Published sources may offer disparate titles and years for foreign films. This filmography uses the following format:
U.S. release title or, where none, standard English translation/domestic release title or titles (director or directors, country or countries of production, year of first theatrical release)
The Adventures of Felix/Drôle de Félix (Olivier Ducastel and Jacques Martineau, France, 2000)
The Age of Innocence (Martin Scorsese, United States, 1993)
Aimée and Jaguar (Max Färberböck, Germany, 1999)
Air Hostess/Kong zhong xiao jie (Yi Wen, Hong Kong, 1959)
Alone/Sam (Vladimir Pogacić, Yugoslavia, 1959)
Alphaville, a Strange Adventure of Lemmy Caution/Alphaville, une étrange adventure de Lemmy Caution (Jean-Luc Godard, France/Italy, 1965)
Amarcord (Federico Fellini, Italy/France, 1973)
Autumn Moon/Qiuyue (Clara Law, Hong Kong/Japan, 1992)
¡Ay, Carmela! (Carlos Saura, Spain/Italy, 1990)
Backbeat (Iain Softley, United Kingdom/Germany, 1994)
The Basque Ball: Skin Against Stone/Pelota vasca: La piel contra la piedra (Julio Medem, Spain, 2003)
Beau Travail (Claire Denis, France, 2000)
Beautiful People (Jasmin Dizdar, United Kingdom, 1999)
Before the Rain/Pred dozhdot (Milcho Manchevski, Republic of Macedonia/France/United Kingdom, 1994)
Belle Epoque/Belle Époque (Fernando Trueba, Spain/Portugal/France, 1992)
Berlin Express (Jacques Tourneur, United States, 1948)
Berlin in Berlin (Sinan Çetin, Turkey/Germany, 1994)
Berlin.killer.doc (Bettina Ellerkamp and Jörg Heitman, Germany, 1999)
Between Yesterday and Tomorrow/Zwischen Gestern und Morgen (Harald Braun, Germany, 1947)
Bhaji on the Beach (Gurinder Chadha, United Kingdom, 1993)
The Bicycle Thief/Ladri di biciclette (Vittorio De Sica, Italy, 1948)
Bitter Rice/Riso amaro (Giuseppe De Santis, Italy, 1949)
Black Narcissus (Michael Powell and Emeric Pressburger, United Kingdom, 1947)
Blue/Trois couleurs: Bleu/Trzy kolory: Niebieski (Krzysztof Kieślowski, France/Poland/Switzerland/United Kingdom, 1993)
A Brighter Summer Day/Guling jie shaonian sharen shijian (Edward Yang, Taiwan, 1991)
Buttoners/Knoflíkári (Petr Zelenka, Czech Republic, 1997)
The Cabinet of Doctor Caligari/Das Kabinett des Doktor Caligari (Robert Weine, Germany, 1920)
Calendar (Atom Egoyan, Canada/Armenia/Germany, 1993)
Camille Claudel (Bruno Nuytten, France, 1988)
Caravaggio (Derek Jarman, United Kingdom, 1986)
Cat People (Jacques Tourneur, United States, 1942)
The Celebration/Festen/Dogme #1—Festen (Thomas Vinterberg, Denmark/Sweden, 1998)
Cheb (Rachid Bouchareb, Algeria/France, 1991)
Chico (Ibolya Fekete, Germany/Croatia/Hungary/Chile, 2002)
Chocolat (Claire Denis, France/West Germany/Cameroon, 1988)
Christ Stopped at Eboli/Cristo si è fermato a Eboli (Francesco Rosi, Italy/France, 1979)
Cinema Paradiso/Nuovo cinema Paradiso (Giuseppe Tornatore, Italy/France, 1988)
The Conformist/Il conformista (Bernardo Bertolucci, Italy/France/West Germany, 1970)
Dark Blue World/Tmavomodrý svet (Jan Sverák, Czech Republic/United Kingdom/Germany/Denmark/Italy, 2001)
Day of Wrath/Vredens dag (Carl Theodor Dreyer, Denmark, 1943)
Days of Hope (Ken Loach, United Kingdom television, 1975)
