Cross-hatching won’t do for it. To set off the white of the bone in the nose, the white of the rolling cannibal eyes, the hanging shell beads and stiff fronds of thatch around the waist, you need pure black, midnight black, so much ink that it soaks through the pad to stain the desk beneath. The photos of the little nignogs coming down from the exposition in Buffalo have been useful—who knew they had their own pygmies?—but it has been necessary to blend the googoo with his Ubangi cousins, also well-represented at the Pan, in order to convey the true, primitive horror of what our boys are threatened with on that Godforsaken splatter of Pacific islands.
Amok, they call it, this state of blood-lust, this disregard for your own body’s vulnerability to shot and shell, that hurls the ink-black savage forward with razor-edged bolo in hand to wreak havoc on American boys in their shallow trenches. To run amok. How does one defend against a foe with no care for his own well-being, who sweeps forward though thoroughly drilled with pistol shot, who, like the fanatic Chinese Boxer, believes himself invulnerable in his rush to murder and mutilate? If this be, indeed, the White Man’s burden, to civilize, to Christianize this creature of darkness, we have accepted a task far greater than that of our forefathers who confronted the red-pelted tribes of wood and plain, and face an opponent too base to elevate and too numerous to exterminate.
The bolo is suspended from one sinewy arm, the wooden spear held ready to launch in the other, the kinky locks, a maddened squirrel’s nest of hair, springing in every direction.
Behind this apparition sits the humble Cuban Peasant, brim of his straw hat turned back to reveal an honest if uncomplicated face, building a sand castle with the ripe-breasted, silken-haired Hawaiian Girl, the grass of her skirt fuller, looser than the googoo’s spiky fringe, simple, but elegantly becoming to this daughter of Nature. Uncle sits on a beach chair, sleeves rolled up, arms crossed, balefully staring down at the wretched, threatening Filipino, who comes only to his shins.
AMERICA’S PROBLEM CHILD
—says the caption. Horrible as the Tagalo bandit is, the petulant futility of his resistance must be kept in sight.
And no, cross-hatching will not do for it. The Cartoonist opens the top of his pen, and the ink spills forth.