PLAZA MAYOR
It’s easy to fall in love with Madrid in the Plaza Mayor. This is the monumental heart of the city and the grand stage for so many of its most important historical events. Here, Madrid’s relentless energy courses across its cobblestones beneath ochre-hued apartments, wrought-iron balconies, frescoes and stately spires.
A Grand History
Ah, the history the plaza has seen! Inaugurated in 1619, its first public ceremony was suitably auspicious – the beatification of San Isidro Labrador (St Isidro the Farm Labourer), Madrid’s patron saint. Thereafter, it was as if all that was controversial about Spain took place in this square. Bullfights, often in celebration of royal weddings or births, with royalty watching on from the balconies and up to 50,000 people crammed into the plaza, were a recurring theme until 1878. Far more notorious were the autos-da-fé (the ritual condemnations of heretics during the Spanish Inquisition), followed by executions – burnings at the stake and deaths by garrotte on the north side of the square, hangings to the south.
A Less-Grand History
Not all the plaza’s activities were grand events and, just as it is now surrounded by shops, it was once filled with food vendors. In 1673, King Carlos II issued an edict allowing the vendors to raise tarpaulins above their stalls to protect their wares and themselves from the refuse and raw sewage that people habitually tossed out of the windows above! Well into the 20th century, trams ran through Plaza Mayor.
Real Casa de la Panadería
The exquisite frescoes of the 17th-century Real Casa de la Panadería (MAP GOOGLE MAP; Royal Bakery; Plaza Mayor 27) rank among Madrid’s more eye-catching sights. The present frescoes date to just 1992 and are the work of artist Carlos Franco, who chose images from the signs of the zodiac and gods (eg Cybele) to provide a stunning backdrop for the plaza. The frescoes were inaugurated to coincide with Madrid’s 1992 spell as European Capital of Culture. The building now houses the city’s main tourist office.
Spires & Slate Roofs
The plaza was designed in the 17th century by Juan Gómez de Mora who, following the dominant style of the day, adopted a Herrerian style (named after Spanish Renaissance architect Juan de Herrera). The slate spires and roofs are the most obvious expression of this pleasing and distinctively Madrid style, and their sombre hues are nicely offset by the warm colours of the uniformly ochre apartments and their 237 wrought-iron balconies.