All works by LeRoi Jones / Amiri Baraka are listed under Amiri Baraka.
Abramson, Doris E. Negro Playwrights in the American Theatre: 1925–1959. New York: Columbia University Press, 1969.
Adam, Barry D. The Survival of Domination: Inferiorization and Everyday Life. New York: Elsevier, 1978.
Adamolekun, Ladipo. Sekou Toure’s Guinea: An Experiment in Nation Building. London: Methuen, 1976.
Ahmed, Akbar Muhammad (Max Stanford). “The Roots of the Pan-African Revolution.” Black Scholar 3 (1972): 48–55.
Allen, Donald M., ed. New Amsterdam Poetry, 1945–1960. New York: Grove Press, 1960.
Allen, Robert L. Black Awakening in Capitalist America. Garden City, NY: Doubleday, 1969.
Allen, Theodore W. The Invention of the White Race. Vol. 2, The Origin of Racial Oppression in Anglo-America. London: Verso, 1997.
Appiah, Kwame Anthony. In My Father’s House: Africa in the Philosophy of Culture. New York: Oxford University Press, 1992.
“Art and Guns: Political Poetry at Home and Abroad.” Poetry East, nos. 9 and 10 (Winter 1982 / Spring 1983).
Artaud, Antonin. Selected Writings. Ed. Susan Sontag. New York: Farrar, Straus & Giroux, 1976.
Asante, Molefi Kete. The Afrocentric Idea. Philadelphia: Temple University Press, 1987.
Baker, Houston A. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic. Madison: University of Wisconsin Press, 1988.
———. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984.
———. The Journey Back: Issues in Black Literature and Criticism. Chicago: University of Chicago Press, 1980.
Banes, Sally. Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. Durham, NC: Duke University Press, 1993.
Baraka, Ameer. “The Black Aesthetic.” Negro Digest 18 (September 1969): 5–6.
Baraka, Amiri (LeRoi Jones). The Autobiography of LeRoi Jones / Amiri Baraka. New York: Freundlich Books, 1984.
———. The Autobiography of LeRoi Jones. Chicago: Lawrence Hill Books, 1997.
Baraka, Amiri (LeRoi Jones). The Baptism and the Toilet. New York: Grove Press, 1967.
———. Black Magic: Collected Poetry, 1961–1967. Indianapolis: Bobbs-Merrill, 1969.
———. Black Music. New York: Morrow, 1967.
———. “Black Revolutionary Poets Should Also Be Playwrights.” Black World 21, no. 6 (April 1972): 4–6.
———. Blues People: Negro Music in White America. New York: Morrow, 1963.
———. “Confessions of a Former Anti-Semite.” Village Voice, December 17, 1980, pp. 1, 19–23.
———. Daggers and Javelins: Essays, 1974–1979. New York: Morrow, 1984.
———. Dutchman and The Slave. New York: Morrow, 1967.
———. Eulogies. New York: Marsilio Publishers, 1996.
———. Four Black Revolutionary Plays. Indianapolis: Bobbs-Merrill, 1969.
———. Funk Lore: New Poems (1984–1995). Ed. Paul Vangelisti. Los Angeles: Littoral Books, 1996.
———. Hard Facts. Newark, NJ: Congress of Afrikan People, 1975.
———. Home: Social Essays. New York: Morrow, 1966.
———. Jello. Chicago: Third World Press, 1970.
———. “Jesse 88.” Forward to Journal of Socialist Thought 8 (Spring 1988): 1–23.
———. The LeRoi Jones / Amiri Baraka Reader. Ed. William J. Harris. New York: Thunder’s Mouth Press, 1991.
———. The Motion of History and Other Plays. New York: Morrow, 1978.
———. “Nina Returns.” Forward: Journal of Socialist Thought 7 (Summer 1987): 93–108.
———. Preface to a Twenty Volume Suicide Note. . . . New York: Corinth Books, 1961.
———. Raise Race Rays Raze. New York: Random House, 1971.
———. Selected Plays and Prose of Amiri Baraka / LeRoi Jones. New York: Morrow, 1979.
———. The Sidney Poet Heroical: In 29 Scenes. New York: I. Reed Books, 1979.
———. Spirit Reach. Newark, NJ: Jihad Productions, 1972.
———. Tales. New York: Grove Press, 1967.
———. Three Books by Imamu Amiri Baraka: The System of Dante’s Hell, The Dead Lecturer, Tales. New York: Grove Press, 1975.
———. “Why I Changed My Ideology: Black Nationalism and Socialist Revolution.” Black World 24 (July 1975): 30–42.
———. Why’s, Wise, Ys. Chicago: Third World Press, 1995.
———, ed. African Congress: A Documentary of the First Modern Pan-African Congress. New York: Morrow, 1972.
———, ed. The Moderns: An Anthology of New Writing in America. New York: Corinth Books, 1963.
———, and Amina Baraka, eds. The Music: Reflections on Jazz and Blues. New York: Morrow, 1987.
———, eds. Confirmation: An Anthology of African American Women. New York: Morrow, 1983.
———, and Larry Neal, eds. Black Fire: An Anthology of Afro-American Writing. New York: Morrow, 1968.
Baraka, Imamu Ameer. “Black Nationalism: 1972.” Black Scholar 4 (September 1972): 23–29.
Baraka, Imamu Amiri. (LeRoi Jones). “Black Woman.” Black World 19 (July 1975): 7–11.
———. “The Coronation of the Black Queen.” Black Scholar 19, no. 8 (June 1970): 46–48.
———. It’s Nation Time. Chicago: Third World Press, 1970.
———. Kawaida Studies: The New Nationalism. Chicago: Third World Press, 1972.
———. “Needed: A Revolutionary Strategy.” Black Scholar 7 (October 1975): 42–45.
———. “Toward Ideological Clarity.” Black World 24 (November 1974): 24–33, 84–95.
———, and Fundi. In Our Terribleness. Indianapolis: Bobbs-Merrill, 1970.
Barbour, Floyd B., ed. The Black Power Revolt: A Collection of Essays. Boston: Porter Sargent, 1968.
Barnes, Hazel. An Existentialist Ethics. Chicago: University of Chicago Press, 1978.
