch-bark canoe comes whirling downriver through the fog. Kneeling in the prow, Kwimu braces a long pole like a lance, ready to fend off rocks. Each bend, each stretch of rapids comes as a surprise. Even the banks are hard to see.
The river humps its back like an animal. The canoe shoots over the hump and goes arrowing into a narrow gorge, where tall cliffs squeeze the water into a mad downhill dash. Spray splashes in, and Fox, curled against Kwimu’s knees, shakes an irritated head. Fox hates getting wet.
A rock! Kwimu jabs the pole, and the canoe swerves lightly away. It hurtles down a sleek slope and goes bouncing into roaring white water at the bottom. Again and again Kwimu flicks out the pole, striking here and there, turning the canoe between the rocks. Sometimes a whirlpool catches them, but Kwimu’s father Sinumkw, kneeling behind him, gives a mighty thrust with his paddle and sends them shooting on.
A bend in the river. More rocks. Kwimu throws back his wet hair, every muscle tense. They dart down, hugging the base of the cliff where the water is cold and deep. The wet, grainy stone drips, and the mist writhes in weird shapes. There’s a splash and an echo, and it’s not just the paddle. The canoe tilts, veers. Fox springs up snarling, showing his white teeth and black gums, and for a heartbeat a thin muddy hand clutches at the prow. A head plastered with wet hair rises from the water. It winks at Kwimu with an expression of sullen glee, and ducks under.
“Look what you’re doing!” Sinumkw shouts, and they’re snatched into the next stretch of rapids.
The gorge widens, the cliffs drop back, and the canoe spills out into calm water flowing between high banks covered with trees. On either side, the grey-robed forest rises, fading into mist.
Kwimu twists around. “Did you see?” he bursts. “Did you see the Water Person – the Grabber-from-Beneath?”
Sinumkw frowns. “I saw nothing but the rocks and the rapids.”
“He was there,” Kwimu insists. “Fox saw him too.”
His father nods. “Maybe. But if you’d taken your eyes off the water for a moment longer, we’d have capsized. So his trick didn’t work. Anyway, well done! That’s the worst stretch over. And we’ll land here, I think.”
He drives his paddle into the water. The canoe pivots towards the shore.
“But I thought we were going right down to the sea. Can’t we go on in the canoe? It’s so much quicker than walking,” Kwimu pleads as they lift the canoe out of the water.
“Speed isn’t everything,” says his father. “Just look around. Who’s been cutting trees here?”
Piles of lopped branches lie in the undergrowth. The bank is littered with chips of yellow wood. Sinumkw picks one up. “These aren’t fresh. This was done moons ago, before the winter.”
“Who would need so many trees?” Kwimu asks. His scalp prickles. There are Other Persons in the woods. Sometimes, in lonely parts of the forest, hunters hear the sound of an axe, chopping – and a tree comes crashing down, though no one is visible.
But his father is thinking along practical lines. “See here. They rolled the trunks into the river to float downstream. It could be enemies: the Kwetejk, perhaps. What if they’ve built a stockade at the river mouth, in just the spot we want to use?”
Kwimu thinks with a shiver of their fierce rivals from the north-west woods. “What shall we do?”
His father shrugs. “This is why we came, n’kwis, ahead of everyone else, to find the best place for the summer camp, and to look out for danger. Imagine if the whole clan was with us now – grandmothers, babies and all! No. We’ll circle into the woods and climb the bluffs above the river. We can look down on the bay from there.” He turns, setting off on a long uphill slant into the forest.
Kwimu follows. The encircling fog fills the woods with secrets. The trees are looming giants that drip and tiptoe and creak and murmur. But if there was danger, Fox would sense it; Fox would warn them. Reassured, Kwimu strokes Fox’s cold fur and hurries after his father.
Snow lingers under the hemlocks and firs, and the buds on the birches aren’t open yet. The forest is black, white and grey. A dozen paces ahead, Sinumkw climbs through swirls and pockets of vapour like a ghost passing through world after world.
The woods are full of mysteries…
Grandmother said that, yesterday evening, her bright eyes blinking in her soft wrinkled face. Kwimu thinks of her now, as he trudges uphill under the dripping trees. He sees her in his head, like a little partridge with bright plumage, wrapped in her big beaver-fur cloak with the coloured quillwork glinting in the firelight. She’s tiny, but so strong. And she has the Sight. Everyone listens when she speaks.
