Acknowledgments

THE STUDY OF the ancient Olympics is a crowded field, and one that I entered with some hesitation. Ever since the Victorian era, when modern interest in athletics was revived, scholars have pored over every detail of Greek physical culture. (Energetic dons at British universities even took to the arenas with handmade discuses and practiced running naked to see if it improved speed.) The volume of scholarship has only increased with the popularity of the modern Olympics, reborn in 1896 in Athens. Was it possible to say something fresh about a subject that invites a new spate of books every fourth year?

But reading through the voluminous literature, I realized that most serious works on the Olympics maintained a very narrow (and often excruciatingly dry) focus. Nobody had tried to re-create the ancient Games in their sprawling, human entirety—as the ultimate pagan festival, a mass gathering where the Greeks’ favorite sports were combined with religious ceremonies and every possible ancient entertainment. To answer my own central question—What was the actual experience of attending this extravaganza?—I would need to write a different book. So I decided to approach the Games day by day, step by step, weaving together the strands of evidence to recapture what it was like to be a part of the ancient Olympics as a spectator, an athlete, or one of the overworked officials.

Naturally, this excursion into antiquity could not have been written without the help of many people.

I would particularly like to thank Dr. David Gilman Romano, senior researcher at the Mediterranean section of the University of Pennsylvania, for generously providing his time and advice. As both a classicist and a former track champion, he is uniquely qualified to connect ancient evidence with actual practice, and bring Greek sports to life. Of the many fine scholars working in the field, I must acknowledge a debt above all to James Davidson and Lionel Casson for their groundbreaking works on daily life in the ancient era, and to Stanley Lombardo for his luminous translation of Homer.

In Greece, while I was researching at ancient Olympia itself, Dr. Helmut Kyrieleis of the German Archaeological Institute very kindly showed me around the recent excavations and helped interpret many puzzling aspects of the site, while the experts Frank and Patricia, raising a column of the Temple of Zeus, kindly invited me to their home for dinner, providing the only square meal I had in modern Olympia, one of Greece’s more mercenary service towns.

I would also like to offer my thanks to my excellent editor, Susanna Porter, for her ongoing encouragement and perceptive advice on the manuscript; her assistant, Evelyn O’Hara, who brought the strands of text and artwork seamlessly together; the inspired art director Robbin Schiff; my energetic agent, Elizabeth Sheinkman; and Rob Weissman, for his enthusiastic support and advice on modern athletics.

Of course, my broadest debt is to my wife, Lesley Thelander, who helped nurse this book from its earliest drafts; without her patient assistance, detailed editing, and regular infusions of humor, it would have remained a formless mass. Thanks finally to budding pentathlete Henry Perrottet, who kept me suitably fit while writing about ancient sports by running me ragged around the playgrounds of Manhattan and beaches of Sydney.