NEOCLASSICAL

for Jonathan Barker

When they were flesh and blood, these deities

were local, like the fauna: oddly cruel,

yet human in their faults and, if not quite

dependable, then mischievous, at least,

in ways we understood, some imp or sphinx

probing the life it would mar

with delicate talons,

another form of love or self-defeat

unfolding in the dark

like fleece, or fire.

Now, there is nothing but white

and that lull in the stone

that makes us think of beauty going under,

a myth of naming buried in their eyes

and everything else immersed

in a drowse of heat:

frogs in the marguerites and the wakened

hedgehog at the far edge of the park,

hunting for snails

in a river of wind and yarrow;

and this is the grief

our stories prepared us for,

a ghost in the undergrowth,

hungry for nectar and blood,

and something we ought to have known,

without being told,

slinking towards us

out of the afternoon,

tender and wild

and blind to our fondest desires.

We have too much to gain from the gods, and this is why

they fail to love us,

turning away, like parents who cannot conceal

their disappointment, knowing, from the first,

that we are doomed, as they are, to a stark

momentum: something hidden in the grass

outwearing us, who never know our fates,

and drowning them, in abstract, like the dreams

they once replaced, in waves of moss and ivy.