Long ago, in the time of the Old Ones…
All the stories begin like this.
…in the old days, two brothers go hunting. And they find a deep ditch, too wide to jump. A strange, smooth ditch, scoured out of sticky red mud, twisting along between the trees. The track of a Horned Serpent: a jipijka’m track.
And this track is full of power.
One of the brothers climbs into the ditch to see what sort of thing made it. Aha!
His body changes. It bloats and swells and pulls out like an earthworm, growing longer and longer. His eyes widen and blaze, and two horns sprout from his head. He fills the ditch from top to bottom, he raises his head and hisses at his brother, he slithers away like a snake. The track leads into the lake. He plunges deep into the water, and no one ever sees him again.
The woods are full of mysteries...
In spite of his thick moose-hide robes, Kwimu is cold. Why did Grandmother tell that story? What does it mean? Everywhere he looks he sees omens. Layers of fungus like thick lips. A rotten log like a corpse rolled up in birch bark.
Can anything good happen on such a day?
The slope steepens, broken by small ravines where icy creeks hurry down to join the river. There are voices in the creeks, Kwimu is sure, voices that squabble and bicker. Perhaps it’s the Spreaders, the nasty little people who peg you to the ground if you fall asleep by the stream-side.
They cross one creek near a waterfall. Spray has coated the boulders with ice, and the pool boils and froths like a black kettle. What if a huge head crowned with twiggy horns emerged from the water, snaking towards them on a long slimy neck? In this haunted fog, anything is possible.
It grows lighter. Kwimu follows his father along a knobbly headland that juts out from the forest into the white nothingness of the mist. He feels giddy, as if walking out into the Sky World. Down below, he knows there’s a fine gravel beach and grasslands beside the river. The bay: their summer home, where the women will gather shellfish, and the men and boys take canoes out past the sand bars and over deep water to the islands, to fish and to gather birds’ eggs. Right now none of that is visible. A mother-of-pearl sun peers through the haze.
All is quiet. But the mist tastes of smoke, sweet dry smoke floating up from below.
Fox growls. His fur bristles, full of prickling, warning life. Kwimu and his father exchange anxious looks.
They hunker down in the wet bushes, ill at ease. Smoke means people, but a friendly camp should be noisy with dogs, children, women chattering. Why the silence? If only the mist would clear. Kwimu begins to think he can hear muffled voices. Men talking – or arguing, for the sound becomes louder and sharper.
An appalling scream tears through the fog. Kwimu grabs his father. The scream soars into hysteria, and breaks into a series of sharp, yipping howls like a mad wolf. The morning erupts in shouts of anger and alarm, and a ring-ding, hard-edged clashing. Flocks of birds clatter up from the forest.
As if their wings are fanning it away, the mist thins and vanishes. At last Kwimu and Sinumkw see what is going on below them, down by the river mouth.
The earth has been flayed. Scars of bare red soil show where the turf has been lifted. Two lumpy sod houses have been thrown up on a rising crescent of ground between the edge of the forest and the sea. They look like burrows, for the grass grows right over them, though smoke rises from holes in the tops. Between these houses – these burrows – men are swarming.
Men? Their faces are white as paint, and they seem shaggy round the head, like a lynx or bobcat. These are not the Kwetejk, not like any men Kwimu has seen. Are they the dead, returned from the Ghost World? But some pursue others, hacking with long axes, stabbing with lances. Some lie motionless on the ground.
Sinumkw taps Kwimu’s shoulder. “Look!” His voice is awed, shocked. “In the river. Jipijka’maq!”
Kwimu drags his eyes from the scene below. The hairs rise on his neck. Tethered in the wide shallows where the river meets the sea, are two things – bigger than the biggest canoe – and surely they are alive? For each has a head, staring shorewards from the top of a long neck. Each head is that of a Horned Serpent.
The smaller of the two is red, and the horned head snarls open-jawed from the top of a slender curving neck. The larger one is striped red and black, and it lifts a goggle-eyed head, beaked like a screaming eagle.
“Grandmother’s story,” whispers Kwimu. “This is what it meant.”
These people are Jipijka’maq – Horned Serpent people, shape-changers. They come from out of the water and under the ground. Their whiteness is not paint, but the bleached pallor of things you find under stones. Perhaps, any moment now, they will slither off on their bellies into their dark earth houses. But why are they fighting, and why are they here?
“Hah!” With a cough of disdainful laughter, Sinumkw points. “See the coward there!”
