Illustrations

Théodore Géricault. Possible likeness of Alexandrine-Modeste Camel, in Zurich sketchbook, Kunsthaus, Zurich, f° 47 r°.

Alexandre Colin. Portrait of Géricault in 1816-Lithograph, Musée de Rouen.

Théodore Géricault. Le Chasseur de la Garde, Musée du Louvre.

Anon. The Frigate, The Medusa, from Le Petit Journal, Militaire Maritime, Musée nationale de la Marine.

Alexandre Corréard. Plan of the Raft of the Medusa, in Corréard, Alexandre, et Henri Savigny, Naufrage de la frégate la Méduse faisant partie de l’expédition du Sénégal en 1816, 5th edition (Paris: Chez Corréard, Libraire, 1821), between pp. 52–53.

Anon. Sketch on ms. report showing order of boats towing the raft, in Service historique de la Défense, Vincennes: Dossier BB⁴393.

Anon. Shipwreck of the Frigate, Medusa, Musée nationale de la Marine.

Léon Antoine Morel-Fatio. The Abandoning of the Raft of the Medusa, in France Maritimes, Vol. IV, 281 mid-C19, Musée nationale de la Marine.

Anon. The Finding of the Raft by the Argus, in Recueil d’événements maritimes, 14, Musée nationale de la Marine.

Anon. Saint-Louis in Senegal, in René-Claude Geoffroy de Villeneuve, L’Afrique ou Histoire, moeurs, usages et coutumes des Africains. Le Sénégal. 4 Vols. Paris: Nepveu, 1814. Vol. I facing p. 63.

Théodore Géricault. An Execution at Rome, École nationale supérieure des Beaux Arts.

Théodore Géricault. The Race of the Riderless Horses, Musée du Louvre.

Théodore Géricault. Fualdès being dragged and shoved into the Maison Bancal, Private Collection.

Sébastien Cœuré. Fualdès being dragged and shoved into the Maison Bancal, Bibliothèque Nationale de France.

Théodore Géricault. Studies of a Dancing Couple and a Centaur Abducting a Nymph, London, Private Collection.

Théodore Géricault. The Embrace, Musée du Louvre.

Théodore Géricault. The Kiss, Thyssen-Bornemisza Collection, Madrid.

Théodore Géricault. Lovers Reclining, Private Collection.

Théodore Géricault. Anatomical Fragments, Musée de Montepellier.

Théodore Géricault. Severed Heads, Nationalmuseum, Stockholm.

Théodore Géricault. Study for Cannibalism, Private Collection.

Théodore Géricault. Drawing for the Mutiny on the Raft, Stedelijk Museum, Amsterdam.

Théodore Géricault. Study for the figure of Corréard, Zurich Sketchbook Kunsthaus, Zurich, f° 52 r°.

Théodore Géricault. The Raft of the Medusa. Musee de Louvre.

C. Motte. “Valade the Police Commissioner Confronting Corréard in Prison,” in Corréard, Alexandre et Henri Savigny, Naufrage de la frégate la Méduse faisant partie de l’expédition du Sénégal en 1816, 5th edition (Paris: Chez Corréard, Libraire, 1821), p. 442. Bibliothèque Nationale de France.

Anon. The Shape and dimension of the places for the slaves in the English slave-ship, Brookes, in Thomas Clarkson, The Cries of Africa to the Inhabitants of Europe; or, a Survey of that Bloody Commerce called the Slave-Trade (London, 1822).

Théodore Géricault. Study for the Slave Trade, École nationale supérieure des Beaux Arts.

Alexandre Corréard. Posthumous study of Géricault, Musée de Rouen.

Théodore Géricault. Shipwreck, Musées Royaux des Beaux-Arts, Brussels.