Garden of Eden manuscript and typescript, in the Hemingway Papers, The John F. Kennedy Library. Massachusetts.
Abbott, Megan E. The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. New York: Palgrave Macmillan, 2002.
Adams, James Eli. Dandies and Desert Saints. Ithaca: Cornell University Press, 1995.
Adorno, Theodor, et al. The Authoritarian Personality. New York: Harper and Brothers, 1950.
Agamben, Giorgio. Stanzas: Word and Phantasm in Western Culture. Translated by Ronald L. Martinez. Minneapolis: University of Minnesota Press, 1993.
Altman, Meryl. “Posthumous Queer: Hemingway Among the Others.” Hemingway Review 30.1 (2010): 129–41.
Anderson, Amanda. The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment. Princeton: Princeton University Press, 2001.
Annesley, James. Blank Fictions: Consumerism, Culture and the Contemporary American Novel. London: Pluto Press, 1998.
Apter, Emily. “Spaces of the Demimonde/Subcultures of Decadence: 1890–1990.” In Constable, Denisoff, and Potolsky, 142–56.
Armstrong, Tim. Modernism. Technology, and the Body. Cambridge: Cambridge University Press, 1998.
Arvidson, Heather. “Personality, Impersonality, and the Personified Detachment of Wyndham Lewis.” Modernism/modernity 25.4 (November 2018): 793–816.
Azzarello, Robert. Queer Environmentality. Burlington: Ashgate, 2012.
Baccolini, Rafella, and Tom Moylan, eds. Dark Horizons: Science Fiction and the Dystopian Imagination. New York: Routledge, 2003.
Baelo-Allué, Sonia. Bret Easton Ellis’s Controversial Fiction: Writing Between High and Low Culture. London: Continuum, 2011.
Bak, John S. Homo americanus: Ernest Hemingway, Tennessee Williams, and Queer Masculinities. Madison: Farleigh Dickinson University Press, 2009.
Bakhtin, M. M. The Dialogic Imagination. Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.
Barbey d’Aurevilly, Jules. On Dandyism and Beau Brummell. Translated by Douglas Ainslie. London and Boston: J. M. Dent, 1896.
Barnes, Djuna. “Against Nature: In Which Everything That Is Young, Inadequate and Tiresome Is Included in the Term Natural.” Vanity Fair (August 1920).
———. At the Root of the Stars: The Short Plays. Los Angeles: Sun and Moon Press, 1995.
———. The Book of Repulsive Women: Eight Rhythms and Five Drawings. Los Angeles: Sun and Moon Press, 1994.
———. Interviews. Edited by Alyce Barry. Washington, DC: Sun and Moon Press, 1985.
———. Nightwood. New York: New Directions, 2006.
———. Ryder. With illustrations by the author and an afterword by Paul West. Champaign, IL, and London: Dalkey Archive, 2010.
Barthes, Roland. The Language of Fashion. Translated by Andy Stafford. Edited by Andy Stafford and Michael Carter. London: Bloomsbury Academic, 2006.
Baudelaire, Charles. La Fanfarlo. 1847. Translated by Edward K. Kaplan. New York: Melville House, 2012.
———. The Prose Poems and La Fanfarlo. Translated by Rosemary Lloyd. Oxford: Oxford University Press, 1994.
Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994.
Baumgardner, Jennifer. “Williamsburg, Year Zero.” In Greif, Ross, and Tortorici, 92–96.
Beekman, E. M. “Raymond Chandler and an American Genre.” Massachusetts Review 14.1 (1973): 149–73.
Beer, Gillian. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Routledge & Kegan Paul, 1983.
———. Forging the Missing Link. Cambridge: Cambridge University Press, 1992.
Berlant, Lauren. The Female Complaint. Durham: Duke University Press, 2008.
Bernheimer, Charles. Decadent Subjects. Baltimore: Johns Hopkins University Press, 2002.
Bidney, Martin. Patterns of Epiphany. Carbondale: Southern Illinois University Press, 1997.
Bloom, Harold, ed. Hemingway. New York: Chelsea, 1987.
Blyn, Robin. “Nightwood’s Freak Dandies: Decadence in the 1930s.” Modernism/modernity 15.3 (2008): 503–26.
Bockris, Victor, comp. With William Burroughs: A Report from the Bunker. New York: St. Martin’s Griffin, 1996.
Boone, Joseph Allen. Libidinal Currents. Chicago: University of Chicago Press, 1996.
Boswell, James. The Life of Samuel Johnson L.L.D. New York: Modern Library, n.d.
Bourdieu, Pierre. The Field of Cultural Production: Essays in Art and Literature. New York: Columbia University Press, 1993.
Braudy, Leo. The Frenzy of Renown: Fame and Its History. Oxford: Oxford University Press, 1986.
Brown, Bill. The Sense of Things: The Object Matter of American Literature. Chicago: University of Chicago Press, 2003.
Buchbinder, David. Masculinities and Identities. Melbourne: Melbourne University Press, 1994.
Burgess, Anthony. A Clockwork Orange. New York: Ballantine Books, 1993.
———. “Introduction: A Clockwork Orange Resucked.” In Burgess, A Clockwork Orange, v–xi.
Burke, Kenneth. Language as Symbolic Action. Berkeley: University of California Press, 1966.
Burroughs, William S. Ah Pook Is Here and Other Texts. London: John Calder, 1979.
———. Cities of the Red Night. New York: Picador, 1981.
———. Junky. Melbourne: Penguin, 1993.
———. The Letters of William S. Burroughs, 1945–1959. New York: Penguin, 1994.
———. Naked Lunch. New York: Grove Press, 1990.
———. The Place of Dead Roads. London: Fourth Estate, 1983.
———. Queer. New York: Penguin, 1987.
———. Rub Out the Words: The Letters of William S. Burroughs, 1959–1974. Edited by Bill Morgan. New York: Ecco, 2012.
———. The Soft Machine. New York: Grove Press, 1992.
