Abbas, Ackbar
abjection
Abraham, Nicolas
Adorno, Theodor W.
Adventures of Felix, The (Ducastel and Martineau)
Affaire de femmes, Une (Chabrol)
affect; and back projection; lack of; and landscape; and melodrama; and memory; and the ruin
Afrić, Vjekoslav
Age of Innocence, The (Scorsese)
Aimée and Jaguar (Färberböck)
Air Hostess (Yi)
Akerman, Chantal
Akin, Fatih
Allcock, John B.
Allen, Woody
Allouache, Merzak
Almodóvar, Pedro
Alone (Pogacić)
Alphaville, a Strange Adventure of Lemmy Caution (Godard)
Amants de Pont-Neuf, Les (Carax)
Amarcord (Fellini)
Andreotti, Giulio
Angelopolous, Theo
Anni difficili (Zampa)
art cinema; Asian; European; formal qualities of; historical representation in; industrial context of; spectacle in. See also coproduction
Aspden, Peter
Autumn Moon (Law)
Auty, Phyllis
¡Ay, Carmela! (Saura)
back projection. See also superimposition
Backbeat (Softley)
Bakić-Hayden, Milica
Balibar, Etienne
Balkanism
Balkans: abjection of; changing borders of. See also Yugoslavia
Barber, Stephen
Barthes, Roland
Basque Ball: Skin Against Stone, The (Medem)
Baudrillard, Jean
Bauer, Branko
Bazin, André
Beau Travail (Denis)
Beautiful People (Dizdar)
Before the Rain (Manchevski)
Belgium, cinema of
Belle Epoque (Trueba)
belle image, la
Bendtsen, Henning
Benigni, Roberto
Benjamin, Walter; on aura; on dialectical image; on experience; theory of history of
Berlin Express (Tourneur)
Berlin in Berlin (Çetin)
Berlin Wall
Berlin.killer.doc (Ellerkamp and Heitman)
Berlusconi, Silvio
Berri, Claude
Bertolucci, Bernardo
Between Yesterday and Tomorrow (Braun)
Betz, Mark
beur film. See France: cinema of: beur film
Bhabha, Homi
Bhaji on the Beach (Chadha)
Bicycle Thief, The (De Sica)
Biddescombe, Perry
Bideleux, Robert
Bigas Luna, J. J.
Black Narcissus (Powell and Pressburger)
Bloch, Ernst
Blue (Kieślowski)
Bonitzer, Pascal
borders
Borges, Jorge Luis
Bosnia. See also Yugoslavia
Bouchareb, Rachid
Braun, Harald
Brighter Summer Day, A (Yang)
British Film Institute
Brooks, Peter
Brunetta, Gian Piero
Bruno, Giuliana
Bulajić, Veljko
Bulgaria
Bull, Martin
Burgin, Victor
Buttoners (Zelenka)
Cabinet of Doctor Caligari, The (Weine)
Cahiers du Cinéma
Calendar (Egoyan)
Camille Claudel (Nuytten)
Caravaggio (Jarman)
Carax, Leos
Caro, Marc
cartography
Cat People (Tourneur)
Catalonia, cinema of
Caughie, John
Cavani, Liliana
Ceauçescu, Nicolae
Celemenski, Michel
Cendrars, Blaise
Cerović, Stanko
Çetin, Sinan
Chabrol, Claude
Chadha, Gurinder
Chang, Grace
Cheb (Bouchareb)
Chéreau, Patrice
Chico (Fekete)
Chile, cinema of
China
Chion, Michael
Chocolat (Denis)
Christ Stopped at Eboli (Rosi)
Cinema Paradiso (Tornatore); gender in; heritage in; and Italian history; landscape image in; and melodrama; mourning in; and neorealism. See also genre: melodrama; heritage film; landscape; mourning; nostalgia; realism; spectacle
cinematic space
Coen, Joel
cognitive mapping
Cold War
colonialism
Communism
Communist Party
Conformist, The (Bertolucci)
Constantine, Eddie
Cook, Pam
coproduction
costume drama. See genre: costume drama
countercinema
Cowie, Elizabeth
Craxi, Bettino
Croatia; cinema of. See also Yugoslavia
crypt. See encryption
Cubitt, Sean
Curtiz, Michael
Czech Republic; cinema of
Dahl, John
Daleko je sunce [The Sun Is Far Away] (Novaković)
Dalle Vacche, Angela
Danton, Amina
Dark Blue World (Sverák)
dark continent, as trope
Davies, Terence
Davis, Mike
Day of Wrath (Dreyer)
Days of Hope (Loach/Garnett)
de Baecque, Antoine
de Chalonge, Christian
de Gasperi, Alcide
De Santis, Giuseppe
De Sica, Vittorio
Debord, Guy
Delicatessen (Jeunet and Caro)
Denis, Claire
Denmark; cinema of. See also Zentropa
Dernier Métro, Le (Truffaut)
Derrida, Jacques
D’Est (Akerman)
Deutsche, Rosalyn
Di Scala, Spencer M.
