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The True Self

Thomas Merton

For me to be a saint means to be myself. Therefore the problem of sanctity and salvation is in fact the problem of finding out who I am and of discovering my true self.

—Thomas Merton, New Seeds of Contemplation

During an American Poetry course in college, I was introduced to Walt Whitman. Our young professor was something of a Whitman devotee and scholar: she had written a well-received biography of the poet. One day she said that if we were ever accused of contradicting ourselves we should quote the following lines from “Song of Myself”:

Do I contradict myself?

Very well then I contradict myself,

(I am large, I contain multitudes.)

With those lines, Whitman could easily have been speaking about Thomas Merton—another poet, as well as a mystic, a monk, an artist, a peace activist, a priest, a spiritual master, an ecumenist, a Zen practitioner, and a saint.

Merton’s contradictions are his most endearing features. A man in love with the world around him who chooses to become a cloistered monk: a Trappist, Fr. M. Louis, OCSO (for the Order of Cistercians of the Strict Observance). A peripatetic man and an inveterate traveler who takes a vow of stability, choosing to remain at the Abbey of Our Lady of Gethsemani, in the secluded hills of Kentucky. A man who freely takes a vow of obedience but who spends much of his religious life butting heads with his order’s superiors. A man in love with his vocation but constantly questioning it. A devout Catholic convert fascinated by Eastern religions. A famous writer who professes to hate (or tries to convince himself that he hates) the trappings and “business” of fame. A man who could write one day of his desire never to write another sentence, only to write a few days later of his joy in seeing another of his books published. (In one memorable journal entry, he reveals a barely hidden satisfaction that the burlap covering his new book is the same fabric used in the chic Manhattan supper clubs of the day.)

These paradoxes, these Whitmanesque multitudes, helped make Thomas Merton one of the protean figures of twentieth-century Catholicism. His open and honest 1948 memoir, The Seven Storey Mountain, which details his journey to the Trappist monastery, was a publishing phenomenon that even the savvy Merton was unable to foresee. It introduced contemplative prayer to millions of readers and heralded a postwar renewal in monastic life in the United States. His writings on peace presaged Pope John XXIII’s encyclical Pacem in Terris (“Peace on Earth”). His continuing zest for life helped recast Christianity for a jaded America.

His book helped recast me as well.

It’s not a stretch to say that The Seven Storey Mountain changed my life. But to understand how, you might have to understand something about my life before I encountered Thomas Merton.

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At seventeen, I began undergraduate studies at the University of Pennsylvania’s Wharton School of Business. Why I decided to study business is difficult to explain and, at this writing, difficult even for me to understand.

The simplest explanation is this: during my junior and senior years in high school, I wasn’t sure what I wanted to do in life. Certainly there were plenty of subjects I enjoyed studying in high school—English, French, history, art—but none seemed practical enough for a career. I loved French, for example, but I couldn’t figure out what to do with it.

Enter the idea of studying business. At the time, I had a vague idea that a business major would enable me to land a job in the “business end” of any number of fields, such as the “business end” of English (publishing) or the “business end” of art (managing a museum or gallery). At the very least, a business degree would likely lead to a high-paying job after graduation, and this, I reasoned, would make me happy.

On this point, everyone—my family, my friends, my high school guidance counselor—agreed.

The problem was that whenever I considered “earning a living,” I thought mostly about the “earning” and nothing about the “living.” I hadn’t the slightest notion what living in the business world would mean. Would I find it fulfilling? Enjoyable? Would it be a good use of my skills? Was it something that I wanted to do? These were questions that—perhaps not surprisingly at age seventeen—I failed to reflect upon.

Ultimately, I decided to study business in college—finance, to be exact.

While I can’t say I enjoyed the courses at Wharton in the same way that I enjoyed seeing a good movie or downing beers with friends, there were some courses that I was able to master—accounting, for one. Besides having some excellent accounting professors, I appreciated the way that everything fit together in accounting: like a difficult but ultimately satisfying puzzle whose individual pieces locked together neatly and sensibly. Still, tallying up balance sheets, reviewing income statements, and poring over cash-flow reports weren’t activities I wanted to do in my spare time.

On the other hand, there were a few courses at Wharton that I loathed. My Probability and Statistics professor, certainly the dullest teacher I’ve ever had, employed the same example throughout one entire semester to illustrate each of his probability theorems: “Imagine two urns,” he would say in a nasal monotone, facing a class of one hundred glassy-eyed business students. “One contains green balls and one contains red balls. We will select a ball from each urn and . . .”

