FURTHER READING

Anderson, Donald K., jun. (ed.), ‘Concord in Discord’: The Plays of John Ford, 1586–1986 (New York, 1986)

Brooke, Nicholas, Horrid Laughter in Jacobean Tragedy (London, 1979)

Champion, Larry S., ‘Ford’s ’Tis Pity She’s a Whore and the Jacobean Tragic Perspective’, PMLA 90 (1975), 78–87

Clark, Ira, Professional Playwrights: Massinger, Ford, Shirley, and Brome (Lexington, 1992)

Clerico, Terri, ‘The Politics of Blood: John Ford’s ’Tis Pity She’s a Whore’, English Literary Renaissance 22 (1992), 405–34

Farr, Dorothy M., John Ford and the Caroline Theatre (London and Basingstoke, 1979)

Hopkins, Lisa, John Ford’s Political Theatre (Manchester, 1994)

Hoy, Cyrus, ‘Ignorance in Knowledge: Marlowe’s Faustus and Ford’s Giovanni’, Modern Philology 57 (1960), 145–54

Huebert, Ronald, John Ford: Baroque English Dramatist (Montreal and London, 1977)

Leech, Clifford, John Ford and the Drama of His Time (London, 1957)

Lomax, Marion, Stage Images and Traditions: Shakespeare to Ford (Cambridge, 1987)

McCabe, Richard A., Incest, Drama, and Nature’s Law, 1550–1700 (Cambridge, 1993)

Neill, Michael (ed.), John Ford: Critical Re-Visions (Cambridge, 1988)

Oliver, H. J., The Problem of John Ford (Melbourne, London, and New York, 1955)

Rosen, Carol C., ‘The Language of Cruelty in Ford’s ’Tis Pity She’s a Whore’, Comparative Drama 8 (1974), 356–68

Stavig, Mark, John Ford and the Traditional Moral Order (Madison and London, 1968)

Wymer, Rowland, Webster and Ford (London, 1995)

Information about recent productions, including photographs, is available in a variety of locations scattered across the internet. Readers need to bear in mind that websites are not always reliable sources of scholarly information, and that they are often transient; currently available sites can be found using most standard search engines.