diaspora
diasporic cinema
Dinan, Desmond
Distant Voices, Still Lives (Davies)
Divided We Fall (Hrebejk)
Dixon, Wheeler Winston
Dizdar, Jasmin
Doane, Mary Ann
Dogme ’95
Dolce Vita, La (Fellini)
Đorđević, Mladomir
Douglas, Adam
Dr. Petiot (de Chalonge)
Dracula (Stoker)
Dragojević, Srdjan
Dreyer, Carl Theodor
Ducastel, Olivier
Dyer, Richard
Eco, Umberto
Edward II (Jarman)
Egoyan, Atom
Ellerkamp, Bettina
Elsaesser, Thomas
Emmerich, Roland
Enchanted April (Newell)
encryption; crypt
English Patient, The (Minghella)
Enzenberger, Hans Magnus
essentialism
ethnicity
Eurimages fund
Eurocentrism
Europa Europa (Holland)
European Broadcasting Union
European Community
European identity
European space; and Germany; as horrific; as impossible; post-Wall changes in; postwar structure of; transnationality of
European subject
European Union; and Maastricht Treaty; MEDIA plan of
Europudding
Eyre, Richard
Fanon, Frantz
Färberböck, Max
Farocki, Harun
fascism; anti-fascism
Fassbinder, Rainer Werner
Fekete, Ibolya
Fellini, Federico
femininity
feminist theory
femme fatale. See also genre: film noir
Ferro, Marc
Festen (Vinterberg)
fetishism
film noir. See genre: film noir
Finkielkraut, Alain
Finland; cinema of
Finney, Angus
Fleming, Victor
Foreign Affair, A (Wilder)
Forlani, Aldo
Forrest Gump (Zemeckis)
Foster, Hal
Foucault, Michel
France
CINEMA OF; beur film; cinéma du look; poetic realism. See also Zentropa
Frankfurt School
Freud, Sigmund
Gance, Abel
Garnett, Tony
Garton Ash, Timothy
gender
genre; costume drama; film noir; horror; melodrama; musical; pornography
geopolitical space
Germany; and Europe; national identity in; Nazism in; postwar history of; reunification of; space of; “Third Way” in; Turkish minority in. See also Berlin Wall; Nazism; Werewolves
CINEMA OF; Expressionism; New German Cinema; Trümmerfilm; Turkish German cinema. See also Zentropa
Germany, Pale Mother (Sanders-Brahms)
Germany Year Zero (Rossellini)
Germi, Pietro
Gertrud (Dreyer)
Gherman, Aleksei
Gilman, Sander
Gilroy, Paul
globalization
Godard, Jean-Luc
Goebbels, Joseph
Golden Balls (Bigas Luna)
Gone with the Wind (Fleming)
Goulding, Daniel
Greece, cinema of
Greenaway, Peter
Greffrath, Matthias
Guédiguian, Robert
Haacke, Hans
Haine, La (Kassovitz)
Hallström, Lasse
Hansen, Miriam
Harley, J. B.
Harper, Sue
Harvey, David
Hatoum, Mona
Havel, Václav
Hawks and Sparrows (Pasolini)
Hayden, Robert M.
