INTRODUCTION: EXILE OF THE STAR-BLAZING QUEEN IN THE MAGIC FLUTE
Abbate, Caroline. 2001. In Search of Opera. Princeton, NJ: Princeton University Press.
Assmann, Jan. 2005. Die Zauberflöte: Oper und Mysterium. Munich: Hanser.
Blumenberg, Hans. 1990. Arbeit am Mythos. Frankfurt am Main: Suhrkamp.
Clément, Catherine. 1992. Die Frau in der Oper: Besiegt, verraten und verkauft. Stuttgart: Metzler.
Dolar, Mladen. 1994. “Das Vermächtnis der Aufklärung: Foucault und Lacan.” In Kant und das Unbewußte. Vienna: Turia und Kant.
Foucault, Michel. 2002. The Order of Things: An Archeology of the Human Sciences. London: Routledge Classics.
Horkheimer, Max, and Theodor Adorno. (1944) 2002. Dialectic of Enlightenment: Philosophical Fragments. Translated by Edmund Jephcott. Stanford, CA: Stanford University Press.
Machiavelli, Niccolo. 1925. Briefe. Gesammelte Schriften. Vol 5. Edited by Hanns Floerke. Munich: Georg Müller.
Mozart, Wolfgang Amadeus, and Emanuel Schikaneder. 1791. Die Zauberflöte: Oper in Zwei Aufzügen.
Nagel, Ivan. 1991.
Autonomy and Mercy. Reflections on Mozart’s Operas. Cambridge, MA: Harvard University Press.
Nietzsche, Friedrich. (1887) 2007. On the Genealogy of Morality: A Polemic. Edited by Keith Ansell-Pearson. Translated by Carol Diethe. Cambridge, UK: Cambridge University Press.
PART I: COSMOGONIES OF THE NIGHT
Bible. New Revised Standard Version.
Blanchot, Maurice. 1989. The Space of Literature. Translated by Ann Smock. Lincoln, NE: University of Nebraska Press.
Foucault, Michel. 2002. The Order of Things: An Archeology of the Human Sciences. London: Routledge Classics.
Freud, Sigmund. (1920) 1955. Beyond the Pleasure Principle. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 18. 1–64. London: Hogarth.
——. (1930) 1961. Civilization and Its Discontents. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 21. 57–146. London: Hogarth.
——. (1917) 1955. “A Difficulty in the Path of Psycho-Analysis.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 17, 135–144. London: Hogarth.
——. (1915) 1957. “Repression.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 14. 141–158. London: Hogarth.
——. (1916–1917) 1963. “Resistance and Repression.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 16. 286–357. London: Hogarth.
——. (1919) 1955. “The ‘Uncanny.’” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 17. 217–256. London: Hogarth.
——. (1915) 1957. “The Unconscious.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 14. 159–215. London: Hogarth.
Hegel, Georg Wilhelm Friedrich. (1801) 1977. The Difference Between Fichte’s and Schelling’s System of Philosophy. Translated by H. S. Harris and W. Cerf. Albany, NY: State University of New York.
——. (1805–06) 1983. Hegel and the Human Spirit: A Translation of the “Jena Lectures on the Philosophy of Spirit” with Commentary. Translated by Leo Rauch. Detroit: Wayne State University Press.
——. (1830) 1975. Hegel’s Logic. Translated by William Wallace. Oxford, UK: Clarendon.
——. (1830) 1971. Hegel’s Philosophy of Mind: Being Part Three of the Encyclopaedia of Philosophical Sciences. Translated by William Wallace. Oxford, UK: Clarendon.
——. (1832) 1969. Hegel’s Science of Logic. Translated by A. V. Miller. London: Allen and Unwin.
——. (1807) 1977. Phenomenology of Spirit. Translated by A. V. Miller. Oxford, UK: Oxford University Press.
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Philosophy of Right. Translated by S. W. Dyde. London: Bell.
Hesiod, Theogonie. 1998. Edited and translated by Karl Albert. Sankt Augustin: Academia.
Horkheimer, Max, and Theodor Adorno. (1944) 2002. Dialectic of Enlightenment: Philosophical Fragments. Translated by Edmund Jephcott. Stanford, CA: Stanford University Press.
Kingsley, Peter. 1999. In the Dark Places of Wisdom. Inverness, CA: The Golden Sufi Center.
Milton, John. (1674) 1956. Paradise Lost. Everyman’s Library. London: Dent.
