Works Cited

Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, NJ: Princeton University Press, 1991. Print.

Ackroyd, Peter. Dickens. New York: HarperCollins, 1990. Print.

Adorno, Theodor. “Correspondence with Benjamin.” Trans. Harry Zohn. New Left Review 81 (1973): 55–80. Print.

Adorno, Theodor and Max Horkheimer. Dialectic of Enlightenment: Philosophical Fragments. Trans. Edmund Jephcott. Stanford, CA: Stanford University Press, 2002. Print.

Agamben, Giorgio. Means without End: Notes on Politics. Trans. Cesare Casarino and Vincenzo Binetti. Minneapolis: University of Minnesota Press, 2000. Print.

Arnold, Heinz Ludwig, ed. Georg Büchner, I/II. Munich: Text und Kritik, 1979. Print.

Artaud, Antonin. Collected Works. 2 vols. Trans. Victor Corti. London: Calder and Boyars, 1968. Print.

———. Oeuvres Complètes. Nouv. éd. rev. et augm. Paris: Gallimard, 1976. Print.

———. Selected Writings. Trans. Helen Weaver. New York: Farrar, Straus and Giroux, 1976. Print.

———. The Theater and Its Double. Trans. Mary Caroline Richards. New York: Grove, 1958. Print.

Asendorf, Christoph. Batteries of Life: On the History of Things and Their Perception in Modernity. Berkeley and Los Angeles: University of California Press, 1993. Print.

“Augustin Daly v. Henry D. Palmer and Henry C. Jarrett.” American Law Register 8 (1869): 286–298. Print.

Austin, Gilbert. Chironomia: Or, a Treatise on Rhetorical Delivery; Comprehending Many Precepts, Both Ancient and Modern, for the Proper Regulation of the Voice, the Countenance, and Gesture. London: Printed for T. Cadell and W. Davies by W. Bulmer, 1806. Print.

Avril, Jane. Mes mémoires. Paris: Phébus, 2005. Print.

Baasner, Frank. Der Begriff “sensibilé” im 18. Jahrhundert: Aufstieg und Niedergang eines Ideals. Heidelberg: C. Winter, 1988. Print.

Babinski, Joseph. “Preface.” Charcot, the Clinician: The Tuesday Lessons; Excerpts from Nine Case Presentations on General Neurology Delivered at the Salpêtrière Hospital in 1887–88. By J. M. Charcot. Trans. and ed. G. Goetz. New York: Raven, 1987. xv–xvii. Print.

Baillie, Joanna. De Monfort: A Tragedy. In Baillie, Plays. 299–387. Print.

———. Plays on the Passions. Peterborough, Ont: Broadview, 2001. Print.

Baillie, Matthew. “The Gulstonian Lectures, Read before the Royal College of Physicians, May 1794.” Lectures and Observations on Medicine. London: Richard Taylor, 1825. Print.

Barcus, James E. Percy Bysshe Shelley: The Critical Heritage. London: Routledge, 1996. Print.

Bates, David and Nima Bassiri. Pasticity and Pathology: On the Formation of the Neural Subject. New York: Fordham University Press, 2016. Print.

Baudelaire, Charles. “Richard Wagner and Tannhäuser in Paris.” Selected Writings on Art and Artists. By Charles Baudelaire. Trans. P. E. Charvet. Cambridge, UK: Cambridge University Press, 1981. 325–357. Print.

Bell, Charles. Essays on the Anatomy of Expression in Painting. 1st ed. London: Longman, Hurst, Rees, and Orme, 1806. Print.

———. Essays on the Anatomy and Philosophy of Expression. 2nd ed. London: John Murray, 1824. Print.

———. The Anatomy and Philosophy of Expression: As Connected with the Fine Arts. 3rd ed. London: John Murray, 1844. Print.

Bell, Matthew. The German Tradition of Psychology in Literature and Thought, 1700–1840. New York: Cambridge University Press, 2005. Print.

Benn, Maurice B. The Drama of Revolt: A Critical Study of Georg Büchner. Cambridge, UK: Cambridge University Press, 1976. Print.

Bentley, Eric. The Life of the Drama. New York: Applause Books, 1991. Print.

———. “Who Was Ribot? Or: Did Stanislavsky Know Any Psychology?” Tulane Drama Review 7.2 (1962): 127–129. Print.

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Trans. Harry Zohn. New York: Schocken Books, 1968. 217–251. Print.

Bernard, Claude. An Introduction to the Study of Experimental Medicine. Trans. Henry Copley Greene. New York: Schuman, 1949. Print.

Bernard, Désiré. De l’aphasie et de ses diverses formes. Paris: Publications du Progrès Medical, 1889. Print.

Bernheim, Hippolyte. Bernheim’s New Studies in Hypnotism. Trans. Richard S. Sandor. New York: International Universities, 1980. Print.

——— . De la suggestion et de ses applications à la thérapeutique. Paris: O. Doin, 1891. Print.

———. Suggestive Therapeutics: A Treatise on the Nature and Uses of Hypnotism; Translated from the Second and Revised French Edition. Trans. Christian Archibald Herter. New York and London: G. P. Putnam’s Sons, 1889. Print.

Binet, Alfred. Alterations of Personality. Trans. Helen Green Baldwin. New York: D. A. Appleton, 1896. Print.

Blair, Rhonda. The Actor, Image, and Action: Acting and Cognitive Neuroscience. London: Routledge, 2008. Print.

Blair, Rhonda, and Amy Cook, eds. Theatre, Performance and Cognition: Languages, Bodies and Ecologies. London: Bloomsbury Methuen, 2016. Print.

Blin, Roger, Antonin Artaud, Victoria Nes Kirby, Nancy E. Nes and Aileen Robbins. “Antonin Artaud in ‘Les Cenci.’” TDR: The Drama Review 16.2 (1972): 91–145. Print.

Bogousslavsky, Julien, Olivier Walusinski, and Denis Veyrunes. “Crime, Hysteria and Belle Époque Hypnotism: The Path Traced by Jean-Martin Charcot and Georges Gilles de la Tourette.” European Neurology 62.4 (2009): 193–199. Print.

Boller, François, Stanley Finger, and Anne Stiles. Literature, Neurology, and Neuroscience: Historical and Literary Connections, 2013. Internet resource. http://www.sciencedirect.com/science/bookseries/00796123/205.

Borchmeyer, Dieter. “The Question of Anti-Semitism.” The Wagner Handbook. Ed. Ulrich Müller and Peter Wapnewski. Trans. Stewart Spencer. Cambridge, MA: Harvard University Press, 1992. 166–185. Print.

Boucicault, Dion. “Opera.” North American Review 365 (April 1887): 340–348. Print.

Breton, André. Nadja, édition entièrement revue par l’auteur. Paris: Gallimard, 1964. Print.

Breuer, Joseph, and Sigmund Freud. Studies in Hysteria. Trans. James Strachey. New York: Basic Books, 2000. Print.

Brockett, Oscar. History of the Theatre. 8th ed. Boston: Allyn and Bacon, 1999. Print.

Bronfen, Elisabeth. The Knotted Subject: Hysteria and Its Discontents. Princeton, NJ: Princeton University Press, 1998.

———. “Kundry’s Laughter.” New German Critique 69 (1996): 147–161. Print.

Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven, CT: Yale University Press, 1976. Print.

Brown, John Russell. Oxford Illustrated History of the Theatre. Oxford and New York: Oxford University Press, 1995. Print.

Bruhn, Mark J. “Shelley’s Theory of Mind: From Radical Empiricism to Cognitive Romanticism.” Poetics Today 30.3 (2009): 373–422. Print.

