Bibliography

Works by Marshall McLuhan

Books

McLuhan, Marshall. ‘The Place of Thomas Nashe in the Learning of His Time.’ PhD diss., Cambridge University, 1943.

The Mechanical Bride: Folklore of Industrial Man. 1951. Corte Madera, CA: Gingko P, 2002.

Counterblast. 1954 edn. Foreword by W. Terrence Gordon. Afterword by Elena Lamberti. Berlin and Berkeley, CA: Transmediale / Gingko P, 2011.

The Gutenberg Galaxy: The Making of Typographic Man. 1962. Centennial edn. Toronto: U of Toronto P, 2011.

Understanding Media: The Extensions of Man. 1964. Ed. W. Terrence Gordon. Corte Madera, CA: Gingko P, 2003.

Voices of Literature. Edited with Richard J. Schoeck. 2 vols. New York: Holt, Rinehart and Winston, 1964–5.

Counterblast. Designed by Harley Parker. Toronto: McClelland and Stewart, 1969.

The Interior Landscape: The Literary Criticism of Marshall McLuhan, 1943–1962. Selected, compiled, and edited by Eugene McNamara. New York: McGraw-Hill, 1969.

Culture Is Our Business. New York: McGraw-Hill, 1970.

La sposa meccanica: Il Folclore dell’uomo industriale. Trans. Francesca Gorjup Valente and Carla Plevano Pezzini. Varese: SugarCo Edizioni, 1984.

Letters of Marshall McLuhan. Selected and edited by Matie Molinaro, Corinne McLuhan, and William Toye. Toronto: Oxford UP, 1987.

Essays: Media, Research, Technology, Art, Communication. Ed. Michael A. Moos. Amsterdam: OPA, 1997.

The Medium and the Light: Reflections on Religion. Ed. Eric McLuhan and Jacek Szklarek. Toronto: Stoddart, 1999.

Understanding Me: Lectures and Interviews. Ed. Stephanie McLuhan and David Staines. With a Foreword by Tom Wolfe. Toronto: McClelland & Stewart, 2003.

The Classical Trivium: The Place of Thomas Nashe in the Learning of His Time. Ed. W. Terrence Gordon. Corte Madera, CA: Gingko P, 2005.

Letteratura e metafore della realtà. II. La critica letteraria. Ed. Silvia D’Offizi. Roma: Armando Editore, 2010.

McLuhan, Marshall, and Edmund Carpenter. Explorations in Communication: An Anthology. Boston: Beacon P, 1960.

McLuhan, Marshall, and Sorel Etrog. Images from the Film Spiral. Text by Marshall McLuhan. Toronto: Exile, 1987.

McLuhan, Marshall, and Quentin Fiore. The Medium Is the Massage. New York: Bantam Books, 1968.

War and Peace in the Global Village. New York: Bantam Books, 1968.

McLuhan, Marshall, Kathryn Hutchon, and Eric McLuhan. City as Classroom: Understanding Language and Media. Toronto: Book Society of Canada, 1977.

McLuhan, Marshall, and Eric McLuhan. Laws of Media: The New Science. Toronto: U of Toronto P, 1988.

Media and Formal Cause. Houston: NeoPoiesis P, 2011.

McLuhan, Marshall, with Barrington Nevitt. Take Today: The Executive as Dropout. Toronto: Longman, 1972.

McLuhan, Marshall, and Harley Parker. Through the Vanishing Point: Space in Poetry and Painting. New York: Harper & Row, 1969.

McLuhan, Marshall, and B.R. Powers. The Global Village: Transformation in World Life and Media in the 21st Century. New York: Oxford UP, 1989.

McLuhan, Marshall, and Wilfred Watson. From Cliché to Archetype. 1970. New York: Pocket Books, 1971.

Essays and Interviews

‘G.K. Chesterton: A Practical Mystic.’ Dalhousie Review 15 (1936): 455–64.

‘Edgar Poe’s Tradition.’ Sewanee Review 52 (1944): 24–33.

