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Della Pittura, ed. L. Mallè, Florence, 1950
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L’Architettura (De Re aedificatoria), ed. and Italian trs. G. Orlandi with intro. and notes by P. Portoghese, 2 vols., Milan, 1966
De Pictura and De Statua in L. B. Alberti, ‘On Painting’ and ‘On Sculpture’, ed. and trs. C. Grayson, London, 1972
Apologi ed elogi, ed. R. Contarino, Genoa, 1984
Momo o del principe, ed. R. Consolo, Genoa, 1986
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The Family in Renaissance Florence, trs. of Della Famiglia by R. N. Watkins, Columbia (South Carolina) 1969
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G. Mancini, Vita di Leon Battista Alberti, Florence, 1882, 2nd ed., Rome, 1911 (reprinted, Rome 1967)
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R. Wittkower, Architectural Principles in the Age of Humanism, 3rd ed., London, 1962
G. F. Vescovini, Studi sulla prospettiva medievale, Turin, 1965
J. R. Spencer, ‘Ut rhetorica pictura’, Journal of the Warburg and Courtauld Institutes, XX, 1966, pp. 26–44
J. White, The Birth and Rebirth of Pictorial Space, 2nd ed., London, 1967
C. Grayson, ‘The Text of Alberti’s De Pictura’, Italian Studies, XXIII, 1968, pp. 71–92
S. Y. Edgerton Jnr., ‘Alberti’s Colour Theory. A Mediaeval Bottle without Renaissance Wine’, Journal of the Warburg and Courtauld Institutes, XXII, 1969, pp. 109–34
R. Weiss, The Renaissance Discovery of Classical Antiquity, Oxford, 1969
L. H. Heydenreich and W. Lotz, Architecture in Italy, 1400–1600, Harmondsworth, 1974
S. Y. Edgerton Jnr., The Renaissance Rediscovery of Linear Perspective, New York, 1975
M. Baxandall, Giotto and the Orators. Humanist observers of painting in Italy and the discovery of pictorial composition, Oxford, 1971
D. C. Lindberg, Theories of Vision from Al-Kindi to Kepler, Chicago, 1976
D. R. E. Wright, ‘Alberti’s De pictura: its Literary Structure and Purpose’, Journal of the Warburg and Courtauld Institutes, XLVII, 1984, pp. 52–71
P. Hills, The Light of Early Italian Painting, New Haven and London, 1987
J. Onians, Bearers of Meaning. The Classical Orders in Antiquity, the Middle Ages and the Renaissance, Princeton, 1988.
M. Kemp, The Science of Art. Optical Themes in Western Art from Brunelleschi to Seurat, New Haven and London, 1990
C. Smith: Architecture in the Culture of Early Humanism: Ethics, Aesthetics and Eloquence, 1400–1470 (New York and Oxford, 1992)
Cennino Cennini, Il Libro dell’arte, trs. D. Y. Thompson, The Craftsman’s Handbook, New Haven, 1933
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Antonio Manetti(?), The Life of Brunelleschi, ed. H. Saalman, trs. C. Engass, London and Pennsylvania, 1970
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A. Blunt, Artistic Theory in Italy, 1450–1600, Oxford, 1940
M. Baxandall, Painting and Experience in Fifteenth-Century Italy, Oxford, 1972
M. Kemp, ‘From “Mimesis” to “Fantasia”: the Quattrocento Vocabulary of Creation, Inspiration and Genius in the Visual Arts’, Viator, VIII, 1977, p. 347
Italian Art, 1400–1500 (‘Sources and Documents’), ed. C. Gilbert, Englewood Cliffs (N.J.), 1980
D. Summers, The Judgement of Sense, Cambridge, 1987
F. Ames-Lewis, The Intellectual Life of the Early Renaissance Artist, London and New Haven, 2000