Brunner, Jürgen. “Die Materialisierung bewußter und unbewußter psychischer Phänomene bei Schopenhauer.” Schopenhauer Jahrbuch 88 (2007): 89–114. Print.

Büchner, Georg. Dantons Tod and Woyzeck. 2nd ed. Ed. Margaret Jacobs. Manchester: Manchester University Press, 1963. Print.

———. The Major Works. Trans. Henry J. Schmidt. Ed. Matthew Wilson Smith. New York: W. W. Norton, 2012.

———. Sämtliche Werke, Briefe und Dokumente in zwei Bänden. Ed. Henri Poschmann and Rosemarie Poschmann. Frankfurt am Main: Deutscher Klassiker Verlag, 1992. Print.

———. Sämtliche Werke und Briefe. Ed. Werner R. Lehmann. Hamburg: C. Wegner, 1967. Print.

Bürger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974. Print.

Burwick, Frederick. “Joanna Baillie, Matthew Baillie, and the Pathology of the Passions.” Joanna Baillie, Romantic Dramatist. Ed. Thomas C. Crochunis. London and New York: Routledge, 2004. 48–68. Print.

Buzzard, Thomas. “On Cases of Injury from Railway Accidents: Their Influence upon the Nervous System, and Results.” The Lancet 1 (1867): 389–391, 453–454, 509–510, 623–25. Print.

Cahan, David. Hermann von Helmholtz and the Foundations of Nineteenth-Century Science. Berkeley: University of California Press, 1993. Print.

Carlson, Harry G. Strindberg and the Poetry of Myth. Berkeley: University of California Press, 1982. Print.

Carter, Ian. Railways and Culture in Britain: The Epitome of Modernity. Manchester, UK, and New York: Manchester University Press, 2001. Print.

Cassedy, Steven. “A History of the Concept of the Stimulus and the Role It Played in the Neurosciences.” Journal of the History of the Neurosciences: Basic and Clinical Perspectives 17.4 (2008): 405–432. Print.

Charcot, J. M. Charcot, the Clinician: The Tuesday Lessons; Excerpts from Nine Case Presentations on General Neurology Delivered at the Salpêtrière Hospital in 1887–88. Trans. Christopher G. Goetz. New York: Raven, 1987. Print.

———. Leçons du mardi à la Salpêtrière. Paris: Bureaux de Progrès Médical, 1887. Print.

———. Leçons du mardi à la Salpêtrière. Paris: Louis Battaille, 1892. Print.

———. Leçons sur les maladies du système nerveux: Faites à La Salpêtrière. Paris: Adrien Delahaye et E. Lecrosnier, 1880. Print.

———. Lectures on the Diseases of the Nervous System: Delivered at La Salpêtrière. Trans. Thomas Dixon Savill and George Sigerson. London: New Sydenham Society, 1877–1889. Print.

———. Oeuvres complètes de J.M. Charcot. Paris: Bureaux du Progrès Médical, 1886. Print.

Charcot, J. M, and Paul Marie Louis Pierre Richer. Les difformes et les malades dans l’art. Paris: Lecrosnier et Babé, 1889. Print.

Churchland, Patricia S. Touching a Nerve: The Self as Brain. New York: W. W. Norton, 2013. Print.

Clarke, Edwin, and L. S. Jacyna. Nineteenth-Century Origins of Neuroscientific Concepts. Berkeley: University of California Press, 1987. Print.

Clément, Catherine. Opera: The Undoing of Women. Trans. Betsy Wing. Minneapolis: University of Minnesota, 1988. Print.

Compston, Alastair. “The Convergence of Neurological Anatomy and Pathology in the British Isles: 1800–1850.” A Short History of Neurology: The British Contribution, 1660–1910. Ed. F. Clifford Rose. Oxford: Butterworth-Heinemann, 1999. 36–57. Print.

Cook, Amy. Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science. New York: Palgrave Macmillan, 2010. Print.

Cordulack, Shelley Wood. Edvard Munch and the Physiology of Symbolism. Madison, NJ: Fairleigh Dickinson University Press, 2002. Print.

Cooter, Roger. The Cultural Meaning of Popular Science: Phrenology and the Organization of Consent in Nineteenth-Century Britain. Cambridge, UK: Cambridge University Press, 1984. Print.

Cox, Jeffrey N. “The Dramatist.” The Cambridge Companion to Shelley. Ed. Timothy Morton. Cambridge, UK: Cambridge University Press, 2006. Print.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press, 1992. Print.

Crick, Francis. The Astonishing Hypothesis: The Scientific Search for the Soul. New York: Scribner, 1994. Print.

Curran, Stuart. Shelley’s Cenci: Scorpions Ringed with Fire. Princeton: Princeton University Press, 1970. Print.

Curtin, Adrian. “Cruel Vibrations: Sounding Out Antonin Artaud’s Production of Les Cenci.” Theatre Research International 35.3 (2010): 250–262. Print.

Dahlhaus, Carl. Die Bedeutung des Gestischen in Wagners Musikdramen. Munich: R. Oldenbourg, 1970. Print.

Daly, Augustin. Under the Gaslight. London and New York: Samuel French, 1895.

Daly, Nicholas. Literature, Technology, and Modernity, 1860–2000. Cambridge, UK: Cambridge University Press, 2004. Print.

———. Sensation and Modernity in the 1860s. Cambridge, UK: Cambridge University Press, 2009. Print.

Damasio, Antonio R. “Aphasia.” New England Journal of Medicine 326.8 (1992): 531–539. Print.

Dames, Nicholas. The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction. Oxford: Oxford University Press, 2007. Print.

Darwin, Erasmus. The Collected Writings of Erasmus Darwin. Bristol: Thoemmes, 2003. Print.

Daston, Lorraine, and Peter Galison. Objectivity. New York: Zone Books; Cambridge, MA: MIT Press, 2007. Print.

Davis, Lennard J. Obsession: A History. Chicago: University of Chicago Press, 2008. Print.

Dawson, P. M. S. “‘A Sort of Natural Magic’: Shelley and Animal Magnetism.” Keats-Shelley Review 1.1 (1986): 15–34. Print.

Day, Gary. “Figuring Out the Signalman: Dickens and the Ghost Story.” Nineteenth-Century Suspense: From Poe to Conan Doyle. Ed. Clive Bloom, Brian Docherty, Jane Gibb, and Keith Shand. London: Macmillan, 1988. 26–45. Print.

Deak, Frantisek. Symbolist Theatre. Baltimore: Johns Hopkins University Press, 1993. Print.

Delamotte, Isabelle. “La place de Charcot dans la documentation médicale d'Émile Zola.” Cahiers Naturalistes 73 (1999): 287–300. Print.

Delboeuf, Joseph. “De l’influence de l’éducation et de l’imitation dans le somnambulisme provoqué.” Revue Philosophique de la France et de l’Étranger 22 (1886): 146–171. Print.

Denby, David J. Sentimental Narrative and the Social Order in France, 1760–1820. Cambridge, UK: Cambridge University Press, 1994. Print.

Dennis, David. “‘The Most German of All German Operas’: Die Meistersinger through the Lens of the Third Reich.” Wagner’s Meistersinger: Performance, History, Representation. Ed. Nicholas Vazsonyi. Rochester, NY: University of Rochester, 2002. 98–119. Print.

Diamond, Elin. Unmaking Mimesis: Essays On Feminism and Theater. London: Routledge, 1997. Print.

Diamond, Michael. Victorian Sensation. London: Anthem, 2003. Print.

Dickens, Charles. “Barbox Brothers.” Mugby Junction [Christmas Number of All the Year Round]. 10 December 1866: 1–10. Print.

