book
advocacy of, superagent Kris Dahl, Caroline Eisenmann
enactors of, Nan Graham, Colin Harrison, Roz Lippel, Susan Moldow, and Scribner
making of
art, Vegar Abelsnes, Jaya Miceli
editorial, Colin Harrison (my ideal reader)
editorial, assistance of, Sarah Goldberg
marketing and publicity, Katie Monaghan
production editorial and design, Mia Crowley-Hald, Erich Hobbing
space for writing, New York Society Library
willing and useful interlocutors on, Brian Boyd, Betsy Carter, Alison Curry, Holly Fairbank, Glen Finkel, Elizabeth Hardin, Damon Horowitz, Ogden Thelonious Horowitz Shea, Jay Horowitz, Daniel Hurewitz, Elizabeth Kadetsky, Maira Kalman, Sally Koslow, Aryn Kyle, Maria Popova, Douglas Repetto, Ammon Shea, Timea Szell, Andy Tuck, Jennifer Vanderbes, Carlin Wing, Mark Woods
amateur, every dog in New York City, Finnegan, Upton, volunteer subjects in my studies
experts on, Brent Craven, Simon Gadbois, Gary Settles
instructor of, George Berger
model, Finnegan
professional, Penn Working Dog Center dogs; truffle dogs Callie, Cash, Da Vinci, Lolo; scat-detection dogs; tracking dogs
studies of, Barnard College, John Herrold and the NYC Parks Department, members of the Dog Cognition Lab, owner participants
trainers of, Jonathan Ball, Annemarie DeAngelo, Bob Dougherty, Pat Kaynaroglu, Cindy Otto, and everyone at the WDC; Alana McGee and Kristin Rosenbach; Sam Wasser
human nose
demonstrators of abilities of, John Buechsenstein, Noah Charney, Charley Eiseman, Leta Herman, Ray Matts, Kate McLean
experts on, Stuart Firestein, Avery Gilbert, George Preti, Leslie Vosshall
pedagogical, John Buechsenstein, Ray Matts
respondents to questions of, Bennett Lorber, Jane Orient, Oliver Sacks, Gary Settles, Abraham Verghese, Ron Winnegrad
users of, with me, John Gillespie, Ogden Thelonious Horowitz Shea, Susan Orlean, Ammon Shea, Peter Sokolowski
inspiration
constant, Ogden Thelonious Horowitz Shea, Ammon Shea