‘Kipling and Forster.’ Sewanee Review 52 (1944): 332–43.

‘Poetic vs Rhetorical Exegesis.’ Sewanee Review 52 (1944): 266–76.

‘Wyndham Lewis: Lemuel in Lilliput.’ Studies in Honor of St. Thomas Aquinas, Key Thinkers and Modern Thought [St Louis University] 2 (1944): 58–72.

‘American Advertizing.’ Horizon, October 1947, pp. 132–41.

‘Introduction.’ In Paradox in Chesterton, by Hugh Kenner. London: Sheet & Ward, 1948. xi–xxii.

‘Mr Eliot’s Historical Decorum.’ Renascence 2.1 (1949). Reprinted in Renascence 25.4 (1972–3): 183–9.

‘Joyce, Aquinas, and the Poetic Process.’ Renascence 4.1 (1951): 3–11.

‘Culture without Literacy.’ Explorations in Communications, 1 December 1953, pp. 117–27.

‘From Eliot to Seneca.’ University of Toronto Quarterly 22 (1953): 199–202.

‘Maritain on Art.’ Review of Creative Intuition in Art and Poetry, by J. Maritain. Renascence 6.1 (1953): 40–4.

‘Catholic Humanism and Modern Letters.’ The McAuley Lectures, 1954, pp. 67–79.

‘New Media as Political Forms.’ Explorations in Communications, 3 August 1954, pp. 120–6.

‘Notes on Media as Art Forms.’ Explorations in Communications, 2 April 1954, pp. 6–13.

‘Radio and TV vs the ABCED-MINDED.’ Explorations in Communications, 5 June 1955, pp. 12–18.

‘Space, Time and Poetry.’ Explorations in Communications, 4 February 1955, pp. 56–64.

‘The Media Fit the Battle of Jericho.’ Explorations in Communications, 6 July 1956, pp. 15–21.

‘The Effect of Printed Books on Language in the 16th Century.’ Explorations in Communications, 7 March 1957, pp. 99–108.

‘Third Program in the Human Age.’ Explorations in Communications, 8 October 1957, pp. 16–18.

‘Verbo-Voco-Visual.’ Explorations in Communications, 8 October 1957, p. 11.

‘Myth and Mass Media.’ Daedalus, Spring 1959, pp. 339–48.

‘Art as Anti-Environment.’ Art News Annual 31 (1966): 55–8.

‘Cybernation and Culture.’ In The Social Impact of Cybernetics. Ed. Charles Dechert. South Bend, IN: U of Notre Dame P, 1966. 95–108.

‘Marshall McLuhan: A Candid Conversation with the High Priest of Popcult and Metaphysician of Media.’ Playboy, March 1969, pp. 26–7, 45, 54–6, 61, 63–4, 74.

‘Introduction.’ In The Bias of Communication, by Harold Adams Innis. Toronto: U of Toronto P, 1970. vii–xvi.

‘Marshall McLuhan: Une entrevue de Jean Paré.’ Force Hydro-Québec 22 (1973): 5–26.

‘English Literature as Control Tower in Communication Study.’ English Quarterly [University of Waterloo], Spring 1974, pp. 3–7.

‘Formal Causality in Chesterton.’ Chesterton Review 11.2 (Spring/Summer 1976): 253–9.

‘The Brain and the Media: The “Western Hemisphere.”’ Journal of Communication 28.4 (1978): 54–60.

‘Letteratura e Media.’ With Amleto Lorenzini. Argomenti Canadesi (1978).

‘Pound, Eliot, and the Rhetoric of The Waste Land.’ New Literary History: A Journal of Theory and Interpretation 10 (1978–9): 557–80.

Works on Marshall McLuhan

Books and Dissertations

Baragli, Enrico. Dopo McLuhan. Torino: Elle Di Ci, 1981.

Il caso McLuhan. Roma: Civiltà Cattolica, 1980.

Benedetti, Paul, and Nancy DeHart, eds. Forward through the Rear-View Mirror: Reflections on and by Marshall McLuhan. Scarborough, ON: Prentice-Hall Canada, 1996.

