UNNATURAL

I’m sure Nature has disapproved of me

for years, as if it had overheard

one of my silent screeds against it,

and my insistence that only the artificial

has a real shot at becoming more

than what we started with, designed,

revised, something completely itself.

If it could speak, Nature might say

it contains lilies, the strange beauty

of swamps, the architectural art

of spiders, the many etceteras

that make the world the world.

Nothing man-made can compete,

Nature might say. Oh Nature

has been known to go on and on.

And if it wanted to push things further,

it could site our sleek perfection

of bombs and instruments of torture,

our nature so human we hide

behind words that disguise and justify.

But that’s as generous as I want to be

in giving Nature its say. I’ve seen it

randomly play its violence card—

natural, no-motive crimes

with hail and rain and vicious winds

taking out, say, trailer courts and

playing fields and homes for the elderly.

So I want to be heard and overheard,

this time for real, out loud, in fact

right in Nature’s face, to say I prefer

the artifice in what’s called artificial,

the often concealed skill involved,

without which we’d have no accurate

view of ourselves, or of lilies in a pond.