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4.1 | Le Corbusier (From Jeanneret-Gris, Charles Edouard – Beistegui Apartment.) |
4.2 | Les Halles ( Adoc-photos, Art Resource, New York.) |
4.3 | Les Halles (CNAC/MNAM/Dist. Réunion des Musées Nationaux, Art Resource, New York.) |
6.1 | Sironi, political illustration, 1934 (From Fabio Benzi and Andrea Sironi (1988), Sironi Illustratore, Rome: De Luca, p. 226.) |
6.2 | Sironi, Paesaggio Urbano, 1921 (From Claudia Gianferrari ed. (1988), Mario Sironi, Paesaggi urbani, Milan: Mazzotta, p. 60.) |
6.3 | Palazzo delle Esposizioni temporary façade (left) and Via Nazionale on 28 October 1932 (right) (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.4 | Sironi and Muzio, Italian Pavilion, facade of the Press Section, Barcelona 1929 (From Emily Braun (2000), Mario Sironi and Italian Modernism, Cambridge: Cambridge University Press, p. 146.) |
6.5 | Sironi and Muzio, Sezione Arti Grafiche at the Villa Reale in Monza, Salone d’Onore (left) and overall plan (right) (From Andrea Sironi ed. (2004), Sironi, La Grande Decorazione, Milan: Electa, p. 193.) |
6.6 | EFR, Main Floor Plan, with Sironi’s rooms P through S (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 38.) |
6.7 | Libera and de Renzi, EFR temporary façade, plan and elevation (left), guards at the entrance (right) (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 35.) |
6.8 | Terragni, Sala O, view from the entrance (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.9 | Konstantin Melnikov, USSR pavilion, Paris 1925 (left), and Gustav Klutsis, poster 1930 (right) (From Frederick Starr (1992), Il padiglione di Melnikov a Parigi 1925, Rome: Officina, p. 70; and (1992) The Great Utopia: Russian avant-garde 1915–1932, Catalogue of the exhibition held at the Stedelijk Museum, Amsterdam.) |
6.10 | Terragni, Sala O photomontage (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.11 | Terragni, study for Sala O (Reproduced by kind permission of Emilio Terragni, Terragni archives, Como.) |
6.12 | Sironi, view of Room P from the entrance vestibule (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 67.) |
6.13 | Sironi, three studies for Room P (Courtesy Andrea Sironi and Claudia Gianferrari. From Andrea Sironi ed. (2004), Sironi, La Grande Decorazione, Milan: Electa, p. 79.) |
6.14 | The Roman salute (Source unknown.) |
6.15 | Sironi, Sintesi della Guerra Mondiale (1918) (left) and Ernst Mach, photograph of a bullet in flight (1880s) (right) (From Fabio Benzi and Andrea Sironi (1988), Sironi Illustratore, Rome: De Luca, Tavola XVIII; Illustrazione per Il Montello, 20 Sept. 1918.) |
6.16 | Sironi, The End of the Liberal Era and the Ascent of Fascism, Room P (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, pp. 194–5.) |
6.17 | Sironi, entrance to Room Q with Sironi standing on the left (left) and Room Q, Roman warriors (right) (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 205.) |
6.18 | Sironi, Salone d’Onore, view from the entrance (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, pp. 212–13.) |
6.19 | Sironi, Salone d’Onore, entrance and exit (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, pp. 214–15.) |
6.20 | Sironi, Galleria dei Fasci (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 218.) |
6.21 | Libera and Valente, Shrine of the Martyrs (From Dino Alfieri and Luigi Freddi (1933), Mostra della Rivoluzione Fascista, Bergamo, p. 230.) |
(Figures 6.1, 6.2, 6.4, 6.5, 6.6, 6.12, 6.13, 6.14, 6.16, 6.17, 6.18, 6.19, 6.20 and 6.21 are from Libero Andreotti’s (2004) Triennale Exhibition Catalogue, Mario Sironi La Grande Decorazione, Milan, Electa. Most of these appeared originally in the catalogue of the Exhibition of the Fascist Revolution published in Italy in 1933. Figures 6.3, 6.7, 6.8, 6.9, 6.10 are from the 1933 catalogue and were used previously in Libero Andreotti’s (1992), ‘The aesthetics of war: the exhibition of the Fascist Revolution’, Journal of Architectural Education, February.)