Delicatessen (Jean-Pierre Jeunet and Marc Caro, France, 1991)
Difficult Years/Anni difficili (Luigi Zampa, Italy, 1948)
Distant Voices, Still Lives (Terence Davies, United Kingdom, 1988)
Divided We Fall/Musíme si pomáhat (Jan Hrebejk, Czech Republic, 2000)
La dolce vita (Federico Fellini, Italy/France, 1960)
Dr. Petiot/Docteur Petiot (Christian de Chalonge, France, 1990)
The Earth Trembles/La terra trema/La terra trema: La episodio del mare (Luchino Visconti, Italy, 1948)
Edward II (Derek Jarman, United Kingdom, 1991)
Enchanted April (Mike Newell, United Kingdom, 1992)
The English Patient (Anthony Minghella, United States, 1996)
Europa Europa/Hitlerjunge Salomon (Agnieszka Holland, Germany/France/Poland, 1990)
A Foreign Affair (Billy Wilder, United States, 1948)
Forrest Gump (Robert Zemeckis, United States, 1994)
From the East/D’Est (Chantal Akerman, Belgium/France/Portugal, 1993)
Germany, Pale Mother/Deutschland bleiche Mutter (Helma Sanders-Brahms, West Germany, 1980)
Germany Year Zero/Germania anno zero (Roberto Rossellini, Italy/Germany/France, 1948)
Gertrud (Carl Theodor Dreyer, Denmark, 1964)
Golden Balls/Huevos de oro (J. J. Bigas Luna, Spain/Italy/France, 1993)
Gone with the Wind (Victor Fleming, United States, 1939)
Hate/La Haine (Mathieu Kassovitz, France, 1995)
Hawks and Sparrows/Uccellacci e uccellini (Pier Paolo Pasolini, Italy, 1966)
Head-On/Gegen die Wand/Duvara karsi (Fatih Akin, Germany/Turkey, 2004)
Hedd Wyn (Paul Turner, United Kingdom, 1992)
Hey Cousin!/Salut Cousin! (Merzak Allouache, France/Algeria/Belgium/Luxembourg, 1996)
Hitler: A Film from Germany/Hitler—ein Film aus Deutschland (Hans-Jürgen Syberberg, West Germany, 1978)
The Hole/Dong (Tsai Ming-Liang, Taiwan/France, 1999)
The House of Mirth (Terence Davies, United Kingdom/France/Germany/United States, 2000)
Howards End (James Ivory, United Kingdom/Japan, 1992)
Icicle Thief/Ladri di saponette (Maurizio Nichetti, Italy, 1989)
Immortal Youth/Besmrtna mladost (Vojislav Nanović, Yugoslavia, 1948)
In the Mood for Love/Fa yeung nin wa (Wong Kar-wai, Hong Kong/France/Thailand, 2000)
In the Name of the Law/In nome della legge (Pietro Germi, Italy, 1949)
Independence Day (Roland Emmerich, United States, 1996)
Italian for Beginners/Dogme #12—Italiensk for begyndere (Lone Scherfig, Denmark/Sweden, 2000)
Jamón, jamón (J. J. Bigas Luna, Spain, 1992)
Jaws (Steven Spielberg, United States, 1975)
Jean de Florette (Claude Berri, France/Switzerland/Italy, 1986)
JFK (Oliver Stone, United States, 1991)
Khrustalyov, My Car!/Khrustalyov, mashinu! (Aleksei Gherman, Russia/France, 1999)
Kon-Tiki (Thor Heyerdahl, Norway/Sweden, 1950)
Kozara (Veljko Bulajić, Yugoslavia, 1963)
The Krays (Peter Medak, United Kingdom, 1990)
Lacombe, Lucien/Lacombe Lucien (Louis Malle, France/West Germany/Italy, 1974)
Land and Freedom/Tierra y libertad (Ken Loach, United Kingdom/Spain/Germany/Italy, 1995)
The Last Metro/Le Dernier Métro (François Truffaut, France, 1980)
The Last Seduction (John Dahl, United States, 1994)
Letter from an Unknown Woman (Max Ophüls, United States, 1948)
Life Is Beautiful/La vita è bella (Roberto Benigni, Italy, 1997)
