OTHER SELECT TITLES IN THE SHORT CUTS SERIES

THE HORROR GENRE: FROM BEELZEBUB TO BLAIR WITCH   Paul Wells

THE STAR SYSTEM: HOLLYWOOD’S PRODUCTION OF POPULAR IDENTITIES   Paul McDonald

SCIENCE FICTION CINEMA: FROM OUTERSPACE TO CYBERSPACE   Geoff King and Tanya Krzywinska

EARLY SOVIET CINEMA: INNOVATION, IDEOLOGY AND PROPAGANDA   David Gillespie

READING HOLLYWOOD: SPACES AND MEANINGS IN AMERICAN FILM   Deborah Thomas

DISASTER MOVIES: THE CINEMA OF CATASTROPHE   Stephen Keane

THE WESTERN GENRE: FROM LORDSBURG TO BIG WHISKEY   John Saunders

PSYCHOANALYSIS AND CINEMA: THE PLAY OF SHADOWS   Vicky Lebeau

COSTUME AND CINEMA: DRESS CODES IN POPULAR FILM   Sarah Street

MISE-EN-SCÈNE: FILM STYLE AND INTERPRETATION   John Gibbs

NEW CHINESE CINEMA: CHALLENGING REPRESENTATIONS   Sheila Cornelius with Ian Haydn Smith

ANIMATION: GENRE AND AUTHORSHIP   Paul Wells

WOMEN’S CINEMA: THE CONTESTED SCREEN   Alison Butler

BRITISH SOCIAL REALISM: FROM DOCUMENTARY TO BRIT GRIT   Samantha Lay

FILM EDITING: THE ART OF THE EXPRESSIVE   Valerie Orpen

AVANT-GARDE FILM: FORMS, THEMES AND PASSIONS   Michael O’Pray

PRODUCTION DESIGN: ARCHITECTS OF THE SCREEN   Jane Barnwell

NEW GERMAN CINEMA: IMAGES OF A GENERATION   Julia Knight

EARLY CINEMA: FROM FACTORY GATE TO DREAM FACTORY   Simon Popple and Joe Kember

MUSIC IN FILM: SOUNDTRACKS AND SYNERGY   Pauline Reay

MELODRAMA: GENRE, STYLE, SENSIBILITY   John Mercer and Martin Shingler

FEMINIST FILM STUDIES: WRITING THE WOMAN INTO CINEMA   Janet McCabe

FILM PERFORMANCE: FROM ACHIEVEMENT TO APPRECIATION   Andrew Klevan

NEW DIGITAL CINEMA: REINVENTING THE MOVING IMAGE   Holly Willis

THE MUSICAL: RACE, GENDER AND PERFORMANCE   Susan Smith

TEEN MOVIES: AMERICAN YOUTH ON SCREEN   Timothy Shary

FILM NOIR: FROM BERLIN TO SIN CITY   Mark Bould

DOCUMENTARY: THE MARGINS OF REALITY   Paul Ward

THE NEW HOLLYWOOD: FROM BONNIE AND CLYDE TO STAR WARS   Peter Krämer

ITALIAN NEO-REALISM: REBUILDING THE CINEMATIC CITY   Mark Shiel

WAR CINEMA: HOLLYWOOD ON THE FRONT LINE   Guy Westwell

FILM GENRE: FROM ICONOGRAPHY TO IDEOLOGY   Barry Keith Grant

ROMANTIC COMEDY: BOY MEETS GIRL MEETS GENRE   Tamar Jeffers McDonald

SPECTATORSHIP: THE POWER OF LOOKING ON   Michele Aaron

SHAKESPEARE ON FILM: SUCH THINGS THAT DREAMS ARE MADE OF   Carolyn Jess-Cooke

CRIME FILMS: INVESTIGATING THE SCENE   Kirsten Moana Thompson

THE FRENCH NEW WAVE: A NEW LOOK   Naomi Greene

CINEMA AND HISTORY: THE TELLING OF STORIES   Mike Chopra-Gant

GERMAN EXPRESSIONIST CINEMA: THE WORLD OF LIGHT AND SHADOW   Ian Roberts

FILM AND PHILOSOPHY: TAKING MOVIES SERIOUSLY   Daniel Shaw

CONTEMPORARY BRITISH CINEMA: FROM HERITAGE TO HORROR   James Leggott

RELIGION AND FILM: CINEMA AND THE RE-CREATION OF THE WORLD S.   Brent Plate

FANTASY CINEMA: IMPOSSIBLE WORLDS ON SCREEN   David Butler

FILM VIOLENCE: HISTORY, IDEOLOGY, GENRE   James Kendrick

NEW KOREAN CINEMA: BREAKING THE WAVES   Darcy Paquet

FILM AUTHORSHIP: AUTEURS AND OTHER MYTHS C.   Paul Sellors

THE VAMPIRE FILM: UNDEAD CINEMA   Jeffrey Weinstock

HERITAGE FILM: NATION, GENRE AND REPRESENTATION   Belén Vidal

QUEER CINEMA: SCHOOLGIRLS, VAMPIRES AND GAY COWBOYS   Barbara Mennel

ACTION MOVIES: THE CINEMA OF STRIKING BACK   Harvey O’Brien

BOLLYWOOD: GODS, GLAMOUR AND GOSSIP   Kush Varia

THE SPORTS FILM: GAMES PEOPLE PLAY   Bruce Babington

THE HEIST FILM: STEALING WITH STYLE   Daryl Lee

INTERNATIONAL POLITICS AND FILM: SPACE, VISON, POWER   Sean Carter & Klaus Dodds

FILM THEORY: CREATING A CINEMATIC GRAMMAR   Felicity Colman

BIO-PICS: A LIFE IN PICTURES   Ellen Cheshire

FILM PROGRAMMING: CURATING FOR CINEMAS, FESTIVALS, ARCHIVES   Peter Bosma