CLOUDS
(Nephelai)
First produced in 423 BCE, subsequently revised
CHARACTERS IN THE PLAY
Strepsiades
Slave
Pheidippides
First Student
Students
Socrates
Chorus of Clouds
Chorus Leader
Right Argument
Wrong Argument
First Creditor
Witness
Second Creditor
Xanthias, a slave
Chaerephon
(The setting is Athens, Greece, during the Peloponnesian War. There is a backdrop with two doors in it. This first scene takes place in front of the backdrop, a space that initially represents the inside of Strepsiades’s house. There is a bed in which Strepsiades and Pheidippides are sleeping. The time is just before dawn. In front of one of the doors—the door to the Thinkery—there are a statue of Hermes, a pedestal holding a jar with a “Vortex” pattern on it, and a variety of astronomical and geometric instruments. Above the door to the Thinkery there is a window. It is very late at night.)
STREPSIADES: (tossing and turning in bed)
Goodness, goodness.
Great Zeus, how long the night is—infinite!
Will morning never come? I swear I heard
the rooster crow a long, long time ago.
My slaves are all still snoring. In the past
they never would have dared to sleep so late.
I say goddamn this war for oh so many
reasons: I can’t even beat the help!o
(gesturing to Pheidippides)
This fine young man right here, he never wakes up
10
during the night but simply goes on farting,
five quilts deep. Oh well, since it seems
the thing to do, let’s all just snore away,
wrapped up in blankets.
(Strepsiades lies back on the bed but then continues to toss and turn.)
Oh, I’m miserable!
I can’t sleep. I’m being eaten up
by great expenditures, by horse feed-troughs,
by all my debts,
(gesturing to Pheidippides)
because of this son here!
He, with his long hair, won’t stop riding horses
and driving chariots. He dreams of horses,
and I feel ruined every time I see
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the moon has reached the twentieth of the montho—
the interest on my debts will soon tick up.
(shouting to a Slave offstage)
Bring me a lamp, now, boy! And bring my ledger
so I can look at all my debts and reckon
the interest up.
(A Slave brings the ledger and a lighted lamp.)
Alright, then, let’s just see
how much I owe: To Pasias, twelve minas.o
To Pasias, twelve minas? Why did I ever
borrow that amount? Oh—when I bought
the thoroughbred. Poor me! I wish a rock had
thoroughly put my eye out first.
PHEIDIPPIDES: (talking in his sleep)
Hey there,
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you’re cheating, Philo. Stay in your own lane.
STREPSIADES:
That’s just how I am being ruined: the boy
keeps riding horses even in his sleep!
PHEIDIPPIDES: (talking in his sleep)
How many races will the chariots run?
STREPSIADES:
You’re making me, your father, run a lot
of races. Well, what debt came over me
after my debt to Pasias?
(looking back to the ledger)
To Amynias
three minas for a chariot and wheels.
PHEIDIPPIDES: (talking in his sleep)
Well, let the stallion roll, then bring him in.
STREPSIADES:
Kid, you’ve rolled me out of all I own.
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Some creditors have taken me to court;
others insisted that I put up assets
to cover the compounding interest.
PHEIDIPPIDES: (waking up)
Dad,
why are you such a coot? Why do you toss
and turn the whole night through?
STREPSIADES:
A bailiff-bug keeps
biting me right out of all my blankets.
PHEIDIPPIDES:
Come on, now, let me just go back to sleep.
STREPSIADES:
Alright, go back to sleep.
(Pheidippides covers himself in blankets again.)
But know that someday
all my debts will end up landing squarely
on your own head. Goddamn the marriage-maker,
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that hag, who introduced me to your mother.
Mine was a country life, a very pleasant,
if dirty and unshaven, life, a life
that lay wherever and was rich in bees
and sheep and olive cakes. Then I, a bumpkin,
took as wife the niece of Megacles
the son of Megacles,o a city girl—
as spoiled and snobby as that bitch Coesyra.o
The night I wedded her, I went to bed
smelling of fresh wine, fleeces, figs and great
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affluence, and she on her side reeked of
lubricant, saffron seeds, tongue kisses, wealth,
gluttony and the Goddesses of Sex.o
I won’t say she was lazy, since she wove.
And sometimes, as a pretext, I would show her
this bit of cloth
(lifting his cloak and exposing his strap-on penis)
and say, “Oh you weave well.”
(The lamp goes out.)
SLAVE:
The lamp has died. And there is no more oil.
STREPSIADES:
Dammit, why did you bring the wasteful lamp?
Get over here.
(threatening to strike the Slave)
Prepare to scream.
SLAVE:
Why scream?
STREPSIADES:
Because you put the thick wick in the lamp.
(He swats at the Slave, who runs off through a stage door.)
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Afterwards, when this son was born to me
and my most estimable wife, we squabbled
about his name. She kept on wanting one
with hippos (“horse”) in it somewhere—Xanthippus,
Charippus or Callippides.o I, though,
wanted to call the boy Pheidonides,
which was my father’s name. We had it out
about the name and then, in time, agreed on
Pheidippides. Then, picking up the baby,
my wife would tell him, “When you are a big boy,
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you will put on a rich, soft robe and drive
a chariot to the Acropolis,
just like Megacles your uncle.” Well,
I, on my side, was saying, “When you’re grown up,
you’ll put a simple leather apron on
and drive the goats down from the hills, just like
your father did.” The boy ignored, of course,
all that I said to him and now has spread
his horse disease all over my estate.
That’s why I spent the whole night worrying.
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Now, with the gods’ help, I have found a way out,
a great escape route. Now, if I can only
persuade my son to go along with me,
I shall be saved! First, though, I need to wake him.
How can I rouse him in the nicest way?
How? O Pheidippides. O darling little
Pheidippides.
PHEIDIPPIDES: (waking up)
What is it, Dad?
STREPSIADES:
Come here;
give me a kiss and take me by the hand.
(Pheidippides leans over and kisses Strepsiades.)
PHEIDIPPIDES:
Alright. What is it?
STREPSIADES:
Tell me: do you love me?
PHEIDIPPIDES:
Yes, by Poseidon, God of Horsemanship.
STREPSIADES:
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Leave out Poseidon, God of Horsemanship.
He is the cause of all my troubles. Listen,
if you really love me from your heart,
then, boy, obey me!
PHEIDIPPIDES:
How should I obey you?
STREPSIADES:
Change your ways as quickly as you can
and go and learn the skill I recommend.
PHEIDIPPIDES:
What do you recommend?
STREPSIADES:
Will you obey me?
PHEIDIPPIDES:
By Dionysus, yes, I will obey you.
STREPSIADES: (gesturing to the stage-right door)
Look over this way. Do you see this door?
The little house behind it?
PHEIDIPPIDES:
Yes, I see them,
but Dad, what is this place?
STREPSIADES:
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A Thinkeryo
for clever souls. Behind that door dwell men
who, when they speak about the sky, persuade
others it is an oven that surrounds us,
and we are coals inside it. For a fee
they also teach a person how to win
an argument no matter whether he
is right or wrong.
PHEIDIPPIDES:
Who are they, though?
STREPSIADES:
I can’t
exactly put a name to them: they are
good, noble and exacting intellectuals.
PHEIDIPPIDES:
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I know them well and, yuck, they are repulsive.
You mean the shysters, the anemic smarties,
the barefoot fellows in whose number are
Chaerephono and that wretched Socrates.
STREPSIADES:
You watch your mouth. Don’t you be talking nonsense.
If you care at all about your father’s
finances, then you will forget your horses
and sign up as a student here.
PHEIDIPPIDES:
I wouldn’t,
by Dionysus, even if you were
to give me all Leogoras’s pheasants.o
STREPSIADES:
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O dear son, I beg you. Go. Go learn.
PHEIDIPPIDES:
And what am I to learn?
STREPSIADES:
They say there are
two Arguments in there—the one called “Right,”
whatever that might be, and then the “Wrong” one.
They say that one of these two Arguments,
the Wrong, prevails, although the points it makes
are on the wrong side. If you go and learn
one of these Arguments, the Wrong, for me,
I wouldn’t have to pay back even one
obolo of all the debts I have accrued
because of you.
PHEIDIPPIDES:
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I won’t be going there.
I couldn’t bring myself to stand among
the Horsemeno with my face all drawn and pasty.
STREPSIADES:
Then, by Demeter,o you shall eat no food
of mine—not you yourself and not your trace horse
and not your thoroughbred. No, I shall drive you
straight out of the house to go to hell!
PHEIDIPPIDES:
Ah, but my uncle Megacles will never
leave me without a horse. I’m going in.
I won’t be listening to you in this.
(Pheidippides exits through the stage-left door in the backdrop.)
STREPSIADES:
150
Oh well. Although I’m down, I’m still not out.
No, after praying to the gods, I’ll go
myself and study at the Thinkery.
How, though, will I, a slow, forgetful geezer,
learn all those keen, hairsplitting arguments?
I have to do it, all the same. Why loiter?
Why not try knocking on the door?
(He knocks on the door.)
Boy! Boy!
FIRST STUDENT: (peeking out of the door)
Goddamn that noise! Who’s knocking on the door?
STREPSIADES:
Strepsiades out of the deme Cicynna,o
the son of Pheidon.
FIRST STUDENT:
You are quite a moron!
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You pounded on the door so oafishly
that you have caused me to abort
a thought that I was carrying to term.
STREPSIADES:
I’m sorry. I’m from way out in the country.
Tell me, what was this thought that was aborted?
FIRST STUDENT:
We are allowed to speak such secrets only
to fellow students.
STREPSIADES:
Have no fears about that;
you can tell it to me, since I’ve come
to be a student at the Thinkery.
FIRST STUDENT: (stepping outside the door)
I’ll tell you, but you must regard these matters
170
as sacred secrets. Socrates just lately
asked Chaerephon how far a flea could jump
as measured by its own flea-feet. You see,
a flea had bitten Chaerephon’s eyebrow
and then leapt onto Socrates’s head.
STREPSIADES:
How did he gauge the distance of the jump?
FIRST STUDENT:
Quite cleverly. He melted wax, then took
the flea and pressed its feet into the wax.
Then, when the wax had cooled, the flea was wearing
what looked just like a pair of Persian slippers.o
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Socrates gently loosened these and used them
to measure out the distance.
STREPSIADES:
Great King Zeus,
what subtlety of thought!
FIRST STUDENT:
What would you say, then,
about this other idea of Socrates’s?
STREPSIADES:
What is it? Please, please tell me.
FIRST STUDENT:
Chaerephon
of Sphettus asked him if he thought the gnat
buzzed through the mouth or through the anus.
STREPSIADES:
Well,
what did that wise man have to say about this?
FIRST STUDENT:
He said the entrails of the gnat are narrow,
and wind goes powerfully through that tight space
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straight to the anus, and the gnat’s rump, hollow
where it is adjacent to the pinched
intestines, through the violence of the wind,
buzzes.
STREPSIADES:
Gnats have a trumpet for a butt!
The man is thrice blessed for his penetrating
vision. A defendant who has grasped
the entrails of the gnat will get himself
acquitted without any difficulty.
FIRST STUDENT:
A gecko lately cheated Socrates
out of a bright idea.
STREPSIADES:
How’s that? Tell me.
