INDEX
abstract expressionism
Acconci, Vito
Following Piece (1969)
Adenauer, Konrad
Adorno, Theodor
aesthetic theory
mimesis
Aesthetics after Photography (AHRC project)
agency
artistic
authorial, refused
allegory
in Demand
in Duchamp
in Horn
in Wall
Alloway, Lawrence
Alÿs, Francis
Dopplegänger (2000)
If you are a Typical Spectator (1996)
Ammann, Jean-Christophe
Anglo-American culture
anti-aesthetic practices
anti-art
anti-landmarks
anti-monuments
anti-theatre
appropriation
by Atget
by Benjamin
by Duchamp
by Levine
by Ruscha
by Wall
Arbus, Diane
archaeology
architecture
glass
and Horn
industrial
modernist
utopian
vernacular
and Wall
archival photography
by Bechers
by Horn
Arizona
Armstrong, Carol
art galleries, acceptance of photography
Art in America
Artangel
Artforum
Asher, Michael
Atget, Eugène
Chemin à Abbeville (pre 1900)
Rue St. Rustique (1922)
Vigne (pre 1900)
attunement
aura of an artwork
Auschwitz, aftermath
Austin, J. L.
authorial agency, refused
auto-maticity
automatons
avant garde
early
photography
utopias
Avedon, Richard
bachelor machines
Bacon, Francis
Baker, George
Baltz, Lewis
Barcelona see also German National Pavilion; Wall: Morning Cleaning
Barrow, Thomas
Barthes, Roland
‘... That old thing, art ...’
Camera Lucida
‘Diderot, Brecht, Einstein’
Baudelaire, Charles
beauty
taboo on, post Auschwitz
Becher, Bernd and Hilla
Anonymous Sculptures (1969)
Coal Bunkers (2003)
Cooling Towers (2003)
Framework Houses (1996)
Gas Tanks (2003)
Grain Elevators (2003)
Industrial Facades (2003)
Water Towers (2003)
‘becoming’ (Deleuze)
Benjamin, Walter
on Atget
and commodity fetishism
Berliner Bild-Bericht photographs
Biess, Frank
Bochner, Mel
36 Photos and 12 Diagrams (1966)
Actual Size (Face and Hand) (1968)
Actual Size (Hand) (1970)
Four Comments Concerning: Photograph Blocks (1967)
Measurement Room (1969)
Misunderstandings (1967-70)
Perspective Insert (Collapsed Centre) (1967)
Photo Pieces
Photography Cannot Record Abstract Ideas
(1969)
Roll (1968)
Singer Lab Measurement # 4 (1968)
The Singer Notes (1968)
Theory of Boundaries
Theory series
Transparent and Opaque (1968)
bodily resistance
body without organs
Boetti, Alighiero E., Classifying the thousand longest rivers in the world (1970-77)
Bois, Yve-Alain
Boltanski, Christian, The Clothes of Franc¸ois C (1972)
book design
books, by photographers
Horn
Ruscha
Wall
Bourdon, David
Brassaï (Gyula Halász)
Brecht, Bertholt
Brecht, George
Two Signs
Word Event (1961)
Breton, André
L’Amour fou
Buchloh, Benjamin
‘Conceptual art 1962-69’
Buckingham, Matthew
Buren, Daniel
Burgin, Victor, Photopath (1967)
Burnett, Craig
Cadava, Eduardo
Cage, John
Calle, Sophie, Suite vénitienne
cardboard
cards
index
note
picture
postcards
Caro, Anthony
catalogue raisonné, Wall
causality
Cavell, Stanley
The Claim of Reason
‘What becomes of things on film’
The World Viewed
Cézanne, Paul
chance
charcoal
Chardin, Jean-Baptiste-Siméon
Chevrier, Jean-Franc¸ois
chiaroscuro
Chicago
chronophotography
Cibachrome
cinema
cinematographic photography, Wall
Morning Cleaning (1999)
Clark, T. J.
