Nonfictions is dedicated to expanding and deepening the range of contemporary documentary studies. It aims to engage in the theoretical conversation about documentaries, open new areas of scholarship, and recover lost or marginalised histories.

Other titles in the Nonfictions series:

Direct Cinema: Observational Documentary and the Politics of the Sixties

by Dave Saunders

Projecting Migration: Transcultural Documentary Practice

edited by Alan Grossman and Aine O’Brien

The Image and the Witness: Trauma, Memory and Visual Culture

edited by Frances Guerin and Roger Hallas

Films of Fact: A History of Science in Documentary Films and Television

by Timothy Boon

Building Bridges: The Cinema of Jean Rouch

edited by Joram ten Brink

Vision On: Film, Television and the Arts in Britain

by John Wyver

Chavez: The Revolution Will Not Be Televised – A Case Study of Politics and the Media

by Rod Stoneman

Documentary Display: Re-Viewing Nonfiction Film and Video

by Keith Beattie

The Personal Camera: Subjective Cinema and the Essay Film

by Laura Rascaroli

The Cinema of Me: The Self and Subjectivity in First Person Documentary

by Alisa Lebow

Killer Images: Documentary Film, Memory and the Performance of Violence

edited by Joram ten Brink and Joshua Oppenheimer

Documents of Utopia: The Politics of Experimental Documentary

by Paolo Magagnoli