———. Dombey and Son. Ed. Alan Horsman. London: Oxford University Press, 1974. Print.

———. “To Thomas Mitton.” 13 June 1865. The Letters of Charles Dickens. Vol. 11. Ed. Madeline House and Graham Storey. Oxford: Clarendon, 1965–2002. 56. Print.

———. “No. 1 Branch Line. The Signalman.” Mugby Junction [Christmas Number of All the Year Round]. 10 December 1866: 20–25. Print.

———. Oliver Twist. Ed. Kathleen Tillotson. London: Oxford University Press, 1966. Print.

Didi-Huberman, Georges, and J. M. Charcot. The Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière. Trans. Alisa Hartz. Cambridge, MA: MIT Press, 2003. Print.

Dixon, Thomas. Weeping Britannia: Portrait of a Nation in Tears. Oxford: Oxford University Press, 2015. Print.

Doerner, Klaus. Madmen and the Bourgeoisie: A Social History of Insanity and Psychiatry. Oxford: Blackwell, 1981. Print.

Drüe, Hermann. Psychologie aus dem Begriff: Hegels Persönlichkeitstheorie. Berlin and New York: Walter de Gruyter, 1976. Print.

Dunne, Kerry. “Woyzeck’s Marie: ‘Ein Schlecht Mensch’? The Construction of Female Sexuality in Büchner’s Woyzeck.” Seminar: A Journal of Germanic Studies 26.4 (1990): 294–308. Print.

Eagle, Christopher. Dysfluencies: On Speech Disorders in Modern Literature. New York: Bloomsbury, 2014. Print.

Eagleman, David. The Brain: The Story of You. New York: Pantheon, 2015. Print.

Ehrenberg, Alain. “Le sujet cérébral.” Esprit (2004): 130–155. Print.

Ellenberger, Henri F. The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry. New York: Basic Books, 1970. Print.

Engstrom, Eric J. Clinical Psychiatry in Imperial Germany: A History of Psychiatric Practice. Ithaca, NY: Cornell University Press, 2003. Print.

Enzensberger, Hans Magnus. “[The Hessian Messenger in the Political Context of 1964].” The Major Works. By Georg Büchner. Trans. Henry J. Schmidt. Ed. Matthew Wilson Smith. New York: W. W. Norton, 2012. 257–259. Print.

Erichsen, John Eric. On Railway and Other Injuries of the Nervous System. London: Walton and Maberly, 1866. Print.

Fahlgren, Margeretha. “Strindberg and the Woman Question.” The Cambridge Companion to Strindberg. 1st ed. Ed. Michael Robinson. Cambridge, UK: Cambridge University Press, 2009. 20–34. Cambridge Companions Online. Web. 21 June 2016. https://www.cambridge.org/core/books/cambridge-companion-to-august-strindberg.

Falletti, Clelia, Gabriele Sofia, and Victor Jacono. Theatre and Cognitive Neuroscience. London: Bloomsbury Methuen, 2016. Print.

Fearing, Franklin. Reflex Action: A Study in the History of Physiological Psychology. Baltimore: Williams and Wilkins, 1930. Print.

Fein, Elizabeth. “Innocent Machines: Asperger’s Syndrome and the Neurostructural Self.” Sociological Reflections in the Neurosciences (Advances in Medical Sociology), Vol. 13. Bingley: Emerald, 2011. 27–49. Print.

Fielding, Henry. Tom Jones. Oxford and New York: Oxford University Press, 2008. Print.

Finger, Stanley. Minds behind the Brain: A History of the Pioneers and Their Discoveries. Oxford and New York: Oxford University Press, 2004. Print.

Fischer-Lichte, Erika. “The Body as Sign and as Experience: On the Effect of Theatre Performance.” Yearbook of Research in English and American Literature 16 [Representations of Emotional Excess]. Ed. Jürgen Schlaeger. Tübingen, Germany: Gunter Narr Verlag, 2000. 117–131. Print.

———. History of European Drama and Theatre. Trans. Jo Riley. London and New York: Routledge, 2002. Print.

Fodor, Jerry A. The Modularity of Mind: An Essay on Faculty Psychology. Cambridge, MA: MIT Press, 1983. Print.

Forrest, Derek William. Hypnotism: A History. New York: Penguin, 2000. Print.

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York: Vintage, 1979. Print.

———. The Order of Things: An Archaeology of the Human Sciences. New York: Pantheon Books, 1971. Print.

Freud, Sigmund. A Case of Hysteria (Dora). Trans. Anthea Bell. Ed. Ritchie Robertson. Oxford: Oxford University Press, 2013. Print.

———. Collected Papers. 5 vols. Trans. Joan Riviere, Alix Strachey, and James Strachey. New York: Basic Books, 1959. Print.

———. The Complete Letters of Sigmund Freud to Wilhelm Fliess, 1887–1904. Trans. Jeffrey Moussaieff Masson. Cambridge, MA: Belknap, 1985. Print.

———. “Emmy von N.” Studies in Hysteria. 51–108. Print.

———. The Interpretation of Dreams. Trans James Strachey. New York: Basic Books, 1955. Print.

———. Letters. Ed. Ernst L. Freud. Trans. Tania Stern and James Stern. New York: Basic Books, 1960. Print.

———. “Preface to the Translation of Bernheim’s Suggestion.” The Freud Reader. Ed. Peter Gay. New York: W. W. Norton, 1989. 45–48. Print.

———. “Project for a Scientific Psychology.” The Origins of Psycho-analysis: Letters to Wilhelm Fliess, Drafts, and Notes, 1887–1902. By Sigmund Freud. Trans. Eric Mosbacher and James Strachey. Ed. Marie Bonaparte, Anna Freud, and Ernst Kris. New York: Basic Books, 1954. 347–445. Print.

Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley: University of California Press, 1980. Print.

Friedheim, Philip. “Wagner and the Aesthetics of the Scream.” Nineteenth-Century Music 7.1 (1983): 63–70. Print.

Garner, Stanton B., Jr. “Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage.” Modern Drama 43.4 (2000): 529–542. Print.

Gauld, Alan. A History of Hypnotism. Cambridge, UK: Cambridge University Press, 1992. Print.

Gay, Peter. Freud: A Life for Our Time. New York: W. W. Norton, 1988. Print.

Gilles de la Tourette, Georges. L’hypnotisme et les états analogues au point de vue médico-légal: Les états hypnotiques et les états analogues les suggestions criminelles cabinets de somnambules et sociétés de magnétisme et de spiritisme, l’hypnotisme devant la loi. 2nd ed. Paris: Plon and Nourrit, 1889. Print.

Gilman, Richard. The Making of Modern Drama: A Study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke. New York: Farrar, Straus and Giroux, 1974. Print.

Gilman, Sander L. “The Image of the Hysteric.” In Gilman et al. 345–452.

Gilman, Sander L., Helen King, Roy Porter, G. S. Rousseau, and Elaine Showalter, eds. Hysteria beyond Freud. Berkeley and Los Angeles: University of California Press, 1993. Print.

Goehr, Lydia. The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernst Bloch Lectures. Berkeley: University of California Press, 1998. Print.

Goetz, Christopher G., Michel Bonduelle, and Toby Gelfand. Charcot: Constructing Neurology. New York: Oxford University Press, 1995. Print.

Goldstein, Jan Ellen. Console and Classify: The French Psychiatric Profession in the Nineteenth Century. Cambridge: Cambridge University Press, 1987. Print.

Golinski, Jan. Science as Public Culture: Chemistry and Enlightenment in Britain, 1760–1820. Cambridge: Cambridge University Press, 1992. Print.