Head-On (Akin)
Heath, Stephen
Hedd Wyn (Turner)
Heitman, Jörg
heritage film; in British cinema; in Italian cinema; politics of
Heyerdahl, Thor
Higson, Andrew
Hill, John
historical space
Hitchcock, Alfred
Hitler: A Film from Germany (Syberberg)
Hole, The (Tsai)
Holland, Agnieszka
Hollywood
Hong Kong; cinema of
horror film. See genre: horror
House of Mirth, The (Davies)
Howards End (Ivory)
Hrebejk, Jan
Hungary, cinema of
Huyssen, Andreas
hybridity
Icicle Thief (Nichetti)
identification
Illot, Terry
immigration
Immortal Youth (Nanović)
In the Mood for Love (Wong)
In the Name of the Law (Germi)
Independence Day (Emmerich)
indexicality
Iordanova, Dina
Iosseliani, Otar
Italian for Beginners (Scherfig)
Italy; cultural geography of; end of First Republic in; and Europe; national identity in; postwar history of
CINEMA OF; neorealism. See also Cinema Paradiso; Mediterraneo; Postino, Il
Ivory, James
Jaikumar, Priya
James, Pedr
Jameson, Fredric; on cognitive mapping; geopolitical aesthetic of; on nostalgia; on spectacle
Jamón, jamón (Bigas Luna)
Janković, Stole
Jarman, Derek
Jaws (Spielberg)
Jean de Florette (Berri)
Jencks, Charles
Jeunet, Jean-Pierre
Jews
JFK (Stone)
Jones, Simon Cellan
Jousse, Thierry
Kaes, Anton
Kaplan, Ken
Karahesan, Dzevad
Kassovitz, Mathieu
Kaurismäki, Aki
Kennedy, Harlan
Khrustalyov, My Car! (Gherman)
Kieślowski, Krzysztof
Klee, Paul
Kluge, Alexander
Kon-Tiki (Heyerdahl)
Kosovo. See also Yugoslavia
Kozara (Bulijić)
Kracauer, Siegfried
Kragh-Jacobsen, Søren
Krauss, Rosalind
Krays, The (Medak)
Kristeva, Julia
Kusturica, Emir
labyrinth
Lacan, Jacques
Lacombe Lucien (Malle)
Land and Freedom (Loach)
landscape; absence of; in Balkan cinema; in heritage films; in Italian cinema; in neorealism; in photography; in postwar German cinema; in Soviet cinema
Lang, Fritz
Last Seduction, The (Dahl)
Law, Clara
Lean, David
Lefebvre, Henri
Letter from an Unknown Woman (Ophüls)
Levinas, Emmanuel
Lévy, Bernard-Henri
Liehm, Mira
Life Is Beautiful (Benigni)
Lilya 4-ever (Moodysson)
Loach, Ken
Long Day Closes, The (Davies)
Look Back in Anger (Osborne/Richardson)
loss; and affect; and cinematic specificity; and history; and politics. See also genre: melodrama; melancholia; mourning; nostalgia
Lovers of the Arctic Circle (Medem)
Lower Depths, The (Renoir)
Lumière, Louis and Auguste
Lynch, Kevin
M (Lang)
Maastricht Treaty. See European Union: and Maastricht Treaty
Macedonia; cinema of. See also Yugoslavia
Madden, John
Maetzig, Kurt
Malle, Louis
Mambo Girl (Yi)
Manchevski, Milcho
Mangano, Silvana
Manon des sources (Berri)
Marcus, Millicent
Marie, Michel
Marković, Goran
Marriage in the Shadows (Maetzig)
Marriage of Maria Braun, The (Fassbinder)
Martineau, Jacques
Marxism
Maurice (Ivory)
Mazower, Mark
Medak, Peter
Medem, Julio
MEDIA plan. See European Union: MEDIA plan of
Mediterraneo (Salvatores); gender in; heritage in; landscape image in; mourning in; relation of, to Italian history; relation of, to neorealism. See also genre: melodrama; heritage film; landscape; mourning; nostalgia; realism; spectacle
melancholia; and encryption; and labyrinth; and mourning. See also mourning
melodrama. See genre: melodrama
Merchant, Ismail
Metz, Christian
Mifune (Kragh-Jacobsen)
Mildred Pierce (Curtiz)
Miller’s Crossing (Coen)
Milošević, Slobodan
Minghella, Anthony
Miracle in Milan (De Sica)
Miramax
mode rétro, la
modernity
Moodysson, Lukas
Moretti, Franco
Morning, The (Đorđević)
mourning; and aura; and melancholia; and melodrama. See also loss; melancholia
multiculturalism
Mulvey, Laura
Murderers Among Us (Staudte)
Murnau, F. W.
musical. See genre: musical
My Friend Ivan Lapshin (Gherman)
My Life as a Dog (Hallström)
Naficy, Hamid
Nanović, Voijslav
national cinemas
nationalist-realism. See Yugoslavia: cinema of: nationalist-realism
Neale, Steve
neorealism. See Italy: cinema of: neorealism
Neruda, Pablo
Netherlands, cinema of
Neustein, Joshua
New Europe
New German Cinema. See Germany: cinema of: New German Cinema
Newell, Mike
Nichetti, Maurizio
Night Porter, The (Cavani)
Norris, David A.