Baxandall, Lee, ed. Radical Perspectives in the Arts. Baltimore: Penguin Books, 1972.
Becker, Howard S. Art Worlds. Berkeley and Los Angeles: University of California, 1982.
Bennett, Lerone Jr. “Pan-African at the Crossroads: Dreams and Realities Clash as Delegates Debate Class and Color at Historic Congress in Tanzania.” Ebony, September 1974, pp. 148–52, 154–60.
Benston, Kimberly. Baraka: The Renegade and the Mask. New Haven, CT: Yale University Press, 1976.
Bentley, Eric. The Theatre of Commitment. New York: Atheneum, 1967.
Bernotas, Bob. Amiri Baraka. New York: Chelsea House, 1991.
Bernstein, Charles, ed. Close Listening: Poetry and the Performed World. New York: Oxford University Press, 1998.
Betts, Raymond, ed. The Ideology of Blackness. Lexington, MA: Heath, 1971.
Bien, Peter. Kazantzakis: Politics of the Spirit. Princeton, NJ: Princeton University Press, 1989.
Bigsby, C. W. E. Confrontation and Commitment. Columbia: University of Missouri Press, 1967.
———. A Critical Introduction to Twentieth-Century American Drama. Vol. 3, Beyond Broadway. Cambridge: Cambridge University Press, 1985.
———, ed. The Black American Writer. Vol. 1, Fiction. Baltimore: Penguin Books, 1971.
———, ed. The Black American Writer. Vol. 2, Poetry and Drama. Baltimore: Penguin Books, 1969.
Blair, Thomas L. Retreat to the Ghetto: The End of a Dream? New York: Hill & Wang, 1977.
Blauner, Robert. Racial Oppression in America. New York: Harper & Row, 1972.
Bloom, Alexander. Prodigal Sons: The New York Intellectuals and Their World. New York: Oxford University Press, 1986.
Boggs, James. Racism and the Class Struggle: Further Pages from a Black Worker’s Notebook. New York: Monthly Review Press, 1970.
Brooks, Gwendolyn. Report from Part One. Detroit: Broadside Press, 1973.
Brown, Cecil M. “Black Literature and LeRoi Jones.” Black World 19 (June 1970): 24–31.
Brown, Elaine. A Taste of Power: A Black Woman’s Story. New York: Pantheon, 1992.
Brown, Lloyd W. Amiri Baraka. Boston: Twayne, 1980.
———, ed. The Black Writer in Africa and the Americas. Los Angeles: Hennesy and In-galls, 1973.
———, ed. New Black Voices: An Anthology of Contemporary Afro-American Literature. New York: New American Library, 1972.
Brustein, Robert. The Theatre of Revolt: Studies in Modern Drama from Ibsen to Genet. Boston: Atlantic Monthly Press / Little Brown, 1964.
Bryant-Jackson, Paul, and Louis Moore Overbeck, eds. Intersecting Boundaries: The Theatre of Adrienne Kennedy. Minneapolis: University of Minnesota Press, 1992.
Bullins, Ed, ed. New Plays from the Black Theatre. New York: Bantam Books, 1969.
Burger, Peter. Theory of the Avant-Garde. Trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984.
Burkman, Katherine H., and Judith Roof, eds. Staging the Rage: The Web of Misogyny in Modern Drama. Madison, NJ: Fairleigh Dickinson University Press, 1998.
Cabral, Amilcar. Return to the Source: Selected Speeches. New York: Monthly Review Press, 1973.
———. Revolution in Guinea: Selected Texts. Trans. and ed. Richard Handyside. New York: Monthly Review Press, 1972.
———. Unity and Struggle: Speeches and Writings. Trans. Michael Wolfers. New York: Monthly Review Press, 1979.
Carbado, Devon W., ed. Black Men on Race, Gender, and Sexuality: A Critical Reader. New York: New York University Press, 1999.
Caws, Peter. Sartre. London: Routledge & Kegan Paul, 1979.
Cesaire, Aime. The Collected Poetry. Trans. Clayton Eshelman and Annette Smith. Berkeley and Los Angeles: University of California Press, 1983.
Chapman, Abraham, ed. New Black Voices: An Anthology of Contemporary Afro-American Literature. New York: New American Library, 1972.
Chilcote, Ronald H. Amilcar Cabral’s Revolutionary Theory and Practice: A Critical Guide. Boulder, CO: Lynne Rienner, 1991.
Chisholm, Shirley. The Good Fight. New York: Harper & Row, 1973.
Churchill, Ward, and Jim Vander Wall. Agents of Repression: The FBI’s Secret Wars against the Black Panther Party and the American Indian Movement. Boston: South End Press, 1988.
Clarke, John Henrik, ed. Malcolm X: The Man and His Times. New York: Macmillan, 1969.
Clay, William L. Just Permanent Interests: Black Americans in Congress, 1870–1992. New York: Amistad Press, 1993.
Cleaver, Eldridge. Soul on Ice. New York: Dell, 1968.
Clegg, Claude Andrew III. An Original Man: The life and Times of Elijah Muhammed. New York: St. Martin’s Press, 1997.
Clurman, Harold. The Naked Image: Observations on the Modern Theatre. New York: Macmillan, 1966.
Cohen, Robert Carl. Black Crusader: A Biography of Robert Franklin Williams. Secaucus, NJ: Lyle Stuart, 1972.
Cone, James. For My People: Black Theology and the Black Church. Maryknoll, NY: Orbis, 1984.
Cook, Mercer, and Stephen E. Henderson. The Militant Black Writer in Africa and the United States. Madison: University of Wisconsin Press, 1969.
Coser, Lewis. The Functions of Social Conflict. New York: Free Press, 1966.
———. Greedy Institutions: Patterns of Undivided Commitment. New York: Free Press, 1974.
Craig, E. Quita. Black Drama of the Federal Theatre Era: Beyond the Formal Horizons. Amherst: University of Massachusetts Press, 1980.
Cross, William Jr. Shades of Black: Diversity in African-American Identity. Philadelphia: Temple University Press, 1991.