Gordon, Mel. The Grand Guignol: Theatre of Fear and Terror. Rev. ed. New York: Da Capo, 1997. Print.

Gordon, Rae Beth. Why the French Love Jerry Lewis: From Cabaret to Early Cinema. Stanford, CA: Stanford University Press, 2001. Print.

Greenman, Daniel J. “Dickens’ Ultimate Achievement in the Ghost Story.” Dickensian 85 (1989): 40–48. Print.

Gregory, Frederick. “Hat Müller die Naturphilosophie wirklich aufgegeben?” Johannes Müller und die Naturphilosophie. Ed. Bettina Wahrig-Schmidt. Berlin: Akademie Verlag, 1992. 143–154. Print.

Grey, Thomas. “In the Realm of the Senses: Sight, Sound, and the Music of Desire in Tristan and Isolde.” Richard Wagner: Tristan und Isolde. Ed. Arthur Groos. Cambridge, UK: Cambridge University Press, 2011. 69–94. Print.

Guillain, Georges. J.-M. Charcot, 1825–1893: His Life—His Work. Trans. Pearce Bailey. New York: Hoeber, 1959. Print.

Gumbrecht, Hans Ulrich. Production of Presence: What Meaning Cannot Convey. Stanford, CA: Stanford University Press, 2004. Print.

Gussow, Mel. Theatre on the Edge: New Visions, New Voices. New York: Applause, 1998. Print.

Haan, Joost, Peter J. Koehler, and Julien Bogousslavsky. “Neurology and Surrealism: André Breton and Joseph Babinski.” Brain: A Journal of Neurology (7 June 2012). Web. 12 August 2015. http://brain.oxfordjournals.org/content/early/2012/06/07/brain.aws118.full.

Hadley, Elaine. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800–1885. Stanford: Stanford University Press, 1995. Print.

Hamann, Holger. “Zum Namen der weiblichen Hauptperson in Büchners ‘Woyzeck.’” Orbis Litterarum 25.3 (1970): 259–260. Print.

Hand, Richard J., and Michael Wilson. Grand-Guignol: The French Theatre of Horror. Exeter: University of Exeter Press, 2002. Print.

Hanslick, Eduard. Vienna’s Golden Years of Music: 1850–1900. Trans. Henry Pleasants. New York: Simon and Schuster, 1950. Print.

Harrington, Ralph. “The Railway Accident: Trains, Trauma, and Technological Crises in Nineteenth-Century Britain.” Traumatic Pasts: History, Psychiatry, and Trauma in the Modern Age, 1870–1930. Ed. Paul Lerner and Mark C. Micale. Cambridge, UK: Cambridge University Press, 2001. 31–56. Print.

Helmholtz, Hermann von. Die Tatsachen in der Wahrnehmung: Rede Gehalten zur Stiftungfeier der Friedrich-Wilhelms-Universität zu Berlin am 3. August 1878. Berlin: A. Hirschwald, 1879. Print.

———. Handbuch der Physiologischen Optik: Mit 213 in den Text eingedruckten Holzschnitten und 11 Tafeln. Leipzig: Leopold Voss, 1867. Print.

———. Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. 3rd ed. Braunschweig, Germany: Vieweg, 1870. Print.

———. Selected Writings of Hermann von Helmholtz. Ed. Russell Kahl. Middletown, CT: Wesleyan University Press, 1971. Print.

Henson, Louise. “‘In the Natural Course of Physical Things’: Ghosts and Science in Charles Dickens’ All the Year Round.” Culture and Science in the Nineteenth-century Media. Ed. Louise Henson, Geoffrey Cantor, Gowan Dawson, Richard Noakes, Sally Shutteworth, and Jonathan Topham. Burlington, VT: Ashgate, 2004. 113–123. Print.

———. “Investigations and Fictions: Charles Dickens and Ghosts.” The Victorian Supernatural. Ed. Nichola Brown, Carolyn Burdett, and Pamela Thurschwell. Cambridge, UK: Cambridge University Press, 2004b. 44–63. Print.

Holzapfel, Amy. Art, Vision, and Nineteenth-Century Realist Drama: Acts of Seeing. New York and London: Routledge, 2014. Print.

Hustvedt, Asti. Medical Muses: Hysteria in Nineteenth-Century Paris. New York: W. W. Norton, 2011. Print.

Hyer, Brian. “Parsifal Hystérique.” Opera Quarterly 22.2 (2006): 269–320. Print.

Ignotus [Felix Platel]. “Cabotinage.” Le Figaro 18 April, 1883: 1. Print.

Innes, Christopher. Avant Garde Theatre 1892–1992. London: Routledge, 1993. Print.

“Inquiry into the Influence of Railway Traveling upon Public Health.” Lancet 1.1 (4 January 1862): 15–19. Print.

Irigaray, Luce. Speculum of the Other Woman. Trans. Gillian C. Gill. Ithaca, NY: Cornell University Press, 1985.

Jackson, Noel. Science and Sensation in Romantic Poetry. Cambridge, UK: Cambridge University Press, 2008. Print.

James, William. “The Congress of Physiological Psychology at Paris.” Mind. 14.56 (1889): 614–616. Print.

Janet, Paul. “Schopenhauer et la physiologie française: Cabanis et Bichat.” Revue des Deux Mondes 39 (May 1880) 35–59. Print.

Janet, Pierre, Eden Paul, and Cedar Paul. Psychological Healing: A Historical and Clinical Study. London: George Allen and Unwin, 1925. Print.

Jannarone, Kimberly. Artaud and His Doubles. Ann Arbor: University of Michigan, 2012. Print.

Jervis, John. Sensational Subjects: The Dramatization of Experience in the Modern World. London and New York: Bloomsbury, 2015a. Print.

———. Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World. London and New York: Bloomsbury, 2015b. Print.

Johnson, Warren. “Paralyzed with Terror: Desire and Determinism in Zola.” French Forum 19.3 (1994): 295–307. Print.

Kain, Philip J. Hegel and the Other: A Study of the Phenomenology of Spirit. Albany: SUNY Press, 2005. Print.

Kames, Henry Home, Lord. Elements of Criticism. 2 vols. 6th ed. Ed. Peter Jones. Indianapolis, IN: Liberty Fund, 2005. Print.

Kant, Immanuel. Anthropology from a Pragmatic Point of View. Ed. Robert B. Louden. Cambridge, UK: Cambridge University Press, 2006. Print.

———. Werke in zehn Bänden. Ed. Wilhelm Weischedel. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1983. Print.

Kaplan, Fred. Dickens: A Biography. New York: William Morrow, 1988. Print.

Kendon, Adam. Gesture: Visible Action As Utterance. Cambridge, UK: Cambridge University Press, 2004. Print.

Kennaway, James. Bad Vibrations: The History of the Idea of Music as a Cause of Disease. Burlington, VT: Ashgate, 2012. Print.

———. “From Sensibility to Pathology: The Origins of the Idea of Nervous Music around 1800.” Journal of the History of Medicine and Allied Sciences 65.3 (2010): 396–426. Print.

———. “Singing the Body Electric: Nervous Music and Sexuality in Fin-de-Siècle Literature.” Neurology and Literature: 1860–1920. Ed. Anne Stiles. New York: Palgrave Macmillan, 2007. 141–160. Print.

Kittler, Friedrich A. Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press, 1999. Print.

———. “World-Breath: On Wagner’s Media Technology.” Opera through Other Eyes. Ed. David J. Levin. Stanford: Stanford University Press, 1993. 215–235. Print.