———. The Western Lands. New York: Penguin, 1987.
———. The Wild Boys. New York: Grove Press, 1994.
———. A Word Virus: The William S. Burroughs Reader. Edited by James Grauerholz and Ira Silverberg. New York: Grove Press, 1998.
Burroughs, William S., and Brion Gysin. The Third Mind. New York: Viking Press, 1978.
Burroughs, William S., and Daniel Odier. The Job. New York: Grove Press, 1974.
Burstein, Jessica. Cold Modernism: Literature, Fashion, Art. University Park: Pennsylvania State University Press, 2012.
Burwell, Rose Marie. Hemingway: The Postwar Years and the Posthumous Novels. Cambridge: Cambridge UP, 1996.
Butler, Judith. Gender Trouble. London: Routledge, 2006.
Calinescu, Matei. Five Faces of Modernity. Durham: Duke University Press, 1987.
Canning, Richard. Introduction to Firbank, Vainglory.
Carlston, Erin G. “‘Acting the Man’—Wyndham Lewis and the Future of Masculinity.” Modernism/modernity 25.4 (November 2018): 771–91.
———. Thinking Fascism: Sapphic Modernism and Fascist Modernity. Palo Alto: Stanford University Press, 1998.
Carlyle, Thomas. Sartor Resartus. 1837. Reprint, Oxford: Oxford University Press, 2008.
Caselli, Daniella. Improper Modernism: Djuna Barnes’s Bewildering Corpus. Burlington: Ashgate, 2009.
Cassuto, Leonard. Hard-Boiled Sentimentality: The Secret History of American Crime Stories. New York: Columbia University Press, 2008.
Chai, Leon. Aestheticism: The Religion of Art in Post-Romantic Literature. New York: Columbia University Press, 1990.
Chandler, Raymond. Later Novels and Other Writings. New York: Library of America, 1995.
———. The Raymond Chandler Omnibus: The Big Sleep, Farewell, My Lovely, The High Window, The Lady in the Lake. New York: Random House, 1964.
———. The Raymond Chandler Papers: Selected Letters and Nonfiction, 1909–1959. Edited by Tom Hiney and Frank MacShane. New York: Grove Press, 2002.
Chaney, Lisa. Coco Chanel: An Intimate Life. New York: Penguin, 2011.
Cheng, Anne Anlin. Second Skin: Josephine Baker and the Modern Surface. Oxford: Oxford University Press, 2011.
Christ, Carol T. Victorian and Modern Poetics. Chicago: University of Chicago Press, 1986.
Christianson, Scott R. “Tough Talk and Wisecracks.” Journal of Popular Culture 23 (Fall 1989): 151–62.
Chu, Seo-Young. Do Metaphors Dream of Literal Sleep? A Science-Fictional Theory of Representation. Cambridge, MA: Harvard University Press, 2010.
Cleland, John. Fanny Hill. 1749. Reprint, Project Gutenberg e-text, 2008. http://www.gutenberg.org/files/25305/25305-h/25305-h.htm.
Clune, Michael. Writing Against Time. Stanford: Stanford University Press, 2013.
Cohen, Ed. Talk on the Wilde Side. Oxford: Oxford University Press, 1992.
Comley, Nancy R., and Robert Scholes. Hemingway’s Genders. New Haven: Yale University Press, 1994.
Connolly, Cyril. The Rock Pool. 1936. Reprint, Norfolk, CT: New Directions, n.d.
Conrad, Peter. “The Private Dick as Dandy.” Times Literary Supplement, January 20, 1978.
Constable, Liz, Dennis Denisoff, and Matthew Potolsky, eds. Perennial Decay. Philadelphia: University of Pennsylvania Press, 1999.
Corber, Robert. Homosexuality in Cold War America: Resistance and the Crisis of Masculinity. Durham: Duke University Press, 1997.
Cottom, Daniel. International Bohemia: Scenes of Nineteenth-Century Life. Philadelphia: University of Pennsylvania Press, 2013.
Davidson, Michael. “Pregnant Men: Modernism, Disability and Biofuturity in Djuna Barnes.” Novel: A Forum on Fiction 43.2 (2010): 207–26.
Dearborn, Mary V. Ernest Hemingway: A Biography. New York: Knopf, 2017.
Delany, Samuel. About Writing. Middletown: Wesleyan University Press, 2006.
Dellamora, Richard. Masculine Desire: The Sexual Politics of Victorian Aestheticism. Chapel Hill: University of North Carolina Press, 1990.
———, ed. Postmodern Apocalypse. Philadelphia: University of Pennsylvania Press, 1995.
De Man, Paul. “The Epistemology of Metaphor.” In Sacks, 11–28.
Denning, Michael. The Cultural Front. London: Verso, 1996.
Dickens, Charles. Bleak House. 1853. Reprint, New York: Bantam Dell, 1983.
———. Great Expectations. 1861. Reprint, Boston: Estes and Lauriat, 1881.
Didion, Joan. “I Want to Go Ahead and Do It.” New York Times, October 7, 1979.
Doan, Laura, and Jane Garrit, eds. Sapphic Modernities. New York: Palgrave Macmillian, 2006.
Doctorow, E. L. “Braver Than We Thought.” New York Times, May 18, 1986.
Douglas, Ann. Introduction to Silverberg, Word Virus.
Dowling, Linda. Hellenism and Homosexuality in Victorian Oxford. Ithaca: Cornell University Press, 1994.
———. Language and Decadence in the Victorian Fin de Siècle. Princeton: Princeton University Press, 1986.
Dreiser, Theodore. Sister Carrie. New York: Harper and Brothers, 1900.
D’Souza, Aruna, and Tom McDonough. The Invisible Flâneuse?: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris. Manchester: Manchester University Press, 2006.
Easthope, Anthony. What a Man’s Gotta Do: The Masculine Myth in Popular Culture. London: Routledge, 1990.