Moritz, Karl Philipp. (1791) 1993. Götterlehre oder Mythologische Dichtungen der Alten. Werke. Vol. 2. Frankfurt am Main: Insel.
Ramnoux, Clémence. 1967. “Histoire d’un Symbole. Histoire antique de ‘la Nuit’.” Cahiers internationaux de symbolisme 13: 57–68.
——. 1986. La Nuit et les Enfants de la Nuit. Paris: Flammarion.
Reimbold, Ernst Thomas. 1970. Die Nacht im Mythos, Kultus, und Volksglauben und in der transpersonalen Erfahrung. Köln: Wison.
Sorel, Reynal. 1995. Orphée et l’orphisme. Paris: Presses Universitaires de France.
PART II: NIGHT TALKS
Bakhtin, Michael. 1981. The Dialogic Imagination. Austin, TX: University of Texas Press.
Barrie, J. M. (1906) 1991. Peter Pan in Kensington Gardens. Oxford, UK: Oxford University Press.
Blanchot, Maurice. 1989. “Sleep. Night.” In The Space of Literature. Translated by Ann Smock. Lincoln, NE: University of Nebraska Press.
Brontë, Emily. (1847) 1995. Wuthering Heights. Oxford, UK: Oxford University Press.
Brown, Margaret Wise. 1947. Goodnight Moon. New York: Harper and Row.
Choné, Paulette. 1992. L’Atelier des Nuits: Historie et signification du nocturne dans l’art d’Occident. Nancy: Presses Universitaires de France.
Duras, Marguerite. 1985. “Interview.” In Éloge de l’insomnie. Edited by Michèle Manceaux. Paris: Hachette.
Foucault, Michel. 1998. “Different Spaces.” In Essential Works of Foucault 1954–1984. Aesthetics, Method, and Epistemology. Edited by James Aubion. Translated by Robert Hurley et al. London: Penguin.
——. 2007. “Guetter le jour qui vient.” In Dits et Ecrits I, 262. Paris: Gallimard.
Freedman, Barbara. 1991. Staging the Gaze. Postmodernism, Psychoanalysis, and Shakespearean Comedy. Ithaca, NY: Cornell University Press.
Freud, Sigmund. (1900–01). 1953. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. 4 and 5. London: Hogarth.
Garber, Marjorie. 2004. Shakespeare After All. New York: Pantheon Books.
Genette, Gérard. 1968. “Le Jour, La Nuit.” Cahiers de l’association internationale des études françaises 20: 149–165.
Greenblatt, Stephen. 2004.
Will in the World: How Shakespeare Became Shakespeare. New York: Norton.
Hand, Sean. 1989. The Levinas Reader. Oxford, UK: Blackwell.
Levinas, Emmanuel. 1979. Le temps et l’autre. Paris: Presses Universitaires de France.
Milner, Max. 2005. L’Envers du Visible: Essai sur l’ombre. Paris: Seuil.
Morrissey, Dean. 1994. Ship of Dreams. New York: Harry N. Abrams.
Nahoum-Grappe, Véronique. 1977. Special issue of the journal Sociétés & Représentation titled La Nuit. No. 4.
Peter Pan (1953). Clyde Geronimo, Wilfried Jackson, and Hamilton Luske. Walt Disney Productions.
Pontalis, J.-B. 2003. “Désordres.” Penser/Rêver 3, special issue “Quand la nuit remue”; 227–233.
Proust, Marcel. 2003. Swann’s Way. In Search of Lost Time. Vol. 1. Translated by Lydia Davis. New York: Viking Classics.
Schivelbusch, Wolfgang. 1983. Lichtblicke: Zur Geschichte der künstlichen Helligkeit im 19. Jahrhundert. Munich: Hanser.
Sendak, Maurice. 1963. Where the Wild Things Are. New York: Harper and Row.
Dr. Seuss [Theodor Geisel]. 1962. Sleep Book. New York: Random House.
Shakespeare, William. 1997. The Comical History of the Merchant of Venice, or Otherwise Called the Jew of Venice. The Norton Shakespeare. Edited by Stephen Greenblatt. New York: Norton.
——. 1997. Macbeth. The Norton Shakespeare. Edited by Stephen Greenblatt. New York: Norton.
——. 1997. A Midsummer Night’s Dream. The Norton Shakespeare. Edited by Stephen Greenblatt. New York: Norton.
——. 1997. The Most Lamentable Tragedy of Romeo and Juliet. The Norton Shakespeare. Edited by Stephen Greenblatt. New York: Norton.