FIRST STUDENT:
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Well, while he was doing research on
the routes and variations of the moon,
he gaped into the night sky, and a gecko
pooped on him from the roof.
STREPSIADES:
A gecko pooped
on Socrates—I love it!
FIRST STUDENT:
Yes, and last night
we had no dinner.
STREPSIADES:
What did he contrive
for you to eat?
FIRST STUDENT:
He started out by sprinkling
ash on the table, then he bent a skewer,
then went out to the wrestling school and used
this new device to steal somebody’s cloak.o
STREPSIADES:
210
Why do we wonder at the famous Thales?o
Hurry now, open up the Thinkery
and show me Socrates quick as you can.
I want to be a student. Open up!
(A wheeled platform is rolled out, on which there are several thin and pale Students. Some are standing with their heads close to the ground and some with their rumps in the air.)
STREPSIADES: (astounded)
By Heracles, what species are these beasts?
FIRST STUDENT:
Why are they shocking? What do they resemble?
STREPSIADES:
The Spartan prisoners of war from Pylos.o
What are those doing staring at the ground?
FIRST STUDENT:
They’re seeking after things beneath the earth.
STREPSIADES:
Oh, they are seeking after truffles, then.
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Don’t bother looking for them anymore—
I know where there are big sweet ones. But really,
why are they all hunched over in that way?
FIRST STUDENT:
To grope about in Tartarus’s darkness.
STREPSIADES:
(to the other Students)
Why do these here have butt-holes gaping skyward?
FIRST STUDENT:
Oh, they are learning on their own to do
astronomy.
(to the Students)
All of you, go back in
so that the master doesn’t find you here.
STREPSIADES:
No, let them stay outside. I want to share
a little problem of my own with them.
FIRST STUDENT:
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It is forbidden to them to remain
out in the open air for very long.
(The wheeled platform is rolled back inside. Strepsiades turns to a range of instruments displayed in front of the school.)
STREPSIADES: (pointing to a group of instruments)
Tell me, then, what are all these instruments?
FIRST STUDENT:
They’re for astronomy.
STREPSIADES: (pointing to another group of instruments)
And what are these?
FIRST STUDENT:
They’re for geometry.
STREPSIADES: (pointing to a third group of instruments)
And these ones here?
FIRST STUDENT:
They measure Earth.
STREPSIADES:
They mark off plots of land?
FIRST STUDENT:
No, the entire Earth.
STREPSIADES:
That’s very clever—
a useful tool, and democratic, too.
FIRST STUDENT:
This is a map of everything on Earth.
Here’s Athens. Do you see it?
STREPSIADES:
What, that’s Athens?
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I don’t believe you, since I can’t make out
the courts in session.
FIRST STUDENT:
No, this really is
the land of Attica.
STREPSIADES:
Where are my fellow
residents of Cicynna?
FIRST STUDENT:
Here they are.
And here’s Euboea, as you see, stretched out
this very long, long distance right beside it.o
STREPSIADES:
Yes, Pericles and us have stretched it out
like that. But where is Sparta?
FIRST STUDENT:
Sparta? Here.
STREPSIADES:
That’s much too close to us. Now pay attention—
push Sparta very very far away.
FIRST STUDENT:
It simply can’t be done.
STREPSIADES:
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You will regret it.
(Socrates enters suspended in a basket.)
Who is this man suspended in a basket?
FIRST STUDENT:
That is the man himself.
STREPSIADES:
What man himself?
FIRST STUDENT:
That’s Socrates.
STREPSIADES: (calling to Socrates)
O Socrates!
(to the First Student)
Come on, now;
call out to him for me.
FIRST STUDENT:
Call out to him
yourself, since I have no more time for this.
(The First Student exits into the Thinkery.)
STREPSIADES:
Socrates! O darling Socrates!
SOCRATES:
Why, creature of a day, dost thou address me?
STREPSIADES:
First what I want to know is, what are you doing?
SOCRATES:
Walking on air and pondering the sun.
STREPSIADES:
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So is it from a basket that you look
down on the gods, not from the earth?
SOCRATES:
I never
would have properly investigated
celestial affairs if I had not
lifted my intellect aloft and mixed
my cerebrations with their kindred air.
If I had stayed on earth and scanned the heavens
from below, I never would have made
discoveries. Here is the reason: earth
forcibly draws thought’s moisture to itself.
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Watercress operates in much the same way.
STREPSIADES:
What are you saying? Thought draws moisture toward
the watercresses? Dear, dear Socrates,
come down and join me so that I might learn
what I have come to learn.
(The basket is set down, and Socrates steps out of it.)
SOCRATES:
Why have you come?
STREPSIADES:
I want to learn to argue. I am being
drawn and quartered by my interest payments
and all my irritable creditors,
and I am soon to have my assets seized.
SOCRATES:
How did you not perceive your mounting debt?
STREPSIADES:
280
An all-consuming horse disease assailed me.
Come, now, and teach one of your arguments
to me, the one that never pays out fines,
and I will swear by all the gods that I
will lay down any fee that you require.
SOCRATES:
Who are these “gods” that you will swear by? First off,
the gods aren’t any kind of currency
among us here.
STREPSIADES:
What do you swear your oaths by?
Iron coins like in Byzantium?o
SOCRATES:
Do you desire to fathom, truly fathom,
celestial matters?
STREPSIADES:
290
If I can, then yes,
by Zeus.
SOCRATES:
And with the Clouds, our deities,
to have a conversation?
STREPSIADES:
Yes, I do.
SOCRATES: (gesturing to a chair)
Seat thyself, then, upon the sacred chair.
STREPSIADES:
Alright, I’m seated.
SOCRATES: (handing Strepsiades a garland)
Take this garland also.
STREPSIADES:
A garland? Why? Oh no, don’t sacrifice me,
Socrates. I don’t want to play Athamas.o
SOCRATES:
No, no, all of you who are inducted
into the Thinkery go through the same
initiation.
STREPSIADES:
What will I gain by it?
SOCRATES:
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You will become an ace, a real rattle,
the very flower of verbosity.
But hush up, now.
STREPSIADES:
By Zeus, you won’t deceive me.
When I get sprinkled on, I’ll be the flour.
SOCRATES:
You now should sit, old man, in holy silence
and listen to my prayer:
(addressing the sky)
O King, immeasurable Air,
who hold the earth suspended, and you, ever-gleaming Aether,
and you high goddesses, the Clouds, who send the thunder and lightning,
O Queens, arise, show yourselves, floating, to your contemplator.
STREPSIADES: (holding his cloak over his head)
Hold off and let me wrap this cloak around my head or else
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the rain will get me. Sad. I didn’t think to bring a cap.
SOCRATES:
Come now, you venerable Clouds, appear unto this man.
Whether you now are sitting on the sacred snowcapped peaks
of Mount Olympus, or in Father Ocean’s groves performing
holy dances with the Nymphs, or drawing off the flowing
streams of the Nile in golden pitchers, or inhabiting
Lake Maeotis or the snowy rock of Mimas,o hear me,
accept my sacrifice and be propitious to these rites.
(The Chorus of Clouds is heard singing offstage.)
CHORUS:
Strophe
Let us, the deathless Clouds, arise to human vision
out of the roaring fathoms of our father Ocean
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and fly above the forest-laden mountaintops
so that we may behold the towers on the peaks,
the sacred-soil-fomented crops,
the holy rivers’ roaring flux
and the loud-sounding sea.
The Aether’s never-sleeping eye
glints with glittering rays.
Come, let us shake the water drops
off our immortal beauty and survey
the earth with telescopic gaze.
SOCRATES:
330
O most holy Clouds, you clearly heard me when I called.
(to Strepsiades)
Did you make out their voices and the awesome roaring thunder?
STREPSIADES: (to the Clouds, still invisible to him)
I, too, revere you, highly honored gods, and want to thunder
in answer (that’s how much they scared and shocked me). Whether
or not it be allowed, I really need to poop right now.
SOCRATES: (to Strepsiades)
No cracking jokes. Don’t do what all those wretched comics do.
No, utter favorable words instead, because there is
a whole great hive of deities approaching with their songs.
CHORUS:
Antistrophe
Come, rainy maidens, to the fruitful country of
Pallas and Cecrops,o to a man-rich land we love,
340
where none divulge the sacred secrets, and a house
welcomes initiates to holy things, where gods
have high-roofed temples, offerings, sacred images,
and there are many blessed and sublime parades,
and sacrifices crowned
with coronals go on year-round;
in spring the Bacchic riteso
take place, and the melodious
choruses do their dancing, and the sound
echoes, the trill of double flutes.
STREPSIADES:
350
Please tell me, Socrates, who are these females who have chanted
so august a song? Surely they must be demigods?
SOCRATES:
No, they are skyborne Clouds, great goddesses to layabouts.
They fill us up with thoughts and quibbles, mindfulness and nonsense,
circumlocution and deceptiveness and comprehension.
STREPSIADES:
That’s why my soul began to flutter when it heard them sing.
It yearns already to be splitting hairs and quibbling over
vapor and arguing the opposite of some old saying
it skewered with a little thought. I burn to see these powers
face-to-face, if seeing them that way is possible.
(The Chorus of Clouds enter through the side aisles.)
SOCRATES:
360
Look that way toward Mount Parnes. That is where I now can see them
gently descending.
STREPSIADES:
Where, now? Show me.
SOCRATES:
Look right over there.
Yes, quite a few of them are coming through the groves and hollows,
moving sideways.
STREPSIADES:
What is wrong with me? I still can’t see them.
SOCRATES:
There by the gateway.
STREPSIADES:
Now at last I almost make them out.
SOCRATES:
Now you should see them very vividly, unless your eyes
are stuffed with styes as big as pumpkins.
STREPSIADES:
Yes, by Zeus, I see them.
O most honored Clouds! They now are covering everything.
SOCRATES:
You really mean to say you never thought the Clouds were gods?
STREPSIADES:
That’s news to me. I thought that they were mist and dew and smoke.
SOCRATES:
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You never knew, then, that the Clouds nourish the many sophists,
Thurii prophets,o doctors, lazy longhairs wearing onyx rings,
song-twisters for the cyclic contests and the weather wizards.
They nourish all these kinds of reprobates because such men
write poetry about them.
STREPSIADES:
That must be the reason why
the poets sing about “the dreaded onrush of the moist,
bright-whirling Clouds” and “curls of Typhon with his hundred heads”
and “blowhard squalls” and “aerial soddenness” and “crooked-clawed,
sky-riding birds” and “showers from dewy Clouds.” In compensation,
the poets get “fillet of good fine trout” and “thrush-bird cutlets.”o
SOCRATES:
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Isn’t it perfect that the poets get their food from Clouds?
STREPSIADES:
Say, now, if they are really clouds, what has gone wrong with them
that they resemble mortal women? Clouds don’t look like this.
SOCRATES:
But of what nature are the clouds?
STREPSIADES:
Well, I can’t say for sure.
Clouds look like spread-out fleeces, not like women. These have noses.
SOCRATES:
Answer, now, what I ask you.
STREPSIADES:
Alright, ask me anything.
SOCRATES:
When looking skyward, have you ever seen a cloud look like a centaur?
A panther? Like a wolf? A bull?