Eby, Carl. “‘He Felt the Change So That It Hurt Him All Through’: Sodomy and Transvestic Hallucination in Hemingway.” Hemingway Review 23.1 (2005): 77–95.
———. Hemingway’s Fetishism: Psychoanalysis and the Mirror of Manhood. Albany: SUNY Press, 1999.
Edel, Leon. “The Art of Evasion.” In Weeks, Hemingway.
Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham: Duke University Press, 2004.
Eden, Rick A. “Detective Fiction as Satire.” Genre 16 (Fall 1983): 279–95.
Edwards, Paul. Wyndham Lewis: Painter and Writer. New Haven: Yale University Press, 2000.
Eliot, T. S. Selected Essays. New York: Harcourt and Brace, 1964.
Elliot, Bridget. “Art Deco Hybridity, Interior Design, and Sexuality Between the Wars.” In Doan and Garrit, 109–32.
Ellis, Bret Easton. American Psycho. New York: Vintage, 1991.
Ellmann, Richard. Oscar Wilde. New York: Vintage, 1988.
Espey, John J. Ezra Pound’s Mauberley: A Study in Composition. Berkeley: University of California Press, 1955.
Feldman, Jessica R. Gender on the Divide: The Dandy in Modernist Literature. Ithaca: Cornell University Press, 1993.
———. Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience. Cambridge: Cambridge University Press, 2002.
Felski, Rita. The Gender of Modernity. Cambridge: Harvard University Press, 1995.
———. The Limits of Critique. Chicago: University of Chicago Press, 2015.
Ferguson, Christine. “Decadence as Scientific Fulfillment.” PMLA 117.3 (May 2002): 465–78.
Ferguson, Frances. Pornography, the Theory: What Utilitarianism Did to Action. Chicago: University of Chicago Press, 2004.
Fiedler, Leslie. Love and Death in the American Novel. New York: Anchor, 1992.
Fillin-Yeh, Susan, ed. Dandies: Fashion and Finesse in Art and Culture. New York: New York University Press, 2001.
Firbank, Ronald. Vainglory. New York: Penguin, 2012.
Firchow, Peter. Friedrich Schlegel’s Lucinde and The Fragments. Minneapolis: University of Minnesota Press, 1971.
Fitzgerald, F. Scott. This Side of Paradise and The Last Tycoon. 1920 and 1941. Reprint, New York: Scribner’s, 1969.
Foldy, Michael S. The Trials of Oscar Wilde: Deviance, Morality, and Late-Victorian Society. New Haven: Yale University Press, 1997.
Freedman, Jonathan. Professions of Taste: Henry James, British Aestheticism and Commodity Culture. Stanford: Stanford University Press, 1990.
Gaggin, John. Hemingway and Nineteenth-Century Aestheticism. Ann Arbor: UMI Research Press.
Gagnier, Regenia. “The Global Circulation of the Literatures of Decadence.” Literature Compass 10.1 (2013): 70–81.
———. Idylls of the Marketplace: Oscar Wilde and the Victorian Public. Stanford: Stanford University Press, 1986.
———. Individualism, Decadence and Globalization: On the Relationship of Part to Whole, 1859–1920. London: Palgrave MacMillan, 2010.
Garber, Marjorie. Vested Interests: Cross-Dressing and Cultural Anxiety. London: Routledge, 1997.
Gardner, Helen. The Metaphysical Poets. Oxford: Oxford University Press, 1961.
Garelick, Rhonda. Rising Star: Dandyism, Gender and Performance in the Fin de Siècle. Princeton: Princeton University Press, 1998.
Gautier, Théophile. Mademoiselle de Maupin. 1834. Translation, Paris, London, and New York: Société des Beaux-Arts, 1905.
Gigante, Denise. Taste: A Literary History. New Haven: Yale University Press, 2005.
Gilbert, Sandra M. “Costumes of the Mind: Transvestism as Metaphor in Modern Literature.” Critical Inquiry 7.2 (1980): 391–417.
Gillespie, Margaret. “‘The Triumph of the Epicene Style’: Nightwood and Camp.” Miranda 12 (2016): 1–14.
Glass, Loren. Authors Inc.: Literary Celebrity in the United States, 1880–1980. New York: New York University Press, 2004.
Glick, Elisa. Materializing Queer Desire: Oscar Wilde to Andy Warhol. Albany: SUNY Press, 2009.
Glickman, Susan. “The World as Will and Idea: A Comparative Study of An American Dream and Mr. Sammler’s Planet.” Modern Fiction Studies 28.4 (1982): 569–82.
Goffman, Erving. Asylums. New York: Anchor Books, 1961.
———. Interaction Ritual: Essays on Face-to-Face Behavior. New York: Pantheon, 1982.
Goldman, Jonathan. Modernism Is the Literature of Celebrity. Austin: University of Texas Press, 2011.
Goldstone, Andrew. Fictions of Autonomy. Oxford: Oxford University Press, 2013.
Goodin, George. The Poetics of Protest: Literary Form and Political Implication in the Victim-of-Society Novel. Carbondale: Southern Illinois University Press, 1985.
Green, Martin. Children of the Sun: A Narrative of Decadence in England after 1918. London: Constable, 1977.
Greif, Mark. “Epitaph for the White Hipster.” In Greif, Ross, and Tortorici, 142–67.
———. “Positions.” In Greif, Ross, and Tortorici, 4–13.
Greif, Mark, Kathleen Ross, and Dayna Tortorici, eds. What Was the Hipster? New York: n+1 Foundation, 2010.
Greven, David. “Queer Ripley: Minghella, Highsmith, and the Antisocial.” In Schwanebeck and McFarland, 121–38.
Grimstad, Paul. “Notes on Burroughs.” Raritan 36.2 (2016): 52.
Gross, Miriam, ed. The World of Raymond Chandler. London: Weidenfeld and Nicolson, 1977.
Gubar, Susan. “Blessings in Disguise: Cross-Dressing as Re-Dressing for Female Modernists.” Massachusetts Review 22.3 (Autumn 1981): 477–508.