I am unable to remember the pedagogical point of the urns and balls, since I was usually passed out on my desk, catching up on sleep and drooling on my notebook. For much of the semester, I simply had no idea what was going on in Probability. So after years of landing at the top of my class through elementary school, junior high school, and high school and evincing horror at even a B, I received my first-ever C. This time I couldn’t be horrified. Upon opening my report card, I confessed to my roommate, “I deserved this C. Actually, I deserved a D.” I made a mental note not to apply for a job in the probability industry.

Fortunately, Probability marked the exception, and I did well overall in school. And when interviewing season rolled around in the fall of senior year, I looked forward to plucking some attractive fruits off the job tree.

Wharton’s reputation in the corporate world made finding a job ridiculously easy. At the beginning of senior year, hundreds of corporate recruiters flocked to the school to conduct interviews: in a few months I had received a number of excellent offers. After narrowing them down to three or four, I settled on a corporate training program at General Electric in New York City.

Once again, almost no reflection was involved in my decision. To use some accounting terminology, I simply went along with “generally accepted principles.” For example, what should you do at the end of business school? Interview for jobs. Which job offer should you accept? The one with the highest salary. The more important questions were the ones that no one asked me, or rather, that I failed to ask myself: What do you desire in life? And what does God desire for you?

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It’s difficult to say when, exactly, I understood that I was in the wrong place. Looking back, I can say that the realization dawned gradually, as the joy was slowly leeched out of my life. After a few years in the corporate world, I found myself working almost around the clock, witnessing daily examples of callous behavior from management, and finding myself on a tedious path that seemed to have a single goal: making money.

Eventually I realized that my life at work had no real meaning. But there was an even bigger problem—I couldn’t see a way out.

One night, after a long day, I came home and turned on the TV. I remember the evening vividly. At the time, I was sharing a house with two other GE employees. It was around 9:00, and I was dead tired after a miserable day. I had just thrown some leftover pasta into the microwave and plopped down on the ratty beige couch in front of our TV.

Flipping through the channels aimlessly—past stale sitcoms, dull movies, and boring reruns—I stumbled across a public-television documentary called Merton: A Film Biography. On the screen appeared a variety of people, some of whom I recognized, some of whom I didn’t, who spoke about the effect that one man had had on their lives. Apparently, he was a Catholic monk, or, more specifically, a “Trappist” (I had no idea what that meant), who had left his previous life (whatever that had been), and had written an influential biography (that I had never heard of). Though I caught only the last few minutes of the program, something about their comments made me want to know more about Thomas Merton. I was drawn by something else, too: the look on his face in the still photographs. It seemed to radiate peace.

The next day, I tracked down his autobiography, The Seven Storey Mountain, in a local bookstore. Late that night, I began reading. In just a few pages, it captivated me as no other book had before, or has since. Thomas Merton struck me as someone I might like to have known—bright, funny, creative, a fellow who would have made a good friend. He struggled with some of the same things I did—pride, ambition, selfishness. And he struggled with the same questions I was wondering about: What are we made for? Who is God? What is the purpose of our lives? Merton seemed full of wonderful contradictions—a man who sought humility while struggling with an overweening ego, a man in love with the world who decided to, in a sense, flee it. To me Merton’s contradictions, his “multitudes,” as Whitman would say, revealed his deep humanity. As I read the book, his search became my search, and I longed to know where his life would lead.

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On January 31, 1915, in a small town in the French Pyrenees called Prades, Thomas Merton was born. His father, Owen, a New Zealander, was a painter of some renown. “My father painted like Cézanne,” wrote Merton with evident pride, “and understood the southern French landscape the way Cézanne did.” Ruth, Merton’s American-born mother, was also something of an artist: his parents met while studying at a studio in Paris.

Merton enjoyed a lifelong appreciation of French art, language, and culture. He wrote feelingly about France in the early pages of The Seven Storey Mountain as “a setting for the best of the cathedrals, the most interesting towns, . . . and the greatest universities.”

In many ways, France would always represent home for the rootless young Merton. Years after he left the country he returned in a roundabout way: by joining the Trappists, the Order of Cistercians of the Strict Observance, a religious order founded in Cîteaux, France. (The word Cistercian is a version of the town’s original Latin name, Cistercium.) His background had practical applications, too: as a young monk at Gethsemani, Merton was asked to translate numerous documents from the order’s headquarters in France.

But for most of his early life Thomas Merton found himself without a real home: his childhood was, by almost all accounts, sad. Tom’s mother died when he was six. Thereafter his father moved the family from place to place, town to town, and country to country while he pursued his artistic career. For a time the family (which included Tom’s younger brother, John Paul) lived with Ruth’s family in Douglaston, New York, and then, for a while, in Bermuda. During their stay in Bermuda, Owen, hoping to sell some of his paintings in New York, left Tom in the care of a woman author he had just met. (His father’s casual passing off of his child to a recent acquaintance still seems shocking to me.) Later, Tom, Owen, and John Paul returned to France, taking up residence in a town called Saint-Antonin, where Merton enrolled in a nearby secondary school.

