RHODY’S PATH

Sometimes several sudden events will happen together so as to make you believe they have a single meaning if twould only come clear. Surely happenings are lowered down upon us after a pattern of the Lord above.

Twas in the summer of one year; the time the Second Coming was prophesied over the land and the Revivalist came to Bailey’s pasture to prove it; and the year of two memorable events. First was the plague of grasshoppers (twas the driest year in many an old memory, in East Texas); second was the Revival in the pasture across from the house.

Just even to mention the pestilence of hoppers makes you want to scratch all over. They came from over toward Grapeland like a promise of Revelations—all counted to the last as even the hairs of our head are numbered, so says the Bible and so said the Revivalist—making the driest noise in the world, if you have ever heard them. There were so many that they were all dusted together, just one working mass of living insects, wild with appetite and cutting down so fast you could not believe your eyes a whole field of crops. They hid the sun like a curtain and twas half-daylight all that day, the trees were alive with them and shredded of their leaves. We humans were locked in our houses, but the earth was the grasshopper’s, he took over the world. It did truly seem a punishment, like the end of the world was upon us, as was prophesied.

Who should choose to come home to us that end of summer but Rhody, to visit, after a long time gone. She had been in New Orleans as well as in Dallas and up in Shreveport too, first married to her third husband in New Orleans, then in Dallas to run away from him in spite, and lastly in Shreveport to write him to go to the Devil and never lay eye on her again. We all think he was real ready to follow the law of that note. Then she come on home to tell us all this, and to rest.

Rhody arrived in a fuss and a fit, the way she is eternally, a born fidget, on the heels of the plague of hoppers. They had not been gone a day when she swept in like the scourge of pestilence. She came into our wasteland, scarce a leaf on a tree and crops just stalks, dust in the air. So had the Revivalist—as if they had arranged it together in Louisiana and the preacher had gone so far as to prophesy the Second Coming in Texas for Rhody’s sake. She could make a man do such.

Already in the pasture across the railroad tracks and in front of the house, the Revivalist was raising his tent. We were all sitting on the front porch to watch, when we saw what we couldn’t believe our eyes were telling us at first, but knew soon after by her same old walk, Rhody crossing the pasture with her grip in her hand. We watched her stop and set on her suitcase to pass conversation with the Revivalist—she never met a stranger in her life—and his helpers, and we waited for her to come on home across the tracks and through the gate. Mama and Papa and Idalou and some of the children stood at the gate and waited for her; but the bird dog Sam sat on the porch and waited there, barking. He was too old—Idalou said he was eighteen—to waste breath running to the gate to meet Rhody.

The hooded flagpole sitter was a part of it all. He had come in advance as an agent for the Revival and sat on the Mercantile Building as an advertisement for the Revival. He had been up there for three days when the grasshoppers come. Twas harder for him than for anyone, we all imagined. The old-timers said he had brought in the plague of hoppers as part of prophecy. They raised up to him a little tent and he sat under that; but it must have been terrible for him. Most thought he would volunteer to come on down, in the face of such adversity, but no sir, he stayed, and was admired for it. He couldn’t sail down his leaflets that advertised the Revival, for the grasshoppers would have eaten those as fast as if they had been green leaves from a tree. But the town had already had leaflets enough that read, “The Day of Judgment Is at Hand, Repent of Your Sins for the Lord Cometh…”

The first night he was up twas a hot starry night. We all sat on the porch till late at night rocking and fanning and watching him. There he was over the town, a black statue that hardly seemed real.

When the Revivalist first appeared at the house to ask us for cool water, we invited him in on the back porch. He was a young man to be so stern a preacher, lean and nervous and full of his sermon. His bushy eyebrows met together—for jealousy, Idalou told us after he was gone, and uttered a warning against eyebrows that run together. He started right out to speak of our salvation as if it might earn him a drink of water, and of his own past sinful life in cities before he was redeemed. He wanted our redemption, the way he went on sermonizing, more than a cool drink of water; but water was easiest to provide him with and best at hand, as Aunt Idalou said after he had gone. He was a man ready to speak of his own frailties and Mama praised him for this. He wanted to make us all free and purged of man’s wickedness, he said, and his black eyes burned under his joined eyebrows when he spoke of this. When he had left, one of the children—Son—helped him carry the pail of well water to the pasture, and then we all broke into sides about who would go to the Revival the next night and who would watch it from the front porch.