A man in a green cloak is running away from the fight. He’s dragging a child along with him, a young boy. Past the end of the nearest house he stops, and pushes the child, pointing to the woods. The message is clear. “Run!” he’s saying. “Run and hide yourself. Go!” The child is sent staggering with a hard shove between the shoulder blades. The man whirls and goes racing back.
So he’s not a coward after all; he was trying to save the child. His enemies are coming to meet him. In the lead is a burly, bear-like man, obviously a chief. By his side is a boy no older than Kwimu, with long loose golden hair that floats behind him as he runs, yelling. The burly chief shouts an order to his warriors. They spread out to catch the man in green, who dodges and dashes like a hunted animal, heading for the river. And then he trips and falls.
The chieftain shouts again and points. His men scatter. The chieftain’s right arm comes up, balancing his spear. He throws.
With whoops and howls his men run forward, closing in on the crumpled green bundle. The spear stands straight up, a marker pointing at the sky. It twitches, it wags to and fro. The green bundle is still moving, trying to crawl. Kwimu’s breath hisses through his teeth.
The boy with the golden hair strolls up behind the men. The others let him through; the burly chieftain puts an arm round his shoulders. Together they gaze at the man on the ground. The chieftain tugs his spear out. The golden youth hooks a foot under the body, rolling it on to its back. The man’s pale face comes into view. Still alive. His fingers open and close like claws.
Warriors taunt each other when they fight. If the man on the ground can still speak, this is the moment for his final defiance. And perhaps he does gasp something. But the golden-haired youth laughs. He puts the point of his long red blade to the man’s throat, and shoves it in. Kwimu shuts his eyes. Only a blink, but when he opens them again, it’s over.
He looks away, and freezes. That child – the child the man in green was trying to save! He’s peering around the corner of the nearest house, clutching the sod walls with both hands, craning his neck. He sees the dead man, and shrinks like a snail when you tap its shell.
The burly chieftain gives orders, pointing this way and that. His men fan out and start searching between the houses. Kwimu sucks in his bottom lip. They’re hunting for the child. And they’ll find him; there’s nowhere to run.
The child presses against the wall. Any moment now the men will come around the building, and there he’ll be. Then Kwimu almost shouts. The child flings himself at the soft sod wall, digging fingers and toes into the cracks and crannies. He scurries up like a mouse, reaching the roof just as the nearest man rounds the corner. He lies flat. His light hair and clothes blend with the pale grasses growing on the turf roof, but he’s still completely visible to anyone who glances up. In fact, Kwimu can see one of his feet sticking over the edge.
The man doesn’t look up. He strides along with his head down. Kwimu hardly breathes. Don’t move. He’s gone, but another one’s coming. Don’t move!
Neither man looks up. It seems crazy, but they don’t. Kwimu sighs silently, surprised by the strength of his feelings for this strange foreign child. Beside him, Sinumkw shakes with admiring laughter. “That little weasel! To fool all those warriors with one simple trick! Look, they can’t think where he’s gone.”
It is funny, in a way, seeing the men poking and prodding around the houses, and gazing into the woods, when all the time he’s a few feet above their heads, as still as a sitting bird. All the same, Kwimu’s nails are cutting into his palms by the time the men give up. Maybe their hearts are not really in this search for a small boy. They return to the chief and his golden son, empty-handed.
The chief shrugs. It’s clear he thinks it doesn’t matter much. He gestures to the bodies lying on the ground, and goes on talking to his son. The men drag the bodies to the water’s edge. They wade yelling into the cold river, carrying the bodies out to the smaller, slenderer of the Serpents, which jerks at its tether as if outraged at being given such a cargo. One by one, the dead are tumbled in.
Where’s the child?
Sidling up the roof like a crab.
At least he’s pulled his foot in – no, don’t go near the ridge!
As if he hears, the child sinks down just below the ridge, but he keeps popping up his head and peering over. Kwimu bites his lip in agony. Stop doing that, they’ll see you!
The chief gives another order. The child on the roof understands: he flattens himself again: and the men troop back to the houses and empty them. Everything is carried out. They stagger down to the river under bundles of furs, and heave them into the belly of the second Horned Serpent, the big one with the eagle’s beak. They bring out gear, pots, sacks, weapons. Shouting, they load up with timber from a pile near the beach. “They’re leaving!” Kwimu says with a gasp of relief. “They’re going away!”