STREPSIADES:
Of course I have. So what?
SOCRATES:
Clouds can assume whatever shape they wish. Say that they see
a man with long locks, an obscene and hairy fellow like
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the son of Xenophantes.o They, then, take the form of centaurs
to ridicule the fellow’s wildness.
STREPSIADES:
What if they see Simon,o
a plunderer of public property? What do they do?
SOCRATES:
They turn to wolves to comment on his nature.
STREPSIADES:
Oh, that’s why,
just yesterday the clouds resembled deer—it was because
they saw Cleonymus,o a very cowardly sort of fellow.
SOCRATES:
Now they have turned to women, since they looked at Cleisthenes.o
(The Chorus of Clouds have now reached the stage area.)
STREPSIADES: (to the Clouds)
Greetings, regal powers, queens of all. If you have ever
shared your lofty voice with humans, please do so with me.
CHORUS LEADER: (to Strepsiades)
Greetings to you, old man, seeker of educated words,
(to Socrates)
400
and you, high priest of subtle blather. What do you desire?
Know we do not pay heed to any other of the current
astral philosophers except for Prodicuso (that wise
and learned man) and you, because you swagger through the streets
and cast your eyes askance and, barefoot, suffer much discomfort
and seem so arrogant because you put such faith in us.
STREPSIADES:
Wow, what a voice—holy and venerable and awe-inspiring.
SOCRATES:
Yes, the Clouds alone are goddesses; the rest is nonsense.
STREPSIADES:
What about Zeus? Don’t say Olympian Zeus is not a god.
SOCRATES:
What Zeus? Stop talking nonsense. There’s no Zeus.
STREPSIADES:
What are you saying?
410
Who does the raining, then? Explain that to me first of all.
SOCRATES:
The Clouds make rain, of course. I will convince you of it thusly:
Have you ever seen your Zeus make rain when there are no clouds?
He should be capable of raining when the clouds are gone.
STREPSIADES:
That argument has won me over. Still, before today,
I really did believe Zeus pissed the rain. But tell me this:
Who is the one that makes the thunder (and that makes me tremble)?
SOCRATES:
The Clouds do also, when they roll around.
STREPSIADES:
How do you mean,
you crazy-talker?
SOCRATES:
When they are suspended in the sky
and full of great amounts of water, they, compelled to move
420
and stuffed with rain, collide with one another. Then they burst
open and, owing to their great weight, make a thunderclap.
STREPSIADES:
Who is it, though, that makes them start to move? That must be Zeus!
SOCRATES:
No, it’s ethereal Vortex.
STREPSIADES:
Vortex? No one told me Zeus is gone
and Vortex now is ruling in his place. But you have yet
to teach me of the reason for the thunderclap.
SOCRATES:
Didn’t you hear me?
I said the Clouds, when stuffed with moisture, smash against each other
and, owing to their density, create a sound.
STREPSIADES:
Come on,
who would believe that?
SOCRATES:
I will teach you out of your own body:
Haven’t you, say, at the Panathenaea,o eaten too much soup
430
and got a queasy stomach, and a sudden breath of wind
has set you rumbling down there?
STREPSIADES:
I have. The soup makes lots
of trouble for me, sloshes, rumbles and at last explodes
like thunder. First there is a soft pa-pax, pa-pax, and then
a loud pa-pax! pa-pax! And then the clap, pa-pa-pa-PAX!
SOCRATES:
Think how immense a fart then issued from your little belly.
Isn’t it likely that the boundless air could make a giant
crap of thunder?
STREPSIADES:
Oh, that’s why we call a loud fart “thunderous.”
Teach me this, now: Where do fiery bolts of lightning come from?
When they hit us, they can burn us up and, if they fail
440
to kill a man, can leave him singed. Zeus obviously hurls them
at perjurers as punishment.
SOCRATES:
You stupid Dark Age relic!
If Zeus smites perjurers, why, then, has he refrained from smiting
Simon, Theorus and Cleonymus?o All that they do
is lie in court! But, no, Zeus strikes instead the shrines of Zeus
and sacred Cape Sunium,o and the tall oak trees. Why smite them?
Do oak trees lie in law courts?
STREPSIADES:
I don’t know. Your words sound good.
What makes the lightning, then?
SOCRATES:
When dry wind rises and gets trapped
inside a cloud, it makes the cloud expand internally
like a balloon. The dry wind, then, explodes the cloud and rushes
450
outward with great force, owing to its density, and catches
fire because of all the impetus and flatulence.
STREPSIADES:
That’s just what happened to me once at the Diasia.o
When I was roasting up a sausage for my relatives,
I failed to slit it, and it swelled up and exploded, spit
juice in my eyes and burned my face.
SOCRATES:
Henceforth will you believe
in no gods other than ones that we exalt, that is,
Chaos, the Clouds and Tongue?
STREPSIADES:
Yep, if I met another god,
I wouldn’t even stop to speak to him. He would receive
no victims, no libations and no frankincense from me.
CHORUS LEADER:
460
You, mortal man, who have desired to learn great wisdom from us,
will live in perfect happiness among the people of Athens
and all the Greeks, if you are good at memorizing things,
if you are thoughtful, if there is endurance in your soul,
if you shall not grow tired of being on your feet or seated,
if you shall not be vexed too much by cold, nor need to eat,
if you shall keep from wine and exercise and all such nonsense,
if, like a wise man, you believe that it is proper both
to win by deed and counsel and to battle with your tongue.
STREPSIADES:
As for a stubborn spirit and unsleeping aggravation
470
and stinginess and pinched digestion and alfalfa-dinners,
have no fear—I’ve got them all, and I am yours to beat on.
CHORUS LEADER:
Be bold, then, tell us what to do for you, and we will do it.
Just be our true adorer. Be a seeker after wisdom.
STREPSIADES:
Queens of the sky, there’s one small thing I want: to be the greatest
orator in all Greece by at least a hundred miles.
CHORUS LEADER:
That blessing will be yours. From here on out there will be no one
who gets more resolutions passed in your Assembly House.
STREPSIADES:
No, not that kind of bullshit—that’s not what I want, but only
to twist laws to my benefit and to escape my debt.
CHORUS LEADER:
480
Then you shall have what you desire, because your hopes are modest.
Be resolute, now, and entrust yourself to our disciples.
STREPSIADES:
Yes, I will trust in you, because I am oppressed by need,
need born of purebred steeds and an abominable marriage.
(to the audience)
From here on out my body’s theirs to do with as they please—
to beat, to starve, to parch, to soil, to freeze,
even to flay into a wineskin—if only I get free
of all my debts and win celebrity
as a glib, daring, shameless maker of deceits, a nimble
coiner of words, a fox, a tinkling cymbal,
490
a king of legalese, a code of laws, a shyster pest,
a slick impostor, rogue and whipping post.
They can, so long as I am called by names like these,
do with me absolutely as they please,
like, have my body chopped up, ground up, packed into a wienero
and served to intellectuals as dinner.
CHORUS: (to Strepsiades)
Your spirit is keen and brave.
Rest assured that, if I teach
the art of speech
to you, you will possess
500
a sky-high stature
among your race.
STREPSIADES:
What is my future?
CHORUS:
All your days
you shall have
an enviable life.
STREPSIADES:
Really truly?
CHORUS:
Yes.
CHORUS LEADER:
Many people will be sitting always at your gateway,
wanting to converse with you and ask for your advice,
a horde of people seeking your opinions on lawsuits
510
and liens worth lots of money, and you will deserve their praise.
(to Socrates)
It’s time to teach this geezer all that you intend to teach him.
Go, test his intellect and make a trial of his opinions.
SOCRATES: (to Strepsiades)
Come on, tell me what sort of mind you have.
Once I have grasped it, I can bring the proper
newfangled weaponry to bear on you.
STREPSIADES:
Do you intend to make a siege of me?
SOCRATES:
No, I just want to learn up front how good
a memory you have.
STREPSIADES:
Well, it depends.
If someone owes me, I remember well;
520
if I, unlucky man, owe someone else,
I tend to be forgetful.
SOCRATES:
Were you born
to be a clever speaker?
STREPSIADES:
A speaker, no;
a swindler, yes.
SOCRATES:
How, then, will you be able
to learn the art of speaking?
STREPSIADES:
I’ll manage it.
SOCRATES:
Be sure that, when I toss out clever morsels
of subtlety, you quickly snap them up.
STREPSIADES:
What, will I feed on wisdom like a dog?
SOCRATES:
You are an ignorant barbarian.
I fear, old man, that you will need a beating
530
if you are to learn. Come, sir, and tell me
what you would do if someone beat you up.
STREPSIADES:
Well, I’d get beat up and after that
I’d summon witnesses and after that
take him to court.
SOCRATES:
Come, lay your cloak aside.
STREPSIADES:
Have I done something bad?
SOCRATES:
No, nothing wrong.
The rule among us is to cross this threshold
without a cloak on.
STREPSIADES:
I don’t intend to plant
some goods and then blame you for stealing them.
SOCRATES:
Lay down the cloak. Why are you talking nonsense?
(Strepsiades takes off his cloak.)
STREPSIADES:
540
If I work hard and learn my lessons well,
which of your students will I most resemble?
SOCRATES:
I think you will be just like Chaerephon.o
STREPSIADES:
Oh no, I will become the living dead!
SOCRATES:
No guff, now. Promptly follow me inside.
STREPSIADES:
Alright, but first give me a honey cake
to feed the sacred snake. I’m scared to enter
a hole that’s like Trophonius’s cave.o
SOCRATES:
Go on. Stop peering through the door like that.
(Socrates and Strepsiades exit into the Thinkery.)
CHORUS:
(to Strepsiades as he exits)
Brave as you are,
550
may you find happiness in there.
(to the audience)
Yes, may success attend the man
because, though he has gone
far down his lifetime’s passageway,
he dares to dye his nature
in contemporary culture
and labor toward sagacity.
CHORUS LEADER:
Audience, all I tell you will be true, so help me Dionysus,
who nurtured me. So may I win the prize and be considered wise,
I thought you were discerning spectators and this was my
560
most clever comedy. I put a lot of work into the thing
and let you taste it first. Though I deserved to win, I lost the contest,o
defeated by inferior men. I blame the most astute of you—
it was for you I worked so hard on it. Believe me, I will never
deliberately betray the smartest of you. Ever since the time
when my two characters, the Nice Boy and the Faggot,o won much praise
from certain men to whom it is a pleasure to refer, yes, back when I,
a maiden author not yet due to be a mother, left my child
exposed and had another maiden take it up, and you all had it
generously raised and educated, ever since that time
570
I have enjoyed sworn pledges of a favorable judgment from you.
So now this play is like renowned Electra,o traveling in search
of a sophisticated audience, for she will recognize,
if she should see, her brother’s lock of hair. Look closely: she is modest
by nature. First of all, she hasn’t come here with a dangling leather
strap-on attached to her—a thick one with a red tip meant to make
the children laugh. She doesn’t mock the bald or dance a sleazy cordax,o
and there’s no old man in the play who lashes people with his cane
to cover up lame jokes. She doesn’t dash about the stage with torches
or yammer, “Goodness! Goodness!” No, the girl has come here trusting in
herself alone and poetry.
580
I’m hardly an obnoxious poet.
