HOME AGAIN

CHILDREN HAVE ALWAYS BEEN drawn to the doors.

Scholars have recorded the adventures of the travelers, those whose lost and lonely yearnings were strong enough to attract the attention of something greater than themselves, for centuries. Those stories can be seen in myth and legend, in fairy tale and folk song, from across the world. The boy who spent a night in a mushroom ring and woke to find his baby sister’s grandchildren occupying the family farm; the girl who tumbled down a well and lived for a century in the halls of a Dragon King before touching the wrong trinket and finding herself cast back into the mud, rendered an exile in her own homeland. It can be difficult to find the places where fiction ends and fact begins, but perhaps that’s simply a part of the process of traveling, of visiting places where the customs and cultures and laws of physical reality are different than they are here.

Not all children who find their door come back. Some are so sure of the rightness of their journeys, are so bone-deep and unshakable in their convictions, that they never go through the trials of being forced to choose where they’ll grow up. Others fall prey to the myriad dangers that lurk in worlds built on foundations of stone and story. Their graves are forgotten, or tended with the reverence afforded to heroes, or shunned with the fear and suspicion afforded to monsters, but they all have one thing in common: they’re graves. The bodies they conceal have found their endings. Their stories are over.

Mostly. There are worlds where death itself is malleable, where anything can be rewritten, be undone, if the right approach is taken. Worlds where the air bleeds words and lightning can rewrite the past. Worlds where things can be taken back.

But taking something back doesn’t mean it never happened, only that someone was willing to fight hard enough to change it. Some graves lie empty; some children run home. Some children hide under their covers and cry, not for the beauty of a sky filled with rainbows or a field of singing roses, but from the weight of all they’ve seen and done and lost and paid.

Not all children who come back find peace in the memory of their journeys. Some children find themselves walking in the broken spaces of their own experience, unable to untangle who they were from who they’ve become, unable to find their way fully home.

Still lost. Still lonely. But now without even a door to guide them.

When Eleanor West had decided to open her school, her sanctuary, her Home for Wayward Children, she had known from the beginning that there would be children she couldn’t save. Children whose journeys had broken them in ways she was unequipped to handle; children whose parents refused to understand the difference between harming them and healing them. Still, she had looked at her probable losses with open eyes, and decided that the cost was worth it. Still, she had placed the sign in the window, and hoped it would be enough to guide them home, to harbor, to her.

No solicitation. No visitors.

No quests.