Guetti, James. “Aggressive Reading: Detective Fiction and Realistic Narrative.” In Van Dover, 139–44.
Guillory, John. “Genesis of the Media Concept.” Critical Inquiry 36.2 (2010): 321–62.
Halmi, Nicholas. “Symbolism, Imagism, and Hermeneutic Anxiety: A Response to Andrew Hay.” Connotations 23.1 (2013/14): 129–39.
Hammett, Dashiell. Complete Novels. New York: Library of America, 1999.
———. The Maltese Falcon. 1929. Reprint, New York: Vintage, 1989.
Haralson, Eric. Henry James and Queer Modernity. Cambridge: Cambridge University Press, 2003.
Hardie, Melissa Jane. “Repulsive Modernism: Djuna Barnes’s ‘The Book of Repulsive Women.’” Journal of Modern Literature 29.1 (2005): 118–32.
Harris, Oliver. William Burroughs and the Secret of Fascination. Carbondale: Southern Illinois University Press, 2003.
Harris, Oliver, and Ian MacFayden, eds. Naked Lunch at 50. Carbondale: Southern Illinois University Press, 2009.
Hassan, Ihab. “The Subtracting Machine.” In Skerl and Lydenberg, 53–68.
Hay, Andrew. “On the Shore of Interpretation: The Theory and Reading of the Image in Imagism.” Connotations 21.2–3 (2011/12): 304–26.
Hazlitt, William. Essayist and Critic: Selections from His Writings. London: Frederick Warne, 1889.
Heise, Thomas. “Degenerate Sex and the City: Djuna Barnes’s Urban Underworld.” Twentieth-Century Literature 55.3 (2009): 287–321.
Hemingway, Ernest. Across the River and into the Trees. New York: Scribner’s, 1950.
———. Death in the Afternoon. New York: Scribner’s, 1932.
———. For Whom the Bell Tolls. New York: Scribner’s, 1940.
———. The Garden of Eden. New York: Scribner’s, 1986.
———. Green Hills of Africa. New York: Scribner’s, 1935.
———. “An Interview with George Plimpton.” In Bloom, 136.
———. Islands in the Stream. New York: Scribner’s, 1970.
———. A Moveable Feast. New York: Scribner’s, 1960.
———. The Nick Adams Stories. New York: Scribner’s, 2003.
———. Selected Letters of Ernest Hemingway, 1917–1961. Edited by Carlos Baker. New York: Scribner, 1981.
Herring, Philip. Djuna: The Life and Work of Djuna Barnes. New York: Penguin, 1995.
Higgins, Lesley. The Modernist Cult of Ugliness: Aesthetic and Gender Politics. New York: Palgrave Macmillan, 2002.
Highsmith, Patricia. The Boy Who Followed Ripley. New York: W.W. Norton, 2008.
———. Ripley Under Water. New York: W.W. Norton, 1991.
———. The Talented Mr. Ripley. New York: Norton, 1993.
———. The Talented Mr. Ripley, Ripley Under Ground, Ripley’s Game. New York: Everyman’s Library, 1999.
Hiney, Tom. Raymond Chandler: A Biography. New York: Atlantic Monthly Press, 1997.
Homburger, Eric, ed. Ezra Pound: The Critical Heritage. London and Boston: Routledge and Kegan Paul, 1972.
Horsley, Lee. Twentieth-Century Crime Fiction. Oxford: Oxford University Press, 2005.
Hulme, T. E. Speculations. London: Kegan Paul, 1924.
Hume, Kathryn. Aggressive Fictions: Reading the Contemporary American Novel. Ithaca: Cornell University Press, 1998.
Hurley, Kelly. The Gothic Body. Cambridge: Cambridge University Press, 1996.
Huysmans, J. K. À Rebours. Translated as Against the Grain by John Howard. New York: Albert and Charles Boni, 1922.
Hyde, H. Montgomery. The Trials of Oscar Wilde. London: William Hodge and Company, 1948.
Irwin, John T. Unless the Threat of Death Is Behind Them: Hardboiled Fiction and Film Noir. Baltimore: Johns Hopkins University Press, 2006.
Jachimiak, Peter Hughes. “‘Putting the Boot In: A Clockwork Orange, Post-’69 Youth Culture and the Onset of Late Modernity.” In Roughley, 147–64.
Jackson, Thomas H. “The Poetic Politics of Ezra Pound.” Journal of Modern Literature 3.4 (1974): 987–1011.
Jaffe, Aaron. Modernism and the Culture of Celebrity. Cambridge: Cambridge University Press, 2005.
Jaffe, Aaron, and Jonathan Goldman, eds. Modernist Star Maps. Burlington: Ashgate, 2010.
James, Henry. The Golden Bowl. Oxford: Oxford University Press, 2009.
———. Novels, 1886–1890. Library of America, 43. New York: Literary Classics of the United States, 1989.
James, Simon J. Maps of Utopia: H. G. Wells, Modernity, and the End of Culture. Cambridge: Cambridge University Press, 2012.
Jameson, Fredric. Archaeologies of the Future: The Desire Called Utopian and Other Science Fictions. London: Verso, 2005.
———. Fables of Aggression: Wyndham Lewis, the Modernist as Fascist. Berkeley: University of California Press, 1979.
———. Postmodernism: Or, The Cultural Logical of Late Capitalism. Durham: Duke University Press, 1991.
———. “Wyndham Lewis as Futurist.” Hudson Review 26.2 (Summer 1973): 295–329.
Johnson, Samuel. The Major Works. Edited by Donald Greene. Oxford: Oxford University Press, 2000.
Joselit, David. “Notes on Surface: Toward a Genealogy of Flatness.” Art History 23.1 (March 2000): 19–34.
Justice, Hilary Kovar. “The Consolation of Critique: Food, Culture, and Civilization in Ernest Hemingway.” Hemingway Review 32.1 (2012): 16–38.