I’d never try to swindle you by putting out the same play two
or three times.o Furthermore, I’m good at introducing fresh ideas,
each unlike the others, all of them quite clever. It was I
who struck a blow at Cleon’s pauncho when he was in his pride but later
refused to keep on pummeling the fellow after he was down.
But other poets, once Hyperboluso had given them a grip,
kept beating on the sorry fellow, and his mother. First of all,
Eupolis put his Maricas before you.o He had plagiarized
my play The Knights (because he is a plagiarist) to make his play
590
and even added in a drunken hag to dance a naughty cordax—
the very woman Phrynichuso had put onstage some time ago,
the one the sea beast longed to eat. Hermippuso was the next to write
verses about Hyperbolus, and all the other poets now
will not stop battering Hyperbolus, in imitation of
the similes I wrote about the eels.o Whoever laughs at their jokes
should not enjoy my plays. If you delight in me and my inventions,
however, people in the future will remember you as wise.
CHORUS:
Strophe
The first god I invite to join our choir
is mighty Zeus, the king who rules on high.
600
The potent trident-wieldero
comes next, who shakes the land and sea,
then Aether who bestows vitality
on all, a father god of great repute.
Last comes the deity who fills the plain
of Earth with vivid rays of light,
the charioteero who daily proves a great
power among the gods and mortal men.
CHORUS LEADER:
Most clever audience, give us your attention. We were wronged by you,
and we will censure you directly.
We support the city of Athens
610
better than all the other gods, and yet to us alone you fail
to offer sacrifice or pour libation. We watch over you.
Whenever you begin a foolish expedition, we erupt
in rain and thunder. When you were about to choose that god-detested
Paphlagonian tanner Cleon as a general,o we wrinkled
our brows and made frightening noises; lightning struck, and thunder followed;
the Moon forsook her usual course; the Sun was quick to snuff his wick
and said that he would give no light to you if Cleon should be general.
You chose him anyway.
They say that terrible decision-making
plagues this town but that the gods transform these lapses to successes.
620
We will swiftly teach you how this choice as well can come to good.
If you convict that vulture Cleon of embezzlement and graft
and bind his neck fast in the stocks, your situation will return
to what it was before and, though you made a bad mistake in judgment,
everything, in the end, will wind up only benefiting Athens.
CHORUS:
Antistrophe
Delian Apollo, Phoebus, you who live
atop Mount Cynthus, listen to my prayer,
and you, too, blessed goddess of
Ephesus’s golden temple,o where
the Lydian virgins bow before your power,
630
and you, Athena, goddess of this town,
aegis-wielder, warden of city walls,
and Bacchus, boon companion,
who, from a peak of Mount Parnassus, shine
in torchlight on the Delphic bacchanals.
CHORUS LEADER:
When we were getting ready to travel here, the Moon by chance approached us
and told us, first, give her greeting to the Athenians and their allies.
She then said she was irritated. You had wronged her, she explained,
though she has helped you not in words but actively.
First off,
you spend less money buying torches, since, on certain evenings,
640
everybody tells their slaves, “No need to buy a torch because
the moon is shining.” She explained that, though she does you other favors,
you run your calendar erroneously and confuse the dates
across the board. She said the gods reprove her when they miss a dinner
and come home after having shown up for a feast too late or early.
Then, when you should be offering them sacrifices, you are busy
torturing witnesses and litigating. Often, when we gods
are sitting for a fast to mourn the loss of Sarpedon or Memnon,o
you all are pouring drinks and laughing. That is why we stripped the garland
off Hyperbolus, this year’s allotted Sacred Signatory.o
650
Thus he will learn that he should spend his days according to the Moon.
(Socrates enters from the Thinkery.)
SOCRATES:
I swear by Respiration, Air and Chaos
I have never met so ignorant,
forgetful, frustrating and dumb a hick
in all my life. The man forgets the tiniest
little quibble that I teach him even
before he learns it. All the same, I’ll call him
out into daylight, and we’ll try again.
Strepsiades? Come out and bring your bed.
(Strepsiades enters from the Thinkery carrying a pallet bed and blankets.)
STREPSIADES:
Ah, but the bedbugs—they don’t want me to.
SOCRATES:
660
Be quick, now. Set it down and pay attention.
STREPSIADES:
Okay.
(Strepsiades puts down the bed and blankets.)
SOCRATES:
Of all the things you’ve never learned,
which do you want most to be taught about?
Shall we begin with measures, words or rhythms?
STREPSIADES:
Measures.o Just the other day a grocer
cheated me out of two whole quarts of flour.
SOCRATES:
That’s not my meaning. Which is the most appealing,
three-measure? Four?
STREPSIADES:
I like the gallon best.
SOCRATES:
What are you babbling about?
STREPSIADES:
You want
to bet four quarts don’t measure out a gallon?
SOCRATES:
670
Oh, go to hell, you stupid hick. Let’s try
rhythms—they might be easier to grasp.
STREPSIADES:
Will rhythms help me earn my daily bread?
SOCRATES:
You will be great at making conversation
if you know the difference between
the “battle” rhythm and the “finger” rhythm.
STREPSIADES:
“Finger”? I know about the finger.
SOCRATES:
What?
STREPSIADES:
What answer can I give except
(holding up his middle finger)
this finger?
When I was young, “the finger” stood for this.
SOCRATES:
You clod.
STREPSIADES:
But I don’t want to learn this stuff.
SOCRATES:
What do you want to learn?
STREPSIADES:
680
That, that Argument—
the one you intellectuals call the “Wrong.”
SOCRATES:
But there are other things you must learn first:
namely, which animals are rightly male?
STREPSIADES:
If I am not insane, I know the males:
ram, billy goat, bull, dog, bird.
SOCRATES:
That’s very good. Now tell me which are female?
STREPSIADES:
Ewe, nanny goat, cow, bitch, bird.
SOCRATES:
Ah, do you see what you have done? You used
the same word, “bird,” for both the male and female.
STREPSIADES:
How’s that?
SOCRATES:
690
You called one “bird”; the other, “bird.”
STREPSIADES:
What should I call them, then, from here on out?
SOCRATES:
Call one “birdette” and call the other “birdus.”
STREPSIADES:
“Birdette”? I promise by the Holy Air
for that one bit of learning I will fill
your kneading-trough with lots and lots of flour.
SOCRATES:
See! You have made the same mistake. You made
“trough,” which is feminine, be masculine.
STREPSIADES:
How did I make the word “trough” masculine?
SOCRATES:
The -ough, like -us as in “Cleonymus.”
STREPSIADES:
Say what?
SOCRATES:
700
Their endings—they are masculine.
STREPSIADES:
Cleonymus possessed no kneading-trough
(making a masturbatory gesture)
but worked his hands through flesh meal down below.
From now on, then, what should I call the “trough”?
SOCRATES:
Call it “troughette,” just as you say Babbette.
STREPSIADES:
“Troughette” is feminine?
SOCRATES:
That is correct.
STREPSIADES:
Good, I can say “troughette” just like Babbette.
SOCRATES:
Now you must learn which names are masculine
and which are feminine.
STREPSIADES:
I know some names of females.
SOCRATES:
Tell me, then.
STREPSIADES:
Clitagora, Lysilla,
Demetria, Phillinna.
SOCRATES:
710
And names for males?
STREPSIADES:
Thousands: Philoxenus, Melesias,
Amynias.
SOCRATES:
But these aren’t masculine,
you moron.
STREPSIADES:
Aren’t they masculine to you?
SOCRATES:
No, they are not. See here, how would you call for
Amynias if you met him.o
STREPSIADES:
I would say,
“Hey, Minnie, over here!”
SOCRATES:
See? You just called
Amynias a woman.
STREPSIADES:
That makes sense,
since “she” does not do military duty.
But why learn things that everybody knows?
SOCRATES:
You are incorrigible!
(gesturing to the bed)
720
Lie down here.
STREPSIADES:
And then do what?
SOCRATES:
Think about your own troubles.
STREPSIADES:
Not here, I beg you. If I must lie down,
just let me do my thinking on the ground.
SOCRATES:
There is no other way.
STREPSIADES:
Poor me, the bedbugs
will make me pay in blood for all my debts!
(Socrates exits into the Thinkery. Strepsiades lies down in the bed and covers himself with blankets.)
CHORUS:
It’s time for meditation
and close investigation.
Throw blankets round yourself, then toss
and turn and, if you get in trouble,
730
leap to a new thought on the double.
May gentle sleep be absent from your eyes.
STREPSIDES: (scratching himself)
Ow! And ow again!
CHORUS:
What’s wrong with you?
STREPSIDES: (sitting up)
I’m almost dead!
Poor me, the critters in this bed
are crawling all over my skin,
eating me up, biting my side,
sucking my soul,
nibbling my nuts,
and plowing my hole!
740
They’re chewing me to bits!
CHORUS:
Would you stop carrying on?
STREPSIADES:
Why? My money’s gone,
my color gone,
my spirit gone,
and both of my slippers, gone.
What’s worse, on top of all these woes,
with singing all night long like this,
I myself am lost
almost.
SOCRATES: (peeking out of a window in the Thinkery)
750
Hey you, what are you up to? Meditating?
STREPSIADES:
Yes, quite a bit.
SOCRATES:
What are your thoughts about?
STREPSIADES:
Whether these bugs will eat me up entirely.
SOCRATES:
Oh, go to hell.
STREPSIADES:
I’m there already, friend.
SOCRATES:
Now, don’t be such a wimp. Get all wrapped up
inside the blankets. Think, think till you discover
scams and a fraudulent cast of mind.
STREPSIADES:
Poor me!
I wish someone would cast a cloak of fraud
over me to replace these sheepskin blankets.
(Socrates enters from the Thinkery.)
SOCRATES:
Alright, then, let me see what he is up to.
Hey, are you sleeping?
STREPSIADES:
760
No, I’m wide awake.
SOCRATES:
Have you had any good ideas?
STREPSIADES:
No,
by Zeus, no good ideas.
SOCRATES:
Nothing at all?
STREPSIADES: (throwing his blanket off to reveal his hand on his leather strap-on)
Nothing except this boner in my hand.
SOCRATES:
Cover yourself and think some grand thoughts, quick.
STREPSIADES: (covering himself with the blanket again)
Thoughts about what? Instruct me, Socrates.
SOCRATES:
No, you yourself tell me what you would learn.
STREPSIADES:
I’ve told you what a thousand times already:
how not to pay the interest on my debts.
SOCRATES:
Get down beneath the blankets, spread your thoughts
770
outward, make them subtle, then consider
your personal business, making sure to draw
the right distinctions.
STREPSIADES:
Oh, I’m miserable!
SOCRATES:
Keep still, and when a thought will go no further,
abandon it a little while and then
start contemplating it again until
you lock it up.
(A few “beats” pass onstage.)
STREPSIADES:
O most sweet Socrates!
SOCRATES:
What is it, old man?
STREPSIADES:
I have found a way
to cheat my creditors out of the interest.
SOCRATES:
Present it to me.
STREPSIADES:
Say that . . .
SOCRATES:
Yes? Go on.
STREPSIADES:
780
. . . I were to buy a witch from Thessalyo
and make her drag the moon out of the sky
and lock it in a big round box, as if
it were a mirror. Say I kept it safe . . .