Coleman, James
collages
Colomina, Beatriz
Comay, Rebecca
comedy
commodification
commodity fetishism
computers and photography
consumerism
coolness
Coplans, John
Cortés-Rocca, Paola
Cotton, Charlotte
Courtauld Institute, London
Crimp, Douglas
‘Pictures’ (1977)
‘The photographic activity of postmodernism’
Critical Inquiry
Crow, Thomas
Curtis, Penelope
Cutworth, Roger
Dada
Dasein
Davidson, Bruce
deadpan photography
Dean, Tacita
deconstruction
deforming ‘pictures’
Delacroix, Eugène
Death of Sardanapolous (1827-28)
Deleuze, Gilles
A Thousand Plateaus
Demand, Thomas
Bathroom (1997)
Bullion (2003)
Clearing (2003)
Corridor (1995)
Ghost (2003)s
Grotto/Grotte (2006)
Lawn (1998)
Panel (1996)
Pit (1999)
Sink (1997)
Stall (2000)
Tavern no. 2 (2006)
depictive art
Derrida, Jacques
desire
Dibbets, Jan
Diderot, Denis
difference
Barthes on
and Bechers
and Bochner
and Horn
Osborne on
see also indifference
digital photography
documentary photography, Wall
Dodds, George
Doderer, Heimito von, The Merovingians (1962)
doppelgängers
doubles
reflective
drawing
drawings
by Bochner
by Horn
by Ruscha
Duchamp, Marcel
3 Standard Stoppages (1913-14)
The Bride Stripped Bare by her Bachelors, Even (1915-23) aka Large Glass
Chocolate Grinder (No. 1) (1913)
Dust Breeding (1920)
Etant donnés (1944-66)
Fountain (1917)
Nude Descending a Staircase (1912)
Tu m’ (1918)
Duthoit, A.
Duve, Thierry de
Edwards, Steve
Eggleston, William
Untitled (Red Ceiling, Greenwood Mississippi) (1973)
encyclopedias
see also Horn: To Place
Engberg, Siri
envelopes
equanimity
eroticism
Evans, Walker
event scores
Experiments in Art and Technology (EAT) programme
facticity
factuality
fakes
Feldman, Hans-Peter, A Woman’s Complete Wardrobe (1974)
feminist politics
Fer, Briony
fetish
body
commodity
pavilion
photograph
surface
Fischli, Peter
Flaubert, Gustave
Fluxhall/Fluxshop, New York
Fluxus
foil
‘force’, Deleuzian
Foster, Hal
Foucault, Michel
found objects
Frank, Robert, The Americans (1958)
Frankfurt school
Freud, Sigmund, ‘The Uncanny’
Fried, Michael
on Bechers
on Demand
on Wall
gaze
of the beholder
of Keaton
gender
Géricault, Théodore, Raft of the Medusa (1819)
German National Pavilion, Barcelona (1929-30)
Germany
1929 spirit
and Bechers
post-war West
Gerz, Jochen, Monument against Fascism (1986)
ghosting
ghosts
glass
Goodman, Marian
Graham, Dan
Alteration to a Suburban House (1978)
Homes for America (1966)
graphic design
graphite
Greenberg, Clement
‘grey everyday’ concept
grids, photographic
Gursky, Andreas
Haacke, Hans
Harburg
Hatch, Kevin
Hegel, Georg Wilhelm Friedrich
Heidegger, Martin
Being and Time
Hilliard, John
Camera Recording its Own Condition (1971)
Höfer, Candida
Hoffmann, E. T. A., ‘The Sand-Man’
Holocaust
Horn, Roni
Arctic Circles (1998), To Place Book VII
Becoming a Landscape (2001), To Place Book VIII
Bird (2007)
Bluff Life (1990), To Place Book I
Doubt Box (2006), To Place Book IX
Folds (1991), To Place Book II
From a Gold Field (1982)
Haraldsdóttir (1996),To Place Book VI
Lava (1992) from To Place
To Place
Pooling Waters (1994), To Place Book IV
Still Water (1998)
This is Me, This is You (2000)