Sinumkw makes a brushing movement with his hand: quiet. He watches the scene below with a hunter’s intensity.
At last, all is ready. A small, fat canoe collects the chieftain and his golden son – they don’t have to wade through the freezing water. The chieftain hoists himself aboard the big Serpent, but his son is ferried to the smaller vessel, and leaps aboard. Kwimu shades his eyes. The boy strides up and down, pouring something out of a big pot. He upends the pot, shakes out the last drops, and tosses it overboard. With an arm twined around the Horned Serpent’s painted neck, he catches a rope that uncoils through the air from the bigger vessel. He knots it at the base of the neck, and jumps into the waiting canoe. In moments, he’s back with his father.
The men lift out long, thin paddles. Slowly the Horned Serpent turns away from the shore, swinging with the current till it’s pointing out to sea.
Kwimu has never seen paddling like this before, with all the men facing the wrong way. How can they see where to go? But it seems to work. The red and black jipijka’m crawls away out of the river, loaded with furs and timber, towing its companion behind it – the red Serpent of the Dead.
They’re going, and they haven’t found the child. Does he know he’s safe? Kwimu glances down at the roof.
The child is sitting up, staring.
Get down, get down – they might still see you…
But the child gets slowly to his feet. He stands on the rooftop in full view of the river. He lifts both arms, and starts to wave and scream. He’s dancing on the roof, yelling in a shrill voice.
“He mocks his enemies!” says Sinumkw in deep appreciation.
But Kwimu isn’t so sure. He’s got a cold feeling that if he could understand, the child might be screaming, “Come back, come back! Don’t leave me!”
But the two vessels are leaving the river, heading into the hazy waters of the bay. Something else now: they’re casting off the rope. A feather of fire flies through the air, curving into the red Serpent. A moment later, flames splutter fiercely up.
“Oil,” Sinumkw nods. “They poured in oil to make it burn.”
Kwimu can actually hear it, crackling like a hundred spits. Black smoke pours up in a tall column. The red serpent body seems writhing in flames.
Down below, the child is scrambling off the roof. He drops the last few feet and goes racing over the ravaged grasslands towards the beach.
“Let’s get him!” Kwimu turns to Sinumkw. “Please, Nujj…”
“No.”
“Oh, please, Nujj. He’s only little, and he’s brave…”
“A bear cub is little and brave,” says his father, “and if you take one for a pet, it will grow up into a big bear and claw your arm off.”
Kwimu swallows. “I know… but can we leave him to die?” “They have.” Sinumkw nods towards the bay. “He’s not one of the People, Kwimu. Not one of us.”
“But you like him,” says Kwimu desperately. “You laughed at the way he tricked the warriors. See – Fox approves!” Fox twists his head and licks Kwimu’s hand to encourage him. Kwimu’s words come from deep inside him, like a spring of water that has to bubble out. “He might become your son, Nujj. My brother.”
Sinumkw looks at him. He sighs. “Well. We can try. Perhaps the cub is young enough to tame. Don’t be surprised if he bites you.”
The slope ahead is too steep to descend. They turn back into the woods to find another way down. Kwimu looks back once more at the burning vessel, and is in time to see it tip up and slide neatly under the water. The snarling serpent head vanishes last, and nothing is left except for drifting smoke fading against the sky.
The other jipijka’m is already out of the bay and turning up the gulf towards the open sea: and from this distance it looks more like a serpent than ever – a living serpent, swimming quietly away through the haze.
Down on the shingle, nine-year-old Ottar, young son of Thorolf the Seafarer, stands knee-deep in the cold waves. Tears pour down his cheeks. He’s orphaned, desperate, stranded in this horrible place on the wrong side of the world. He hears a shout from the beach behind him. He turns, his heart leaping in wild, unbelieving hope. Somehow it’s going to be all right – it’s been a bad dream or an even worse joke – and he won’t even be angry. He’ll run to whoever it is, and cling to them, and sob until the sobbing turns into laughter.
And then he sees. His mouth goes dry. Coming towards him on the rising ground between him and the houses are two terrible figures. Their long hair is as black as pitch, and tied with coloured strings. Their clothes are daubed with magic signs. Furs dangle from their belts. They are both carrying bows. But the frightening thing – the really frightening thing about them – is that you can’t see their expressions at all. Half of their faces are covered in black paint, the other half in red. Their eyes glitter white and black.
“Skraelings!” Ottar whispers. “Dirty Skraelings!”
He prepares to die.