SOCRATES:
But how would this be useful to you?
STREPSIADES:
How?
If there were no moon, I would never need
to pay the interest on my debts.
SOCRATES:
Why’s that?
STREPSIADES:
Because the interest increases monthly.
SOCRATES:
Excellent. Let me now propose a further
test case: Let’s say a certain plaintiff sues you
790
for thirty thousand drachmas. How would you
get out of it?
STREPSIADES:
How? How? I don’t know yet.
Just give me time to think the matter over.
SOCRATES:
Don’t always keep your thoughts locked up within you.
Let your mind go out and ride the air,
like a pet beetle dangling from a thread.
STREPSIADES:
Aha! I’ve found a very clever way
of getting out of it. You’ll like it, too.
SOCRATES:
How would you do it?
STREPSIADES:
Have you ever seen
that stone that druggists sell, the pretty, see-through
800
one that can be used to start a fire?
SOCRATES:
You mean a burning-glass?
STREPSIADES:
That’s what I mean.
Let’s say that, when the clerk was entering
the suit into his tablet, I was standing
like this some distance off and holding up
the glass between the sun and him and melting
the wax right where my suit was being entered.
SOCRATES:
Genius!
STREPSIADES:
I know! I have expunged a case
worth thirty thousand drachmas from the dock.
SOCRATES:
Consider this, now.
STREPSIADES:
What’s that?
SOCRATES:
You’re on trial;
810
you’ve got no witnesses; the guilty verdict
is all but certain—how do you contrive
to get out of it?
STREPSIADES:
That’s an easy one.
SOCRATES:
What do you do?
STREPSIADES:
Alright, I’ll tell you: I,
while there is time before my suit is called,
run off and hang myself.
SOCRATES:
That’s stupid talk.
STREPSIADES:
That’s what I’d do! No one could sentence me
if I were dead!
SOCRATES:
You’re talking nonsense. Get out!
I refuse to teach you any longer.
STREPSIADES:
Socrates, please, no. Keep on teaching me.
SOCRATES:
820
The things I tell you slip your mind so quickly.
What was the first thing that I taught you? Tell me.
STREPSIADES:
Hmn, yeah. What was the first thing? What came first?
Oh, we were kneading dough in something, hmn—
what did you call the thing?
SOCRATES:
Get out of here,
you old, forgetful oaf!
STREPSIADES:
Oh no! Poor me!
What’s going to happen to me now? I’m done for
if I don’t learn to wrestle with my tongue.
Clouds, can you offer any good advice?
CHORUS LEADER:
Old man, we offer you the following counsel:
830
If you have a full-grown son at home,
send him here to study in your stead.
STREPSIADES:
I have a fine and handsome son indeed,
but he refused to come and study here.
What should I do?
CHORUS LEADER:
Can’t you compel him?
STREPSIADES:
No.
He’s big and strong and, on his mother’s side,
descends from rich girls who are like Coesyra.
Still, I will pressure him. If he refuses,
I will throw him straight out of the house!
(to Socrates)
Go in and wait for me. I’ll be back soon.
(Strepsiades exits into his house.)
CHORUS: (to Socrates)
840
Do you perceive you soon will win
great blessings though our aid? That man
will do what he is told to do.
While he is awed and giddy, you
will do your best to take him in.
Still, sketchy matters of this kind
often refuse to go as planned.
(Socrates exits into the Thinkery. Strepsiades and Pheidippides enter from their house.)
STREPSIADES: (to Pheidippides)
I swear by Mist you won’t be living with me
any longer. Go and eat your uncle
Megacles’s fancy portico.o
PHEIDIPPIDES:
850
Father, what’s wrong with you. You’re nuts, by Zeus
upon Olympus.
STREPSIADES: (laughing)
“Zeus upon Olympus!”
What foolishness! To think that you believe
in Zeus, a grown boy.
PHEIDIPPIDES:
What’s so funny, Dad?
STREPSIADES:
That you are young and have archaic notions.
Nevertheless, come here, and I will teach you
something that will make a man of you.
But, hey now, don’t share this with anyone.
PHEIDIPPIDES:
What is it?
STREPSIADES:
Zeus—you swore by Zeus just now.
PHEIDIPPIDES:
I did.
STREPSIADES:
See here, ain’t education great?
Pheidippides, there is no Zeus.
PHEIDIPPIDES:
860
Who’s up there?
STREPSIADES:
Vortex has ousted Zeus and claimed the throne.
PHEIDIPPIDES:
That’s dumb.
STREPSIADES:
You can be certain that it’s true.
PHEIDIPPIDES:
Who told you this?
STREPSIADES:
The Melian Socrates
and Chaerephon, who knows the feet of fleas.
PHEIDIPPIDES:
Have you become so very mad yourself
that you believe the words of madmen?
STREPSIADES:
Hush.
Refrain from idle talk. Say nothing bad
about the wise and clever. They, through thrift,
have never shaved or rubbed themselves with oil
870
or ever washed their grime off in a bathhouse,
while you are bathing all my wealth away
as if I were already dead. Quick, now,
you go and study with them in my place.
PHEIDIPPIDES:
What could a person ever learn from those guys?
STREPSIADES:
All the wisdom that there is on earth.
And you will learn yourself how dumb you are,
how ignorant. Wait here for me a minute.
(Strepsiades exits into his house.)
PHEIDIPPIDES: (to the audience)
What can I do now that my dad is crazy?
Go to court and get him certified?
880
Go leave a message with the undertaker?
(Strepsiades returns with two birds.)
STREPSIADES:
Come, now, what do you call this here?
PHEIDIPPIDES:
A bird.
STREPSIADES:
Good, and what’s this?
PHEIDIPPIDES:
A bird.
STREPSIADES:
You called them both
“bird.” How ridiculous is that! From now on
call this one “birdus” and this here “birdette.”
PHEIDIPPIDES:
“Birdette.” Is this some clever thing you learned
while studying with those primordial monsters?
STREPSIADES:
Yes, and a lot more, too. The problem was
that everything I learned immediately
escaped my mind—I’m just too old for school.
PHEIDIPPIDES:
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Is this the reason why you lost your cloak?
STREPSIADES:
I didn’t lose it; I paid it as tuition.
PHEIDIPPIDES:
How did you lose your slippers, you old fool.
STREPSIADES:
I spent them on “necessities,” you know,
like Pericles once said.o Come on, let’s go.
So long as you obey your father, you
may do the wrong thing. I remember, back
when you were just a lisping little kid,
I was obeying you. In fact I used
the first money I earned in jury pay
900
to buy a toy for you, a little wagon,
at the Diasia.o
PHEIDIPPIDES:
You will regret this.
STREPSIADES:
I’m glad that you are listening to me now.
(calling into the Thinkery)
Come out, come out, now, Socrates. This is
my son—I dragged him here against his will.
(Socrates enters from the Thinkery.)
SOCRATES:
He’s young; he has to get the hang of things here.
PHEIDIPPIDES: (to Socrates)
May you, who have the hang of them, get hanged.
STREPSIADES:
You rotten boy. Do you insult your teacher?
SOCRATES:
“Get hanged”—how childishly he spoke that phrase,
and with his lips spread wide. How will he ever
910
learn to win acquittal from a trial,
compose a writ or make convincing points
in a debate? Oh well, Hyperbolus
has learned this, though it cost him quite a bit.
STREPSIADES:
No worries. He will learn. My son was born
precocious. When he was a little boy
only as tall as this,
(holding out his hand)
he used to sit
indoors and make toy houses, model warships,
little figwood carts and—just imagine—
frogs out of pomegranate rinds.
You just
920
be sure he learns both of the arguments:
Right, or whatever it is called, and Wrong,
the one that, while maintaining what is wrong,
defeats the Right. If both of them are too much,
just teach the Wrong one—that’s the one that matters.
SOCRATES:
He will be taught by both the Arguments
in person. I have other things to do.
STREPSIADES:
Remember, though, the boy has to be able
to give the lie to all just arguments.
(Socrates exits into the Thinkery as Right Argument enters through the same stage door.)
RIGHT ARGUMENT: (to Wrong Argument inside)
Come out and meet the audience.
You’re hardly shy.
(Wrong Argument enters from the Thinkery.)
WRONG ARGUMENT: (to Right Argument)
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You go where you want.
I’ll destroy you all the better
with all these people watching.
RIGHT ARGUMENT:
You—
you’ll destroy me? Just what are you?
WRONG ARGUMENT:
An Argument.
RIGHT ARGUMENT:
Yes, but a Wrong one.
WRONG ARGUMENT:
Go and claim that you are Right.
I’m going to beat you, all the same.
RIGHT ARGUMENT:
By using what clever reasoning?
WRONG ARGUMENT:
By coming up with new ideas.
RIGHT ARGUMENT:
“New ideas” are all the rage,
(gesturing to the audience)
940
thanks to all these morons here.
WRONG ARGUMENT:
No, they are intellectuals.
RIGHT ARGUMENT:
I’ll utterly obliterate you.
WRONG ARGUMENT:
Come on and tell me, how will you do it?
RIGHT ARGUMENT:
By arguing for justice.
WRONG ARGUMENT:
I’ll trash
your arguments with my rejoinders,
since I deny that justice exists.
RIGHT ARGUMENT:
You deny the existence of justice?
WRONG ARGUMENT:
Well, then, where is it?
RIGHT ARGUMENT:
Among the gods.
WRONG ARGUMENTS
If justice is there, why hasn’t Zeus
950
been removed from power for chaining up
his father Cronus?o
RIGHT ARGUMENT:
Nauseating!
You, an obscenity, have gone
too far. I need a pan to puke in!
WRONG ARGUMENT:
You Dark Age windbag.
RIGHT ARGUMENT:
You shameless faggot.
WRONG ARGUMENT:
Your words are roses to me.
RIGHT ARGUMENT:
Buffoon!
WRONG ARGUMENT:
A crown of lilies.
RIGHT ARGUMENT:
Father-killer!
WRONG ARGUMENT:
You just don’t get it, do you? You are
sprinkling me with words of gold.
RIGHT ARGUMENT:
In the past such words were lead, not gold.
WRONG ARGUMENT:
960
Today they are fancy ornaments.
RIGHT ARGUMENT:
You’re pretty obnoxious.
WRONG ARGUMENT:
You’re pretty old.
RIGHT ARGUMENT:
It’s because of you that none of the young men
want to go to school. The people
of Athens will soon come to recognize
just what sort of education
you’ve been giving to these morons.
WRONG ARGUMENT:
You are obscenely filthy.
RIGHT ARGUMENT:
You,
though prosperous now, once, as a beggar,
swore you were Mysian Telephus
970
and lived off nibbles from the quibbles
of Pandeletus.o You kept them in
a little bag.
WRONG ARGUMENT:
Oh how witty—
RIGHT ARGUMENT:
Oh how crazy—
WRONG ARGUMENT:
. . . your allusion was.
RIGHT ARGUMENT:
. . . you are, and the city of Athens is nuts
for paying your bills while you corrupt
the younger generation.
WRONG ARGUMENT:
You Cronus!o
You won’t be getting this boy as a student.
RIGHT ARGUMENT:
I will if he is going to be saved
and not given lessons in nonsense.