When Son came back he was trembling and told that the Revivalist had two diamond rattlesnakes in a cage, right in Bailey’s pasture, and that he had shown him the snakes. Then he told us that the preacher was going to show how the Lord would cure him of snakebite as a demonstration of faith. He had converted and saved thousands through this example of the healing power of the Lord, saying his famous prayer as he was struck by this rattling spear, “Hand of God, reach down and help antidote the poison of the diamond rattler of Sin.”

Rhody added that she had already found out all this when she came through the pasture and stopped to converse with Bro. Peters—she already knew his name where we hadn’t. Then she added that the Revivalist and his company—a lady pianist and three men who were his stewards and helpers—were going to camp in Bailey’s pasture during their three-day stay in town and that at the last meeting, the flagpole sitter himself was going to come down and give a testimonial. She further informed us that she had taken upon herself the courtesy to invite Bro. Peters and his lady pianist to eat supper with us that night. We were all both excited and scared. But Mama and Idalou began at once to plan the supper and went in to make the fire in the stove to cook it with.

Rhody was not much changed—a person like Rhody could never change, just add on—as she was burdened by something we could not name. We all noticed a limp in her right leg, and then she confessed she had arthritis in it, from the dampness of New Orleans, she said. Her face was the same beautiful one; she had always been the prettiest in the family, taking after Granny, who had been, it was a legend that had photographic proof right on the wall, a very beautiful young woman. But Rhody’s face was as if seen through a glass darkly, as the Bible says. More had happened to Rhody during the years away than she would ever tell us. “Some of the fandango is danced out in her,” Aunt Idalou said, and now we would all see the change in Rhody that we all hoped and prayed for.

Rhody was thrilled by the sight of the flagpole sitter. She said she was just dying to meet him. She told us that this town had more excitement in it than any city she had been in—and that included several—and she was glad she had come on home. She unpacked her grip and took out some expensive things of pure silk her husbands had bought for her, and there were presents for us all. Then she put her grip in the pantry as though she was going to stay for a long time but no one asked her for how long. In the early days, Rhody had come and left so often that her feet had trod out her own little path through Bailey’s pasture and we had named it Rhody’s Path. It ran alongside the main path that cut straight through to town. We never used it, left it for her; but if she was gone a long time, Mama would say to one of us who was going to town, “Use Rhody’s Path, the bitterweeds are taking it over, maybe that’ll bring her home,” the way mothers keep up their hopes for their children’s return, though the weeds grow over and their beds are unused. Mama kept Rhody’s room the way Rhody had it before she left for the first time, and the same counterpane was always on the bed, fresh and clean, the big painted chalk figure of a collie was on the dresser, the fringed pillow a beau had given her with “Sweetheart” on it, and the framed picture of Mary Pickford autographed by her, “America’s Sweetheart.” “She’s got sweetheart on the brain,” Mama used to say. She carried sweetheart too far.