Klein, J. L. Geschichte des Dramas. Leipzig: T. O. Weigel, 1865. Print.

Knittel, Kay M. “Wagner, Deafness, and the Reception of Beethoven’s Late Style.” Journal of the American Musicological Society 51.1 (1998): 49–82. Print.

Kostal, R. W. Law and English Railway Capitalism, 1825–1875. Oxford: Clarendon, 1994. Print.

Kühlmann, Wilhelm, ed. Killy Literaturlexikon: Autoren und Werke des deutschsprachigen Kulturraumes. Berlin: Walter de Gruyter, 2008. Print.

The Lancet (London). Various dates. 1823–. Web. Elsevier Science. 12 August 2015.

“The Latest Fad.” Locomotive Firemen’s Magazine 25.5 (November 1896): 385–387. Print.

Lathe, Carla. “Edvard Munch’s Dramatic Images 1892–1909.” Journal of the Warburg and Courtauld Institutes 46 (1983): 191–206. Print.

Leach, Robert. Makers of Modern Theatre: An Introduction. London and New York: Routledge, 2014. Print.

Leask, Nigel. “Shelley’s ‘Magnetic Ladies’: Romantic Mesmerism and the Politics of the Body.” Beyond Romanticism: New Approaches to Texts and Contexts 1780–1832. Ed. Stephen Copley and John Whale. London and New York: Routledge, 1992. 53–78. Print.

LeDoux, Joseph. The Synaptic Self: How Our Brains Become Who We Are. New York: Viking, 2002. Print.

Lee, David Anson. “Paul Broca and the History of Aphasia: Roland P. Mackay Award Essay, 1980.” Neurology 31.5 (1981): 600–602. Print.

Lehmann, Hans-Thies. Postdramatic Theatre. Trans. Karen Jürs-Munby. London and New York: Routledge, 2006. Print.

Lehmann, Werner R. “Prolegamena zu einer historisch-kritischen Büchner-Ausgabe.” Gratulatio: Festschrift für Christian Wegner zum 70. Geburtstag. Hamburg, Germany: Christian Wegner Verlag, 1963. 197–213. Print.

Leighton, Mary Elizabeth. “‘Hypnosis Redivivus’: Ernest Hart, the British Medical Journal, and the Hypnotism Controversy.” Victorian Periodicals Review 34.2 (2001): 104–127. Print.

Levin, David J. Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal. Princeton, NJ: Princeton University Press, 1998. Print.

———, ed. Opera through Other Eyes. Stanford: Stanford University Press, 1993.

Liebscher, Martin. “Friedrich Nietzsche’s Perspectives on the Unconscious.” Thinking the Unconscious: Nineteenth Century German Thought. Ed. Angus Nichols and Martin Liebscher. Cambridge, UK: Cambridge University Press, 2010. 241–260. Print.

Lindenberger, Herbert. Georg Büchner. Carbondale: Southern Illinois University Press, 1964. Print.

Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria In Nineteenth-Century British Prose. Berkeley: University of California Press, 1997. Print.

Lukács, Georg. “Der faschistisch verfälschte und der wirkliche Georg Büchner.” Deutsche Realisten des neunzehnten Jahrhunderts. Berlin: Aufbau-Verlag, 1956. Print.

Magee, Bryan. The Philosophy of Schopenhauer. Oxford: Clarendon, 1983. Print.

———. The Tristan Chord: Wagner and Philosophy. New York: Henry Holt, 2002. Print.

Major, René. “The Revolution of Hysteria.” International Journal of Psychoanalysis 55 (1974) 385–392. Print.

Makari, George J. “A History of Freud’s First Concept of Transference.” International Review of Psycho-Analysis 19 (1992): 415–432. Print.

Manning, Susan. “Sensibility.” The Cambridge Companion to English Literature, 1740–1830. Ed. Thomas Keymer and Jon Mee. Cambridge: Cambridge University Press, 2004. 80–99. Print.

Marshall, David. The Figure of Theater: Shaftesbury, Defoe, Adam Smith, and George Eliot. New York: Columbia University Press, 1986. Print.

Marshall, Jonathan. “Dynamic Medicine and Theatrical Form at the fin de siècle: A Formal Analysis of Dr. Jean-Martin Charcot’s Pedagogy, 1862–1893. Modernism/Modernity 15.1 (2008): 131–153. Print.

———. “Nervous Dramaturgy: Pain, Performance and Excess in the Work of Dr Jean-Martin Charcot, 1862–1893.” Double Dialogues 4 (2003): 1862–1921. Web. 13 August, 2015. http://www.doubledialogues.com/article/nervous-dramaturgy-pain-performance-and-excess-in-the-work-of-dr-jean-martin-charcot-1862-1893/.

Martersteig, Max. Der Schauspieler: Ein künstlerisches Problem, eine Studie. Leipzig: Eugen Diederichs, 1900. Print.

Martin, Laura. “‘Schlechtes Mensch/gutes Opfer’: The Role of Marie in Georg Büchner’s Woyzeck.” German Life and Letters 50.4 (1997): 429–444. Web.

Marx, Karl. Capital. Trans. Ben Fowkes. Vol. 1. New York: Penguin, 1976. Print.

Marx, Otto M. “Freud and Aphasia: An Historical Analysis.” American Journal of Psychiatry 124.6 (1967): 815–825. Print.

———. “German Romantic Psychiatry: Part 1.” History of Psychiatry 1.4 (1990): 351–380. Print.

Mattacks, Kate. “‘Natural Pantomime’: Spectacle, Silence and Speech Disability.” Nineteenth Century Theatre and Film 37.1 (2010): 33–44. Print.

Mattelart, Armand. The Invention of Communication. Trans. Susan Emanuel. Minneapolis: University of Minnesota Press, 1996. Print.

Matus, Jill. “Trauma, Memory, and Railway Disaster: The Dickensian Connection.” Victorian Studies 43.3 (2001): 413–436. Print.

Maudsley, Henry. The Pathology of Mind. London: Macmillan, 1879. Print.

McConachie, Bruce. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. New York: Palgrave Macmillan, 2008. Print.

McConachie, Bruce A., and F. E. Hart, eds. Performance and Cognition: Theatre Studies and the Cognitive Turn. London: Routledge, 2006. Print.

Medwin, Thomas. The Life of Percy Bysshe Shelley. 2 vols. London: T. C. Newby, 1847. Print.

Menke, Richard. Telegraphic Realism: Victorian Fiction and Other Information Systems. Stanford, CA: Stanford University Press, 2008. Print.

Metzinger, Thomas. The Ego-Tunnel: The Science of the Mind and the Myth of the Self. New York: Basic Books, 2009. Print.

Meyer, Michael Leverson. Strindberg. New York: Random House, 1985. Print.

Micale, Mark S. “Discourses of Hysteria in Fin-de-Siècle France.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880–1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004a. 71–92. Print.

———. Hysterical Men: The Hidden History of Male Nervous Illness. Cambridge, MA: Harvard University Press, 2008. Print.

Micale, Mark S., ed. The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880–1940. Stanford, CA: Stanford University Press, 2004b. Print.

Millington, Barry. “Nuremberg Trial: Is There Anti-Semitism in Die Meistersinger?” Cambridge Opera Journal 3.3 (1991): 247–260. Print.

Mourad, François-Marie. “Thérèse Raquin, roman experimental.” Cahiers Naturalistes 84 (2010): 157–164. Print.

Müller, Johannes. Handbuch der Physiologie des Menschen für Vorlesungen. Coblenz, Germany: J. Hölscher, 1840. Print.