Crouch, Stanley. Notes of a Hanging Judge: Essays and Reviews, 1979–1989. New York: Oxford University Press, 1990.
Cruse, Harold. The Crisis of the Negro Intellectual. New York: Morrow, 1967.
———. “The Little Rock National Black Political Convention, Part I.” Black World 23 (October 1974): 10–17, 82–88.
———. “The National Black Political Convention, Part II.” Black World 24 (November 1974): 4–21.
Damon, Maria. The Dark End of the Street: Margins in American Vanguard Poetry. Minneapolis: University of Minnesota Press, 1993.
Daniels, Ron. “The National Black Political Assembly: Building Independent Black Politics in the 1980s.” Black Scholar 11 (March/April 1980): 32–42.
Davis, Angela. An Autobiography: With My Mind on Freedom. New York: Bantam Books, 1974.
Davis, Charles. Black Is the Color of the Cosmos: Essays on Afro-American Literature and Culture, 1942–1981. Washington, DC: Howard University Press, 1989.
DeCaro, Louis A. Jr. On the Side: A Religious Life of Malcolm X. New York: New York University Press, 1996.
Delaney, Samuel. Motion of Light in Water. New York: Arbor House, 1988.
DeVeaux, Scott. The Birth of BeBop: A Social and Musical History. Chicago: University of Chicago Press, 1997.
Dickstein, Morris. Gates of Eden: American Culture in the Sixties. New York: Basic Books, 1977.
Di Prima, Diane. Memoirs of a Beatnik. San Francisco: Last Gasp, 1988.
Dorrien, Gary. The Neoconservative Mind: Politics, Culture, and the War of Ideology. Philadelphia: Temple University Press, 1993.
Duberman, Martin. Black Mountain: An Exploration in Community. New York: Dutton, 1972.
———. The Uncompleted Past. New York: Random House, 1969.
Dubey, Madhu. Black Women Novelists and the Nationalist Aesthetic. Bloomington: Indiana University Press, 1994.
Duignan, Peter, and L. H. Gann. The United States and Africa: A History. Cambridge: Cambridge University Press, 1984.
Duval, Elaine I. “Reasserting and Raising Our History: An Interview with Amiri Baraka (August 27, 1987).” Obsidian II 3 (Spring 1988): 1–17.
Early, Gerald. Tuxedo Junction: Essays on American Culture. New York: Ecco Press, 1989.
———, ed. Speech and Power. Vol. 1. Hopewell, NJ: Ecco Press, 1992.
Eagleton, Terry. Marxism and Literary Criticism. Berkeley and Los Angeles: University of California Press, 1976.
Ebaugh, Helen Rose Fuchs. Becoming an EX: The Process of Role Exit. Chicago: University of Chicago Press, 1988.
Edwards, Harry. The Struggle That Must Be: An Autobiography. New York: Macmillan, 1980.
Ellison, Ralph. Shadow and Act. New York: Random House, 1964.
Fabio, Sarah Webster. “A Black Paper: An Essay on Literature.” Black World 18 (July 1969).
Fabre, Genevieve. Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre. Trans. Melvin Dixon. Cambridge, MA: Harvard University Press, 1983.
Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove Press, 1967.
———. A Dying Colonialism. Trans. Haakon Chevalier. New York: Grove Press, 1967.
Farbre, Genevieve. Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre. Trans. Melvin Dixon. Cambridge, MA: Harvard University Press, 1983.
Fiedler, Leslie A. To the Gentiles. New York: Stein & Day, 1972.
———. Waiting for the End. New York: Stein & Day, 1964.
———. What Was Literature: Class, Culture and Mass Society. New York: Simon & Schuster, 1982.
Finkenstaedt, Rose L. H. Face to Face: Blacks in America: White Perceptions and Black Realities. New York: Morrow, 1994.
Fishbein, Leslie. Rebels in Bohemia: The Radicals of “the Masses,” 1911–1917. Chapel Hill: University of North Carolina Press, 1983.
Flowers, Sandra Hollin. African American Nationalist Literature of the 1960s. New York: Garland, 1996.
Forman, James. The Making of Black Revolutionaries. Washington, DC: Open Hand Publishing, 1985.
Fowler, Virginia, ed. Conversations with Nikki Giovanni. Jackson: University Press of Mississippi, 1992.
Fox, Robert Elliot. Conscientious Sorcerers: The Black Postmodernist Fiction of LeRoi Jones / Amiri Baraka, Ishmael Reed, and Samuel R. Delany. Westport, CT: Greenwood Press, 1987.
Fremantle, Anne, ed. Mao Tse-Tung: An Anthology of His Writings. New York: New American Library, 1962.
Fuller, Hoyt. Journey to Africa. Chicago: Third World Press, 1971.
Fullinwider, S. P. The Mind and Mood of Black America. Homewood, IL: Dorsey Press, 1969.
Gates, Henry Louis Jr. Figures in Black: Words, Signs, and the “Racial” Self. New York: Oxford University Press, 1987.
Gay, Peter. Weimar Culture: The Outsider as Insider. New York: Harper & Row, 1968.
Gayle, Addison. “Cultural Strangulation: Black Literature and the White Aesthetic.” Negro Digest 18 (July 1969).
———. “An Open Letter to the Editor of the New York Times Book Review.” Black World 21 (May 1972): 92–94.
———. The Way of the World: The Black Novel in America. Garden City, NY: Doubleday, 1976.
———. Wayward Child: A Personal Odyssey. Garden City, NY: Doubleday, 1977.
———, ed. The Black Aesthetic. Garden City: Doubleday, 1971.
Geiss, Imanuel. The Pan-African Movement: A History of Pan-Africanism in America, Europe, and Africa. Trans. Ann Keep. New York: Holmes and Meier, 1974.
George, Paul, and Jerold M. Starr. “Beat Politics: New Left and Hippie Beginnings in the Postwar Counterculture.” In Cultural Politics: Radical Movements in Modern History, ed. Jerold Starr. New York: Praeger, 1985.
Gerard, Charley. Jazz in Black and White: Race, Culture, and Identity in the Jazz Community. Westport, CT: Praeger, 1998.
Gibson, Donald B. Five Black Writers: Essays on Wright, Ellison, Baldwin, Hughes, and LeRoi Jones. New York: New York University Press, 1970.