Norway, cinema of
nostalgia; in art cinema; in heritage film; politics of; and postclassical cinema. See also loss
Novaković, Rados
Nuytten, Bruno
On Their Own Ground (Štiglić)
Ophüls, Max
Ordet (Dreyer)
Orientalism
Orlando (Potter)
Osborne, John
Oudart, Jean-Pierre
Our Friends in the North (Jones, James, and Urban)
Out of the Past (Tourneur)
Ozpetek, Ferzan
Paisà (Rosselini)
Parri, Ferrucio
Partisan Stories (Janković)
Paskaljević, Goran
Pasolini, Pier Paolo
Passage to India, A (Lean)
Passion (Godard)
Patriotin, Die (Kluge)
Petrović, Aleksander
Pillow Book, The (Greenaway)
Place, Janey
Ploughman’s Lunch, The (Eyre)
Pogačić, Vladimir
Poland, cinema of
Popović, Nikola
popular memory
pornography. See genre: pornography
postclassical cinema
postcolonialism
Postino, Il (Radford); gender in; heritage in; landscape image in; mourning in; relation of, to Italian history; relation of, to neorealism. See also genre: melodrama; heritage film; landscape; mourning; nostalgia; realism; spectacle
postmodernity
Potter, Sally
Powder Keg, The (Paskaljević)
Powell, Michael
Prekobrojna [The Superfluous Girl] (Bauer)
Preminger, Otto
Pressburger, Emeric
Pretty Village, Pretty Flame (Dragojević)
primitivism; in Balkans; in Europe; in Italy
Prospero’s Books (Greenaway)
Pryce, Ron
Pure Blood (Kaplan)
¡Que Viva Mexico! (Eisenstein)
queer identities
Radford, Michael
Radstone, Susannah
realism; and cinematic specificity; classical; and Dogme ’95; lack of; nationalist; in painting; social; socialist. See also Italy: cinema of: neorealism
Reassemblage (Trinh)
Rebels of the Neon God (Tsai)
Red (Kieślowski)
Reed, Carol
referentiality
Regourd, Serge
Reine Margot, La (Chéreau)
Renoir, Jean
Resnais, Alain
Rhodes, Martin
Riso amaro (De Santis)
Rogoff, Irit
Roma, città aperta (Rossellini)
Room with a View, A (Ivory)
Rosen, Philip
Rosencrantz and Guildenstern Are Dead (Stoppard)
Rosi, Francesco
Rossellini, Roberto
Rothschild, Joseph
ruins
Russia; cinema of
Said, Edward. See also Orientalism
Salecl, Renata
Salut, Cousin! (Allouache)
Salvatores, Gabriele
Sanders-Brahms, Helma
Sassoon, Donald
Saura, Carlos
Saving Private Ryan (Spielberg)
Scandinavia. See also Denmark; Sweden
Scherfig, Lone
Schindler’s List (Spielberg)
Schivelbusch, Wolfgang
Schneider, Peter
Schneider, Roland
Sciascia, Leonardo
Scorsese, Martin
Screen
Serbia; and Balkanism; cinematic representation of; history of; nationalism in. See also Balkans; Underground; Yugoslavia
Shakespeare in Love (Madden)
Silone, Ignazio
Singer, Brian
Slak, Franci
Slavica (Afrić)
Slovenia; cinema of. See also Yugoslavia
Smith, Paul Julian
socialism
socialist realism
Softley, Iain
Soja, Edward
Sorlin, Pierre
Soviet Union; cinema of
Spain; cinema of
special effects
spectacle; and cinematic form; and gender; and heritage film; and historical representation; and ideology; and landscape. See also feminist theory; landscape; special effects
Spellbound (Hitchcock)
Spielberg, Steven
Stalin, Joseph
Stalinism
Staudte, Wolfgang
Stavisky (Resnais)
Steam: The Turkish Bath (Ozpetek)
Štiglic, France
Stille, Alexander
Stone, Oliver
Stoppard, Tom
Storm over Asia (Pudovkin)
Sukowa, Barbara
