JAMES RICHARDSON


Late Aubade

Image

after Hardy

So what do you think, Life, it seemed pretty good to me,

though quiet, I guess, and unspectacular.

It’s been so long, I don’t know any more how these things go.

I don’t know what it means that we’ve had this time together.

I get that the coffee, the sunlight on glassware, the Sunday paper

and our studious lightness, not hearing the phone, are iconic

of living regretless in the Now. A Cool that’s beyond me:

I’m having some trouble acting suitably poised and ironic.

It’s sensible to be calm, not to make too much of a little thing

and just see what happens, as I think you are saying

with your amused look, sipping and letting me monologue,

and young as you are, Life, you would know: you have done it all.

If I get up a little reluctantly, tapping my wallet, keys, tickets,

I’m giving you time to say Stay, it’s a dream

that you’re old—no one notices—years never happened—

but I see you have already given me all that you can.

Those clear eyes are ancient; you’ve done this with billions of others,

but you are my first life, Life; I feel helplessly young.

I’m a kid checking mail, a kid on his cell with his questions:

are we in love, Life, are we exclusive, are we forever?

from The Yale Review