WRONG ARGUMENT: (to Pheidippides)
980
Come over here. Let him rave to himself.
RIGHT ARGUMENT:
Touch him, and I will make you howl!
CHORUS LEADER:
Enough with the insults and fisticuffs.
You both should give a presentation.
(to Right Argument)
You describe what you did to teach
the men of old,
(to Wrong Argument)
and you describe
the modern sort of education.
After hearing both sides, the boy
can make his choice and go to school.
RIGHT ARGUMENT:
Yes, I agree.
WRONG ARGUMENT:
I do as well.
CHORUS LEADER:
990
Perfect. Who will be first to speak?
WRONG ARGUMENT:
He can go first, and then I’ll use
newfangled phrases and grand conceptions
to shoot down all his arguments.
By the end of this, if he even mutters,
I’ll sting his face and both his eyes
so terribly with hornet-like
debating-points that he’ll just die.
CHORUS: (to both Right and Wrong Argument)
You now will strive with thoughts and adages and subtle
distinctions. Which of you has won the battle
1000
soon enough will become quite clear.
What wisdom will be in the years to come depends
on who prevails, and our important friends
await the outcome of your verbal war.
(to Right Argument)
First, you who crowned our senior citizens with many virtues,
deploy the voice you love to use, explain your pedagogy.
RIGHT ARGUMENT:
Thank you. I will describe the old-style kind of education,
how people did things back when I, the advocate of justice,
was in the bloom of youth, and self-restraint was all the rage.
First off, boys never made even the slightest chatter; next,
1010
those from the same ward marched in order to their music teacher’s,o
naked and in a body, even when the snow was falling
thick as oatmeal. Third, the boys would never squeeze their thighs
together as they learned to sing by heart “Some Far-off Shout”
or “Queen Athena City-Leveler”o and strained to reach
the perfect harmonies our fathers handed down to us.
If any of them hammed it up or tied the melody in knots
(you know those jazzy sounds certain contemporaries make
to copy Phrynis),o well, that boy was given quite a beating
because he had disgraced the Muses.
Also, when the boys
1020
were sitting down at their gymnastics teacher’s, it behooved them
to keep their thighs tucked in so that they never flashed temptation
at those who watched them. Also, when the boys got up again,
they raked the sand together and were careful not to leave
impressions for the men who dote on youth. Back then no boy
was rubbing oil on himself below the belly button,
and so the down and moisture on his private parts resembled
those on peaches. Nor would he affect a woman’s voice
or whore himself out with his glances when he went to see
the man who loved him. Nor was it permitted then to take up
1030
a radish-head at supper or to steal parsley or dill
from senior citizens, eat fish or laugh or sit cross-legged.
WRONG ARGUMENT:
That’s all as old as the Dipoliao and riddled with
grasshoppers, Cecydes and the Buphonia festival.o
RIGHT ARGUMENT:
And yet these are the rudiments on which I reared the men
who fought at Marathon!o You teach the boys today to go out
wrapped up in layers of clothing. What’s the consequence? I choke
with laughter when I see some youth at the Panathenaea
hold out his shield to hide his flabby body, disrespecting
Tritogeneia, when he should be dancing.o Therefore, young man,
1040
be bold enough to side with me, Right Argument, and you
will learn to hate the marketplace, despise the bathhouse, feel
shame over shameful things and burn with rage when someone mocks you.
Yes, when your elders come into the room, you will surrender
your chair, and you will not be scornful of your parents.
You will do nothing that is shameful since you will have cast
afresh the statue of Restraint inside your conscience. Never
will you dash into the shanty of a dancing girl
where you, while leering at the goings-on, will feel an apple,
tossed by a hussy, hit you and destroy your reputation.
1050
Never will you speak against your father, never call him
a graybeard geezer Iapetuso and never bring to mind
how old he is, because it was his life that gave you life.
WRONG ARGUMENT:
Young man, if you side with him in this, you will be like
Hippocrates’s sons,o and everyone will call you “moron.”
RIGHT ARGUMENT:
And yet you will be sleek and hale because you will be spending
your days at the gymnasium, not making bawdy jokes
while chattering in the marketplace, the way the young do now.
You won’t be dragged into a small-claims court because of some
hairsplitting-pettifogging-barefaced-roguish lawsuit; no,
1060
you will go down to the Academy and, with some modest
companion, sprint for exercise beneath the sacred olives.
You will be garlanded with white reeds; you will smell like yew trees
and leisure-time and poplars shedding leaves; you will enjoy
the springtime and adore the plane tree whispering to the elm.
If you do
the things I say,
you will enjoy,
your whole life long,
a narrow waist, a healthy hue,
1070
massive shoulders, a little tongue,
muscular buttocks and a modest dong.
If you behave
like the young do now,
you will have
a pigeon chest and ashen hue,
low shoulders, a colossal tongue
immense thighs, small buttocks and long
long speeches to give.
If you do as he directs,
1080
you soon will share his faith
that what is base is glorious
and what is glorious, base.
Still worse, the guy will taint you with
Antimachus’s anal sex.o
CHORUS LEADER: (to Right Argument)
You are a master of the craft of lofty-towered, far-famed
wisdom. Your words have their own sweetness, their own modest bloom.
Happy were they who lived among the men of olden time.
(to Wrong Argument)
In answer, you who seem to have a flashy Muse will need
to utter fresh new words, because this man has done quite well.
WRONG ARGUMENT:
1090
I have been spoiling in my very guts; I have been burning
to ravage all that he has said with my antilogies.
That’s why, among deep thinkers, I am called “Wrong Argument”—
because I was the first to come up with a way of speaking
against both law and justice. It is worth ten thousand staters,o
this art of being on the losing side and yet still winning!
Just watch as I confute the sort of education he relies on,
who says that he will not permit a boy to take warm baths:
(to Right Argument)
Why? On what principle do you abominate warm baths?
RIGHT ARGUMENT:
Because they are the worst—they make a man a wimpy coward!
WRONG ARGUMENT:
1100
Stop right there. I already have you gripped about the waist
and helpless. Say, of Zeus’s sons, which, do you think, possessed
the bravest soul and underwent the greatest number of labors?
RIGHT ARGUMENT:
I think no man was ever mightier than Heracles.
WRONG ARGUMENT:
Well, have you ever seen cold “Baths of Heracles”?o And who
was mightier than he?
RIGHT ARGUMENT:
That’s just the guff that stuffs the bathhouse
with bratty blabbermouths and leaves the wrestling school forsaken.
WRONG ARGUMENT:
Next, you assert that spending whole days in the marketplace
is bad. I think it’s good. If there were something wrong with it,
Homer would never have referred to sages, such as Nestor,
1110
as “market orators.”o Next, turning to the tongue, he claims
young men ought not to exercise it, while I say they should.
He also says we should be modest—that’s another evil.
If you have ever seen a person get ahead in life
through modesty, you tell me and refute me with your words.
RIGHT ARGUMENT:
Many people have done well because of modesty.
The hero Peleus acquired a knife because of it.o
WRONG ARGUMENT:
A knife? The poor wretch took in quite a haul, it seems. Ha, ha!
Hyperbolus who sells the lamps,o by being nasty, made
lots and lots of money, but he never got a knife!
RIGHT ARGUMENT:
1120
And Peleus’s virtue got him Thetis as a bride.o
WRONG ARGUMENT:
Yes, and his virtue also made her leave him: he wasn’t rough
enough with her in bed. That’s how the lusty ladies like it,
you geezer from the Stone Age!
(to Pheidippides)
Stop and think, young man, of all
that modesty can’t do, of all that you will miss out on—
boys, women, drinking games, rich food and benders, giggles.
What would your life be worth if you could not enjoy such things?
But let that go. I want to focus now on natural urges.
Imagine you have gone astray, become obsessed, seduced
somebody’s wife and up and gotten caught. You are a goner
1130
if you do not know how to speak. But if you side with me,
you can indulge your urges, dance and laugh and never shy
away fr0m so-called “shameful” acts. If you should happen to be
caught with some man’s wife, you will be able to reply
that you “have done no wrong,” since even Zeus is overcome
by lust for women. How could you, a mortal man, have greater
strength than a god?
RIGHT ARGUMENT:
What if he listens to you and endures
the hot-ash-on-the-pubes and radish-up-the-asshole treatment?o
Will he be able to debate his way out of the fact
he has a faggot’s asshole?
WRONG ARGUMENT:
Hold on, now. What’s wrong with having
a faggot’s asshole?
RIGHT ARGUMENT:
1140
What is wrong with that? What could be worse?
WRONG ARGUMENT:
What would you say if I were to defeat you on this score?
RIGHT ARGUMENT:
I would concede. There would be nothing else that I could say.
WRONG ARGUMENT:
Now tell me: To what class do court professionals belong?
RIGHT ARGUMENT:
The faggots.
WRONG ARGUMENT:
Yes, and to what class do tragic poets belong?
RIGHT ARGUMENT:
The faggots.
WRONG ARGUMENT:
Yes, and to what class do politicians belong?
RIGHT ARGUMENT:
The faggots.
WRONG ARGUMENT:
Don’t you see that you were just now talking nonsense?
Look at the audience. Tell me: To what class do they belong?
RIGHT ARGUMENT: (looking out at the audience)
Alright, I’m looking.
WRONG ARGUMENT:
Well, what do you see there?
RIGHT ARGUMENT:
By the gods,
they’re mostly faggots. That guy is, and that guy, and that longhair.
WRONG ARGUMENT:
What do you say?
RIGHT ARGUMENT: (throwing his cloak away and running to join the audience)
1150
I am defeated. Take my cloak, you faggots!
I surrender. I am coming over to your side.
WRONG ARGUMENT: (to Strepsiades)
What next? Will you escort your son back home
or shall I teach him how to be an orator?
STREPSIADES:
Go, teach him, beat him, just be sure to give him
a razor edge for me. Hone half his face
for little lawsuits, and the other half
for bigger stuff.
WRONG ARGUMENT:
Relax. You will be taking
a clever sophist home with you in time.
PHEIDIPPIDES: (aside)
Yes, and a pale-faced and accurséd one.
CHORUS LEADER: (to Wrong Argument and Pheidippides)
You two can go.
(to Strepsiades)
1160
And as for you, I think
you will eventually regret this choice.
(Worse Argument and Pheidippides exit into the Thinkery. Strepsiades exits into his house.)
CHORUS LEADER:
We want to tell you judges what you stand to gain if you
support us Clouds by voting for us, who deserve to win.o First off,
in spring, when you are plowing up your acres, we will send you rain
earlier than the others. Next we will protect your crops and vineyards
so that neither drought nor excess moisture injures them. However,
any mortal who dishonors our divinity should know
the punishments he will receive from us: he will obtain no wine,
no harvest. When his olive trees and grapevines sprout, we will assail them
1170
so harshly that they will be ruined. If we see him making bricks,
we will unleash much rain and smite his roof tiles with a volley of hailstones.
What’s more, if he or any of his friends or family get married,
we will rain the whole night through so that he probably will wish
he were in Egypt even, rather than to have miscast his vote.
(Strepsiades enters from his house.)
STREPSIADES:
Five days until the month is over, four,
now three and after that it will be two
and then, most frightful, dreadful and repulsive,
the day called “Old and New”o will be at hand.
