To Die in Milltown

is to have an old but firmly painted name

and friends. The Blackfoot stops, funereal

and green, and eagles headed north

for sanctuary wait for our applause

to fly them home. At 6 A.M.

the fast train east divides the town,

one half, grocery store and mill,

the other, gin and bitter loss.

Even the famed drunk has begun to fail.

His face, fat yesterday and warm, went

slack thin color, one more eerie morning

off the river, bones of ugly women

in his bed. The timber train at noon

divides the town an hour into dying cars.

By four, all bears in the protective hills

hum the air alive. And should the girl

all drunks recall, the full one filled with sun

return, her teeth intact and after 40 years

her charm preserved in joke, the aging drunks

will claim they cheated death with mash.

Death, the Blackfoot says, but never snow.

To die in Milltown, die at 6 P.M.

The fast train west rattles your bourbon warm.

The latest joke is on the early drunk:

sing one more chorus and the nun you love

will dance here out of habit. To live

stay put. The Blackfoot, any river

has a million years to lend, and weather’s

always wild to look at down the Hellgate—

solid gray forever trailing off white rain.

Our drinks are full of sun. These aging eagles

climb the river on their own.

for Gene Jarvis