PART III: GOTHIC NIGHTS
Abraham, Nicholas, and Maria Torok. 1994. The Shell and the Kernel. Chicago: University of Chicago Press.
Alvarez, Alfred. 1995. Night: An Exploration of Night Life, Night Language, Sleep & Dreams. London: Jonathan Cape.
Bächtold-Stäubli, Hanns, and Eduard Hoffmann-Krayer. 1934–35. Handwörterbuch des deutschen Aberglaubens. Vol. VI. Berlin: De Gruyter.
Baudelaire, Charles. (1861) 1975. “Le Crépuscule du Soir.” Les Fleurs du Mal. Paris: Editions Gallimard.
Benjamin, Walter. 1982. Gesammelte Schriften Vol. V. Das Passagen—Werk. Frankfurt am Main: Suhrkamp.
Blanchot, Maurice. 1989. “The Outside, the Night.” In
The Space of Literature. 163–169. Translated by Ann Smock. Lincoln, NE: University of Nebraska Press.
Böhme, Jacob. 1965. Mysterium Magnum: Or, An Exposition of the First Book of Moses Called Genesis. Translated by Charles John Barker. London: J. M. Watkins.
Botting, Fred. 1996. Gothic. London: Routledge.
Breuer, Josef, and Sigmund Freud. (1895) 1955. “Studies on Hysteria.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 2. London: Hogarth.
Bronfen, Elisabeth. 1992. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, UK: University of Manchester Press.
——. 1998. The Knotted Subject: Hysteria and Its Discontents. Princeton, NJ: Princeton University Press.
Brontë, Charlotte. (1847) 1966. Jane Eyre. London: Penguin Classics.
Brown, Charles Brockden. (1798) 1998. Wieland: Or, The Transformation. Three Gothic Novels. New York: Library of America.
Caldwell, Mark. 2005. New York Night: The Mystique and Its History. New York: Scribner.
Cavell, Stanley. 1969. “The Avoidance of Love: A Reading of King Lear.” In Must We Mean What We Say. 267–353. Cambridge, UK: Cambridge University Press.
——. 1988. “The Uncanniness of the Ordinary.” In In Quest of the Ordinary. Lines of Skepticism and Romanticism, 153–180. Chicago: University of Chicago Press.
Christie, Ian, and David Thompson, eds. 2003. Scorsese on Scorsese. London: Faber and Faber.
Dewdney, Christopher. 2004. Acquainted with the Night: Excursions through the World after Dark. London: Bloomsbury.
Dickens, Charles. (1860) 1958. “Nightwalks.” In The Uncommercial Traveller and Reprinted Pieces. London: Oxford University Press.
Dolar, Mladen. 1991. “‘I Shall Be with You on Your Wedding-Night’: Lacan and the Uncanny.” October 58: 5–23.
Eckhart, Meister. 1981. The Essential Sermons, Commentaries, Treatises and Defense. Edited and Translated by Edmund Colledge, Bernard McGinn, and Houston Smith. Mahwah, NJ: Paulist.
Edmundson, Mark. 1997. Nightmare on Main Street: Angels, Sadomasochism, and the Culture of Gothic. Cambridge, MA: Harvard University Press.
Ekirch, A. Roger. 2005. At Day’s Close: Night in Times Past. New York: Norton.
Felman, Shoshana. 1982. “Turning the Screw of Interpretation.” In Literature and Psychoanalysis: The Question of Reading Otherwise. 94–207. Edited by Shoshana Felman. Baltimore: Johns Hopkins University Press.
Foucault, Michel. 1972. Histoire de la Folie à l’âge classique. Paris: Gallimard.
Freud, Sigmund. (1917) 1955. “A Difficulty in the Path of Psycho-Analysis.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 17. 135–144. London: Hogarth.
——. (1919). 1955. “The ‘Uncanny.’” In
The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 17. 217–256. London: Hogarth.
Gilbert, Sandra M., and Susan Gubar. 1979. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven, CT: Yale University Press.
Haas, Alois. 1966. Mystik als Aussage. Erfahrungs-, Denk- und Redeformen christlicher Mystik. Frankfurt am Main: Suhrkamp.
Hoffmann, E. T. A. (1816) 1992. “The Sandman.” In The Golden Pot and Other Tales, 85–118. Translated by Ritchie Robertson. Oxford, UK: Oxford University Press.
——. 1967. Briefwechsel. Vol. 1. Edited by H. V. Müller and F. Schnapp. Munich: Artemis & Winkler.
James, Henry. (1895) 1996. “The Middle Years.” In Complete Stories 1892–1898. New York: Library of America.