Cavell, Richard. McLuhan in Space: Cultural Geography. Toronto: U of Toronto P, 2003.

de Kerckhove, Derrick, and Amilcare Iannucci, eds. McLuhan e la metamorfosi dell’uomo. Roma: Bulzoni Editore, 1984.

Duffy, Donald. Marshall McLuhan. Toronto: McClelland and Steward, 1969.

Finkelstein, Sidney. Sense and Nonsense in McLuhan. New York: International Publishers, 1968.

Gamaleri, Gianpiero. La Galassia McLuhan: Il mondo plasmato dai media. Roma: Armando, 1976.

Genosko, Gary. McLuhan and Baudrillard: The Masters of Implosion. London and New York: Routledge, 1999.

Gordon, W. Terrence. Marshall McLuhan: Escape into Understanding: A Biography. Toronto: Basic Books, 1997.

McLuhan for Beginners. London: Writers and Readers, 1997.

Grosswiler, P. Method Is the Message: Rethinking McLuhan through Critical Theory. Montreal: Black Rose Books, 1998.

Kroker, Arthur. Technology and the Canadian Mind: Innis, McLuhan, Grant. Montreal: New World Perspective, 1984.

Lamberti, Elena. Marshall McLuhan: Tra letteratura, arte e media. Milano: Bruno Mondadori, 2000.

Levinson, Paul. Digital McLuhan: A Guide to the Information Millennium. New York and London: Routledge, 1999.

Marchand, Philip. Marshall McLuhan: The Medium and the Messenger. New York: Ticknor & Fields, 1989.

Marchessault, Janine. Marshall McLuhan: Cosmic Media. London: Sage Publications, 2005.

McLuhan, Eric, and Frank Zingrone, eds. Essential McLuhan. Concord, ON: Anansi, 1995.

Miller, Jonathan. Marshall McLuhan. London: Fontana Collins, 1971.

Moos, Michael A. Marshall McLuhan Essays: Media Research, Technology, Art, Communication. Amsterdam: OPA, 1997.

Moss, John, and Linda M. Morra, eds. At the Speed of Light There Is Only Illumination: A Reappraisal of Marshall McLuhan. Ottawa: U of Ottawa P, 2004.

Nevitt, Barrington, and Maurice McLuhan. Who Was Marshall McLuhan? Exploring a Mosaic of Impressions. Toronto: Comprehensivist Publications, 1994.

Rosenthal, Raymond, ed. and introd. McLuhan: Pro & Con. New York: Funk & Wagnalls, 1968.

Sanderson, E., ed. Marshall Mcluhan: The Man and His Message. Special issue of the Antigonish Review, Summer 1988.

Sobelman, David. Marshall McLuhan: The Medium Is the Message: Treatment for a Documentary. Toronto: Rosefire Film Inc., 1997.

Stamps, J. Unthinking Modernity: Innis, McLuhan and the Frankfurt School. Montreal: McGill-Queen’s UP, 1971.

Stearn, Gerald Emanuel, ed. McLuhan, Hot and Cool: A Critical Symposium with a Rebuttal by McLuhan. New York: The Dial P, 1967.

Stone, Blair Francis. Marshall McLuhan and the Humanist Tradition: Media Theory and Encyclopaedic Learning. Ann Arbor, MI: UMI Dissertation Services, 1995. [PhD diss., University of Massachusetts, 1974]

Strate, Lance, and Edward Wachtel, eds. The Legacy of McLuhan. Media Ecology Book Series. Cresskill, NJ: Hampton P, 2005.

Theall, Donald F. The Virtual Marshall McLuhan. Montreal and Kingston: McGill-Queen’s UP, 2001.

The Medium Is the Rear-View Mirror: Understanding McLuhan. Montreal: McGill-Queen’s UP, 1971.

Willmott, Glenn. McLuhan, or Modernism in Reverse. Toronto: U of Toronto P, 1996.

Essays

Barilli, Renato. ‘Re-Thinking Modernity.’ McLuhan Studies 1 (Spring 1991): 117–40.

