Act II [Scene i]
Enter GIOVANNI and ANNABELLA, as from their chamber
GIOVANNI |
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Come, Annabella, no more sister now |
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But love, a name more gracious. Do not blush, |
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Beauty’s sweet wonder, but be proud to know |
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That yielding thou hast conquered, and inflamed |
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A heart whose tribute is thy brother’s life. |
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ANNABELLA |
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And mine is his. O, how these stol’n contents |
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Would print a modest crimson on my cheeks, |
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Had any but my heart’s delight prevailed! |
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GIOVANNI |
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I marvel why the chaster of your sex |
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Should think this pretty toy called maidenhead |
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So strange a loss, when, being lost, ’tis nothing, |
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And you are still the same. |
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ANNABELLA ’Tis well for you; |
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Now you can talk. |
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GIOVANNI Music as well consists |
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In th’ear, as in the playing. |
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ANNABELLA O, you’re wanton! |
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Tell on’t, you’re best, do. |
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GIOVANNI Thou wilt chide me, then. |
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Kiss me. [They kiss] So. Thus hung Jove on Leda’s neck |
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And sucked divine ambrosia from her lips. |
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I envy not the mightiest man alive, |
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But hold myself, in being king of thee, |
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More great than were I king of all the world. |
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But I shall lose you, sweetheart. |
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ANNABELLA But you shall not. |
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GIOVANNI |
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You must be married, mistress. |
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ANNABELLA Yes, to whom? |
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GIOVANNI |
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Someone must have you. |
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ANNABELLA You must. |
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GIOVANNI Nay, some other. |
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ANNABELLA |
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Now prithee do not speak so without jesting: |
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You’ll make me weep in earnest. |
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GIOVANNI What, you will not! |
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But tell me, sweet, canst thou be dared to swear |
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That thou wilt live to me, and to no other? |
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ANNABELLA |
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By both our loves I dare; for didst thou know, |
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My Giovanni, how all suitors seem |
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To my eyes hateful, thou wouldst trust me then. |
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GIOVANNI |
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Enough, I take thy word. Sweet, we must part. |
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Remember what thou vowst: keep well my heart. |
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ANNABELLA |
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Will you be gone? |
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GIOVANNI I must. |
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ANNABELLA |
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When to return? |
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GIOVANNI Soon. |
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ANNABELLA Look you do. |
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GIOVANNI Farewell. Exit |
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ANNABELLA |
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Go where thou wilt, in mind I’ll keep thee here, |
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And where thou art, I know I shall be there. |
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Guardian! |
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Enter PUTANA
PUTANA |
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Child, how is’t, child? Well, thank Heaven, ha? |
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ANNABELLA |
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O guardian, what a paradise of joy |
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Have I passed over! |
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PUTANA |
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Nay, what a paradise of joy have you passed under! Why, now I |
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commend thee, charge. Fear nothing, sweetheart: what though he |
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be your brother? Your brother’s a man I hope, and I say still, if a |
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young wench feel the fit upon her, let her take anybody, father or |
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brother, all is one. |
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ANNABELLA |
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I would not have it known for all the world. |
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PUTANA |
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Nor I indeed, for the speech of the people; else ’twere nothing. |
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FLORIO (Within) |
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Daughter Annabella! |
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ANNABELLA |
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O me, my father! [Calls off-stage] Here, sir! [To PUTANA] Reach |
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my work. [PUTANA passes her a piece of needlework] |
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FLORIO (Within) |
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What are you doing? |
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ANNABELLA So, let him come now. |
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Enter FLORIO, RICHARDETTO like a doctor of physic, and PHILOTIS with a lute in her hand
FLORIO |
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So hard at work, that’s well: you lose no time. |
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Look, I have brought you company: here’s one, |
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A learned doctor, lately come from Padua, |
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Much skilled in physic; and for that I see |
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You have of late been sickly, I entreated |
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This reverend man to visit you some time. |
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ANNABELLA |
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You’re very welcome, sir. |
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RICHARDETTO I thank you, mistress. |
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Loud fame in large report hath spoke your praise |
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As well for virtue as perfection; |
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For which I have been bold to bring with me |
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A kinswoman of mine, a maid, for song |
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And music, one perhaps will give content. |
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Please you to know her? |
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ANNABELLA They are parts I love, |
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And she for them most welcome. |
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PHILOTIS Thank you, lady. |
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FLORIO |
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Sir, now you know my house, pray make not strange; |
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And if you find my daughter need your art, |
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I’ll be your paymaster. |
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RICHARDETTO Sir, what I am |
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She shall command. |
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FLORIO You shall bind me to you. |
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Daughter, I must have confidence with you |
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About some matters that concerns us both. |
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Good master Doctor, please you but walk in, |
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We’ll crave a little of your cousin’s cunning. |
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I think my girl hath not quite forgot |
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To touch an instrument; she could have done’t. |
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We’ll hear them both. |
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RICHARDETTO I’ll wait upon you, sir. Exeunt |
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