Then everyone I owe goes down to court, deposits
1180
a fixed amount and swears he will destroy me,
however much I beg for fairness, beg
for mercy: “Please don’t call the loan in now”;
“Give me till next month”; “Give me a reduction.”
They say that they will never get their money
paid back that way. They call me villainous
and vow to sue. Now let them sue away—
it doesn’t matter, since Pheidippides
has learned to be an expert orator.
By knocking on the school’s door here, I soon
will know how he turned out.
(Strepsiades knocks on the door of the Thinkery.)
1190
Hey, boy! Hey, boy!
SOCRATES:
Greetings, Strepsiades.
STREPSIADES:
How good to see you.
(handing Socrates a bag of money)
Please accept this gift. One must, you know,
honor the teacher. Tell me, does my son
now know the Argument you brought out here
not long ago?
SOCRATES:
He does.
STREPSIADES:
By great Queen Fraud,
that’s excellent.
SOCRATES:
Henceforth you will be able
to get out of any debt you please.
STREPSIADES:
Even if several witnesses were present?
SOCRATES:
Yes, even if a thousand men were there.
STREPSIADES:
1200
Then I shall yawp a raucous yawp.
You usurers with all
your talk of “principal”
and “interest,” learn to weep!
No longer will you wear my wealth away.
A son is being reared for me
inside this house, a boy with razor-tongue,
my mighty wall, my house’s guardian,
my enemies’ demise,
the lifter of my woes.
(to Socrates)
1210
Go, please, and bring
my boy to me.
(shouting into the Thinkery)
Come out, O darling son!
Your loving dad is calling.
(Pheidippides enters from the Thinkery.)
SOCRATES:
Here he is.
STREPSIADES:
My darling boy!
SOCRATES:
Collect him now and go.
(Socrates exits into the Thinkery.)
STREPSIADES:
Hip, hip, hooray, my child! Hip, hip, hooray!
How pleased I am to see your pale complexion.
You seem, at first glance, contradictory
and problematic, and our native Attic
litigiousness is blooming in your face—
the what-exactly-are-you-saying? look,
1220
the seeming to be injured when, in fact,
you’re giving injury and doing wrong.
Oh yes, your face now looks Athenian.
Boy, since you’ve ruined me, it’s time to save me.
PHEIDIPPIDES:
What are you frightened of?
STREPSIADES:
The day they call
the Old and New.
PHEIDIPPIDES:
What day is “Old and New”?
STREPSIADES:
The day each month when creditors lay down
their court deposits.
PHEIDIPPIDES:
Well, all those who do so
will lose them, since it is impossible
one day be two days.
STREPSIADES:
How, “impossible”?
PHEIDIPPIDES:
1230
It is impossible unless you think
one woman can be simultaneously
old and young.
STREPSIADES:
The law says “Old and New Day.”
PHEIDIPPIDES:
I think your creditors misunderstand
the meaning of the law.
STREPSIADES:
What does it mean?
PHEIDIPPIDES:
The wise man Solono loved the people, right?
STREPSIADES:
What has that got to do with Old and New Day?
PHEIDIPPIDES:
That’s why he made the summons last for two days,
Old Day and New Day, so that creditors
could lodge deposits on the second day,
1240
the New Day, which we also call “New Moon.”
STREPSIADES:
What was the Old Day for?
PHEIDIPPIDES:
So that defendants
could appear the day before the due date
and settle the dispute. And, if they couldn’t,
to give them extra time to fret before
the morning of the New Moon.
STREPSIADES:
Hmn, why then
do magistrates not take deposits on
the New Moon, only on the Old and New Day
a day before?
PHEIDIPPIDES:
It seems that they are acting
like those who taste the food for festivals—
1250
they want to get their hands on the deposits
a whole day early.
STREPSIADES: (to Pheidippides)
Genius!
(to the audience)
All you wretches,
why do you just sit there so stupidly,
like stones, like zeros, like a flock of sheep
or heaped ceramic jugs—the easy marks
of intellectual men like us? Because
of my good luck, I’m going to sing a song
to celebrate myself and this my son.
“How blest you are,
Strepsiades,
1260
because you are so wise
and have so excellent a son.”
(to Pheidippides)
That’s what my friends and neighbors, everyone,
will say in envy when you prove victorious
in every case you argue at the bar.
Let’s go inside the house and have a party.
(Strepsiades and Pheidippides enter their house. The First Creditor, who has a big belly, and a Witness enter from stage left.)
FIRST CREDITOR:
Should men just hand out portions of their wealth
to others? Never. An unblushing “no”
up front is better than contention later.
Like now, since I must drag you here as witness
1270
all for the sake of my own money. Furthermore,
I will become the enemy of a man
from my own district. Nonetheless, so long
as I am living, I will never shame my country,
and so I hereby call Strepsiades—
STREPSIADES: (peeking out of the door)
Who’s there?
FIRST CREDITOR:
—to come to court on Old and New Day.
STREPSIADES: (to the Witness)
You be my witness: he has named two days.
(to the First Creditor)
Why do you summon me?
FIRST CREDITOR:
Your debt to me,
twelve minas, which I fronted you to buy
a dappled horse.
STREPSIADES:
A horse? You hear this man?
1280
Everyone knows that I hate everything
that has to do with horses.
FIRST CREDITOR:
Still, by Zeus,
you vowed by all the gods you would repay it.
STREPSIADES:
I did (because back then Pheidippides
has not yet mastered the Indomitable
Argument).
FIRST CREDITOR:
Do you, then, deny the debt?
STREPSIADES:
What else will I get back for all that money
I paid out for tuition?
FIRST CREDITOR:
Are you willing
to break the oath you swore by all those gods,
wherever I set forth the summons to you?
STREPSIADES:
By all which gods?
FIRST CREDITOR:
1290
Zeus, Hermes and Poseidon.
STREPSIADES:
By great Zeus, I would throw in three more obols
to swear by him.
FIRST CREDITOR:
Your gall may yet come back
to haunt you.
STREPSIADES: (patting the First Creditor’s belly)
Aw, this chubby little fellow’s
belly is begging to be soaked in brine.
FIRST CREDITOR:
Now you are making fun of me.
STREPSIADES: (still patting the First Creditor’s belly)
This sack
would hold ten liters.
FIRST CREDITOR:
You won’t get away
with mocking me like this, so help me Zeus
and all the gods!
STREPSIADES: (laughing)
“And all the gods”—I love it!
And oaths by Zeus are very lively jokes
among philosophers.
FIRST CREDITOR:
1300
Believe you me,
the time will come when you will pay for this.
Now give it to me straight, before I go:
Will you repay the debt you owe to me?
STREPSIADES:
Just hold tight here, and I will answer shortly.
(Strepsiades exits into the house.)
FIRST CREDITOR:
What do you think he’ll do?
WITNESS:
I think he’ll pay you.
(Strepsiades enters holding a trough.)
STREPSIADES:
Where is the man who claims he lent me money?
Tell me what this is.
FIRST CREDITOR:
What’s that? A trough.
STREPSIADES:
And you, who don’t know anything, demand
I pay you money? I would not pay even
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an obol to a man who called this here
“troughette” a “trough.”
FIRST CREDITOR:
Then you refuse to pay me?
STREPSIADES:
As far as I know, yes. But won’t you now
get off my stoop as quickly as you can?
FIRST CREDITOR:
I’m going, but be sure that, on my life,
I will deposit money with the court.
STREPSIADES:
Then you will lose it, that and all twelve minas.
Still, I wouldn’t have you suffer such misfortune
just for calling a “troughette” a “trough.”
(The First Creditor and the Witness exit stage left. The Second Creditor enters, limping, stage right.)
SECOND CREDITOR:
Ouch! Ouch! Ow!
STREPSIADES:
Who’s carrying on like that?
1320
Surely it wasn’t some god out of Carcinuso
that spoke just now.
SECOND CREDITOR:
Why do you want to know
what man I am? I am a man accursed.
STREPSIADES:
Well, keep it to yourself.
SECOND CREDITOR:
O cruel Fate!
O goddesses of fortune who have broken
my chariot wheels! O how you have destroyed me,
Pallas Athena!
STREPSIADES:
What has Tlepolemuso
ever done to injure you?
SECOND CREDITOR:
Don’t mock me.
Just tell your son to pay his debt to me,
especially since I’m in bad shape now.
STREPSIADES:
What debt is that?
SECOND CREDITOR:
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The money that he borrowed.
STREPSIADES:
You truly are a sad man, then, I think.
SECOND CREDITOR:
I fell out of my chariot while racing.
STREPSIADES:
Why are you talking nonsense, like you tumbled
off an ass?
SECOND CREDITOR:
How am I talking nonsense?
I only want to get my money back.
STREPSIADES:
Too bad there’s no way you are sane.
SECOND CREDITOR:
Why’s that?
STREPSIADES:
It seems to me your brains have gotten scrambled.
SECOND CREDITOR:
It seems to me that you will soon be summoned
to court, if you do not repay the money.
STREPSIADES:
1340
Tell me now, do you think that, when it rains,
Zeus always sends new water down or is it
water the sun has drawn back from the earth
into the sky again.
SECOND CREDITOR:
I don’t know which,
and I don’t care.
STREPSIADES:
But how can you expect
to be repaid if you know nothing of
meteorology?
SECOND CREDITOR:
Alright, if you
are feeling pinched, just pay the interest to me.
STREPSIADES:
Tell me, what sort of creature is this “interest”?
SECOND CREDITOR:
What other than the tendency of money
1350
to be always growing, daily, monthly,
as time proceeds?
STREPSIADES:
You have described it well.
What do you think, now? Has the sea grown larger
than it was before?
SECOND CREDITOR:
No, it’s the same.
It would be wrong if it were any larger.
STREPSIADES:
You wretch, how does the ocean grow no larger
with all those rivers flowing into it,
and yet you want your money to increase?
Get out of here. Now, go.
(to a Slave inside)
Bring me the goad!
(A Slave enters with a goad. Strepsiades takes it and jabs the Second Creditor with it.)
SECOND CREDITOR: (to the audience)
I call you all as witnesses to this.
STREPSIADES:
1360
Go, Mr. Fancy Horse. Why drag your hooves?
Why not get galloping?
SECOND CREDITOR:
This is an outrage!
STREPSIADES:
Move along or else I’ll shove this goad up
your equine asshole. Oh, you’re running now?
I thought this goad would get you moving, you
and all your chariots and chariot wheels.
(The Second Creditor exits, stage right. Strepsiades exits into his house.)
CHORUS:
Strophe
It is an awful thing
to have a passion to do wrong.
That’s how this old man here is passionate.
He burns to get out of repaying debt.
1370
Surely before the sun goes down today
this “intellectual” will have met
with a surprise reversal—he will pay
for his unjust pursuit.
Antistrophe
I think he very soon
will get what he was after. His son
will prove so skillful at presenting views
that mock what’s right and uttering abuse,
that he will vanquish in debate
everyone he comes across.
1380
Perhaps, perhaps the man will wish his brat
were cursed with speechlessness.
(Strepsiades runs out of the house.)
STREPSIADES:
Help! Help me, neighbors! Help me, relatives!
Men of the deme Cicynna, help, help, help!