One summer, with his father traveling once again, Merton boarded with the Privats, a Catholic family in Murat. This proved a “great grace” for the boy. Tom Merton was moved by the affection shown him by this elderly couple and their young nephew, who became his friend. The passages in his autobiography describing his stay with the Privats are among the tenderest he ever set down on paper. “I owe many graces to their prayers,” he writes, “and perhaps ultimately the grace of my conversion and even of my religious vocation. Who shall say? But one day I shall know, and it is good to be able to be confident that I will see them again and be able to thank them.”

In 1929, Merton was sent off to a boarding school called Oakham, in Rutland, England. He hated it. (The chapter relating his experiences at this time is entitled “The Harrowing of Hell.”) Around this time, his father fell ill, suffering from the effects of a brain tumor. Visiting Owen during a summer holiday, Tom was startled to find his father’s London hospital bed covered with drawings “unlike anything he had ever done before—pictures of little, irate Byzantine-looking saints with beards and great halos.” In 1931, a few days before Tom’s sixteenth birthday, his father died.

A bright and articulate young man, Merton won a scholarship to Clare College, at Cambridge, and began his university studies. But it was an even less congenial place for Merton than Oakham had been; he referred in his autobiography to the university’s “dark, sinister atmosphere.” Tom spent much of his day carousing with, as he described them, “a pack of hearties who wore multicolored scarves around their necks and who would have barked all night long . . . if they had not been forced to go home to bed at a certain time.”

While in England, according to some later biographers, a dissolute Tom fathered a child. Many years later, when Merton was about to enter the Trappists, his guardian undertook an unsuccessful search for the woman and her child. The mother and child, it seems, were killed in the Blitz during the Second World War. Some sources contend that the Trappist censors responsible for vetting Merton’s manuscripts removed this episode from The Seven Storey Mountain so as not to offend the presumably delicate sensibilities of the time. As I read Merton’s biography, unaware of this part of his life, I was puzzled by his frequent expressions of self-disgust and his oft-stated fear that his past would be an impediment to his entrance into religious life. Later biographers would provide a fuller account of this difficult chapter in Merton’s life.

The childhood and adolescence described in The Seven Storey Mountain were lonely and aimless, as Tom failed to make close friends. He suffered separation from his only brother, missed his parents deeply, and behaved in ways that disgusted him—drinking, smoking, partying, and always showing off. Tom seemed forever to be searching for something, while remaining unaware of what he was searching for. One thinks of both St. Augustine’s rambunctious youth as described in his Confessions and Dorothy Day’s description many centuries later of her “long loneliness.”

After considering Tom’s experiences in England, Tom’s guardian suggested that he return to the States to continue his education. Merton accepted this advice with alacrity: “It did not take me five minutes to come around to agreeing with him.”

Columbia University and New York City proved more agreeable for Merton. He met many companionable young men (though it would be some time before he established healthy relationships with women) who remained his friends for life. He found his studies enjoyable. Tom also came under the influence of the popular English professor Mark Van Doren, whom Merton admired for his sense of “vocation,” and his “profoundly scholastic” mind, which helped prepare Merton to receive “the good seed of scholastic philosophy.” With characteristic self-absorption Merton concluded, “I can see that Providence was using him as an instrument more directly than he realized.” Of course this was true, but as described it sounds as if the sole reason that Professor Van Doren was placed on earth was to help Thomas Merton understand Thomas Aquinas.

One passage in the autobiography about Merton’s college years stopped me cold. Almost as an aside, Merton notes that he became a cartoonist and, later, art editor of the university’s humor magazine, the Jester. I had to read this twice to make sure I hadn’t misunderstood. As it happened, my only extracurricular activity during college (other than smoking pot and drinking beer) was being a cartoonist and, later, art editor of the university’s humor magazine, the Punch Bowl. This was a small coincidence, but how many art editors of Ivy League humor magazines are there? Reading that passage cemented for me my connection to Tom Merton: for the rest of his story, I was with him, on his side.

His autobiography made it clear that Merton cut a wide figure at Columbia. Just a few years ago I was given confirmation of this. I was running a book club at a Jesuit parish in New York, and one month we read The Seven Storey Mountain. After our meeting an elderly woman, who had remained silent during the evening’s lively discussion, asked to speak with me. She told me that her husband had known Merton at Columbia. “My husband was so surprised when he read his book,” she said. “All he could remember of Merton was that he was always ready to go out drinking or to a party. My husband said he couldn’t believe what was going on inside of Merton.”