Gillette, Michael. Launching the War on Poverty: An Oral History. New York: Twayne, 1996.
Gilman, Richard. The Confusion of Realms. New York: Random House, 1969.
Giovanni, Nikki. Sacred Cows . . . And Other Edibles. New York: Morrow, 1988.
Goldberg, David Theo. Racist Culture: Philosophy and the Politics of Meaning. Oxford: Blackwell, 1993.
Golden, Thelma. Bob Thompson. New York: Whitney Museum of American Art, 1998.
Goldstein, Robert Justin. Political Repression in Modern America: 1870 to the Present. Cambridge, MA: Schenkman, 1978.
Gordon, Vivian Verdell, ed. Lectures: Black Scholars on Black Issues. Washington, DC: University Press of America, 1979.
Gosse, Van. Where the Boys Are: Cuba, Cold War America and the Making of a New Left. New York: Verso, 1993.
Gouldner, Alvin. The Two Marxisms: Contradictions and Anomalies in the Development of Theory. New York: Seabury Press, 1980.
Grana, Cesar, and Marigay Grana. On Bohemia: The Code of the Self-Exiled. New Brunswick, NJ: Transaction Publishers, 1990.
Gruen, John. The New Bohemia: The Combine Generation. New York: Grosset & Dunlap, 1966.
Guerrero, Ed. Framing Blackness: The African-American Image in Film. Philadelphia: Temple University Press, 1993.
Gussow, Mel. Theatre on the Edge: New Visions, New Voices. New York: Applause, 1998.
Gwynne, James B., ed. Amiri Baraka: The Kaleidoscopic Torch: A Literary Tribute. A special issue of Steppingstones: A Literary Anthology towards Liberation. New York: Steppingstones Press, 1985.
Haines, Herbert H. Black Radicals and the Civil Rights Mainstream, 1954–1970. Knoxville: University of Tennessee Press, 1988.
Halisi, Imamu Clyde. “Maulana Ron Karenga: Black Leader in Captivity.” Black Scholar 3 (May 1972): 27–31.
Hampton, Henry, and Steve Fayer. Voices of Freedom: An Oral History of the Civil Rights Movement from the 1950s through the 1980s. New York: Bantam Books, 1990.
Harlem Youth Opportunities Unlimited (HARYOU). Youth in the Ghetto: A Study of the Consequences of Powerlessness and a Blueprint for Change. New York: Orans Press, 1964.
Harlow, Barbara. Resistance Literature. New York: Methuen, 1987.
Harper, Michael S., and Robert B. Stepto, eds. Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship. Champaign-Urbana: University of Illinois Press, 1979.
Harper, Phillip Brian. Are We Not Men? Masculine Anxiety and the Problem of African American Identity. New York: Oxford University Press, 1996.
Harrington, Michael. Fragments of the Century. New York: Saturday Review Press, 1973.
Harrington, Oliver W. Why I Left America and Other Essays. Jackson: University Press of Mississippi, 1993.
Harris, William J. The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic. Columbia: University of Missouri Press, 1985.
Harrison, Paul Carter. The Drama of Nommo. New York: Grove Press, 1972.
Hatch, James V. Sorrow Is the Only Faithful One: The Life of Owen Dodson. Champaign-Urbana: University of Illinois Press, 1993.
Hauser, Arnold. The Sociology of Art. Trans. Kenneth Northcott. London: Routledge & Kegan Paul, 1982.
Hayden, Tom. Rebellion in Newark, N.J.: Official Violence and Ghetto Response. New York: Vintage Books, 1967.
Haywood, Harry. Negro Liberation. Chicago: Liberator Press, 1976.
Heard, Nathan. Howard Street. New York: Dial Press, 1968.
Henderson, Stephen E., ed. Understanding the New Black Poetry: Black Speech and Black Music as Poetic References. New York: Morrow, 1973.
Hill, Errol. The Theater of Black Americans. Vols. 1 and 2. Englewood Cliffs, NJ: Prentice-Hall, 1980.
Hill, Herbert, ed. Anger, and Beyond: The Negro Writer in the United States. New York: Harper & Row, 1966.
Hilliard, David, and Lewis Cole. This Side of Glory: The Autobiography of David Hilliard and the Story of the Black Panther Party. Boston: Little, Brown, 1993.
Hoffman, Daniel, ed. Harvard Guide to Contemporary American Writing. Cambridge, MA: Harvard University Press, 1979.
hooks, bell. Ain’t I a Woman: Black Women and Feminism. Boston: South End Press, 1981.
Horne, Gerald. Black Liberation / Red Scare: Ben Davis and the Communist Party. Newark: University of Delaware Press, 1994.
———. Fire This Time: The Watts Uprising and the 1960s. Charlottesville: University Press of Virginia, 1995.
Howe, Irving. Selected Writings: 1950–1990. New York: Harcourt Brace Jovanovich, 1990.
Howe, Stephen. Afrocentrism: Mythical Pasts and Imagined Homes. London: Verso, 1998.
Hudson, Theodore R. From LeRoi Jones to Amiri Baraka: The Literary Works. Durham, NC: Duke University Press, 1973.
Ilie, Paul. Literature and Inner Exile: Authoritarian Spain, 1939–1975. Baltimore: Johns Hopkins University Press, 1980.
Innes, Christopher. Avant Garde Theatre: 1892–1992. London: Routledge, 1993.
“Intellectuals.” A special issue. Salmagundi, nos. 70 and 71 (Spring/Summer 1986).
Jackson, Kathryn. “LeRoi Jones and the New Black Writers of the Sixties.” Freedomways 9, no. 3 (Summer 1969): 232–46.
Jacoby, Russell. The Last Intellectuals: American Culture in the Age of Academe. New York: Noonday Press, 1987.
JanMohamed, Abdul R. Manichean Aesthetics: The Politics of Literature in Colonial Africa. Amherst: University of Massachusetts Press, 1983.
Jarab, Josef. “Black Aesthetic: A Cultural or Political Concept.” Callaloo 8, no. 25 (Fall 1985): 587–93.