Kane, Michael. Modern Men: Mapping Masculinity in English and German Literature, 1880–1930. London: Cassell, 1999.
Kannenstine, Louis. The Art of Djuna Barnes. New York: New York University Press, 1977.
Katz, Tamar. Impressionist Subjects: Gender, Interiority, and Modernist Fiction in England. Urbana: University of Illinois Press, 2000.
Kaup, Monika. “The Neobaroque in Djuna Barnes.” Modernism/modernity 12.1 (2005): 85–110.
Kemp, Wolfgang. The Desire of My Eyes: The Life and Work of John Ruskin. Translated by Jan Van Heurck. New York: Farrar, Straus, and Giroux, 1992.
Kennedy, Gerald. Imagining Paris. New Haven: Yale University Press, 1993.
Kenner, Hugh. A Homemade World. Baltimore: Johns Hopkins University Press, 1989.
———. The Pound Era. Berkeley: University of California Press, 1971.
———. Wyndham Lewis. Norfolk, CT: New Directions, 1954.
Kermode, Frank. The Romantic Image. London: Routledge and Kegan Paul, 1957.
———. The Sense of an Ending: Studies in the Theory of Fiction. Oxford: Oxford University Press, 1967.
Kesey, Ken. One Flew Over the Cuckoo’s Nest. New York: Penguin, 2002.
Knowles, Marika. “The Microcosm as Interior in Théophile Gautier’s ‘Marilhat.’” In Lasc, 3–18.
Konstantinou, Lee. Cool Characters: Irony and American Fiction. Cambridge, MA: Harvard University Press, 2016.
———. “The Eccentric Polish Count Who Influenced Sci-Fi’s Greatest Writers.” io9, accessed September 14, 2014. http://io9.com/the-eccentric-polish-count-who-influenced-classic-sfs-g-1631001935.
Kotsko, Adam. Why We Love Sociopaths: A Guide to Late Capitalist Television. Ropley: Zero Books, 2012.
Lan, Feng. “Confucius.” In Nadel, Ezra Pound in Context, 324–34.
Lasc, Anca I., ed. Visualizing the Nineteenth-Century Home: Modern Art and the Decorative Impulse. New York: Routledge, 2016.
Lautréamont. Maldoror and Poems. Translated by Paul Knight. New York: Penguin Classics, 1988.
Lavar, James. Dandies. London: Weidenfeld and Nicolson, 1968.
Lemair, Gérard-Georges. Introduction to Burroughs and Gysin.
Lerner, Ben. 10:04. New York: Faber and Faber, 2014.
Levenson, Michael. A Genealogy of Modernism. Cambridge: Cambridge University Press, 1984.
Levine, George. Darwin and the Novelists: Patterns of Science in Victorian Fiction. Cambridge, MA: Harvard University Press, 1988.
Lewis, Pericles. “To Make a Dadaist Poem.” Yale Modernism Lab, accessed September 14, 2014. http://modernism.research.yale.edu/wiki/index.php/To_Make_a_Dadaist_Poem.
Lewis, Stephen E. “Love and Politics in Wyndham Lewis’s Snooty Baronet.” MLQ 61.4 (2000): 617–49.
Lewis, Wyndham. The Art of Being Ruled. Edited by Reed Way Dasenbrock. Santa Rosa: Black Sparrow Press, 1989.
———, ed. BLAST. London: The Bodley Head, 1914.
———. Blasting and Bombardiering. 1937. Reprint, Berkeley: University of California Press, 1967.
———. The Demon of Progress in the Arts. London: Methuen, 1954.
———. Malign Fiesta. 1955. Reprint, London: Calder Books, 1966.
———. Snooty Baronet. 1932. Reprint, Santa Barbara: Black Sparrow Press, 1984.
———. Tarr. London: Calder, 1968.
———. Tarr: The 1918 Version. Reprint, Santa Rosa: Black Sparrow Press, 1990.
Lindner, Robert. Rebel without a Cause. New York: Other Press, 2003.
Lodge, David. “Objections to William Burroughs.” In Skerl and Lydenberg.
Lotringer, Sylvère, ed. Burroughs Live: The Collected Interviews of William S. Burroughs, 1960–1997. Cambridge, MA: Semiotext(e), distributed by MIT Press.
Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford: Oxford University Press, 1993.
Love, Heather K. “Forced Exile: Walter Pater’s Queer Modernism.” In Mao and Walkowitz, 19–43.
Lydenberg, Robin. Word Cultures: Radical Theory and Practice in William S. Burroughs’ Fiction. Urbana: University of Illinois Press, 1987.
Lyotard, Jean-François. Jacques Monory. London: Black Dog Publishing, 1998.
Lytton, Edward Bulwer. Pelham, or, The Adventures of a Gentleman. Boston: Little, Brown, 1893.
Mahoney, Kristin. Literature and the Politics of Post-Victorian Decadence. Cambridge: Cambridge University Press, 2015.
Mailer, Norman. Advertisements for Myself. New York: Putnam, 1959.
———. The Executioner’s Song. 1980. Reprint, New York: Grand Central Publishing, 2012.
———. Mind of an Outlaw: Selected Essays. New York: Random House, 2013.
Mann, Philip. The Dandy at Dusk: Taste and Melancholy in the Twentieth Century. London: Head of Zeus, 2017.
Mao, Douglas. Solid Objects: Modernism and the Test of Production. Princeton: Princeton University Press, 1998.
Mao, Douglas, and Rebecca Walkowitz, eds. Bad Modernisms. Durham: Duke University Press, 2006.
Marsh, Alec. “Politics.” In Nadel, Ezra Pound in Context, 96–105.
Matz, Jesse. Literary Impressionism and Modernist Aesthetics. Cambridge: Cambridge University Press, 2001.
McCann, Sean. Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism. Durham: Duke University Press, 2000.
McCarthy, Mary. “Love and Death in the Pacific.” New York Times, April 22, 1984.