——. (1898) 1996. “The Turn of the Screw.” In Complete Stories 1892–1898. New York: Library of America.
Leopoldseder, Hannes. 1973. Groteske Welt. Ein Beitrag zur Entwicklungsgeschichte des Nachtstücks seit der Romantik. Bonn: Bouvier.
Melbin, Murray. 1987. Night as Frontier. New York: The Free Press.
Nye, David E. 1994. American Technological Sublime. Cambridge, MA: MIT Press.
Palmer, Bryan D. 2000. Cultures of Darkness: Night Travels in the Histories of Transgression [from Medieval to Modern]. New York: Monthly Review.
Poe, Edgar Allen. (1840) 1984. “The Man of the Crowd.” In Poetry and Tales. New York: Library of America.
Rank, Otto. 1971. The Double: A Psychoanalytic Study. Edited and translated by Henry Tucker, Jr. Chapel Hill, NC: University of North Carolina Press.
Schivelbusch, Wolfgang. 1983. Lichtblicke. Zur Geschichte der künstlichen Helligkeit im 19. Jahrhundert. Munich: Hanser.
——. 1992. Licht, Schein und Wahn. Auftritte der elektrischen Beleuchtung im 20. Jahrhundert. Berlin: Erco.
Schlör, Joachim. 1991. Nachts in der großen Stadt. Paris, Berlin, London 1840–1930. Munich: Artemis & Winkler.
Schlör, Joachim, ed. 1994. Wenn es Nacht wird. Streifzüge durch die Großstadt. Stuttgart: Reclam.
Schnitzler, Arthur. (1925) 2003. “Dream Story.” In Night Games and Other Stories and Novella, 202–272. Translated by Margret Schaefer. Chicago: Ivan Dee.
Schubert, D. G. H. 1992. Ansichten von der Nachtseite der Naturwissenschaft. Nachdruck der Ausgabe von 1808 der Arnoldschen Buchhandlung in Dresden. Eschborn: Dietmar Klotz.
——. 1968. Die Symbolik des Traumes. Faksimiledruck nach der Ausgabe von 1814. Heidelberg: Lambert Schneider.
Scorsese, Martin. 1976. Taxi Driver. Los Angeles: Columbia Pictures.
Shakespeare, William. 1997. Macbeth. The Norton Shakespeare. Edited by Stephen Greenblatt. New York: Norton.
Sharpe, William Chapman. 2007.
New York Nocturne: The City After Dark in Literature, Painting, and Photography 1800–1990. Princeton, NJ: Princeton University Press.
Shelley, Mary. (1831) 1994. Frankenstein—Or the Modern Prometheus. Harmondsworth, UK: Penguin.
Stern, Lesley. 1995. The Scorsese Connection. London: BFI Publishing.
Stierle, Karlheinz. 1993. Der Mythos von Paris. Zeichen und Bewußtsein der Stadt. Munich: Hanser.
Sulzer, Johann Georg. 1777. “Nachtstück.” In Allgemeine Theorie der schönen Künste, 294. Biel: Heilmann.
Taubin, Amy. 2000. Taxi Driver. London: BFI Publishing.
Voltaire. 1960. Romans et Contes, 487. Edited by Henri Bénac. Paris: Gallimard.
PART IV: NIGHT AND FILM NOIR
Belton, John. 2005. American Cinema/American Culture. Boston: McGraw-Hill.
Benjamin, Walter. 1980. “Zur Kritik der Gewalt.” In Metaphysisch-geschichtsphilosophische Studien, 179–203. Gesammelte Schriften. Vol. 2.1. Frankfurt am Main: Suhrkamp.
Borde, Raymond, and Etienne Chaumeton. 1955. Panorama du Film Noir Americain. Paris: Editions du Minuit.
Bould, Mark. 2005. Film Noir: From Berlin to Sin City. London: Wallflower.
Cameron, Ian 1992. The Movie Book of Film Noir. London: Studio Vista.
Cavell, Stanley 1969. “The Avoidance of Love: A Reading of King Lear.” In Must We Mean What We Say? 267–353. Cambridge, UK: Cambridge University Press.
Christopher, Nicholas. 1997. Somewhere in the Night: Film Noir and the American City. New York: The Free Press.
Cook, Pam, and Mieke Bernink. 1999. The Cinema Book. London: BFI.
Crowther, Bruce. 1988. Film Noir: Reflections in a Dark Mirror. London: Virgin.
