—Grace
It’s Friday night, a payday. I’m waiting at Check Mart, my uniform reeking of ground beef, worrying over how I’ll pay my fees and fines, my bus pass, my woman products, and groceries with yet another anemic check. All day, I’ve been back and forth, back and forth, about whether to call Champ. Whether to tell him giving it all back was mistake, that I need him after all.
Up ahead a stumpy Mexican is giving a cashier the Spanglish blues.
ID, sir, I need to see your ID, she says.
Que? he says.
ID, sir, she says. I-den-ti-fi-ca-tion.
Yo no tengo. Pero, necesito mi money, he says.
No ID, no check cashed, sir, she says.
The fine print of the Western Union poster that’s pinned to the back wall, that’s what I’m reading when Michael, yes, Michael pushes inside with a girl my first mind tells me has a suicide soul. She and he and what comes to mind is not tonight. I turn my back and spy them in the mirror, see him fix his shirt and tie his shoe and whisper to her. See her cover her mouth and titter. I scrounge my bag for coins and rub them together. Emergency change.
The Mexican gestures and grouses while the cashier looks on through bulletproof glass all tagged with rates and policies and wanted posters. Next, next, she says, and the Mexican grabs his check and stomps out the door cursing in English.
I slug up to the glass feeling every second of this week’s shifts in my legs and feet. The least they could do if they gone keep sneaking across the border is learn the damn language, she says. Up close the cashier has a soft chin and the cheeks of a baby. She slides my check through a scanner and asks for ID. The scanner lights green and spits out the check. She asks me how I’d like my money and I tell her, Big bills, please. She drops the coins on top and shoves all I have in the world—it wouldn’t pay rent—through the slot under the glass. Thank you, I say, stuffing the cash in my bra. He and I catch eyes. He motions for me to stop. Be blessed, I say, and flit by as fast as I can.
The last time I saw him was at a meeting. He moseyed in scruffy, in an overstarched shirt, jaws working triple-chew on a wad of gum, and plopped in a seat a row ahead of mine. Should’ve seen him for the first half of the meeting—reciting the prayers and traditions, clapping for testimonies; he even dropped in dollars when the basket came around.
The break came, and I ventured into the lobby, found a seat out of the way, took out my pocket Bible, and turned to Revelations: the verse where John describes the throne of God. I peeked up from my book, and saw Michael swanking over with his arms raised into a white flag.
Good day, he said. I come in peace.
Not to worry, I said, marked my place, and asked him why he was at the meeting.
Damn good question, he said. Heard this was the group of groups. Thought I’d stop through, see for myself.
Well, welcome, I said.
He pointed to my Bible and asked if I was back in church.
Why? I said. That a problem?
Oh, not a problem at all, he said. The problems is what hit us between groups, Bible study, and church.
Just then my sponsor—she’d been clean for an age and counseled in a group home—came out the meeting room. I called her over to us.
Hi, Grace, she said.
Hey, Judy, I said.
How’s the journey? she said
Just fine, I said. Called you over so you can meet my old friend. This is Michael. He used to be a trigger. Seems he’d like to be a trigger. But he isn’t anything anymore. Isn’t that right? I said.
Michael jerked his head and smashed his eyes to slits. Wow, MCA like that? he said.
Like that! I said.
Then I should leave you be, he said, and slunk off while Judy stood by.
Outside the Check Mart there’re ominous clouds and the promise of rain. I can smell it, feel the mist against my face, hear it whispering, What we gone do now? Do it and do it quick. I strike off, turning on a side street, the first of shortcuts to my apartment. I cut though an alley and hear a car pull in behind me, its engine rumbling. MCA, MCA, thought that was you. Damn, I see we just gone keep bumpin into each other, he says. Where you headed?
Home, I say.
Where that at? he says. His partner—the girl—cranes in her seat to see me. She’s not much more than a set of eyes in the cabin.
Close enough, I say.
I got you, he says.
No, thanks, I say, and feel the first light drops on my head, feel it touch other places where my skin is bare.
C’mon, now. I can’t let you get caught out in this, he says. It’s fixta pour. He sticks his arm out the window. Can’t you tell?
I’m fine, I say. Let me go.
Go where? he says. Go how, walkin? Come on and get in before it comes down.
I say his name weak, a protest he couldn’t believe.
Michael stops the car and hops out. He sprints ahead and stands in my path. The drizzle frosts his afro. Oh, you must be waterproof, he says. A Z of lightning gashes the sky; thunder reaches inside me. The rain falls slanted and snarling, turns my clothes into soggy mass. See! What I tell you? he says. He stalks me to where the alley lets out, his feet slapping in fresh puddles, the both of us getting farther and farther from his lights. Streaks of grease fall into my eyes. And here comes the feeling that my whole life has come to this.
Help is a call away.
I help others by asking for help.
I am not alone.
Faith without works is dead.
Michael touches me as though he cares. It’s his touch from once a life ago. We were at the end of a binge, in an empty attic smoking resin. He unzipped my pants and I let him. Said not a word while he thrashed inside me either. He finished and wiped himself on his shirt. You and I could be something, he said. The two of us is linked.
That night is all reason I need to say no. Every reason to say yes. Reasons to hope against what I know: That it isn’t in him to be someone else. That the best for him is becoming more of who he is. All right, I say. But take me straight there. I really just need to get home.
We rush to his car while the rain thumps trash cans and metal awnings and parked cars. The girl hands me and Michael napkins. He dabs his face and asks where I’m headed.
Piedmonts, I say.
Well I’ll be gotdamned, he says, eyeing me in the rearview. Got you right there in the hurricane, huh?
He shifts the car and we stall and pitch forward. Check this out, he says. We got to make one stop. Just one stop is all, but it’s on the way.