Johnson, Abby Arthur, and Ronald Maberry Johnson. Propaganda and Aesthetics: The Literary Politics of Afro-American Magazines in the Twentieth Century. Amherst: University of Massachusetts Press, 1991.
Johnson, Charles. Being and Race: Black Writing since 1970. Bloomington: Indiana University Press, 1988.
Johnson, John H., with Lerone Bennett Jr. Succeeding against the Odds. New York: Warner Books, 1989.
Johnson, Joyce. Minor Characters. Boston: Houghton Mifflin, 1983.
Jones, Gayle. Liberating Voices: Oral Tradition in African-American Literature. New York: Penguin Books, 1992.
Jones, Hettie. How I Became Hettie Jones. New York: Dutton, 1990.
Jordan, Glenn, and Chris Weedon. Cultural Politics: Class, Gender, Race and the Postmodern World. Oxford: Blackwell, 1995.
Karenga, Ron. “In Defense of Sis. Joanne: For Ourselves and History.” Black Scholar, July/August 1975, pp. 37–42.
———. “In Love and Struggle: Toward a Greater Togetherness.” Black Scholar, March 1975, pp. 16–28.
———. “A Strategy for Struggle.” Black Scholar, November 1973, pp. 8–21.
Karnig, Albert K., and Susan Welch. Black Representation and Urban Policy. Chicago: University of Chicago Press, 1980.
Kazin, Alfred. Contemporaries. Boston: Little, Brown, 1962.
Keil, Charles. Urban Blues. Chicago: University of Chicago Press, 1966.
Kennedy, Adrienne. People Who Led to My Plays. New York: Knopf, 1987.
Kent, George. Blackness and the Adventure of Western Culture. Chicago: Third World Press, 1972.
Kesteloot, Lilyan. Black Writers in French: A Literary History of Negritude. Trans. Ellen Conroy Kennedy. Philadelphia: Temple University Press, 1974.
Kilson, Martin L. “Black Power: Anatomy of a Paradox.” Harvard Journal of Negro Affairs 2, no. 1 (1968): 30–34.
———. “Politics and Identity among Black Intellectuals.” Dissent, Summer 1981, 339–49.
King, Woodie, and Ron Milner, eds. Black Drama Anthology. New York: Columbia University Press, 1972.
Klein, Marcus. After Alienation: American Novels in Mid-Century. Chicago: University of Chicago Press, 1978.
Klugar, Richard. Simple Justice. New York: Knopf, 1976.
Knight, Etheridge. Black Voices from Prison. New York: Pathfinder Press, 1970.
Kofsky, Frank. Black Nationalism and the Revolution in Music. New York: Pathfinder Press, 1970.
Kolin, Philip C., ed. Conversations with Edward Albee. Jackson: University Press of Mississippi, 1988.
Kostelanetz, Richard. The End of Intelligent Writing: Literary Politics in America. New York: Sheed & Ward, 1974.
Krim, Seymour. Views of a Nearsighted Cannoneer. New York: Dutton, 1968.
Kukla, Barbara J. Swing City: Newark Nightlife, 1925–1950. Philadelphia: Temple University Press, 1991.
Lacey, Henry C. To Raise, Destroy, and Create: The Poetry, Drama, and Fiction of Imamu Amiri Baraka. Troy, NY: Whitston Publishing, 1981.
Lee, Don L. “Black Critics: Voices of the Seventies.” Black World 19 (September 1970): 24–30.
———. “The Black Writer and the Black Community.” Black World 21 (May 1972): 85–87.
———. Don’t Cry, Scream. Detroit: Broadside Press, 1969.
Lee, Leo Ou-fan. Voices from the Iron House: A Study of Lu Xun. Bloomington: Indiana University Press, 1987.
Leeming, David. Amazing Grace: A Life of Beauford Delaney. New York: Oxford University Press, 1998.
Lemelle, Sidney, and Robin D. G. Kelley, eds. Imagining Home: Class, Culture, and Nationalism in the African Diaspora. London: Verso, 1994.
Lentriccia, Frank. Criticism and Social Change. Chicago: University of Chicago Press, 1983.
Lester, Julius. All Is Well: An Autobiography. New York: Morrow, 1976.
Levine, Lawrence. Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom. New York: Oxford University Press, 1977.
Leyland, Winston, ed. Allen Ginsberg and Peter Orlovsky: Straight Hearts’ Delight, Love Poems and Selected Letters. San Francisco: Gay Sunshine Press, 1980.
Liebenow, J. Gus. African Politics: Crises and Challenges. Bloomington: Indiana University Press, 1986.
Littlejohn, David. Black on White: A Critical Survey of Writing by American Negroes. New York: Viking Press, 1966.
Lowry, Michael. George Lukacs—From Romanticism to Bolshevism. Trans. Patrick Camiller. London: New Left Books, 1979.
Lumumba, Patrice. Lumumba Speaks: The Speeches and Writings of Patrice Lumumba, 1958–1961. Ed. Jean Van Lierd. Boston: Little, Brown, 1972.
Lynch, Acklyn. Nightime Overhanging Darkly: Essays on Black Culture and Resistance. Chicago: Third World Press, 1992.
Mackey, Nathaniel. Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. Cambridge: Cambridge University Press, 1993.
Madhubuti, Haki R. (Don L. Lee). Claiming Earth: Race, Rage, Rape, Redemption. Chicago: Third World Press, 1994.
———. Enemies: The Clash of Races. Chicago: Third World Press, 1978.
———. “Enemy: From the White Left, White Right and In-Between.” Black World 23 (October 1974): 36–47.
———. From Plan to Planet: Life Studies: The Need for Afrikan Minds and Institutions. Detroit: Broadside Press, 1973.
Mailer, Norman. The White Negro. San Francisco: City Lights Books, 1957.
Major, Clarence. The Dark and Feeling: Black American Writers and Their Work. New York: Third World Press, 1974.
Manning, Kenneth. Black Apollo of Science: The Life of Ernest Everett Just. New York: Oxford University Press, 1983.
Mannoni, O. Prospero and Caliban: The Psychology of Colonization. Trans. Pamela Powesland. New York: Praeger, 1964.