Vatnasafn/Library of Water (2007)
Verne’s Journey (1995), To Place Book V
You are the Weather (1997)
Huebler, Douglas
Location Piece # 17, Turin, Italy (1973)
Variable Piece # 105, London (1972)
Variable Piece # 135, Edinboro State College (1974)
Variable Piece # 44, Global (1971)
Variable Piece # 506, Tower of London Series (1975)
Huhn, Tom
humour
Husserl, Edmund
hybridity
Iceland
iconography
ideology
of anti-ideology
of Bechers
image-carrier dynamic
index cards
index in art
indexicality
indifference see also difference
industrial archaeology
industrial architecture
industrial objects
industrial photography
information, photography as
information theory
installations
instructional performances
intentionality
interiority
International Style
interventions
involuntary sculptures
Jameson, Frederick
Jewry, Central European
Johns, Jasper
Johnson, Philip
Kafka, Franz
Kant, Immanuel
Keaton, Buster
The Cameraman (1928)
Klüwer, Billy
Kodak instamatic camera
Kolbe, Georg, Dawn
Kolinsky, Martin
Koolhaas, Rem
Kotz, Liz
Kozloff, Max
Krauss, Rosalind
Kruger, Barbara
Lacan, Jacques
Lambert, Gretchen
land artists
landscape
and portraiture
and Wall
language see also linguistics
Lehmbruck, Wilhelm
Leider, Philip
Leonard, Zoe
Levine, Sherrie
After Alexander Rodchenko
The Bachelors (After Marcel Duchamp) (1989)
After Edward Weston (1980)
After Walker Evans (1981)
Levitt, Helen
LeWitt, Sol
light-boxes, Wall
linguistics see also language
liquids, thematics of
London
Los Angeles
Maillol, Aristide
Manet, Édouard, Déjeuner sur l’herbe (1863)
mannequins
use by Huebler
Mansoor, Jaleh
Marey, E´ tienne-Jules
Marshall, Richard D.
Martins, Maria
Yara (c.1940)
Marvellous, the
Marville, Charles
Marx, Karl
Marxism
mass production
McDonough, Tom
McMillan, Jerry
Ed Ruscha covered with twelve of his books (1970)
Ed Ruscha unfolding Every Building on the Sunset Strip (1967)
Ed Ruscha with six of his books balanced on his head (1970)
measurement
in Bochner
in Horn
mechanical nature of photography
Merleau-Ponty, Maurice
metaphysics
Metz, Christian
Mexico City
Meyer, Hans
Meyer, James
Mies van der Rohe Foundation
Mies van der Rohe, Ludwig
German Pavilion, Barcelona (1929-30)
‘View of the I. G. Farben exhibit, Barcelona’ (1929-30)
Milan Triennale (1985)
mimesis
minimalism
Model, Lisette
Woman with Veil, San Francisco (1949)
modernism
challenged
and photography
modernist
aesthetics
architecture
painting
MoMA (Museum of Modern Art), New York
mood
Heidegger on
Morris, Robert
multiples
Multiples Gallery
Museum of Modern Art (MoMA), New York
Nancy, Jean-Luc
Nauman, Bruce
Nazism
Neue Sachlichkeit
New Objectivity
‘New Vision’
New York
New York School
Newman, Michael
Norvell, Patricia
notational systems
November Gruppe
obedience, deforming
objectivity
and Bechers
Office of Metropolitan Architecture (OMA)
Oklahoma City
Old Masters
Oldenburg, Claes, Bedroom Ensemble (1963)
ontological difference
ontology, of photographic image
organs, without bodies
Osborne, Peter
painting
modernist
paintings
by Bacon
by Bochner
by Levine, Sherrie
by Richter
by Ruscha
Salon
by Wall
Paris
parody
Pasadena Art Museum
Paterson, William E.