Dickos, Andrew. 2002. Street with No Name: A History of the Classic American Film Noir. Lexington, KY: University of Kentucky Press.
Dimendberg, Edward. 2004. Film Noir and the Spaces of Modernity. Cambridge, MA: Harvard University Press.
Kaplan, E. Ann. 1980. Women in Film Noir. London: BFI.
Naremore, James. 1998. More than Night: Film Noir in Its Contexts. Berkeley, CA: University of California Press.
Silver, Alain, and James Ursini. 2004. Film Noir. Cologne: Taschen.
——. 1996. Film Noir Reader. New York: Limelight Editions.
——. 1999. Film Noir Reader 2. New York: Limelight Editions.
——. 2002. Film Noir Reader 3. New York: Limelight Editions.
——. 2004. Film Noir Reader 4. New York: Limelight Editions.
Silver, Alain, and Elizabeth Ward. 1992. Film Noir: An Encyclopedic Reference to the American Style. Woodstock, NY: Overlook.
Thomson, David. 1985. Suspects. London: Secker & Warburg.
Asphalt Jungle. 1950. John Huston. MGM.
The Big Heat. 1953. Fritz Lang. Columbia.
Detour. 1945. Edgar G. Ulmer. Producers Releasing Corporation.
Double Indemnity. 1944. Billy Wilder. Paramount.
Femme Fatale. 2002. Brian De Palma. Quinta Communications Productions.
Gilda. 1946. Charles Vidor. Columbia.
The Long Night. 1947. Anatole Litvak. RKO.
Naked City. 1948. Jules Dassin. Mark Hellinger Productions.
Out of the Past. 1947. Jacques Tourneur. RKO.
The Set-Up. 1949. Robert Wise. RKO.
Sorry, Wrong Number. 1948. Anatol Litvak. Hal Wallis Productions.
Sunset Boulevard. 1950. Billy Wilder. Paramount.
Thieves’ Highway. 1949. Jules Dassin. 20th Century Fox.
Touch of Evil. 1958. Orson Welles. Universal International.
PART V: THE ETHICS OF AWAKENING
Blanchot, Maurice. 1989. “The Outside, the Night.” In The Space of Literature. 163–169. Translated by Ann Smock. Lincoln, NE: University of Nebraska Press.
Bronfen, Elisabeth. 1992. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, UK: University of Manchester Press.
Cavell, Stanley. 1988. “The Uncanniness of the Ordinary.” In Quest of the Ordinary, 153–180. Chicago: University of Chicago Press.
——. 1996. Contesting Tears: The Hollywood Melodrama of the Unknown Woman. Chicago: University of Chicago Press.
Deleuze, Gilles. 1968. Différence et Répétition. Paris: Presses Universitaires de France.
Derrida, Jacques. 2005. “Fichus. Frankfurt Address.” In Paper Machine, 164–182. Translated by Rachel Bowlby. Stanford, CA: Stanford University Press.
Eliot, George. (1871–72) 1965. Middlemarch. Harmondsworth, UK: Penguin.
Heidegger, Martin. (1929) 1989. “What Is Metaphysics?” In Existentialism from Dostoevsky to Sartre, 265–279. Edited by Walter Kaufman. Translated by Walter Kaufman. New York: Penguin.
——. (1949) 1989. “The Way Back into the Ground of Metaphysics.” In Existentialism from Dostoevsky to Sartre, 242–264. Edited by Walter Kaufman. Translated by R. F. C. Hull and Alan Crick. New York: Penguin.
Hoffmann, E. T. A. (1816) 1992. “The Sandman.” In The Golden Pot and Other Tales, 85–118. Translated by Ritchie Robertson. Oxford, UK: Oxford University Press.
Kojève, Alexander. 1975. Hegel. Eine Vergegenwärtigung seines Denkens. Kommentar zur Phänomenologie des Geites, 217–270. Frankfurt am Main: Suhrkamp.
Wharton, Edith. (1905) 1986.
The House of Mirth. New York: Library of America.
Woolf, Virginia. (1925) 2000. Mrs. Dalloway. London: Vintage.
——. (1927) 2000. To the Lighthouse. London: Vintage.
——. (1928) 2000. Orlando: A Biography. London: Vintage.
——. (1931) 2000. The Waves. London: Vintage.
——. 1980. The Diary of Virginia Woolf, Vol. 2: 1920–1924. San Diego: Harcourt Brace.
——. 1981. The Diary of Virginia Woolf, Vol. 3: 1925–1930. San Diego: Harcourt Brace.