McCullum, E. L., and Mikko Tuhkanen, eds. The Cambridge History of Gay and Lesbian Literature. Cambridge: Cambridge University Press, 2016.
Meisel, Perry. The Cowboy and the Dandy. Oxford: Oxford University Press, 1998.
Menand, Louis. Discovering Modernism: T. S. Eliot and His Context. Oxford: Oxford University Press, 1987.
Mendelson, Edward. “Who Was Ernest Hemingway?,” New York Review of Books, August 2014.
Mendelssohn, Michèle. Henry James, Oscar Wilde, and Aesthetic Culture. Edinburgh: Edinburgh University Press, 2007.
Meredith, George. The Egoist. 1879. Reprint, Peterborough: Broadview Press, 2010.
———. The Ordeal of Richard Feveral. New York: Scribner’s Sons, 1917.
Meyers, Jeffrey. “T. S. Eliot’s Green Face Powder: A Mystery Solved.” Yeats Eliot Review 28, no. 3–4 (Fall–Winter 2011): 33.
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham: Duke University Press, 1995.
Michelson, Annette, ed. Andy Warhol. Cambridge, MA: MIT Press, 2001.
Michelson, Peter. “Beardsley, Burroughs, Decadence, and the Poetics of Obscenity.” Tri-Quarterly Review 12 (1968): 139–55.
Miles, Barry. William Burroughs: A Portrait. New York: Virgin, 1992.
Miller, Monica. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Durham: Duke University Press, 2009.
Miller, Tyrus. Late Modernism. Berkeley: University of California Press, 1999.
Mishima, Yukio. Confessions of a Mask. Translated by Meredith Weatherby. New York: New Directions, 1958.
Moddelmog, Debra A. Reading Desire: In Pursuit of Ernest Hemingway. Ithaca: Cornell University Press, 1999.
Moers, Ellen. The Dandy: From Brummell to Beerbohm. New York: Viking Press, 1960.
Moody, A. David. Ezra Pound: Poet. Volume 1. Oxford: Oxford University Press, 2009.
Murphy, Timothy S. “Random Insect Doom: The Pulp Science Fiction of Naked Lunch.” In Harris and MacFayden, 223–33.
———. Wising Up the Marks. Berkeley: University of California Press, 1997.
Nadel, Ira, ed. The Cambridge Companion to Ezra Pound. Cambridge: Cambridge University Press, 1999.
———. ed. Ezra Pound in Context. Cambridge: Cambridge University Press, 1996.
———. “Visualizing History: Pound and the Chinese Cantos.” In Rainey, 151–66.
Newman, John Henry. Apologia Pro Vita Sua and Six Sermons. Ed. Frank M. Turner. New Haven: Yale University Press, 2008.
Nietzsche, Friedrich. The Gay Science. Translated by Walter Kaufmann. New York: Vintage, 1974.
Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Cambridge, MA: Harvard University Press, 2012.
Nicholls, Peter. Modernisms: A Literary Guide. Berkeley and Los Angeles: University of California Press, 1995.
Nichols, Ashton. The Poetics of Epiphany: Nineteenth-Century Origins of the Modern Literary Moment. Tuscaloosa: University of Alabama Press, 1987.
Nordau, Max. Degeneration. Lincoln: University of Nebraska Press, 1993.
Norman, Will. “The Big Empty: Chandler’s Transatlantic Modernism.” Modernism/modernity 20.4 (2013): 747–70.
North, Michael. Reading 1922. Oxford: Oxford University Press, 1998.
Oates, Joyce Carol. “The Simple Art of Murder.” New York Review of Books, December 1995, accessed January 8, 2013.
O’Connell, Lisa. “The Libertine, the Rake, and the Dandy: Personae, Styles, and Affects.” In McCullum and Tuhkanen, 218–38.
O’Keeffe, Paul. Some Sort of Genius. Berkeley: Counterpoint, 2000.
Okura, Lynn. “How Coco Became Chanel.” Oprah.com, accessed May 30, 2019. http://www.oprah.com/style/the-history-of-coco-chanel.
Olsen, Lance. “Prelude: Nameless Things and Thingless Names.” In Sander, 274–92.
Paglia, Camille. Sexual Personae. New York: Vintage, 1991.
Pater, Walter. Appreciations. London: Macmillan, 1889.
———. Studies in the History of the Renaissance. 1873. Reprint, Oxford: Oxford University Press, 2010.
Peckham, Morse. “Darwinism and Darwinisticism.” Victorian Studies 3 (September 1959): 19–40.
Pittock, Murray G. H. Spectrum of Decadence: The Literature of the 1890s. London: Routledge, 1993.
Plain, Gill. Twentieth-Century Crime Fiction: Gender, Sexuality, and the Body. Edinburgh: Edinburgh University Press, 2001.
Porter, Dennis. The Pursuit of Crime. New Haven: Yale University Press, 1981.
Pound, Ezra. New and Selected Poems and Translations. Edited by Richard Sieburth. New York: New Directions, 2010.
Pound, Ezra, and Ernest Fenollosa. The Chinese Written Character as a Medium for Poetry. New York: Fordham University Press, 2008.
Praz, Mario. The Romantic Agony. 2nd ed. Oxford: Oxford University Press, 1950.
Quéma, Anne. The Agon of Modernism. Lewisburg: Bucknell University Press, 1999.
Rabaté, Jean-Michel. Language, Sexuality, and Ideology in Ezra Pound’s Cantos. London: Macmillan, 1986.
Rainey, Lawrence, ed. A Poem Containing History. Ann Arbor: University of Michigan Press, 1997.
———. “Taking Dictation.” Modernism/modernity 5.2 (1998): 123–53.
Ratcliffe, Carter. “Dandyism and Abstraction in a Universe Defined by Newton.” In Fillin-Yeh, 101–26.
Rieff, Philip. The Triumph of the Therapeutic: Uses of Faith after Freud. Wilmington: ISI Books, 2006.