superimposition. See also back projection
suture
Svankmejer, Jan
Sverák, Jan
Sweden; cinema of. See also Zentropa
Switzerland, cinema of
Syberberg, Hans-Jürgen
Tabu (Murnau)
Taipei Story (Yang)
Taiwan; cinema of
Tanner, Alain
television; funding of feature films by
Terra trema, La (Visconti)
Terrorizer, The (Yang)
Third Man, The (Reed)
This People Must Live (Popović)
Three (Petrović)
Tit and the Moon, The (Bigas Luna)
Tito, Josip Broz
Tito and Me (Marković)
Todorova, Maria
Togliatti, Palmiro
Tornatore, Giuseppe
Torok, Maria
Toto le héros (Van Dormael)
Toubiana, Serge
Tourneur, Jacques
Town Is Quiet, The (Guédiguian)
Tragic Hunt (De Santis)
transnationalism
Trinh T. Minh-ha
trucage. See also special effects
Trueba, Fernando
Truffaut, François
Trümmerfilm. See Germany: cinema of: Trümmerfilm
Tsai Ming-Liang
Turkey; cinema of
Turkish German cinema. See Germany: cinema of: Turkish German cinema
Turner, Paul
“2000 as seen by …” (series)
Ujica, Andrei
Ulysses’ Gaze (Angelopolous)
Umberto D. (De Sica)
Underground (Kusturica); critical reaction to; landscape image in; melancholia in; relation of, to Balkanism; relation of, to Europe; relation of, to 1940s films; ruin image in; spatial representations in; Yugoslav history in. See also art cinema; Balkanism; encryption; melancholia
United Kingdom; Asian diaspora in; cinema of; and colonialism; critical debates in; heritage culture in
Urban, Stuart
Usual Suspects, The (Singer)
vampire
Van Dormael, Jaco
Verga, Giovanni
Vernet, Marc
Videograms of a Revolution (Farocki and Ujica)
Vidler, Anthony
Vie de Bohème, La (Kaurismäki)
Vinterberg, Thomas
Virilio, Paul
Visconti, Luchino
Vive l’amour (Tsai)
von Sydow, Max
von Trier, Lars
Vrdoljak, Antun
Vučo, Aleksander
Waggner, George
Wall, Bernard
Wang, Tian-lin
Warhol, Andy
Warnke, Martin
Waters, Sarah
Welcome to Sarajevo (Winterbottom)
werewolf
Werewolves (German terrorist group)
What Have I Done to Deserve This? (Almodóvar)
Wheeler, Mark
When Father Was Away on Business (Kusturica)
When I Close My Eyes (Slak)
When You Hear the Bells (Vrdoljak)
Whirlpool (Preminger)
White (Kieślowski)
White Shadows in the South Seas (Van Dyke)
Wiene, Robert
Wild, Wild Rose, The (Wang)
Wilder, Billy
Williams, Linda
Wingfield, Nancy
Winterbottom, Michael
Wiskemann, Elizabeth
Wolf Man, The (Waggner)
Wong Kar-wai
World War II; antifascism during; films about; in Germany; Holocaust during; in Italy; in Yugoslavia
Wounds, The (Dragojević)
Yang, Edward
Yi Wen
Yugoslavia; breakup of; ethnic politics in; and Europe; inception of; national identity in; Nazi occupation of. See also Balkans
CINEMA OF; nationalist-realism; partisan films in; post-Yugoslav. See also Underground
Zampa, Luigi
Zelenka, Petr
Zelig (Allen)
Zemeckis, Robert
Zentropa (von Trier); German history in; relation of, to Europe; relation of, to film noir; relation of, to horror film; relation of, to 1940s films; ruin image in; spatial representations in; superimposition and back projection in. See also back projection; borders; genre: film noir; genre: horror; identification
Zhdanovism
Zivojinović, Velimir “Bata”
Žižek, Slavoj; and Europe; and Underground