performance, defined
performative photography
performative utterances
performativity, defined
Phelan, Peggy
phenomenology
Philadelphia Museum of Art
philosophy, of photography
photo-documentation
photo-journalism
photoconceptualism
Bochner and Wall on
and Horn
photographic apparatus
photomontage
pictorial deformation
pictorialist photography
Pictures exhibition (1977)
Pippin, Robert
place, importance for Horn
poetry
Polaroids
political meanings
politics
alternative, Bechers
feminist
German
of glass
progressive
subjectivity and objecthood in
pop art
portraiture in photography
post-medium conception of art
post-photoconceptualism
postminimalism
postmodernism
Prague
press photography
Prince, Richard
proletariat
prostheses
proto-conceptualism
quantification
Quetglas, Josep
Raimondi, Marcantonio, Judgement of Paris (16th century)
Rauschenberg, Robert
Ray, Charles, All My Clothes (1973)
Ray, Man, Dust Breeding (1920)
readymades
realism
in Wall
in West Germany
realizations
receptivity
Recht, Camille
Reich, Lily
Renger-Patzsch, Albert
repetition
reportage
Rhode Island School of Design
Richter, Gerhard
Betty (1988)
Tisch (Table) (1962)
Roberts, John
Rosler, Martha
Roth, Dieter, Reykjavik Slides (1973-95;1990-93)
Rothkopf, Scott
Route
Rowell, Margit
Ruscha, Ed 2
Every Building on Sunset Strip (1966)
Gilmore Drive-in Theatre, 6201 W. 3rd St. (1967)
Hands Flipping Pages (Twentysix Gasoline Stations) (1963)
Nine Swimming Pools and a Broken Glass (1968)
Royal Road Test (1967)
Some Los Angeles Apartments (1965)
Sweets, Meats, Sheets (1975)
Thirtyfour Parking Lots in Los Angeles (1967)
Three Hanging Books
Three Standard Envelopes
Twentysix Gasoline Stations (1963)
Various Small Fires and Milk (1964)
Salons
Sander, August
Sartre, Jean-Paul
Sayer, Derek
scepticism
scores
Scott Brown, Denise
Scott, Ridley, Alien (1979)
sculptural objects
sculpture
by Demand
by Horn
by Kolbe
by Levine
as photography
soft
self-reference
self-reflexivity
Serpentine Gallery, London
Serra, Richard, Verb List (1967)
Seurat, Georges, Une Baiganade
Asnières (1883-84)
Shalev-Gerz, Esther, Monument against Fascism (1986)
Sherman, Cindy
Shore, Stephen
Singer Corporation, Bochner residency
slides
Smithson, Robert
Spiral Jetty
Snyder, Joel
society
administered
Barthes on
German
Solomon-Godeau, Abigail
specificity
of medium
staged photography see also tableaux
Stagnoll, Cliff
Steichen, Edward, The Family of Man exhibition (1955)
Stella, Frank
Stiegler, Bernard
Stieglitz, Alfred
Stimson, Blake
‘stone face’ (Keaton)
structural linguistics
structural unconscious (Derrida)
Stykkishólmur
subject-object relationship
Sugimoto, Hiroshi
surrealism
Surrealist Manifesto (1924)
systems-based photography
Szarkowski, John
tableaux see also staged photography
tape interventions
Teerlinck, Hilda
theorization
Tomkins, Calvin
topography
tourists
transparencies, Wall see also Wall: individual works
transparency, of photography
truth and photography
Bechers approach
Tuymans, Luc
typography
typology, Bechers
Ubac, Raoul, Dalí‘s Rainy Taxi (1938)
uncanniness
andDemand
and Demand
Freud on
and Horn
and Huebler
and surrealists
and Wall
unconscious, structural (Derrida)
uniformity
utopias
Verne, Jules
Verwoert, Jan
video
visceral, Demand
voyeurism
Wall, Jeff
After Alexander Rodchenko
Citizen (1996)
Concrete Ball (2002)
The Crooked Path (1991)
Dawn (2001)
‘Depiction, object, event’
Destroyed Room (1978)
Diagonal Composition (1993)
A Donkey in Blackpool (1999)
Double Odradek (1999)
A Double Self-Portrait (1979)
The Drain (1989)
Just Washed (1997)
‘Kammerspiel’ essay
After ‘Landscape Manual’ (1969) (2003)
Landscape Manual (1969-70)
Man in Street (1995)
‘Marks of indifference’
Morning Cleaning, Mies van der Rohe Foundation, Barcelona (1999)
No (1983)
Odradek, Tabortiska 8, Prague, 18 July 1994 (1994)
Peas and Sauce
and pictorial photography
Picture for Women (1979)
Shapes on a Tree (1998)
Stereo (1980)
Still Creek, Vancouver, Winter 2003 (2003)
Storyteller
The Storyteller (1986)
‘Three thoughts on photography’ (1999)
Torso (1997)
Vampire’s Picnic (1991)
After Walker Evans (1981)
A Wall in a Former Bakery (2003)
Warhol, Andy
watercolours
waxworks
weather
Weimar culture
Weiner, Lawrence, Statements
Weiss, David
Welling, James
Wesselmann, Tom
West Germany see Germany
Weston, Edward
Movie set (1940)
Williams, Mason
Winkel, Camiel van
Wittgenstein, Ludwig
wonder
working class
Yale
Young, La Monte
Composition 1960 #10
Composition 1960 #2
Šišek, Slavoj