I’m getting beaten up! My head! My jaw!
(Pheidippides enters from the house.)
You monster, do you dare to hit your father?
PHEIDIPPIDES:
Yes, I do.
STREPSIADES:
See that? The brat admits it!
PHEIDIPPIDES:
I do.
STREPSIADES:
You wretched, parricidal thug!
PHEIDIPPIDES:
More, more insults. Don’t you know I love it
when you curse me?
STREPSIADES:
O you gaping asshole.
PHEIDIPPIDES:
1390
Roses, you are sprinkling me with roses.
STREPSIADES:
You dare to beat your father?
PHEIDIPPIDES:
Yes, I do,
and I will prove that I am justified
in doing it.
STREPSIADES:
You monster! How could you
be justified in beating up your father?
PHEIDIPPIDES:
I will present my case, and you will lose
this argument.
STREPSIADES:
What, I am going to lose?
PHEIDIPPIDES:
Yes, I will win this easily. Now choose
which of the Arguments you want to take.
STREPSIADES:
Which of the Arguments?
PHEIDIPPIDES:
Yes, do you want
the Right one or the Wrong one?
STREPSIADES:
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Pal, if you
are going to convince me that it’s just
for fathers to be beaten by their sons,
well, then I really did get you taught well
to speak against what’s right.
PHEIDIPPIDES:
I’m confident
I’ll win, quite confident that, once you hear me,
you’ll be left without an argument.
STREPSIADES:
Alright, I guess I’ll have to hear you out.
CHORUS:
Strophe
If he didn’t have a plan,
he wouldn’t be so confident.
1410
You now must find a way, old man,
to win this argument.
That boy is hot to trot. His haughtiness
is obvious.
CHORUS LEADER:
First things first: it now behooves you to inform the Chorus
how this war got started (though you’d tell us anyway).
STREPSIADES:
I’ll tell you how the fight got started. As you know, we’d feasted
and, after that, I asked if he would take his lyre and sing me
something by Simonides, “The Shearing of the Ram.”o
Straight off he starts complaining that it’s antiquated—strumming
1420
the lyre and singing at a drinking party, tedious like
a woman grinding grain.
PHEIDIPPIDES:
Just for requesting that I sing
you ought to have been kicked and beaten. Were you entertaining
cicadas?
STREPSIADES:
That’s the sort of thing he said inside. What’s more,
he called Simonides a rotten poet. I could scarcely
control myself, and yet I did. And then I asked him please
to take a bough of myrtle in his hand and speak a speech
from Aeschylus.o Straight off he started saying, “Should I think
Aeschylus is the best of all the poets? Aeschylus
the windbag, the grotesque loudmouth whose words are big as mountains?”
1430
Believe you me, my heart was thumping loudly after that,
but I bit back my wrath and said, “Alright, then, please recite
some sort of clever thing by a contemporary poet.”
Straight off he started speaking something by Euripides
about a brother who (I ache to utter it) was screwing
his half sister.o I could no longer keep my rage in check.
I started hurling insults at him, and—you know what happens—
we traded barb for barb. Then, all at once, he’s on his feet
and wrestling with me, beating on me, throttling me good.
PHEIDIPPIDES:
And weren’t you begging for it, you who scorn Euripides,
the wisest of the poets?
STREPSIADES:
1440
What, the wisest? Why, you are a . . .
but I will just get beaten up again.
PHEIDIPPIDES:
And justly, too.
STREPSIADES:
Justly? Who brought you up, you wretch? Who guessed at what you wanted
when you were a babbling baby? If you said “wa-wa,”
I’d go and get a drink for you, and if you said “ed, ed,”
I’d go and get you bread. Soon as you started saying “poo-poo,”
I’d lift you in my arms, take you outdoors and hold you out
in front of me. But when you had your hands around my neck
just now and I was shouting that I had to poop,
you wouldn’t let me go outside,
you boor,
1450
but went on choking me until I up
and dropped a load
right there.
CHORUS:
Strophe
Now all the pulses of the young
are racing, keen for his reply.
If he can do a deed so wrong
and win through subtlety,
then I would value old men’s hides henceforth
of little worth.
CHORUS LEADER: (to Pheidippides)
1460
You there, the one with leverage to move new words, must now
find arguments that will convince us you were justified.
PHEIDIPPIDES:
I love consorting with the witty wisdom of today
and scorning all established laws and customs. In the past,
when all I thought about was horsemanship, I couldn’t speak
three words together without making a mistake. But now
my father here has got me to forsake my vain pursuits,
and I’m an expert in the subtleties of thought
and argument and speculation. I’m quite confident
that I can demonstrate it’s just to strike one’s father.
STREPSIADES:
1470
Go back to riding horses, boy! I’d rather pay to keep
a team of four of them than get another thorough thrashing.
PHEIDIPPIDES:
To start again with where I was before the interruption,
I want to ask you: Did you spank me when I was a child?
STREPSIADES:
I did, because I cared for you and hoped to help you.
PHEIDIPPIDES:
Tell me,
shouldn’t I show my care for you in just the same way, that is,
by striking you, since violence is, it seems, the same as caring?
Why should your body be immune from blows, and mine not be?
I wasn’t born a slave, but free, as you were. “Children cry;
shouldn’t their fathers cry as well?”o You will contend, of course,
1480
that spanking children is the custom, but I would reply
old men are in a second childhood. Furthermore, because
the old should certainly know better than to misbehave,
it’s more appropriate that they be beaten than the young.
STREPSIADES:
Nowhere is it a custom that a child can beat a father.
PHEIDIPPIDES:
Was it not a man like you and me who first proposed
the custom barring sons from beating fathers? Did he not
persuade the men of old by speaking words? Why can’t I then
propose a custom of my own—that it is just for sons
to beat their fathers in revenge? All of the injuries
1490
we suffered from our dads before this novel rule was passed,
we sons hereby forgive—though we were beaten, we will not
seek reparations. Look how roosters and the other beasts
attack their fathers, and the only difference between us
is they don’t sit in the Assembly pushing resolutions.
STREPSIADES:
Well, if you want to copy everything that roosters do,
why not go eat manure and take a nap atop a perch?
PHEIDIPPIDES:
It’s not the same thing. Socrates would side with me on this.
STREPSIADES:
Still, you shouldn’t beat me. If you do, you will regret it.
PHEIDIPPIDES:
Why?
STREPSIADES:
Just as I have authority to strike my child,
you, too, will have that right, if you have offspring.
PHEIDIPPIDES:
1500
If I don’t,
I’ll never get revenge for all the times you made me cry,
and you’ll be laughing in your grave. What can you say to that?
STREPSIADES: (to the audience)
Well, age-mates, as I see it, he has made a valid point.
We must admit the youth are right. It’s fitting we should howl
when naughty.
PHEIDIPPIDES:
Take this other point.
STREPSIADES:
Oh no, you’re killing me!
PHEIDIPPIDES:
I’ll beat on Mom, just like I beat on you.
STREPSIADES:
What’s that? What’s that?
Another even greater wickedness!
PHEIDIPPIDES:
What if I took
Worse Argument and used it in debate with you to prove
that it is just to beat one’s mother?
STREPSIADES: (to Pheidippides)
1510
Here’s what:
If you proceed to argue this,
then nothing will prevent
you from being sent
tumbling into the Pit
of Death, along with Socrates
and your accurséd Argument.
(to the Chorus)
Clouds, I entrusted everything to you,
and look at what you’ve done to ruin me!
CHORUS LEADER:
No, sir; you are to blame for all of it,
1520
because you turned to working wicked schemes.
STREPSIADES:
Why didn’t you forewarn me? Why did you
lead on a simple codger from the country?
CHORUS LEADER:
This is what we always do to people
we recognize as lovers of the wrong—
we cast them into wretchedness so that
they learn that henceforth they must fear the gods.
STREPSIADES:
Ah, that is vicious, Clouds, but only just.
I shouldn’t have attempted to defraud
my creditors. Now, therefore, come with me,
1530
my dear, dear son. Let’s go and get that awful
Chaerephon and Socrates because
they hoodwinked us.
PHEIDIPPIDES:
I won’t attack my teachers!
STREPSIADES:
Yes, get them both. Respect Paternal Zeus.
PHEIDIPPIDES:
“Paternal Zeus.” How out of date you are!
You think that Zeus exists?
STREPSIADES:
He does.
PHEIDIPPIDES:
He doesn’t:
“Vortex has ousted Zeus and claimed the throne.”
STREPSIADES:
No, he has not,
(pointing to the “Vortex” jar)
although this Vortex here
made me believe it. Taking a ceramic
jar for a deity—how dumb I was!
PHEIDIPPIDES:
1540
You go on talking nonsense to yourself.
(Pheidippides exits into Strepsiades’s house.)
STREPSIADES:
Madness! It was insanity for me
to scorn the gods because of Socrates!
(to the statue of Hermes)
Ah, Hermes, please do not be angry with me,
do not destroy me. No, be merciful,
since someone else’s blather made me crazy.
Be my advisor. Should I prosecute them?
What do you think?
(Strepsiades pauses as if to hear the statue’s advice.)
You’re right, of course. I shouldn’t
waste time in court. Yes, I should go and burn
those babblers’ house down quickly as I can.
(shouting into the house)
1550
Xanthias, get out here and bring a ladder
and pickax! Climb atop the Thinkery
and hack the roof in. If you love your master,
bring the whole damn ceiling down upon them.
(Xanthias climbs up to the roof of the Thinkery.)
Somebody, light a torch and bring it to me!
I’m going to make them pay for all they’ve done.
No fancy talk is going to save them this time.
(The Slave brings Strepsiades a lit torch. A Student emerges from the Thinkery.)
STUDENT:
Oh no!
STREPSIADES:
Get to it, torch! Set things ablaze!
(Strepsiades climbs onto the roof of the Thinkery.)
STUDENT: (to Strepsiades)
You there, what are you doing?
STREPSIADES:
What am I doing?
I’m going to split your roof beams just like you
split hairs.
CHAEREPHON: (opening a window in the wooden backdrop)
1560
Oh no! Who’s set our house on fire?
STREPSIADES:
Who? It’s the man whose cloak you stole. That’s who.
CHAEREPHON:
You’ll kill us all! You’ll kill us!
STREPSIADES:
So I will,
unless that pickax cheats my hopes or I
slip for some reason, fall and break my neck.
(Socrates opens another window in the wooden backdrop.)
SOCRATES: (to Strepsiades)
Hey you, what are you doing on the roof?
STREPSIADES:
“Walking on air and pondering the sun.”
SOCRATES:
Oh no! I’m going to cough myself to death!
CHAEREPHON:
What about me? I will be burned alive!
STREPSIADES:
What were you thinking when you insolently
1570
mocked the gods and scoped the Moon’s behind?
(to Xanthias and the other Slave)
Remember—all these men have wronged the gods!
Hunt them, stone them, hit them for their crimes!
(Strepsiades and Xanthias climb down from the roof of the wooden platform and, with the other Slave, chase Socrates, Chaerephon, and the Student off stage right.)
CHORUS: (to the Chorus Leader)
It’s time to lead us off. We have performed
sufficient choral business for today.
(The Chorus Leader leads the Chorus off, stage left.)