Lilya 4-ever/Lilja 4-ever (Lukas Moodysson, Sweden/Denmark, 2002)
The Long Day Closes (Terence Davies, United Kingdom, 1992)
Look Back in Anger (Tony Richardson, United Kingdom, 1958)
Lovers of the Arctic Circle/Los amantes del Círculo Polar (Julio Medem, Spain/France, 1998)
The Lovers on the Bridge/Les Amants du Pont-Neuf (Leos Carax, France, 1991)
The Lower Depths/Les Bas-fonds (Jean Renoir, France, 1936)
M/M—Eine Stadt sucht einen Mörder (Fritz Lang, Germany, 1931)
Mambo Girl/Man bo nu lang (Yi Wen, Hong Kong, 1957)
Manon of the Spring/Manon des sources (Claude Berri, France/Italy/Switzerland, 1986)
Marriage in the Shadows/Ehe im Schatten (Kurt Maetzig, Germany, 1947)
The Marriage of Maria Braun/Die Ehe der Maria Braun (Rainer Werner Fassbinder, West Germany, 1979)
Maurice (James Ivory, United Kingdom, 1987)
Mediterraneo (Gabriele Salvatores, Italy, 1991)
Mifune/Dogme #3—Mifunes sidste sang (Søren Kragh-Jacobsen, Denmark/Sweden, 1999)
Mildred Pierce (Michael Curtiz, United States, 1945)
Miller’s Crossing (Joel Coen, United States, 1990)
Miracle in Milan/Miracolo a Milano (Vittorio De Sica, Italy, 1951)
The Morning/Jutro (Mladomir “Puriša” Đorđević, Yugoslavia, 1967)
Murderers Among Us/Die Mörder sind unter uns (Wolfgang Staudte, Germany, 1946)
My Friend Ivan Lapshin/Moy drug Ivan Lapshin (Aleksei Gherman, Soviet Union, 1985 [completed in 1982 but shelved for three years])
My Life as a Dog/Mitt liv som hund (Lasse Hallström, Sweden, 1985)
The Night Porter/Il portiere di notte (Liliana Cavani, Italy/United States, 1974)
On Their Own Ground/Na svoji zemlji (France Štiglić, Yugoslavia, 1948)
Ordet (Carl Theodor Dreyer, Denmark, 1955)
Orlando (Sally Potter, United Kingdom/Russia/France/Italy/Netherlands, 1992)
Our Friends in the North (Simon Cellan Jones, Pedr James, and Stuart Urban, United Kingdom television, 1996)
Out of the Past (Jacques Tourneur, United States, 1947)
Paisan/Paisà (Roberto Rossellini, Italy, 1946)
Partisan Stories/Partizanske priče (Stole Janković, Yugoslavia, 1960)
A Passage to India (David Lean, United Kingdom/United States, 1984)
Passion (Jean-Luc Godard, France/Switzerland, 1982)
The Patriotic Woman/Die Patriotin (Alexander Kluge, West Germany, 1979)
The Pillow Book (Peter Greenaway, United Kingdom/France/Netherlands, 1996)
The Ploughman’s Lunch (Richard Eyre, United Kingdom, 1983)
The Postman/Il Postino (Michael Radford, Italy/France/Belgium, 1994)
The Powder Keg/Cabaret Balkan/Bure Baruta (Goran Paskaljević, Yugoslavia/Macedonia/France/Greece/Turkey, 1998)
Pretty Village, Pretty Flame/Lepa sela lepo gore (Srđjan Dragojević, Yugoslavia, 1996)
Prospero’s Books (Peter Greenaway, United Kingdom/France/Netherlands/Italy/Japan, 1991)
Pure Blood (Ken Kaplan, South Africa, 2000)
¡Que Viva Mexico!/Da zdravstvuyet Meksika! (Sergei Eisenstein, Soviet Union/United States/Mexico, 1932 [unfinished])
Queen Margot/La Reine Margot (Patrice Chéreau, France/Italy/Germany, 1994)
Reassemblage (Trinh T. Minh Ha, United States, 1982)
Rebels of the Neon God/Ching shao nien nacha (Tsai Ming-Liang, Taiwan, 1992)