Riffaterre, Michael. “Decadent Paradoxes.” In Constable, Denisoff, and Potolsky, 65–82.
Roach, Joseph. It. Ann Arbor: University of Michigan Press, 2007.
Rohman, Carrie. Stalking the Subject: Modernism and the Animal. New York: Columbia University Press, 2009.
Rosenfeld, Paul. “The Case of Ezra Pound.” The American Mercury, January 1944. Reprinted in Homburger, 355–57.
Roughley, Alan R., ed. Anthony Burgess and Modernity. Manchester: Manchester University Press, 2008.
Russell, Jamie. Queer Burroughs. New York: Palgrave, 2001.
Ryan, Judith. The Vanishing Subject: Early Psychology and Literary Modernism. Chicago: University of Chicago Press, 1991.
Sacks, Sheldon, ed. On Metaphor. Chicago: University of Chicago Press, 1978.
Sander, David. Fantastic Literature: A Critical Reader. Westport: Praeger, 2004.
Sante, Luc. “The Invisible Man.” New York Review of Books, May 1984.
Saunders, Max. Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature. Oxford: Oxford University Press, 2010.
Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England. Charlottesville: University Press of Virginia, 2009.
Schmid, Marion. “Decadence and the Fin de Siècle.” In Watt, 51–58.
Schoene-Harwood, Berthold. Writing Men: Literary Masculinities from Frankenstein to the New Man. Edinburgh: Edinburgh University Press, 2000.
Schwanebeck, Wieland, and Douglas McFarland, eds. Patricia Highsmith on Screen. Basingstoke: Palgrave MacMillan, 2018.
Schwartz, Sanford. The Matrix of Modernism. Princeton: Princeton University Press, 1985.
Schwenger, Peter. “The Masculine Mode.” In Showalter, 101–12.
———. Phallic Critiques: Masculinity and Twentieth-Century Literature. London: Routledge and Kegan Paul, 1984.
Scott, Bonnie Kime. Refiguring Modernism. 2 vols. Bloomington: Indiana University Press, 1996.
Sedgwick, Eve Kosofsky. Epistemology of the Closet. Berkeley: University of California Press, 1990.
———. Tendencies. Durham: Duke University Press, 1993.
Seitler, Dana. Atavistic Tendencies: The Culture of Science in American Modernity. Minneapolis: University of Minnesota Press, 2008.
———. “‘Down on All Fours: Atavistic Perversions and the Science of Desire from Frank Norris to Djuna Barnes.” American Literature 73.3 (2001): 525–62.
Self, Will. Introduction to William S. Burroughs, Junky. Melbourne: Penguin, 2003.
Seltzer, Mark. Serial Killers: Death and Life in America’s Wound Culture. New York: Routledge, 1998.
Serpell, Namwali. “Repetition and the Ethics of Suspended Reading in American Psycho.” Critique: Studies in Contemporary Fiction 51.1 (2010): 47–73.
Shaviro, Steven. “Burroughs’ Theater of Illusion: Cities of the Red Night.” In Skerl and Lydenberg, 197–208.
Sherry, Vincent. Ezra Pound and Radical Modernism. Oxford: Oxford University Press, 1993.
———. Modernism and the Reinvention of Decadence. Cambridge: Cambridge University Press, 2014.
Shin, Ery. “The Apocalypse for Barnes.” Texas Studies in Language and Literature 57.2 (2015): 182–209.
———. “Djuna Barnes, History’s Elsewhere, and the Transgender.” Journal of Modern Literature 37.2 (2014): 20–38.
Showalter, Elaine, ed. Speaking of Gender. New York and London: Routledge, 1989.
Simon, Linda. Chanel. London: Reaktion Books, 2011.
Simpson, Mark. Male Impersonators: Men Performing Masculinity. London: Cassell, 1994.
Sinfield, Alan. The Wilde Century: Effeminacy, Oscar Wilde, and the Queer Moment. London: Cassell, 1994.
Singer, Alan. A Metaphysics of Fiction. Tallahassee: University Press of Florida, 1983.
Skerl, Jennie. William S. Burroughs. Boston: Twayne, 1985.
Skerl, Jennie, and Robin Lydenberg, eds. William S. Burroughs at the Front. Carbondale: Southern Illinois University Press, 1991.
Smith, Barbara Herrnstein. Poetic Closure: A Study of How Poems End. Chicago: University of Chicago Press, 2007.
Smith, Erin A. Hard-Boiled: Working-Class Readers and Pulp Magazines. Philadelphia: Temple University Press, 2000.
Smith, Victoria L. “A Story Beside(s) Itself: The Language of Loss in Djuna Barnes’s Nightwood.” PMLA 114.2 (1999): 194–206.
Spackman, Barbara. Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to d’Annunzio. Ithaca: Cornell University Press, 1989.
Sparks, Tabitha. The Doctor in the Victorian Novel. Burlingston: Ashgate, 2009.
Spilka, Mark. Hemingway’s Quarrel with Androgyny. Lincoln: University of Nebraska Press, 1990.
Stearns, Peter N. American Cool: Constructing a Twentieth-Century Emotional Style. New York: NYU Press, 1994.
Stoneback, H. R. “Memorable Eggs ‘in Danger of Getting Cold’ and Mackeral ‘Perilous with Edge-Level Juice’: Eating in Hemingway’s Garden.” Hemingway Review 8.2 (1989): 21–29.
Storey, Mark. “‘And As Things Fell Apart’: The Crisis of Postmodern Masculinity in Bret Easton Ellis’s American Psycho and Dennis Cooper’s Frisk.” Critique: Studies in Contemporary Fiction 41.1 (2005): 57–72.
Stowell, Peter H. Literary Impressionism: James and Chekhov. Athens: University of Georgia Press, 1980.
Strychacz, Thomas. Hemingway’s Theaters of Masculinity. Baton Rouge: Louisiana State University Press, 2003.
Stubbs, Neil. “‘Watch Out How That Egg Runs’: Hemingway and the Rhetoric of American Road Food.” Hemingway Review 33.1 (2013): 79–85.