Marable, Manning. Black American Politics: From the Washington Marches to Jesse Jackson. London: New Left Books, 1985.
———. Blackwater: Historical Studies in Race, Class Consciousness and Revolution. Dayton, OH: Black Praxis Press, 1981.
Marable, Manning. Race, Reform and Rebellion: The Second Reconstruction in Black America, 1945–1990. Rev. 2d ed. Jackson: University Press of Mississippi, 1991.
Marcuse, Herbert. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston: Beacon Press, 1978.
———. Counterrevolution and Revolt. Boston: Beacon Press, 1972.
Margolies, Edward. Native Sons: A Critical Study of Twentieth-Century Negro American Authors. Philadelphia: Lippincott, 1968.
McCartney, John T. Black Power Ideologies: An Essay in African-American Political Thought. Philadelphia: Temple University Press, 1992.
McEwan, P. J. M., ed. Twentieth Century Africa. Oxford: Oxford University Press, 1968.
Melhem, D. H. Heroism in the New Black Poetry: Introductions and Interviews. Lexington: University Press of Kentucky, 1990.
Memmi, Albert. Dominated Man. Boston: Beacon Press, 1968.
Merleau-Ponty, Maurice. Sense and Non-sense. Trans. Hubert L. Dreyfus and Patricia Dreyfus. Evanston, IL: Northwestern University Press, 1964.
Merquior, J. G. The Veil and the Mask: Essays on Culture and Ideology. London: Routledge & Kegan Paul, 1979.
Mesa-Lago, Carmelo, and June S. Belkin, eds. Cuba in Africa. Latin American Monograph and Document Series 3. Pittsburgh: Center for Latin American Studies, University of Pittsburgh, 1982.
Miles, Barry. Jack Kerouac: King of the Beats, a Portrait. New York: Henry Holt, 1998.
Miller, James A. “Amiri Baraka in the 1980’s.” Callaloo 9 (Winter 1986): 184–92.
Morgan, Edmund. American Slavery, American Freedom: The Ordeal of Colonial Virginia. New York: Norton, 1975.
Moynihan, Daniel Patrick. Maximum Feasible Misunderstanding: Community Action in the War on Poverty. New York: Free Press, 1970.
Muhammed, Elijah. Message to the Blackman. Chicago: Muhammad’s Temple No. 2, 1965.
Naison, Mark. Communist in Harlem during the Depression Years. New York: Grove Press, 1983.
Neal, Larry. Visions of a Liberated Future: Black Arts Movement Writings. Ed. Michael Schwartz. New York: Thunder’s Mouth Press, 1989.
Nichols, Charles H., ed. Arna Bontemps–Langston Hughes Letters: 1925–1967. New York: Dodd, Mead, 1980.
Nicosia, Gerald. Memory Babe: A Critical Biography of Jack Kerouac. New York: Grove Press, 1983.
———, ed. Cranial Guitar: Selected Poems by Bob Kaufman. Minneapolis: Coffee House Press, 1966.
Nielsen, Aldon Lynn. Black Chant: Languages of African-American Postmodernism. Cambridge: Cambridge University Press, 1997.
———. Writing between the Lines: Race and Intertextuality. Athens: University of Georgia Press, 1994.
Njeri, Itabari. Every Good-bye Ain’t Gone: Family Portraits and Personal Escapades. New York: Random House, 1990.
North, Michael. The Dialect of Modernism: Race, Language and Twentieth-Century Literature. New York: Oxford University Press, 1994.
Novick, David. That Noble Dream: The “Objectivity Question” in American History. Cambridge: Cambridge University Press, 1988.
Obadele, Imari Abubakari. “National Black Elections Held by Republic of New Africa.” Black Scholar 7 (October 1975): 27–30, 35–38.
O’Reilly, Kenneth. Racial Matters: The FBI’s File on Black America, 1960–1972. New York: Free Press, 1989.
Ostendorf, Berndt. Black Literature in White America. Totowa, NJ: Barnes & Noble Books, 1982.
Oxaal, Ivar. Black Intellectuals and the Dilemmas of Race and Class in Trinidad. Cambridge, MA: Schenkman, 1982.
Parish, Jon. The Color of Jazz: Race and Representation in Postwar American Culture. Jackson: University Press of Mississippi, 1997.
Parks, Carole A. Nommo: A Literary Legacy of Black Chicago (19667–1987). Chicago: OBAhouse, 1987.
Pells, Richard H. The Liberal Mind in a Conservative Age: American Intellectuals in the 1940s and 1950s. New York: Harper & Row, 1985.
Perkins, Cathy, ed. COINTELPRO: The FBI’s Secret War on Political Freedom. New York: Monad Press, 1975.
Perkins, Eugene. “The Changing Status of Black Writers.” Black World 19 (June 1970): 18–23, 95–98.
Peter, John. Vladimir’s Carrot: Modern Drama and the Modern Imagination. London: Andre Deutsch, 1987.
Pinkney, Alphonso. Red, Black, and Green: Black Nationalism in the United States. Cambridge: Cambridge University Press, 1976.
Podhoretz, Norman. Doings and Undoings: The Fifties and after in American Writing. London: Rupert Hart-Davis, 1965.
Poggioli, Renato. The Theory of the Avant-Garde. New York: Harper & Row, 1971.
Poinsett, Alex. “Unity without Uniformity: National Black Political Convention Blazes New Trails for 1972 and Beyond.” In Homage to Hoyt Fuller, ed. Dudley Randall. Detroit: Broadside Press, 1984.
Redding, J. Saunders. An American in India: A Personal Report on the Indian Dilemma and the Nature of Her Conflicts. Indianapolis: Bobbs-Merrill, 1954.
———. A Scholar’s Conscience: Selected Writings. Ed. Faith Berry. Lexington: University Press of Kentucky, 1992.
Redmond, Eugene. Drumvoices: The Mission of Afro-American Poetry. Garden City, NY: Doubleday, 1976.
Reed, Adolph. “Black Particularity Reconsidered.” Telos 39 (Spring 1979): 71–93.
———, ed. Race, Politics and Culture: Critical Essays on the Radicalism of the 1960s. New York: Greenwood Press, 1986.