Anyway, the Revivalist took Rhody’s Path to come to supper on. Around suppertime here came Bro. Peters and the lady pianist across Bailey’s pasture on Rhody’s Path, he tall and fast-walking, the little pianist trotting behind him like a little spitz to keep up with him. They came through the gate and onto the front porch, where we all greeted them, and Rhody was putting on a few airs of city ways that made Idalou look at her as if she could stomp her toe. We were introduced to the pianist, whose name was Elsie Wade, a little spinster type with freckled hands and birdlike movements of head. Miss Wade asked the Lord to bless this house and said that good Christians always gathered easily as if they were blood kin, which they were, Bro. Peters added; and we all went in the house, through the hall and onto the back porch. It was a late summer evening and the vines strung across the screen of the porch were nothing but strings after the grasshoppers had devoured them, but through the latticework of string we could see the distant figure of the flagpole sitter that the setting sun set aglow. Rhody kept wanting to talk about him. She said she thought he looked keen up there. Bro. Peters told that the flagpole sitter had been a drinking man, wild and in trouble in every county of Texas and Louisiana, until he was saved by a chance Revival Meeting in Diboll where he was sitting on the County Seat flagpole as a stunt for something or other. The night he came down to give himself to the Lord at the meeting brought wagonloads of people from far and wide, across creeks and gulleys to hear and see him, and many were saved. From that time on he gave his services to the Lord by way of the difficult and lonely task of sitting on a flagpole for three days and nights as a herald of the coming Revival. The flagpole sitter and the diamond rattlers were the most powerful agents of the Gospel and redemption from sin and literally brought thousands of converts into the fold, Bro. Peters told. Rhody said she was dying to meet him and Bro. Peters assured her he would make the introduction personally on the last night of the Revival.

We sat down to a big supper for summertime: cold baking-powder biscuits, cold kidney beans, onions and beets in vinegar, sweet milk and buttermilk, fried chicken—there was nothing green in the garden left after the grasshoppers had taken their fill. Idalou told Bro. Peters and Miss Elsie Wade that she had fed the Devil with some good squash that she had rescued from the grasshoppers but burnt to a mash on the stove; and Bro. Peters said that the Devil liked good summer squash and if he couldn’t acquire it through his agents of pestilence he would come by it on a too-hot stove—but that he was glad the Devil left the chicken; and all laughed, Rhody loudest of all.

Afterwards we went to the porch and while Idalou played the piano Son sang some solos, “Drink to Me Only,” etc. But Rhody spoiled the singing by talking incessantly to the Revivalist. Then Elsie Wade applied her rolling Revival technique to the old piano that no one could talk over, not even Rhody, and made it sound like a different instrument, playing some rousing hymns which we all sang faintly because of our astonishment at the way such a slight little thing as she manhandled the piano as if it was a bull plow.

In the middle of one of the songs there was somebody at the front door, and when Idalou went she found it to be a man from Bro. Peters’ outfit over in the pasture. He was anxious to speak to Bro. Peters. Idalou asked him in, but Bro. Peters, hearing the man’s voice, was already in the hallway by the time the man entered. “Brother Peters!” he called. “One of the diamond rattlers is aloose from the cage.” Bro. Peters ran out and Elsie Wade seemed very nervous, inventing a few furbelows on the treble keys as she looked back over her shoulder with a stiff pencil-like neck at the conversation at the front door. Her eyes were so small and glittering at that moment that she seemed like a fierce little bird that might peck a loose snake to death. Idalou invited her to wait in the house, though. “The diamond rattler is our most valuable property,” Elsie Wade said, “next to the flagpole sitter.”

All night long they were searching for the diamond rattler with their flashlights. We locked all the doors and stayed indoors and watched the lights from the windows. We started a bonfire in the front yard. There were fires in many places in the pasture. The bird dog Sam was astonished that we brought him in the house, but he would not stop barking; and Idalou said he would die of a heart attack before daylight if they didn’t catch the valuable property of the viper, he was so old. It was a sinister night. At a certain hour we heard that the flagpole sitter had come down to help find the scourge of Sin. And then suddenly like a shot out of the blue Rhody jumped up and said she couldn’t stand it any longer, that she was going out to help the poor Revivalist in his search for the diamond rattler. Everybody objected and Aunt Idalou said over her dead body, that Rhody’s arthritis would hinder her if she had to run; but Rhody, being Rhody, went anyway. So there was that anxiousness added.

We all watched from the parlor window. In the light of the bonfire’s flame we could see the eerie posse, darting here, kicking there, and we saw that the Revivalist carried a shotgun. The flagpole sitter had arrived in such a hurry and was so excited that he had not had time to take off his long black robe and hood that he wore on the flagpole, and his priestlike shape in the light of the fires was the most nightmarish of all. On went the search through the dark hours after midnight, and it seemed the Revivalist was looking for his Sin, like some penance, a dark hunter in the night searching for evil. And now Rhody was by his side to help him, as if it could be her sin, her evil, too. They seemed to search together.