– ‘L’estetica tecnologica di Marshall McLuhan.’ In Tra presenza e assenza. Milano: Bompiani, 1974.

– ‘Estetica e società tecnologica: Marshall McLuhan.’ Il Mulino 126 (March-April 1973): 264–340.

Bettetini, G. ‘Un mistico delle comunicazioni di massa.’ Rivista del cinematografo 54.2–3 (Feb.-March 1981): 95.

Carpenter, Edmund. ‘Remembering Explorations.’ Canadian Notes & Queries 46 (Spring 1992): 3–14.

Eco, Umberto. ‘E’ morto Marshall McLuhan.’ La Repubblica 3 (Jan. 1981).

Fulford, R. ‘All Ignorance Is Motivated: Re-examining the Feedback of McLuhanism.’ Canadian Notes & Queries 45 (Autumn 1991): 3–8.

Galbo, J. ‘McLuhan and Baudrillard: Notes on the Discarnate, Simulations and Tetrads.’ McLuhan Studies 1 (Spring 1991): 103–7.

Guardiani, Francesco. ‘The Postmodernity of Marshall McLuhan.’ McLuhan Studies 1 (Spring 1991): 141–62.

Kermode, Frank, ‘Marshall McLuhan Interviewed.’ The Month, April 1969, p. 219.

Kettle, J. ‘Marshall McLuhan, Prophet and Analyst of the Age of Instant Knowledge.’ Canada Month, October 1995.

Kostelanetz, R. ‘Marshall McLuhan: High Priest of the Electronic Village.’ In Master Minds. New York: Macmillan, 1967.

Logan, Robert K. ‘The Axiomatics of Innis and McLuhan.’ McLuhan Studies 1 (Spring 1991): 75–102.

Lorenzini, Amleto. Introduction. In Il paesaggio interiore: La critica letteraria di Marshall McLuhan. Varese: Sugarco, 1983. 7–12.

McLuhan, Eric. ‘The New Science and the Old.’ McLuhan Studies 1 (Spring 1991): 27–36.

The Medium’s Messenger: Understanding McLuhan. Special issue of Canadian Journal of Communication (Fall 1989). [A special issue commemorating the 25th anniversary of Understanding Media]

Meyrowitz, Joshua. ‘Canonic Anti-text: Marshall McLuhan’s Understanding Media.’ In Canonic Texts in Media Research: Are There Any? Should There Be? How about These? Ed. Elihu Katz et al. Cambridge: Polity P, 2003. 191–212.

Morrison, James C. ‘Marshall McLuhan: The Modern Janus.’ In Perspectives on Culture, Technology and Communication: The Media Ecology Tradition. Ed. Casey Man Kong Lum. Cresskill, NJ: Hampton P, 2006. 163–200.

Pietropaolo, Domenico. ‘Vichian Ascendancies in the Thought of Marshall McLuhan.’ New Vico Studies 13 (1969): 55–62.

Powe, Bruce W. ‘Apprehensions Now: Canetti and McLuhan.’ In The Solitary Outlaw. Toronto: Sommerville House, 1996. 179–206.

– ‘Marshall McLuhan, the Put-on’ and ‘McLuhan and Frye, Either/Or.’ In A Climate Charged: Essays on Canadian Writers. Oakville, ON: Mosaic P, 1984. 17–33, 55–8.

Sanderson, G. ‘Towards Cyborgia: Aristotle, Bergson and McLuhan on the Nature of the Soul.’ McLuhan Studies 1 (Spring 1991): 177–80.

Schickel, R. ‘Marshall McLuhan: Canada’s Intellectual Comet.’ Harper’s, November 1965, pp. 62–8.

Wain, J. ‘The Incidental Thoughts of Marshall McLuhan.’ Encounter, June 1985.

Wolfe, Tom. ‘What If He Is Right?’ In The Pump House Gang. New York: Farrar, Straus and Giroux, 1968. 129–68.