Reed, Ishmael. Shrovetide in Old New Orleans. Garden City, NY: Doubleday, 1978.
Reilly, Charlie, ed. Conversations with Amiri Baraka. Jackson: University Press of Mississippi, 1994.
Ricard, Alain. Theatre and Nationalism: Wole Soyinka and LeRoi Jones. Trans. Femi Osofisan. Ibadan, Nigeria: University of Ife Press, 1983.
Rieff, Philip. Fellow Teachers. New York: Harper & Row, 1973.
Rivers, Larry, with Arnold Weinstein. What Did I Do? The Unauthorized Autobiography. New York: HarperCollins, 1992.
Riviere, Claude. Guinea: The Mobilization of a People. Trans. Virginia Thompson and Richard Adloff. Ithaca, NY: Cornell University Press, 1977.
Robinson, Armstead, Craig Foster, and Donald Ogilvie. Black Studies in the University: A Symposium. New Haven, CT: Yale University Press, 1969.
Rodgers, Carolyn M. “Uh Nat’ chal Thang—The WHOLE TRUTH—US.” Black World, September 1971, pp. 4–14.
Rosenberg, Bernard, and Norris Fliegel. The Vanguard Artist: Portrait and Self-Portrait. Chicago: Quadrangle Books, 1965.
Rosenthal, David. Hard Bop: Jazz and Black Music, 1955–1965. New York: Oxford University Press, 1992.
Ross, Andrew. No Respect: Intellectuals and Popular Culture. New York: Routledge, 1989.
———, ed. Universal Abandon? The Politics of Postmodernism. Minneapolis: University of Minnesota Press, 1988.
Rühle, Jürgen. Literature and Revolution: A Critical Study of the Writer and Communism in the Twentieth Century, trans. and ed. Jean Steinberg. New York: Praeger, 1969.
Salaam, Kalamu ya. What Is Life: Reclaiming the Black Blues Self. Chicago: Third World Press, 1994.
Sammons, Jeffrey. Literary Sociology and Practical Criticism: An Inquiry. Bloomington: Indiana University Press, 1977.
Sanders, Leslie Catherine. The Development of Black Theater in America: From Shadows to Selves. Baton Rouge: Louisiana State University Press, 1988.
Sartre, Jean-Paul. What Is Literature? Trans. Bernard Frechtman. New York: Harper & Row, 1965.
Savran, David. Taking It like a Man: White Masculinity, Masochism, and Contemporary American Culture. Princeton, NJ: Princeton University Press, 1998.
Schalk, David L. The Spectrum of Political Engagement: Mounier, Benda, Nizan, Brasillach, Sartre. Princeton, NJ: Princeton University Press, 1979.
Scheler, Max. Ressentiment. Ed. Lewis Coser and trans. William W. Holdheim. New York: Schocken Books, 1961.
Semmes, Clovis E. Cultural Hegemony and African American Development. Westport, CT: Praeger, 1992.
Sidran, Ben. Black Talk. New York: Holt, Rinehart and Winston, 1971.
Skurnik, W. A. E., ed. African Political Thought: Lumumba, Nkrumah, and Toure. Monograph Series in World Affairs. Denver: University of Denver, 1968.
Slotkin, Richard. Gunfighter Nation: The Myth of the Frontier in Twentieth Century America. New York: HarperPerennial, 1993.
Smith, David Lionel. “The Black Arts Movement and Its Critics.” American Literary History 3, no. 1 (Spring 1991): 93–110.
Smith, Robert. We Have No Leaders: African Americans in the Post–Civil Rights Era. Albany: State University of New York Press, 1996.
Smythe, Mabel, ed. The Black American Reference Book. Englewood Cliffs, NJ: Prentice-Hall, 1976.
Sollors, Werner. Amiri Baraka / LeRoi Jones: The Quest for a “Populist Modernism.” New York: Columbia University Press, 1978.
Sollors, Werner, and Maria Diedrich, eds. The Black Columbiad: Defining Moments in African-American Literature and Culture. Harvard English Studies no. 19. Cambridge, MA: Harvard University Press, 1994.
Solomon, Barbara Probst. Horse-Trading and Ecstasy: Essays. San Francisco: North Point Press, 1989.
Sontag, Susan. Against Interpretation. New York: Dell, 1966.
Soyinka, Wole. The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis. New York: Oxford University Press, 1996.
Special supplement on Amiri Baraka. Boundary 2, no. 6 (Winter 1978): 303–442.
Standley, Fred, and Louis Pratt, eds. Conversations with James Baldwin. Jackson: University Press of Mississippi, 1989.
Staniland, Martin. American Intellectuals and African Nationalists, 1955–1970. New Haven, CT: Yale University Press, 1991.
Staples, Robert. The Black Woman in America: Sex, Marriage and the Family. Chicago: Nelson-Hall, 1973.
Steiner, George. Language and Silence. New York: Atheneum, 1967.
Stember, Charles Herbert. Sexual Racism: The Emotional Barrier to an Integrated Society. New York: Harper & Row, 1978.
Stone, Albert E. The Return of Nat Turner: History, Literature, and Cultural Politics in Sixties America. Athens: University of Georgia Press, 1992.
Storey, John. An Introductory Guide to Cultural Theory and Popular Culture. Athens: University of Georgia Press, 1993.
Strickland, William. “Whatever Happened to the Politics of Black Liberation?” Black Scholar 7, no. 2 (October 1975): 20–26.
Swearingen, M. Wesley. FBI Secrets: An Agent’s Exposé. Boston: South End Press, 1995.
Tate, Claudia, ed. Black Women Writers at Work. New York: Continuum Press, 1985.
Tate, Greg. Flyboy in the Buttermilk: Essays on Contemporary America. New York: Simon & Schuster, 1992.
Tertz, Abram. The Trial Begins and On Socialist Realism. Berkeley and Los Angeles: University of California Press, 1982.
Thomas, Tony. “Black Nationalism and Confused Marxists.” Black Scholar 4 (September 1972): 47–52.
Toure, Ahmed Sekou. Africa on the Move. Conakry, Guinea: Patrice Lumumba Press, 1972.