———. “Jahresbericht über die Fortschritte der anatomisch-physiologischen Wissenschaften im Jahre 1836.” Archiv für Anatomie, Physiologie und Wissenschaftliche Medicin. Ed. Johannes Müller. Berlin: W. Thome, 1837. lxxiii–lxxviii. Print.

———. Zur vergleichenden Physiologie des Gesichtssinnes des Menschen und der Thiere: Nebst einem Versuch über Bewegungen der Augen und über den menschlichen Blick. Leipzig: C. Knobloch, 1826. Print.

Mullan, John. Sentiment and Sociability: The Language of Feeling in the Eighteenth Century. Oxford: Clarendon Press, 1990. Print.

Müller-Seidel, Walter. “Natur und Naturwissenschaft im Werk Georg Büchners.” Festschrift für Klaus Ziegler. Ed. Eckehard Catholy and Winfried Hellmann. Tübingen, Germany: M. Niemeyer, 1968. 205–232. Print.

Müller-Sievers, Helmut. “Of Fish and Men: The Importance of Georg Büchner’s Anatomical Writings.” MLN 118 (2003): 704–718. Print.

Munthe, Axel. The Story of San Michele. New York: E. P. Dutton, 1929. Print.

Murison, Justine S. The Politics of Anxiety in Nineteenth-Century American Literature. Cambridge, UK: Cambridge University Press, 2011. Print.

Nadis, Fred. “Of Horses, Planks, and Window Sleepers: Stage Hypnotism Meets Reform, 1836–1920.” Journal of Medical Humanities 22.3 (2001): 223–245. Print.

Nattiez, Jean-Jacques. Wagner Androgyne. Trans. Stewart Spencer. Princeton, NJ: Princeton University Press, 1993. Print.

Nelson, Roy Jay. Causality and Narrative in French Fiction from Zola to Robbe-Grillet. Columbus: Ohio State University Press, 1990. Print.

Newman, Ernest. The Life of Richard Wagner. 2 vols. New York: Knopf, 1946. Print.

Nicoll, Allardyce. A History of English Drama 1660–1900. Vol. 4, Early Nineteenth Century Drama, 1800–1850. 2nd ed. Cambridge, UK: Cambridge University Press, 2009. Print.

Nietzsche, Friedrich. Briefwechsel mit Erwin Rohde. Leipzig: Insel-Verlag, 1903. Print.

———. “The Case of Wagner.” The Birth of Tragedy and The Case of Wagner. By Friedrich Nietzsche. Trans. Walter Kaufmann. New York: Random House, 1967. 153–192. Print.

———. Werke in drei Bänden. Ed. Karl Schlechta. Munich: C. Hanser, 1954. Print.

Nordau, Max. Paradoxes. Trans. J. R. McIlraith. London: William Heinemann, 1896. Print.

Northcutt, R. Glenn. “Historical Hypotheses Regarding Segmentation of the Vertebrate Head.” Integrative and Comparative Biology 48.5 (2008): 611–619. Web. http://www.bioone.org/loi/icbi.

Ochorowicz, Julian. “The Project of an International Congress of Psychology by J. Ochorowicz (1881).” Trans. Serge Nicolas and Hedvig Söderlund. International Journal of Psychology 40.6 (2005): 395–406. Print.

Orr, Bridget. “Empire, Sentiment, and Theatre.” The Oxford Handbook of the Georgian Theatre, 1737–1832. Ed. Julia Swindells and David Francis Taylor. Web. 31 August, 2016. http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199600304.001.0001/oxfordhb-9780199600304.

Ortega, Francisco. “The Cerebral Subject and the Challenge of Neurodiversity.” BioSocieties (2009): 425–445. Print.

Oxford English Dictionary. Oxford: Oxford University Press, 2000. Print.

Oxford English Dictionary Online, s.v. “neurology, n.” Web. 2 September, 2016. http://www.oed.com.

——— s.v. “thrill,”n.3.” Web. 12 September 2016. http://www.oed.com

“Paris: The International Congress on Hypnotism.” Lancet 134.3444 (31 August 1889): 460–461. Print.

Pelaprat, Etienne, and Valarie Hartouni. “The Neural Subject in Popular Culture and the End of Life.” Configurations 19 (2011): 385–406. Print.

Phegley, Jennifer, John Cyril Barton, and Kristin N. Huston, eds. Transatlantic Sensations. London and New York: Routledge, 2012. Print.

Philippon, Jacques, and Jacques Poirier. Joseph Babinski: A Biography. New York and Oxford: Oxford University Press, 2009. Print.

Pickersgill, Martyn, Sarah Cunningham-Burley, and Paul Martin. “Constituting Neurologic Subjects: Neuroscience, Subjectivity and the Mundane Significance of the Brain.” Subjectivity (2011): 346–365. Print.

Pierron, Agnès. Le Grand Guignol: Le Théâtre des Peurs de la Belle Époque. Paris: Robert Laffont, 1995. Print.

———. “The House of Horrors.” Trans. Deborah Treisman. Grand Street 57 (1996): 87–100. Print.

Pitches, Jonathan. Science and the Stanislavsky Tradition of Acting. London and New York: Routledge, 2005. Print.

Poizat, Michel. The Angel’s Cry: Beyond the Pleasure Principle in Opera. Ithaca, NY: Cornell University Press, 1992. Print.

Pope, Norris. “Dickens’ ‘The Signalman’ and Information Problems in the Railway Age.” Technology and Culture 42.3 (2001): 436–461. Print.

Prideaux, Sue. Strindberg: A Life. New Haven, CT: Yale University Press, 2012. Print.

Puschmann, Theodor. Richard Wagner: Eine psychiatrische Studie. Berlin: B. Behr, 1873. Print.

Ramachandran, V. S. The Tell-Tale Brain: A Neuroscientist’s Quest for What Makes Us Human. New York: W. W. Norton, 2001. Print.

Raub, Emma. “Frankenstein and the Mute Figure of Melodrama.” Modern Drama 55.4 (2012): 437–458. Print.

Reach, Angus B. “The Natural History of the Panic.” George Cruikshank’s Table-Book (1845): 260–262. Print.

Reddick, John. Georg Büchner: The Shattered Whole. Oxford: Clarendon Press, 1994. Print.

Reddy, William M. The Navigation of Feeling: A Framework for the History of Emotions. Cambridge, UK: Cambridge University Press, 2001. Print.

Reed, Edward S. From Soul to Mind: The Emergence of Psychology from Erasmus Darwin to William James. New Haven, CT: Yale University Press, 1997. Print.

Rey, Alain. Dictionnaire historique de la langue française: Contenant les mots français en usage et quelques autres délaissés, avec leur origine proche et lointaine. Paris: Dictionnaires Le Robert, 1998. Print.

Ribot, Théodule-Armand. Les maladies de la volonté. Paris: Librairie Germere Baillière, 1883. Print.

——— . Les maladies de la personnalité. Paris: Librairie Germere Baillière, 1885. Print.

Richardson, Alan. British Romanticism and the Science of the Mind. Cambridge, UK: Cambridge University Press, 2001. Print.

———. “Facial Expression Theory from Romanticism to the Present.” Introduction to Cognitive Cultural Studies. Ed. Lisa Zunshine. Baltimore: Johns Hopkins University Press, 2010. 65–83. Print.

———. The Neural Sublime: Cognitive Theories and Romantic Texts. Baltimore: Johns Hopkins University Press, 2010b. Print.

———. “A Neural Theatre: Joanna Baillie’s ‘Plays on the Passions.’” Joanna Baillie, Romantic Dramatist. Ed. Thomas C. Crochunis. London and New York: Routledge, 2004. 130–145. Print.

