I don’t remember how it began.
The singing. Judy at the wheel
in the middle of Sentimental Journey.
The side of her face glowing.
Her full lips moving. Beyond her shoulder
the little houses sliding by.
And Geri. Her frizzy hair tumbling
in the wind wing’s breeze, fumbling
with the words. All of us singing
as loud as we can. Off key.
Not even a semblance of harmony.
Driving home in a blue Comet singing
I’ll Be Seeing You and Love Is a Rose.
The love songs of war. The war songs
of love. Mixing up verses, eras, words.
Songs from stupid musicals.
Coming in strong on the easy refrains.
Straining our middle aged voices
trying to reach impossible notes,
reconstruct forgotten phrases.
Cole Porter’s Anything Goes.
Shamelessly la la la-ing
whole sections. Forgetting
the rent, the kids, the men,
the other woman. The sad goodbye.
The whole of childhood. Forgetting
the lost dog. Polio. The grey planes
pregnant with bombs. Fields
of white headstones. All of it gone
as we struggle to remember
the words. One of us picking up
where the others leave off. Intent
on the song. Forgetting our bodies,
their pitiful limbs, their heaviness.
Nothing but three throats
beating back the world — Laurie’s
radiation treatments. The scars
on Christina’s arms. Kim’s brother.
Molly’s grandfather. Jane’s sister.
Singing to the telephone poles
skimming by. Stoplights
blooming green. The road,
a glassy black river edged
with brilliant gilded weeds. The car
an immense boat cutting the air
into blue angelic plumes. Singing
Blue Moon and Paper Moon
and Mack the Knife, and Nobody Knows
the Trouble I’ve Seen.