———. The United States of Africa. Conakry, Guinea: Press Office, 1977.
Troupe, Quincy, ed. James Baldwin: The Legacy. New York: Simon & Schuster, 1989.
Turner, Darwin T. 1970. “Afro-American Literary Critics.” Black World 19 (July 1970): 54–67.
Turner, Sherry. “An Overview of the New Black Arts.” Freedomways 9 (Spring 1969): 156–63.
Tyler, Bruce Michael. “Black Radicalism in Southern California, 1950–1982.” Ph.D. diss., University of California at Los Angeles, 1983.
Ungar, Sanford J. Africa: The People and Politics of an Emerging Continent. 3d rev. ed. New York: Simon & Schuster, 1986.
Van Deburg, William L. New Day in Babylon: The Black Power Movement and American Culture, 1965–75. Chicago: University of Chicago Press, 1992.
Von Eschen, Penny. Race against Empire: Black Americans and Anticolonialism, 1937–1957. Ithaca, NY: Cornell University Press, 1997.
Wakefield, Dan. New York in the Fifties. Boston: Houghton Mifflin, 1992.
Wald, Alan M. Writing from the Left: New Essays on Radical Culture and Politics. New York: Verso, 1994.
Wallace, Michelle. Black Macho and the Myth of the Superwoman. New York: Dial Press, 1978.
———. Invisibility Blues: From Pop to Theory. London: Verso, 1990.
Walters, Ronald W. Black Presidential Politics in America: A Strategic Approach. Albany: State University of New York Press, 1988.
———. “Black Presidential Politics in 1980: Bargaining or Begging?” Black Scholar 11 (March/April 1980): 22–31.
———. Pan-Africanism in the African Diaspora: An Analysis of Modern Afrocentric Political Movements. Detroit: Wayne State University Press, 1993.
Walzer, Michael. The Company of Critics: Social Criticism and Political Commitment in the Twentieth Century. New York: Basic Books, 1988.
Warren, Earl. The Memoirs of Earl Warren. Garden City, NY: Doubleday, 1977.
Warren, Robert Penn. Who Speaks for the Negro? New York: Vintage Books, 1966.
Watson, Steven. The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944–1960. New York: Pantheon Books, 1995.
Watts, Jerry. Heroism and the Black Intellectual: Ralph Ellison, Politics, and Afro-American Intellectual Life. Chapel Hill: University of North Carolina Press, 1994.
———. “The Political Sociology of Ethnically Marginal Black Intellectuals.” Ph.D. diss., Yale University, 1985.
Weales, Gerald. “The Day LeRoi Jones Spoke on Penn’s Campus: What Were the Blacks Doing in the Balcony?” New York Times Magazine, May 4, 1969, pp. 38–40.
———. The Jumping-off Place: American Drama in the 1960s. London: Macmillan, 1969.
Weisbrot, Robert. Freedom Bound: A History of America’s Civil Rights Movement. New York: Plume, 1991.
Weiss, Nancy J. Whitney M. Young, Jr. and the Struggle for Civil Rights. Princeton, NJ: Princeton University Press, 1989.
Weixlmann, Joe, and Charles J. Fontenot, eds. Studies in Black American Literature. Vol. 2, Belief vs. Theory in Black American Literary Criticism. Greenwood, FL: Penkevill, 1986.
Werner, Craig Hansen. Playing the Changes: From Afro-Modernism to the Jazz Impulse. Champaign-Urbana: University of Illinois Press, 1994.
West, Cornel. Keeping Faith: Philosophy and Race in America. New York: Routledge, 1993.
Whittemore, L. H. Together: A Reporter’s Journey into the New Black Politics. New York: Morrow, 1971.
Wiegman, Robyn. American Anatomies: Theorizing Race and Gender. Durham, NC: Duke University Press, 1995.
Wilentz, Elias, ed. The Beat Scene. New York: Corinth Books, 1960.
Williams, John A., and Charles F. Harris, eds. Amistad 1: Writings on Black History and Culture. New York: Vintage Books, 1970.
Williams, Mance. Black Theatre in the 1960s and 1970s: A Historical-Critical Analysis of the Movement. Westport, CT: Greenwood Press, 1985.
Williams, Sherley Anne. Give Birth to Brightness: A Thematic Study in Neo-Black Literature. New York: Dial Press, 1972.
Wills, Garry. The Second Civil War: Arming for Armageddon. New York: New American Library, 1968.
Wilmer, Valerie. As Serious as Your Life: The Story of the New Jazz. Westport, CT: Lawrence Hill, 1977.
Winston, Henry. Class, Race and Black Liberation. New York: International Publishers, 1977.
Wolf, Daniel, and Edwin Fancher, eds. The Village Voice Reader. Garden City, NY: Doubleday, 1962.
Wolfenstein, Eugene Victor. Psychoanalytic-Marxism: Groundwork. New York: Guilford Press, 1993.
——. The Victims of Democracy: Malcolm X and the Black Revolution. Berkeley and Los Angeles: University of California Press, 1981.
Wood, Joe, ed. Malcolm X: In Our Image. New York: St. Martin’s Press, 1992.
Woodward, K. Komozi. “The Making of the New Ark: Imamu Amiri Baraka (LeRoi Jones), the Newark Congress of African People, and the Modern Black Convention Movement. A History of the Black Revolt and the New Nationalism, 1966–1976.” Ph.D. diss., University of Pennsylvania, 1991.
———. A Nation within a Nation: Amiri Baraka (Leroi Jones) and Black Power Politics. Chapel Hill: University of North Carolina Press, 1999.
Wright, Nathan. Black Power and Urban Unrest. New York: Holt, Rinehart and Winston, 1967.
———. Ready to Riot. New York: Holt, Rinehart and Winston, 1968.
———. What Black Politicians Are Saying. New York: Hawthorn Books, 1972.
Wright, Richard. White Man Listen. New York: Doubleday, 1957.
Yang, Gladys, ed. and trans. Silent China: Selected Writings of Lu Xun. Oxford: Oxford University Press, 1973.
Young, Coleman, and Lonnie Wheeler. Hard Stuff: The Autobiography of Mayor Coleman Young. New York: Viking Press, 1994.