Zingrone, Frank. ‘Laws of Media: The Pentad and Technical Syncretism.’ McLuhan Studies 1 (Spring 1991): 109–15.

Videos

Marshall McLuhan: The Man and His Message. Dir. Stephanie McLuhan-Ortved. McLuhan Productions, 1984.

Marshall McLuhan’s ABC. Written and directed by David Sobelman. TVOntario Production, 2002.

McLuhan’s Wake. Dir. Kevin McMahon. Written and co-produced by David Sobelman. Primitive Entertainment, in co-production with the NFBC, 2002.

The Video McLuhan. Written and narrated by Tom Wolfe. Set of six VHS videotapes. McLuhan Productions, 1996.

Other Works Cited

AAVV. Discorsi sul romanzo. Firenze: Alinea, 1984.

Adkins, Richardson J. Modern Art and Scientific Thought. Urbana: U of Illinois P, 1971.

Albright, Daniel. Quantum Poetics: Yeats, Pound, Eliot and the Science of Modernism. Cambridge: Cambridge UP, 1997.

Alfano Miglietti, Francesca. Extreme Bodies: The Use and Abuse of the Body in Art. Milan: Skira, 2003.

Identità mutanti: Dalla piega alla piaga: Esseri delle contaminazioni contemporanee. Genova: Costa & Nolan, 1997.

Ardis, Ann. Modernism and Cultural Conflict, 1880–1922. Cambridge: Cambridge UP, 2002.

Ashby, Ross. An Introduction to Cybernetics. New York: Wiley, 1957.

Auerbach, E. Mimesis: The Representation of Reality in Western Literature. Princeton: Princeton UP, 1953.

Bacigalupo, Massimo. ‘Le poetiche dell’impersonalità: Pound, Eliot, Joyce e Lewis.’ In Modernismo/Modernismi: Dalla Avanguardia storica agli anni Trenta e oltre. Ed. Giovanni Cianci. Milano: Principato, 1991. 255–71.

Bacon, Francis. The Advancement of Learning. London: J.M. Dent & Sons, 1950.

Essays. London: J.M. Dent & Sons, 1947.

Ballard, J.G. The Atrocity Exhibition. New York: Doubleday, 1970.

Crash. London: Vintage, 1995.

Barilli, Renato. Informale. Oggetto. Comportamento. Milano: Feltrinelli, 1979.

Barthes, Roland. Mythologies. Paris: Seuil, 1957.

S/Z. Paris: Seuil, 1970.

Bateson, Gregory. Steps to an Ecology of Mind. New York: Ballantine, 1972.

Battistini, Andrea, ed. Letteratura e scienza. Bologna: Zanichelli, 1977.

Baudrillard, Jean. Simulations. Trans. Paul Foss, Paul Patton, and Philip Beitchman. New York: Semiotect(e), Inc., 1983.

Bauman, Zygmunt. Modernity and Ambivalence. Ithaca, NY: Cornell UP, 1991.

Bell, Ian. Critic as Scientist: The Modernist Poetics of Ezra Pound. New York: Methuen, 1981.

Benedikt, Michael. Cyberspace: First Steps. Cambridge, MA: MIT P, 1992.

Berger, R. Téléovision: Le nouveau Golem. Lausanne: Iderive, 1991.

Bergson, Henry. Laughter: An Essay on the Meaning of the Comic. New York: Macmillan, 1914.

Blake, William. The Poetry and Prose of William Blake. Ed. Geoffrey Keynes. London: Nonesuch P, 1948.

Bolter, David. Writing Space: The Computer in the History of Literacy. Hillsdale, NJ: Erlbaum, 1990.

Bradbury, Malcolm. ‘The English Review.’ London Magazine 8 (Aug. 1958): 46–57.

Possibilities: Essays on the State of the Novel. Oxford: Oxford UP, 1973.

Bradbury, Malcolm, and James McFarlane, eds. Modernism: A Guide to European Literature, 1890–1930. London: Penguin Books, 1976.

Brand, Stuart. The Media Lab. New York: Viking, 1987.

Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Cambridge, MA: Harvard UP, 1992.

Buick, J., and Z. Jevtic. Cyberspace. Cambridge: Icon Books, 1995.

Burgess, Anthony. One Man’s Chorus. New York: Carroll & Graf, 1998.

Bush, Vannevar. ‘As We May Think.’ Atlantic Monthly 176 (July 1945): 101–8.

– ‘Memex Revisited.’ In Science Is Not Enough. New York: William Morrow, 1967. 75–101.

Calvino, Italo. Why Read the Classics. Translated from the Italian by Martin McLaughlin. New York: Pantheon Books, 2003.

Canetti, Elias. Crowd and Power. London: Penguin Books, 1984.

Capra, Fritj of. The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism. New York: Bantam Books, 1977.

Carey, Paul. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia. New York: St Martin P, 1989.

Carpenter, Edmund. ‘Eskimo Space Concepts.’ In Explorations: Studies in Culture and Communication 5 (June 1955): 131–45.

Oh, What a Blow That Phantom Gave Me. New York: Holt, Rinehart and Winston, 1973.

Carruthers, Peter. Language, Thought and Consciousness. Cambridge: Cambridge UP, 1996.

Chesterton, J.K. Heretics. Rockville, MD: Serenity Publishers Ltd., 2009.

The Secret of Father Brown. Teddington, Middlesex: The Echo Library, 2007.

Cianci, Giovanni, ed. Modernismo/Modernismi: Dalla Avanguardia storica agli anni Trenta e oltre. Milano: Principato, 1991.

Clayton, Philip. Mind and Emergence: From Quantum to Consciousness. Oxford: Oxford UP, 2004.

Colombo, Furio. Confucio nel computer: Memoria accidentale del futuro. Milano: Nuova ERI, 1995.

Cork, Richard. Vorticism and Abstract Art in the First Machine Age. Berkeley and Los Angles: U of California P, 1976.

Coupland, Douglas. Microserfs. New York: Regan Books, 1995.

Cronenberg, David. David Cronenberg: Interviews with Serge Grunberg. London: Plexus, 2006.

Cuddy-Keane, Melba. Virginia Woolf: The Intellectual and the Public Sphere. Cambridge: Cambridge UP, 2003.

Culler, J. On Puns: The Foundation of Letters. Oxford: Basil Blackwell, 1988.

Czitrom, D.J. Media and the American Mind: From Morse to McLuhan. Chapel Hill, NC: U of North Carolina P, 1982.

Dasenbrock, Reed Way. The Literary Vorticism of Ezra Pound and Wyndham Lewis. Baltimore: Johns Hopkins UP, 1985.

Davis, Douglas. Arts and the Future: A History/Prophecy of the Collaboration between Science and Technology and Art. New York: Praeger, 1973.

De Bernardi, Alberto. Una dittatura moderna: Il fascismo come problema storico. Milano: Bruno Mondadori, 2001.

DeFleur M. Theories of Mass Communication. New York: Longman, 1989.

De Saussure, Ferdinand. Course in General Linguistics. New York: McGraw-Hill, 1966.

Descartes, R. Discours de la méthode – Les Passions de l’ame. Paris: Phidal, 1995.

Desiderium Erasmus of Rotterdam. On Copia of Words and Ideas. Translated from the Latin with an Introduction by D.B. King and H.D. Rix. Milwaukee: Marquete UP, 1963.

Dettmar, Kevin J.H. Rereading the New: A Backward Glance at Modernism. Ann Arbor: U of Michigan P, 1992.

Di Michele, M. Le avanguardie artistiche del Novecento. Milano: Feltrinelli, 1966.

Diepeveen, Leonard. The Difficulties of Modernism. New York: Routledge, 2003.

Doob, Leonard W., ed. ‘Ezra Pound Speaking’: Radio Speeches of World War II. Westport, CT: Greenwood P, 1978.

Dotoli, G., ed. Prospettive di Cultura Canadese. Bari: Edizioni Schena, 1998.