We never knew, nor will, exactly what happened. When we heard the shot and saw flashlights centered on one spot, we knew they had found the snake; and when we saw them coming on Rhody’s Path toward the house, the Revivalist carrying in his arms something like a drowned person, we knew it was Rhody. They came up on the porch, the Revivalist saying sternly, “Call the doctor, she was bitten on the hip by the diamond rattler and has fainted.” He bit her bad leg.

They laid Rhody on the bed and Bro. Peters began saying his famous prayer asking the Lord to reach down and pluck the poison from his child. “The snake is killed—the flagpole sitter shot him,” one of the men said.

It was Aunt Idalou who scarified the snakebite with a paring knife and saved the life of Rhody until the doctor got there. Though she did it without open prayer, she prayed to herself as she worked on Rhody and used solid practical ways of salvation—including leaves of Spanish dagger plant in the front yard, which Son ran and got, and hog lard. When the doctor got there he marveled at the cure and said there was little more to do except for Rhody to rest and lie prone for a few days. Idalou said she could count Rhody’s prone days on one hand and Rhody commented that at least the snake had the common sense to strike her bad leg.

When the commotion was over and danger was passed, someone asked where the Revivalist was. He was nowhere to be found. In the early morning light, just breaking, we saw the pasture empty. There was no sign of anybody or anything except the guttering black remains of the bonfires. The flagpole on the Mercantile Building had nothing sitting on it. The whole Revival company had vanished like a dream… and had it all been one, the kind Rhody could bring down upon a place?

We hoped that would teach Rhody a lesson, but Aunt Idalou doubted it seriously. Anyway, Rhody stayed on with us till the very end of summer. Then one day there was that familiar scrambling in the pantry and it was Rhody getting her grip out. There was a mouse’s nest in it. She packed it, saying she was going to Austin, to get her a job or take a beauty course she had seen advertised. When she had finished it, she told us, she might come back to Charity and open her a beauty parlor. We all doubted that, knowing she couldn’t stay put for long in any one place, beauty or none.

We all kissed her good-bye and Aunt Idalou cried and asked the plain air what had branded her youngest child with some sign of restless wandering and when would she settle down to make a household as woman should; and we watched Rhody go on off, on the path across the pasture with the grip in her hand, going off to what, we all wondered.

“Well,” Mama said, “she’ll pull a fandango wherever she goes. But through some miracle or just plain common sense of somebody always around to protect her, with hog lard, or just good plain prayer, she’ll survive and outlast us all who’ll worry ourselves into our graves that Rhody will come to put flowers on, alive as ever.” Rhody went out and took the world’s risks and chances, but simple remedies of home and homefolks rescued and cured her, time and time again. She always had to touch home, set her wild foot on the path across the pasture that led back to the doorstep of the house, bringing to it across the pasture, from the great confused and mysterious world on the farther side, some sign of what had lately happened to her to lay it on the doorstep of home.

But with the world changing so fast and all old-time word and way paying so quickly away, she will have to correct herself in the world she errs in and by its means; or, in some way, by her own, on her own path, in the midst of her traveling. Surely we knew she needed all of us and had to touch us there, living on endurable and permanent, she thought, in that indestructible house where everything was always the way it had forever been and would never change, she imagined; where all, for her, was redeemed and put aright. Then, when she got something straight—what it was no one but Rhody ever knew—she’d gather her things and go off again.

“The sad thing is,” Idalou said, rocking on the front porch looking at the empty pasture and the sad-looking path that Rhody took, “that years pass and all grow old and pass away, and this house will be slowly emptied of its tenants.” Had Rhody ever considered this? And what would she do when all had gone and none to come home to?

But surely all of us who were listening to Idalou were thinking together that the path would remain, grown over and hidden by time, but drawn on the earth, the pasture was engraved with it like an indelible line; and Rhody’s feet would be on it, time immemorial, coming and going, coming and going, child of the path in the pasture between home and homelessness, redemption and error. That was the way she had to go.