Ricoeur, Paul. Freud and Philosophy: An Essay on Interpretation. Trans. Denis Savage. New Haven, CT: Yale University Press, 1970. Print.

Rivers, Christopher. Face Value: Physiognomical Thought and the Legible Body in Marivaux, Lavater, Balzac, Gautier and Zola. Madison: University of Wisconsin Press, 1995. Print.

Roach, Joseph R. The Player’s Passion: Studies in the Science of Acting. Newark: University of Delaware, 1985. Print.

Robinson, Michael. “Introduction.” Miss Julie and Other Plays. By August Strindberg. vii–xxxvii. Print.

Rose, F. Clifford. “Three Early Nineteenth Century British Neurological Texts.” A Short History of Neurology: The British Contribution, 1660–1910. Ed. F. Clifford Rose. Oxford: Butterworth-Heinemann, 1999a. 117–131. Print.

———, ed. A Short History of Neurology: The British Contribution, 1660–1910. Oxford: Butterworth-Heinemann, 1999. Print.

Rose, Nikolas. “Neurochemical Selves.” Society (2003): 46–59. Print.

Rose, Paul Lawrence. Wagner: Race and Revolution. New Haven, CT: Yale University Press, 1992. Print.

Rosenzweig, Mark R., and the International Union of Psychological Science, eds. History of the International Union of Psychological Science (IUPsyS). Philadelphia: Psychology, 2000. Print.

Rousseau, G. S. Nervous Acts: Essays on Literature, Culture, and Sensibility. New York: Palgrave Macmillan, 2004. Print.

Ruston, Sharon. Shelley and Vitality. Houndmills, UK: Palgrave Macmillan, 2005. Print.

Sala, George A. “Poetry on the Railway.” Household Words 11 (1855): 414–418. Print.

Salisbury, Laura. “Sounds of Silence: Aphasiology and the Subject of Modernity.” Neurology and Modernity: A Cultural History of Nervous Systems, 1800–1950. Ed. Laura Salisbury and Andrew Shail. New York: Palgrave Macmillan, 2010. 204–230. Print.

Salisbury, Laura, and Andrew Shail, eds. Neurology and Modernity: A Cultural History of Nervous Systems, 1800–1950. Houndmills, UK: Palgrave Macmillan, 2010. Print.

Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. New York and Oxford: Oxford University Press, 1985. Print.

Schiller, Friedrich von. “Die Schaubühne als eine moralische Anstalt betrachtet.” Sämmtliche Werke 10. Vienna: Carl Gerold, 1819. 26–40. Print.

Schivelbusch, Wolfgang. Railway Journey: The Industrialization of Time and Space in the 19th Century. Berkeley and Los Angeles: Univeristy of California Press, 1986. Print.

Schleich, Carl Ludwig. Besonnte Vergangenheit: Lebenserinnerungen. Berlin: E. Rohwohlt, 1925. Print.

Schleiermacher, Friedrich. “Anthropologie von Immanuel Kant.” Athenaeum 2.2 (1799): 300–306. Print.

Schmid, Susanne. “Reception as Performance: The Case of Shelley in Germany.” Romantic Poetry. Ed. Angela Esterhammer. Amersterdam and Philadelphia: John Benjamins, 2002. 461–472. Print.

Schmidt, Henry J. Satire, Caricature and Perspectivism in the Works of Georg Büchner. The Hague: Mouton, 1970. Print.

Schopenhauer, Arthur. Manuscript Remains. 4 vols. Trans. E. F. J. Payne. Ed. Arthur Hübscher. Oxford: Berg, 1988. Print.

———. Parerga and Paralipomena: Short Philosophical Essays. 2 vols. Oxford: Oxford University Press, 1974. Print.

———. The World as Will and Representation. 2 vols. Trans. E. F. J. Payne. New York: Dover, 1966. Print.

Scull, Andrew. Hysteria: The Biography. Oxford: Oxford University Press, 2009. Print.

Sennett, Richard. The Fall of Public Man. New York: W. W. Norton, 1992. Print.

Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: Body, Brain, and Being. London: Bloomsbury, 2013. Print.

Shaw, George Bernard. “Art Corner. [A Review of ‘The Cenci’].” Shaw Review 15.1 (1972): 35–38. Print.

Shelley, Mary. “Note on The Cenci.” Complete Poems of Percy Bysshe Shelley. New York: Modern Library, 1994. 362–366. Print.

Shelley, Percy. The Cenci: A Tragedy, in Five Acts. London: C. and J. Ollier, 1819. Print.

———. The Letters of Percy Bysshe Shelley. Ed. Frederick L. Jones. Oxford: Clarendon, 1964. Print.

Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830–1980. London: Virago, 1985. Print.

———. “Hysteria, Feminism, and Gender.” Hysteria beyond Freud. Ed. Sander L. Gilman, Helen King, Roy Porter, G. S. Rousseau, and Elaine Showalter. Berkeley and Los Angeles: University of California Press, 1993. 286–344. Print.

———. Hystories: Hysterical Epidemics and Modern Media. New York: Columbia University Press, 1997. Print.

Siddons, Henry. Practical Illustrations of Rhetorical Gesture and Action; Adapted to the English Drama: From a Work on the Subject by M. Engel, Member of the Royal Academy of Berlin. 2nd ed. London: Sherwood, Neely, and Jones, 1822. Print.

Silverman, Debora Leah. Art Nouveau in Fin-de-Siècle France: Politics, Psychology, and Style. Berkeley: University of California Press, 1989. Print.

Slater, Michael. Charles Dickens. New Haven, CT: Yale University Press, 2009. Print.

Slonimsky, Nicolas, ed. Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven’s Time. New York: Coleman-Ross, 1953. Print.

Smith, James L., ed. Victorian Melodrama. London: Dent, 1976. Print.

Smith, Matthew Wilson. “Georg Büchner, J. M. W. Turner, and the Materiality of Perception.” Georg Büchner: Contemporary Perspectives. Ed. Robert Gillett, Ernest Schonfield, and Daniel Steuer. Boston and Leiden, The Netherlands: Brill, 2017. 344–353. Print.

———. The Total Work of Art: From Bayreuth to Cyberspace. New York and London: Routledge, 2007. Print.

Smith, Tiffany Watt. On Flinching: Theatricality and Scientific Looking from Darwin to Shell Shock. Oxford: Oxford University Press, 2014. Print.

Solomon, Nicholas. “Signs of the Times: A Look at Late 18th-century Gesturing.” Early Music 17.4 (1989): 551–562. Print.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 2001. Print.

———. Under the Sign of Saturn. New York: Picador, 2002. Print.

Southey, Robert. Letters from England. London: Cresset, 1951. Print.

Spillane, John D. The Doctrine of the Nerves: Chapters in the History of Neurology. New York and Oxford: Oxford University Press, 1981. Print.

Spoel, Philippa M. “The Science of Bodily Rhetoric in Gilbert Austin’s ‘Chironomia.’” Rhetoric Society Quarterly 28.4 (1998): 5–27. Print.

Sprinchorn, Evert. “The Logic of A Dream Play.” Modern Drama 5.3 (1962): 352–365. Print.

Stahl, John. “The Source and Significance of the Revenant in Dickens’ ‘The Signalman.’” Dickens Studies Newsletter 11 (1980): 98–101. Print.

Steege, Benjamin. Helmholtz and the Modern Listener. Cambridge, UK: Cambridge University Press, 2012. Print.

Steig, Michael. “Dombey and Son and the Railway Panic of 1845.” The Dickensian 67 (1971): 145–148. Print.