Doyle, Arthur Conan. The Sign of the Four. 1890. New York: Barnes and Noble Inc., 1992.

Dunlop, Rishma. Metropolis. Toronto: Mansfield P, 2005.

Eco, Umberto. Apocalittici e integrati: Comunicazione di massa e teorie della cultura di massa. Milano: Bompiani, 1964.

La definizione dell’arte. Milano: Mursia, 1990.

Il nome della rosa. Milano: Fabbri Editore, 1980.

Il superuomo di massa: Retorica e ideologia nel romanzo popolare. Milano: Gruppo Editoriale Fabbri, 1978.

Edwards, Paul. Wyndham Lewis: Painter and Writer. New Haven: Yale UP, 2000.

Eisenstein, E.L. The Printing Press as an Agent of Change. Cambridge, MA: Harvard UP, 1979.

Eisenstein, Sergei. Film Form. Ed. and trans. Jay Leda. New York: Meridian, 1957.

Eliot, T.S. Essays Ancient and Modern. London: Faber & Faber, 1936.

The Sacred Wood. 1920. London: Methuen, 1960.

The Use of Poetry and the Use of Criticism. London: Faber & Faber, 1955.

The Waste Land. Torino: Einaudi, 1993.

Ellmann, Richard. James Joyce. Oxford: Oxford UP, 1982.

Emery, C. Ideas into Action: A Study of Pound’s Cantos. Coral Gables: U of Miami P, 1958.

Empson, W. Seven Types of Ambiguity. 1930. New York: Meridian, 1955.

Etrog, Sorel, and J. Cage. Joyce and the Dada Circus: A Collage / An Irish Circus on Finnegans Wake. Toronto/Dublin: The Black P/The Dolmen P, 1982.

Eysteinsson, Astradur. The Concept of Modernism. Ithaca, NY: Cornell UP, 1990.

Fakete, J. The Critical Twilight: Explorations in the Ideology of Anglo-American Literary Theory from Eliot to McLuhan. London: Routledge and Kegan Paul, 1977.

Fenollosa, Ernest. The Chinese Written Character as a Medium for Poetry. Ed. Ezra Pound. San Francisco: City Lights, 1936.

Ford, Ford Madox. The Critical Attitude. London: Duckworth, 1911.

The English Novel: From the Earliest Days to the Death of Joseph Conrad. Vol. 1. London: Constable, 1929.

The Fifth Queen. Oxford: Oxford UP, 1984.

Henry James: A Critical Study. In The Ford Madox Ford Reader. Ed. S.J. Stang. London: Paladin Grafton Books, 1987.

A History of Our Own Time. Edited by Solon Beinfeld and Sondra J. Stang, with a Foreword by Gordon A. Craig. Bloomington and Indianapolis: U of Indiana P, 1988.

Joseph Conrad: A Personal Remembrance. Boston: Little Brown and Company, 1924.

The March of Literature: From Confucius to Modern Times. London: G. Allen & Unwin, 1939.

– Preface. In Stories from de Maupassant, by Elsa Martindale. London: Duckworth, 1903.

Return to Yesterday. London: Gollancz, 1931.

Forster, E.M. The Aspects of the Novel. London: Penguin, 1970.

Fortunati, Vita. ‘Il metabolismo delle forme narrative nel romanzo impressionista.’ In Discorsi sul romanzo. Ed. Paolo Bagni. Firenze: Alinea, 1984. 81–100.

Fortunati, Vita, and E. Lamberti, eds. Ford Madox Ford and ‘The Republic of Letters.’ Bologna: CLUEB, 2002.

Foshay, Toby. Wyndam Lewis and the Avant-Garde: The Politics of the Intellect. Montreal: McGill-Queen’s UP, 1992.

Foucault, M. The Order of Things: An Archaeology of the Human Sciences. A translation of Les mots et les choses, 1970. New York: Vintage, 1994.

Frank, Joseph. ‘Spatial Form in Modern Literature’ (1945). In The Idea of Spatial Form. New Brunswick, NJ: Rutgers UP, 1991. 31–66.