Sumner, Charles. “Humanist Drama in A Clockwork Orange.” Yearbook of English Studies 42 (2012): 49–63.
Surette, Leon. The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult. Toronto: McGill-Queen’s University Press, 1993.
Sussman, Herbert. Victorian Masculinities. Cambridge: Cambridge University Press, 1995.
Suvin, Darko. “Theses on Dystopia 2001.” In Baccolini and Moylan, 199–214.
Swinburne, Algernon Charles. A Year’s Letters. Portland, ME: Charles Mosher, 1901.
Sword, Helen. Ghostwriting Modernism. Ithaca: Cornell University Press, 2002.
Symons, Julian. “An Aesthete Discovers the Pulps.” In Gross, 19–29.
Szalay, Michael. Hip Figures: A Literary History of the Democratic Party. Stanford: Stanford University Press, 2012.
———. New Deal Modernism. Durham: Duke University Press, 2000.
Tanner, Stephen L. “The Function of Simile in Raymond Chandler’s Novels.” In Van Dover, 167–76.
Tanner, Tony. City of Words. New York: HarperCollins, 1971.
Taylor, Charles. A Secular Age. Cambridge, MA: Harvard University Press, 2007.
Taylor, Clare L. Women, Writing, and Fetishism 1890–1950: Female Cross-Gendering. Oxford: Oxford University Press, 2003.
Taylor, Douglas. “Three Lean Cats in a Hall of Mirrors: James Baldwin, Eldridge Cleaver, and Norman Mailer on Race and Masculinity.” Texas Studies in Language and Literature 52.1 (2010): 70–101.
Thoreau, Henry David. A Year in Thoreau’s Journals: 1851. New York: Penguin, 1993.
Trask, Michael. Camp Sites: Sex, Politics, and Academic Style in Postwar America. Palo Alto: Stanford University Press, 2013.
Trotter, David. Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society. Oxford: Oxford University Press, 2001.
Tzara, Tristan. “Dada Manifesto on Feeble Love and Bitter Love.” http://www.391.org/manifestos/1920-dada-manifesto-feeble-love-bitter-love-tristan-tzara.html#.VCnbJVa4mlI.
Van Dover, J. K., ed. Critical Response to Raymond Chandler. Westport: Greenwood Press, 1995.
Vermeule, Blakey. Why Do We Care about Literary Characters? Baltimore: Johns Hopkins University Press, 2010.
Vonnegut, Kurt. A Man Without a Country. New York: Random House, 2007.
Watt, Adam, ed. Marcel Proust in Context. Cambridge: Cambridge University Press, 2014.
Weeks, Robert P., ed. Hemingway: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1962.
Weinreich, Martin. “‘Into the Void’: The Hyperrealism of Simulation in Bret Easton Ellis’s ‘American Psycho.’” Amerikastudien/American Studies 49.1 (2004): 65–78.
Weir, David. Decadence and the Making of Modernism. Amherst: University of Massachusetts Press, 1996.
———. Decadent Culture in the United States. Albany: SUNY Press, 2009.
Wells, H. G. The Island of Dr. Moreau. New York: Garden City, 1896.
———. The Time Machine. New York: Henry Holt, 1895.
———. The War of the Worlds. 1897. Reprint, New York: Barnes and Noble Classics, 2004.
White, Allon. The Uses of Obscurity. London: Routledge, 1981.
Widiss, Benjamin. Obscure Invitations: The Persistence of the Author in Twentieth-Century American Literature. Stanford: Stanford University Press, 2011.
Wilde, Oscar. The Complete Works of Oscar Wilde. London: Collins, 1966.
———. The Picture of Dorian Gray. 1891. Reprint, Hertfordshire: Wordsworth Editions Limited, 2001.
———. Poems and Essays. London: Collins, 1956.
Wilkinson, Rupert. American Tough: The Tough-Guy Tradition and American Character. New York: HarperCollins, 1986.
Williams, Carolyn. Transfigured World: Walter Pater’s Aesthetic Historicism. Ithaca: Cornell University Press, 1989.
Williams, Rosalind. Dream Worlds: Mass Consumption in Late Nineteenth-Century France. Berkeley and Los Angeles: University of California Press, 1982.
Wilstach, Frank Jenners. A Dictionary of Similes. Boston: Little Brown, 1917.
Winant, Gabriel. “Not Every Kid Bond Matures.” n+1. https://nplusonemag.com/online-only/book-review/not-every-kid-bond-matures/.
Witemeyer, Hugh. “Early Poetry 1908–1920.” In Nadel, 43–58.
Wolff, Janet. “Gender and the Haunting of Cities (or, the Retirement of the Flaneur).” In D’Souza and McDonough, 18–31.
Young, Elizabeth, and Graham Cavenay. Shopping in Space: Essays on America’s Blank Generation Fiction. London: Serpent’s Tail, 1993.
Young, Philip. Ernest Hemingway: A Reconsideration. Pennsylvania State University Press, 1965.
American Psycho. DVD. Directed by Mary Harron. 2000. Santa Monica: Lions Gate, 2005.
Bonnie and Clyde. DVD. Directed by Arthur Penn. 1967. Burbank: Warner Brothers, 1999.
Kiss Kiss Bang Bang. Directed by Shane Black. 2005.
The Long Goodbye. Directed by Robert Altman. 1973.
The Maltese Falcon. DVD. Directed by John Huston. 1941. Burbank: Warner Brothers, 2010.
The Talented Mr. Ripley. DVD. Directed by Anthony Minghella. 1999. Burbank: Warner Brothers, 2007.
Towers Open Fire. Online. Directed by Anthony Balch and William S. Burroughs. 1963. Accessed September 14, 2014. https://www.youtube.com/watch?v=dlQKPYfP0CM.
The Wild One. DVD. Directed by Lázsló Benedek. 1953. Culver City: Columbia, 1998.