Stiles, Anne, ed. Neurology and Literature: 1860–1920. New York: Palgrave Macmillan, 2007. Print.

Stiles, Anne. Popular Fiction and Brain Science in the Late Nineteenth Century. Cambridge, UK: Cambridge University Press, 2012. Print.

Strindberg, August. “The Battle of the Brains.” Selected Essays. 25–46. Print.

———. Brev. Ed. Torsten Eklund. Stockholm: A. Bonnier, 1948. Print.

———. By the Open Sea. Trans. Ellie Schleussner. New York: B. W. Huebsch, 1913. Print.

———. A Dream Play. In Miss Julie and Other Plays. 175–247. Print.

———. Miss Julie and Other Plays. Trans. Michael Robinson. Oxford: Oxford University Press, 1998. Print.

———. “The New Arts! or The Role of Chance in Artistic Creation.” Selected Essays. 103–107. Print.

———. “On Modern Drama and Modern Theatre.” Selected Essays. 73–86. Print.

———. Selected Essays. Trans. and ed. Michael Robinson. Cambridge, UK: Cambridge University Press, 1996. Print.

———. Skrifter av August Stindberg. Stockholm: A. Bonnier, 1946. Print.

———. Strindberg’s Letters. Trans. and ed. Michael Robinson. Chicago: University of Chicago, 1992. Print.

Styan, J. L. Modern Drama in Theory and Practice. 3 vols. Cambridge, UK: Cambridge University Press, 1981. Print.

Sulloway, Frank J. Freud, Biologist of the Mind: Beyond the Psychoanalytic Legend. New York: Basic Books, 1992. Print.

Tanner, Michael. Wagner. Princeton, NJ: Princeton University Press, 1996. Print.

Taylor, James. “Business in Pictures: Representations of Railway Enterprise in the Satirical Press in Britain 1845–1870. Past and Present 189 (November 2005): 111–145. Print.

Thompson, Hannah. “Questions of Sexuality and Gender.” The Cambridge Companion to Zola. 1st ed. Ed. Brian Nelson. Cambridge, UK: Cambridge University Press, 2007. 53–66. Cambridge Companions Online. Web. 3 August 2015. https://www.cambridge.org/core/books/cambridge-companion-to-zola.

Thornbury, George W. “My Railway Collision.” All the Year Round 2 (1860): 176–178. Print.

Thorogood, Peter. “The Developmental Specification of the Vertebrate Skull.” Development 103 Supplement (1988): 141–153. Print.

Times [London]. 21 June 1865: 11. Print.

Törnqvist, Egil, and Barry Jacobs. Strindberg’s Miss Julie: A Play and Its Transpositions. Norwich, UK: Norvik, 1988. Print.

Treadwell, James. Interpreting Wagner. New Haven, CT: Yale University Press, 2003. Print.

Uniform Time. United States Department of Transportation. Web. 15 October 2012. http:www.transportation.gov/regulations/time-act.

Vidal, Fernando. “Brainhood, Anthropological Figure of Modernity.” History of the Human Sciences 22.1 (2009): 5–36. Print.

Viëtor, Karl. “Die Tragödie des heldischen Pessimismus.” Deutsche Vierteljahrsschrift 12 (1934): 173–209. Print.

Vincent-Buffault, Anne. The History of Tears: Sensibility and Sentimentality in France. London: Macmillan, 1991. Print.

Voskuil, Lynn M. “Feeling Public: Sensation Theatre, Commodity Culture, and the Victorian Public Sphere.” Victorian Studies 44.2 (2002): 245–274. Print.

Wade, Nicholas J. Destined for Distinguished Oblivion: The Scientific Vision of William Charles Wells (1757–1817). New York: Kluwer Academic/Plenum, 2003. Print.

Wagner, Cosima. Diaries. New York: Harcourt Brace Jovanovich, 1978. Print.

Wagner, Richard. Gesammelte Schriften und Dichtungen. 10 vols. Leipzig: C. F. W. Siegel, 1907. Print.

———. My Life: Authorized Translation from the German. 2 vols. New York: Dodd, Mead, 1911. Print.

———. Prose Works. 8 vols. 2nd ed. Trans. W. Ashton Ellis. London: Keagan Paul, Trench, Trübner, 1895–1912. Print.

———. Selected Letters. Trans. and ed. Stewart Spencer and Barry Millington. New York: W. W. Norton, 1988. Print.

Weiner, Marc. Richard Wagner and the Anti-Semitic Imagination. Lincoln: University of Nebraska Press, 1995. Print.

Wells, George Albert. Goethe and the Development of Science, 1750–1900. Alphen aan den Rijn, The Netherlands: Sijthoff and Noordhoff, 1978. Print.

Wender, Herbert. “Anspielungen auf das zeitgenössische Kunstgeschehen in Dantons Tod.” Zweites Internationales Georg Büchner Symposium 1987. Ed. Burghard Dedner and Günter Oesterle. Frankfurt am Main: Hain, 1990. 223–224. Print.

Whyman, Rose. The Stanislavsky System of Acting: Legacy and Influence in Modern Performance. Cambridge and New York: Cambridge University Press, 2008. Print.

Whytt, Robert. The Works of Robert Whytt, M.D. Late Physician to His Majesty; President of the Royal College of Physicians, Professor of Medicine in the University of Edinburgh, and Fellow of the Royal Society. Edinburgh: Balfour, Auld, and Smellie, 1768. Print.

Wolf, Theta Holmes. Alfred Binet. Chicago: University of Chicago, 1973. Print.

Wolffram, Heather. “‘An Object of Vulgar Curiosity’: Legitimizing Medical Hypnosis in Imperial Germany.” Journal of the History of Medicine and Allied Sciences 67.1 (2012): 149–176. Print.

Wood, Jane. Passion and Pathology in Victorian Fiction. Oxford: Oxford University Press, 2001. Print.

Worthen, William B. The Idea of the Actor: Drama and the Ethics of Performance. Princeton, NJ: Princeton University Press, 1984. Print.

Young, Robert M. Mind, Brain, and Adaptation in the Nineteenth Century: Cerebral Localization and Its Biological Context from Gall to Ferrier. New York: Oxford University Press, 1990. Print.

Youngquist, Paul. Monstrosities: Bodies and British Romanticism. Minneapolis and London: University of Minnesota Press, 2003. Print.

Žižek, Slavoj. “‘The Wound Is Healed.’” Opera through Other Eyes. Ed. David J. Levin. Stanford, CA: Stanford University Press, 1993. 177–214. Print.

Zola, Émile. The Experimental Novel, and Other Essays. Trans. Belle M. Sherman. New York: Haskell House, 1964. Print.

———. “Naturalism in the Theatre.” Trans. Albert Bermel. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Ed. Maggie B. Gale and John F. Deeney. London and New York: Routledge, 2010. 126–137. Print.

———. Oeuvres complètes. Ed. Henri Mitterand and Françoise Juhel. Paris: Nouveau Monde, 2002.

———. Thérèse Raquin [novel]. Trans. Robin Buss. New York: Penguin, 2004.

———. Thérèse Raquin [play]. Trans. Pip Broughton. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Ed. Maggie B. Gale and John F. Deeney. London and New York: Routledge, 2010. 25–50. Print.

———. “Zola’s Disappointing Reply: Émile Zola, Letter to Strindberg. 14 December 1887.” Naturalism and Symbolism in European Theatre, 1850–1918. Ed. Claude Schumacher. Cambridge, UK, and New York: Cambridge University Press, 1996. 303–304. Print.

Zunshine, Lisa, ed. Introduction to Cognitive Cultural Studies. Baltimore: Johns Hopkins University Press, 2010. Print.