Frye, Northrop. Anatomy of Criticism. Princeton: Princeton UP, 1957.

The Bush Garden: Essays on the Canadian Imagination. Toronto: Anansi, 1971.

Mythologizing Canada: Essays on the Canadian Literary Imagination. Ed. Branko Gorjup. New York: Legas, 1997.

Reflections on the Canadian Literary Imagination. Roma: Bulzoni, 1991.

Fuller, Buckminster. Education Automation. Carbondale: Southern Illinois UP, 1961.

Fuller, Buckminster, Jerome Agel, and Quentin Fiore. I Seem to Be a Verb. New York: Bantam Books, 1970.

Gasiorek, Andrzej. Wyndham Lewis and Modernism. Horndon, Tavistock, Devon: Northcote House Publishers, 2004.

Giddens, Anthony. The Consequences of Modernity. Stanford: Stanford UP, 1990.

Giedion, Siegfried. Mechanization Takes Command. 1948. New York: Norton, 1969.

Space Time and Architecture: The Growth of a New Tradition. Cambridge, MA: Harvard UP, 1965.

Gilson, Etienne. The Christian Philosophy of St. Thomas Aquinas. Trans. L.K. Shook. London: Gollancz, 1957.

History of Christian Philosophy in the Middle Ages. New York: Random House, 1955.

Gleick, James. Chaos: Making a New Science. London: Penguin, 1987.

Goldring, D. South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle. London: Constable & Co. Ltd, 1942.

Gombrich, E.H. Art and Illusion. New York: Pantheon Books, 1960.

Granata, Paolo. Arte, estetica e nuovi media: ‘Sei lezioni’ sul mondo digitale. Bologna: Fausto Lupetti Editore, 2009.

Green, Jonathon. All Dressed Up: The Sixties and the Counter-Culture. London: Jonathan Cape, 1998.

Greenblatt, Stephen, and Giles Gunn, eds. Redrawing the Boundaries. New York: Modern Language Association of America, 1992.

Grenet, Abbé Paul. Teilhard de Chardin: The Man and His Theories. Trans. R.A. Rudorff. London: Souvenir P, 1965.

Griffith, Belver C., et al. ‘Coherent Social Groups in Scientific Change.’ Science 177 (15 September 1972): 959–64.

Hall, Edward T. The Hidden Dimension. Garden City, NY: Doubleday, Anchor Books, 1969.

The Silent Language. Garden City, NY: Doubleday, 1959.

Hampson, Robert, and Max Saunders, eds. Ford Madox Ford’s Modernity. Amsterdam: Rodopi, 2003.

Hart, Clive. Structure and Motif in Finnegans Wake. London: Faber & Faber, 1962.

Havelock, E.A. Preface to Plato. Cambridge, MA: Harvard UP, 1963.

Hayles, Katherine. The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century. Ithaca, NY: Cornell UP, 1984.

Heidegger, Martin. Being and Time. Trans. John Macuarrie and Edward Robinson. San Francisco: Harper & Row, 1962.

Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper & Row, 1971.

Heim, Michael. Electric Language: A Philosophical Study of Word Processing. New Haven: Yale UP, 1993.

Virtual Realism. New York: Oxford UP, 1998.

Heisenberg, Werner. Physics and Philosophy: The Revolution in Modern Science. New York: Harper & Row, 1958.

Heyer, Paul. Communication and History: Theories of Media, Knowledge and Civilisation. New York: Greenwood P, 1988.

Hickman, Miranda B. The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H.D., and Yeats. Austin: U of Texas P, 2005.

Higginbotham, J., ed. Greek and Latin in Literature: A Comparative Study. London: Methuen, 1969.

Huizinga, Johan. Homo Ludens. Trans. R.F.C. Hull. London: Routledge & Kegan Paul, 1949.

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London and New York: Routledge, 1988.

The Politics of Postmodernism. London and New York: Routledge, 1993.

Innis, Harold A. The Bias of Communication. Toronto: U of Toronto P, 1951.

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