Red/Trois couleurs: Rouge/Trzy kolory: Czerwony (Krzysztof Kieślowski, Poland/France/Switzerland, 1994)
Rome, Open City/Roma, città aperta (Roberto Rossellini, Italy, 1945)
A Room with a View (James Ivory, United Kingdom, 1985)
Rosencrantz and Guildenstern Are Dead (Tom Stoppard, United Kingdom/United States, 1990)
Saving Private Ryan (Steven Spielberg, United States, 1998)
Schindler’s List (Steven Spielberg, United States, 1993)
Shakespeare in Love (John Madden, United Kingdom/United States, 1998)
Slavica (Vjekoslav Afrić, Yugoslavia, 1947)
Spellbound (Alfred Hitchcock, United States, 1945)
Stavisky (Alain Resnais, France/Italy, 1974)
Steam: The Turkish Bath/Hamam (Ferzan Ozpetek, Italy/Turkey/Spain, 1997)
Storm over Asia/Potomok Chingis-Khana (Vsevolod Pudovkin, Soviet Union, 1928)
Story of Women/Une affaire de femmes (Claude Chabrol, France, 1988)
The Sun Is Far Away/Daleko je sunce (Rados Novaković, Yugoslavia, 1953)
The Superfluous Girl/Prekobrojna (Branko Bauer, Yugoslavia, 1962)
Tabu (F.W. Murnau, United States, 1931)
Taipei Story/Qingmei zhuma (Edward Yang, Taiwan, 1985)
The Terrorizer/Kongbu fenzi (Edward Yang, Taiwan/Hong Kong, 1986)
The Third Man (Carol Reed, United Kingdom, 1949)
This People Must Live/Živjeće ovaj narod (Nikola Popović, Yugoslavia, 1947)
Three/Tri (Aleksandar Petrović, Yugoslavia, 1965)
The Tit and the Moon/La teta i la lluna (J. J. Bigas Luna, Spain/France, 1994)
Tito and Me/Tito i ja (Goran Marković, Yugoslavia, 1992)
Toto the Hero/Toto le héros (Jaco Van Dormael, France/Belgium/Germany, 1991)
The Town Is Quiet/La Ville est tranquille (Robert Guédiguian, France, 2001)
Tragic Hunt/Caccia tragica (Giuseppe De Santis, Italy, 1947)
Ulysses’ Gaze/To Vlemma tou Odyssea (Theo Angelopolous, Greece/France/Italy, 1995)
Umberto D. (Vittorio De Sica, Italy, 1952)
Underground/Bila jednom jedna zemlja (Emir Kusturica, Yugoslavia/France/Germany/Hungary, 1995)
The Usual Suspects (Bryan Singer, United States, 1995)
Videograms of a Revolution/Videogramme einer Revolution (Harun Farocki and Andrei Ujica, Germany, 1992)
La Vie de Bohème/Boheemielämää (Aki Kaurismäki, Finland/France/Italy/Sweden, 1992)
Vive l’amour/Aiqing wansui (Tsai Ming-Liang, Taiwan, 1994)
Welcome to Sarajevo (Michael Winterbottom, United Kingdom/United States, 1997)
What Have I Done to Deserve This?/¿Qué he hecho yo para merecer esto?!! (Pedro Almodóvar, Spain, 1984)
When Father Was Away on Business/Otac na službenom putu (Emir Kusturica, Yugoslavia, 1985)
When I Close My Eyes/Lo zaprem oči (Franci Slak, Slovenia, 1993)
When You Hear the Bells/Kad čujěs zvona (Antun Vrdoljak, Yugoslavia, 1969)
Whirlpool (Otto Preminger, United States, 1949)
White/Trois couleurs: Blanc/Trzy kolory: Biały (Krzysztof Kieślowski, France/Poland/Switzerland/United Kingdom, 1994)
White Shadows in the South Seas (W. S. Van Dyke, United States, 1928)
The Wild, Wild Rose/Ye mei gui zhi lian (Wang Tian-lin, Hong Kong, 1959)
The Wolf Man (George Waggner, United States, 1941)
The Wounds/Rane (Srđjan Dragojević, Yugoslavia/Germany, 1998)
Zelig (Woody Allen, United States, 1983)
Zentropa/Europa (Lars von Trier, Denmark/Sweden/France/Germany/Switzerland, 1991)